Unframed Sculptures

Agathon LÉONARD (1841–1923) Lamp "Danseuse à L'Écharpe" "Dancer with the scarf" lamp A very rare sculpture forming a table lamp, made in gilded bronze The scarf hides the light bulb Signed on the side of the dress "A. Léonard Sclp" Cast by Susse Frères (with founder stamp) France circa 1905 height 60 cm A similar model is reproduced in "Les bronzes du XIXe siècle", P. Kjellberg, Les éditions de l'amateur, 2005, page 460. Biography: Léonard Agathon Van Weydeveldt, said Agathon Léonard (1841-1923) was a sculptor of Belgian origin naturalized French. After studying art at the Lille Academy of Fine Arts and then at the École des Beaux-Arts in Paris, Agathon Léonard settled in Paris for a long time, where after having exhibited at the Salon of 1868, he joined the Society of French artists in 1887, then to the National Society of Fine Arts in 1897. Very involved in the artistic movement of the Art Nouveau style, he exhibited many pieces (medallions, bronze statuettes and ceramics) finely worked. Following an order from the Manufacture Nationale de Sèvres, dating from 1898, Agathon Léonard exhibited at the Universal Exhibition of 1900 in Paris his famous table centerpiece "Game of the scarf" in porcelain biscuit, composed of fifteen statuettes representing dancers with pleated dresses reminiscent of Loïe Fuller's choreographies or Neo-Greek dancers...

Cups "C" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

White Clam Bowl Sculpture Dimensions: 8 x 11" diameter Glazed stoneware Hand-built ceramic bowl sculpture finished in a white glossy glaze interior. Adrienne Fierman’s White Ceramic...

Drawing inspiration from ancient ceramic traditions, including Korean pottery and the Japanese wabi-sabi aesthetic, Laura Pasquino (Grège Gallery) explores the beauty of imperfection...

PABLO PICASSO (1881-1973) Visage No. 111 (A. R. 476) Terre de faïence plate, 1963, numbered 422/500, with the workshop numbering, inscribed 'Edition Picasso' and 'Madoura', glazed...

"Ristra" by Alex Barrett Large-scale, organic abstract metal sculpture in powder-coated aluminum Alex Barrett's monumental abstract sculptures are built with aluminum, and are powde...

"Committed" by Denny Haskew Figurative Bronze Sculpture 11ft tall, x 60"w 60"d Edition of 7, *last available casting Additional images are available upon request. Please contact us ...

San Francisco-based folk artist Tim Weldon, fresh off a showing at Scottsdale’s annual Celebration of Fine Art, is a man in touch with his lovable inner child. He declares himself a ...

JD816 Exquisite Jadeite Jade Carving of Seated Deity with Dragon on Custom Hardwood Stand A superb example of Chinese jadeite artistry, this finely carved sculpture depicts a se...

Peter Anton’s (b. 1963, New Haven, Connecticut) primary subject matter is food with an emphasis on chocolates and other sweets. Anton creates giant realistic sculptures and is best k...

From canvas to kiln, Hunt Slonem brings his signature subject to life like never before. This wonderful hand-blown sculpture depicts one of Slonem's signature bunnies in beautiful bl...

Organic abstract sculpture by G. Krueger. The Serpentine stone has gorgeous earth-toned green, yellow, and orange hues, sculpted into a flowing shape in the style of Herman Miller Sc...

Jamie Harris straddles the disciplines of painting and glass blowing approaching his work, “more from a painterly perspective than as a traditional glassblower.” His work is primaril...

Edition of 12 A bronze sculpture of a nesting partridge, patinated in mottled brown with delicate specks of white, captures the quiet dignity and subtle charm of this iconic game bir...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

Ceramic, Wall Hanging, French Cleat, Stoneware, 2D Sculpture, The Hanged Man “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic d...

Delicate green and pink flora emerge from a pool of milky white light. “Looking Between I” (2022) by Colleen Toledano. Porcelain, flocking, light, resin.

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

This ceramic vase-like urn with a little golden ball on top is a unique piece handcrafted with care and passion. This beautiful memorial artwork combines aesthetic beauty with deep s...

In Koons’ hands even the most familiar, everyday items transcend commonality to become true icons manifesting the essence of American popular culture. Balloon Rabbit (Violet) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signed and numbered In mint condition, as acquired from the manufacturer In the original box designed by Jeff Koons, accompanied by a Certificate of Authenticity Inspired by a twisted rubber balloon rabbit, Balloon Rabbit (Violet), is a highly reflective red porcelain limited edition. Incorporating the vocabulary of his iconic Celebration sculptures, Balloon Rabbit, along with two other animals, Balloon Monkey and Balloon Swan, marked a spectacular new chapter in Jeff Koons’s oeuvre. “One of the things that I’m most proud of is making work that lets viewers not feel intimidated by art, but feel that they can emotionally participate in it through their senses and their intellect and be fully engaged”. — Jeff Koons The idea for a Balloon Rabbit sculpture came to Jeff Koons from his upbringing in south-central Pennsylvania. At special times of the year, people would decorate their front yard with reindeer at Christmas and inflatable rabbits at Easter. As his neighbors wished t give pleasure to other people with these decorations, the artist is proud to make art that is not intimidated for the viewers. JEFF KOONS Jeff Koons (born 1955) playfully tests the boundaries of commerce, celebrity, banality and pleasure, turning banal commercial or everyday objects into art icons by using seductive materials, a shift of scale and a contextual displacement. He rose to prominence in the mid-1980s as part of a generation of artists who explored the meaning of art in a media-saturated era. Koons turns banal commercial or everyday objects into art icons by using seductive materials, a shift of scale, and a contextual displacement. Jeff Koons’s “Balloon Dog” (featuring his enormous iconic chromium stainless steel dogs); his large-scale vinyl “Inflatables”; or the giant “Split-Rocker” all follow this principle. For instance, Jeff Koons in “Puppy” engaged the past and the present, referencing the eighteenth-century formal garden, while adding the most sugary of iconography. “It’s basically the medium that defines people’s perceptions of the world, of life itself, how to interact with others. The media defines reality.” —Jeff Koons Originally licensed as a commodities broker, Koons decided to become an artist in the late 1970s and moved from Wall Street into a factory-like studio in SoHo with hundreds of assistants. Since then, he has produced different iconic series, like the “Pre-New”, a series of domestic objects in strange new configurations, and “The Equilibrium” series, consisting of basketballs floating in distilled water tanks. The “Banality” series, which includes Jeff Koons´s “Michael Jackson and Bubbles” and “Woman in Tub”, among others, is characterized by oddly eroticized, comic, and kitsch images. However, it is indeed Koons’s “Made in Heaven” series that is his most provocative and controversial work, in which he examines the place of sexuality in visual culture. Koons is widely regarded as one of the most important, influential, and controversial contemporary artists. He constantly tests the boundaries between art and commerce...

Big Creature is a unique glass fiber reinforced concrete (blue/grey) sculpture by contemporary artist Pavlína Kvita, dimensions are 225 × 120 × 120 cm (88.6 × 47.2 × 47.2 in). The s...

"Regatta" by Kevin Barrett Large abstract wall sculpture in welded aluminum Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. ...

Isadore stands as one of the greatest animaliers of all time and this is a playful and endearing example of his work! Especially going forward, these bronzes make a distinctive and...

"Caesar crossing the Rubicon" by Jean-Léon Gérôme (1824-1904) Bronze with triple patina, gilded, brown and dark brown Cast by SIOT France circa 1900 height 38 cm length of the bas...

Forever a Rose by Denny Haskew Figurative Bronze Nude 37x18x36" ed/10 Stone is not included. Seated nude offering a rose in quiet contemplation. ” …when asked to create a piece for ...

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This Mixed Media piece titled "Leafy Leaf" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 21”h x 15”w x 1”d. Roxana Azar’s wor...

Created in 1956, this Madoura small convex wall plaque of white earthenware clay with engraving accentuated with oxidized paraffin in a glaze bath (ivory, brown) is from the edition ...

"Butterfly Effect No. 1" by Norman Mooney Edition of 10 + 2AP Apple plywood In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and internationally fo...

This geometric wall sculpture features green hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

"Blind Faith, Atelier" by Richard MacDonald depicts a blindfolded male performer balancing on pointe atop the sharp corner of a cube. Bent forward in a deep arch, his arms reach behi...

A white marble sculpture by Mario DeNoto. A modern abstract figure of subtly human-like features and slight gray veining. Artist: Mario DeNoto Title: Abstract Figure Medium: White...

The easy to live with brown and blue color theme delights the more conservative eye. The scrafitto carving and textures create liveliness to the shapes including the playful little c...

"El abrazo" Carolina Yrarrázaval, jute, linen, 40" x 14" x 7", 2017. This woven Contemporary textile sculpture was done by Chilean fiber artist, ...

Bronze Sculpture 'PELA' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Polished Certificate of authenticity Numbered and signed a...

Unique. Signed and dated -66 on the right side. Provenance: Galerie Bonnier, Genève Size with socle: 74x38x17 cm Arman explores reality. He strives to transform and sublimate art...

bone china with lustre rim 21 cm diameter Grayson Perry hallmark on the back. These decorative plates are inspired by the artwork The Great Beauty, 2024. The original piece is a cab...

This artwork titled "Cornbread Lives Canvas III," is an original artwork by Cornbread made of acrylic paint on canvas. The piece measures 12”h x 12”w and ships with a Gallery-Issued ...

With heavy “Renaissance” innuendos, his work approaches our concept of “existence” and “reality.” Bellino questions the viewer’s awareness and convictions about the boundaries of “li...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

#fahrenheit451, 2014 Neon and sheet metal 20 × 52 × 4 inches (50.8 × 132.1 × 10.2 cm) Edition 3/5 + 1AP 26 × 70 × 6 inches (66 × 177.8 × 15.2 cm) Editio...

Silver was the material of choice for both ecclesiastical and domestic vessels in the New World, not only for its status as a precious metal, but also because of its abundance and du...

Original handmade fibreglass relief sculpture from Ron Hitchins' own home. Uniquely handmade and signed by the artist. Part of a series of 3 (see our other listings for the other two...

Artist: Mirkò Guida (Italian, b. 1980) Title: Kiss Year: 2006 Medium: Painted terracotta artistic vase, signed and dated Size: 31 x 19 x 13 in. (78.74 x 48.26 x 33.02 cm)

Discover the perfect combination of rustic charm and modern elegance - our garden wall made of rusty steel combined with stainless steel! Our unique garden wall adds a touch of styl...

Takashi Murakami (Japanese, b. 1962) Gargantua on Your Palm, 2022 Medium: Porcelain plate (fine bone china) Dimensions: 10 1/2 in diameter 26.7 cm diameter Edition of 250: Printed s...

In this new series of wall plaques, titled ""Behind Closed Doors,"" the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features...

This Mixed Media piece titled "Fern Spiral Series 2" is an original artwork by Roxana Azar made of an etched fluorescent acrylic. The piece measure...

This Mixed Media piece titled "Fern Spiral Series 1" is an original artwork by Roxana Azar made of an etched fluorescent acrylic. The piece measures 6.25”h x 7”w x 2”d. Roxana Azar...

In “Blind Courage, Atelier" we witness Richard MacDonald’s vision come full-circle. The feminine counterpart to “Blind Faith”, “Blind Courage, Atelier" embodies the call to live life...

Round Mountain Landscape, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a majo...

Geoffrey Rose - Frozen Moments - Spilt Iced Tea, Year: 1978, Medium: Resin and Glass sculpture, Image Size: 6, Size: 5 x 9 in. (12.7 x 22.86 cm)

"Glacial Horizon" Abstract Sculpture 98" x 30" x 30" in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is a Miami-based artist renowned for his immersive, larg...

Original, penny sculpture. Fascinating Sculpture, each penny intricately welded together to create this figurative piece. Beautifully crafted, this incredible sculpture compliments ...

Orientalist African Hunter Leaning on His Shield Black Forest, School Switzerland  19th century Carved Wood 21 inches This is an exceptionally beautiful and exceptionally rare wood...

This piece titled "Mandarin House" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x 0.75"w...

The election of Donald Trump placed a spotlight on lower-class white families. This work lampoons the stereotypes we often have of those families. The piece is intentionally whimsical. The point is that until we see beyond superficial (and misleading) stereotypes, we have little hope of making any progress toward solving issues related to this, or any, class of individuals. --- Kat Flyn is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables, which she began using to create assemblage art in the 1990's. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art – a soft drink box into a tenement building (Affordable Housing 2017), a jewelry box into a wheelchair (Last Lily Foot 2016), an old shoe shine box into a hearse (Katrina 2018). The result is her work is closer in appearance to Folk Art than Assemblage Art. STATEMENT: Strictly speaking I am an assemblage artist, but in fact I construct more than assemble my works. I search out collectables, artifacts and woodcarvings and then build scenes to make statements regarding American society. Even when using artifacts from earlier centuries, my theme is almost always about contemporary America. Social injustice, racism, sexism, and violence - aspects of our national psyche – exist in the present but have their seeds planted in our past. Additionally, the artifacts I use often are meant to amplify the meaning of the work. For instance, the Black stereotype wood figures I use in many of my pieces were almost certainly crafted by a White person. By using such artifacts I ask: what kind of society produces such items in the first place? In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional value, having been discarded by its owner as worthless or broken. A saved object on the other hand has retained value, either because it was intrinsically valuable or because emotional value had been added to it (such as a photograph, an old shoe, a vintage toy) and consequently it was saved rather than discarded. The fact that I only use “saved objects” often results in viewers being attracted to the individual pieces within my works rather than seeing the narrative I am attempting to portray. The pieces on display in this exhibit are from my American Home Series. I have assembled an array of old artifacts, carved figures, and iconic symbols, each spotlighting an aspect of living conditions within our borders; and as is consistent with my art, focus is placed on failings in our social contract – overcrowded tenements, trailer parks...

This piece titled "The Tickler" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.5” x 5”x 3.5”. Kate VanVliet is a sculptor and...

This piece titled "Roly-Poly" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 4”h x 3.5”w x 2.5”d. Kate VanVliet is a sculptor a...