Board Sculptures

Harmony is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 31 × 30 × 14 cm (12.2 × 11.8 × 5.5 in). The scul...

Swoop by Patricia Volk. Fired clay constructed, painted and mounted on MDF, 42 cm × 30 cm × 30 cm. Patricia Volk is a member of the Royal Society of Sculptors (FRSS) and an Academician of the Royal West of England Academy (RWA). Her work was recently featured in the book "50 Women Sculptors", alongside that of very famous artists such as Camille Claudel...

Quadrant by Patricia Volk. Fired clay constructed, painted and mounted on MDF, 27 cm × 42 cm × 18 cm. Patricia Volk is a member of the Royal Society of Sculptors (FRSS) and an Academician of the Royal West of England Academy (RWA). Her work was recently featured in the book "50 Women Sculptors", alongside that of very famous artists such as Camille Claudel...

Assembly by Patricia Volk. Fired clay constructed, painted and mounted on MDF, 51 cm × 46 cm × 25 cm. Patricia Volk is a member of the Royal Society of S...

Banksy Walled Off Hotel Boxed Set Assemblage, 2017 Mixed Media assemblage: unique piece of concrete/cement wall with framed lithograph. Accompanied by original embossed receipt from...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Mid 20th Century sgraffito work on plaster by Jean Pierre de Cayeux. The work is signed and dated on the skirt of the card player, bottom right, and on the stretcher of the chair, bo...

In this creation, I've poured my soul into embracing the warmth of the golden hour, a symphony of florals dances across the canvas, their delicate petals bathed in an uplifting amber...

I was inspired to create this series by the film “The secret garden “ from the director Marc Munden. Оf course, the garden is only a metaphor . In a world overloaded with information and problems, every person needs a shelter where his soul can rest and heal and where he can forget about everything else for a while. For some people it is a faith, for someone it is a relationship , a job or a hobby. The magic garden...

In this piece, I poured my soul into capturing the ephemeral beauty of nature's twilight moments. With each stroke of acrylic, spray, and ink, I aimed to embody the richness, depth, ...

In creating this lush garden of thoughts, I wielded acrylics and ink to breathe life into a vibrant dance of florals. Each brushstroke carries whispers of mystery and untold stories ...

Liam Gillick, Recessed Discussion Stream Plexiglas and MDF Edition of 30 12 x 50.1 x 20 cm (4.7 x 19.7 x 7.9 in) Signed and numbered on Certificate of Authenticity In mint condition,...

Nocturnal Parts is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. It is a relief consisting of two open spherical parts with an intriguing matte black finish, perhaps a bit mysterious but very beautifully made. It can be hanged in two different ways, with the opening between the two spherical elements either facing away or facing the observer. Depending where the light comes from one might decide for the one or the other hanging method. Sander Martijn Jonker (1977, Netherlands) graduated from the St. Joost School of Art & Design in Den Bosch, The Netherlands. He primarily makes three-dimensional reliefs that play with the tension between abstraction and representation, surface and space. Light, shadow and their elusive ever-changing properties play an important role. Although the resulting works are abstract, he uses everyday reality as a starting and/or reference point. His work is created through forms of manipulation, distortion, repetition and simplification. Some works arise from the repetition of a simple movement or form, others are made by exploring how far he can go with the deformation and manipulation of the material, after which he captures and preserves the shape. He experiences daily life as uncontrollable and at times confusing. In order to cope with that, he is always looking for patterns and has gradually developed various rituals and ways of control, hoping they can offer him certainty and reassurance. His work and person are inextricably connected. He makes the things he makes because he doesn’t have a choice. He is trying to get a grip...

This piece titled "Isosahedron" is an original artwork by members of Space 1026 and is made of cardboard, paper, acrylic, and varnish. This piece measures 1...

Mixed Media painted sculpture. Vibrant colors. About the artist: John Grande is a New York-based artist who reflects upon modern and contemporary culture with his constructed pa...

This piece titled "Rhombicuboctagedron" is an original artwork by members of Space 1026 and is made of cardboard, paper, acrylic, and varnish. This piece me...

This piece titled "Octahedron" is an original artwork by members of Space 1026 and is made of Cardboard, paper, acrylic, and varnish. This piece measures 1...

In this framed wall sculpture, digital prints and hand-colored lithography on hand-cut tissue weight kozo and gampi paper are cut to mimic botanical shapes and pinned with entomology...

Untitled by Tito Monzón

Untitled by Tito Monzón

Untitled by Tito Monzón

Untitled by Tito Monzón

Untitled by Tito Monzón

Untitled by Tito Monzón

Untitled by Tito Monzón

MASTERPIECE Piece made of cardboard, delicately hand painted by the most expert artisans of Guadalajara Jalisco, México. LISTING =================================== 1 Cardboard handpainted Virgin =================================== DIMENSIONS =================================== 24" x 24" x 8" in or 60 x 60 x 20 cm =================================== DETAILS =================================== Time of Preparation: 2 months Made: Guadalajara, Jalisco, México. Artisan: Danilo Lopez Ochoa...

Untitled by Tito Monzón

Untitled by Tito Monzón

Minimalist abstract three dimensional wall sculpture in black "Becoming a Dark Thing Through the Night", by Japanese born artist, Dai Ban, in 2019 38 x 19 x 5 inches Precision board,...

"Fruit of Poet" by Dai Ban, 2021 42" X 22" X 12" Foam Board, Venetian Plaster, Beeswax, Pigment Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...

"Red White All Over - In" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Work...

"Yellow Red Cobalt - In" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Work ...

"Blue Gradation" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Work - Elizab...

"Red White All Over - Out" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Wor...

"Yellow Graphite - In" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Work - ...

"Yellow Red Cobalt - Out" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Work...

"Yellow Graphite - Out" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Work -...

Frank Stella Porcelain Ashtray in hand designed bespoke box, 2000 Porcelain dish in original box Limited Edition of 2000 Signed in plate, Artists incised signature on box. 4 1/2 × 3...

A one of a kind 19" x 44" x 10" Magisterial Mixed Media surreal Cardboard Sculpture executed by artist Debbie Korbel. A certificate of authenticity will be provided upon its purchase...

"She Carried Water", 2019 (Abstract Free Standing Tabletop Sculpture in Shades of White, Grey and Black) 31 x 12 x 8 inches Precision board, Venetian plaster, pigments, beeswax The ...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

Abstract geometric, minimalist wall sculpture in white and grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the sculpture weighs abo...

TOM OTTERNESS Horse and Rider Maquette, 2003 White Resin Sculpture held in original box 5 1/2 × 3 1/2 × 2 inches Signed Tom Otterness Incised signature on the feet (see photos) Limited Edition (exact number produced unknown) This 2004 Horse and Rider black resin maquette is a miniature of famed American public sculptor Tom Otterness's large bronze "Horse and Rider" sculpture located at Texas Tech University's Student Union Gathering Pavilion. Rarely found in the original vintage box - this is a collectors item! The original piece was commissioned by the Student Union to celebrate Texas Tech's famous mascot - "The Masked Rider". Otterness' version of the mascot depicts the Masked Rider atop of the horse, kicking its “feet triumphantly in the quest for truth,” as he describes. (The tradition of the Masked Rider started as a dare in 1936 when an unidentified masked or ghost rider would circle the football field during home games. The Masked Rider became an official Texas Tech mascot in 1954.) The artist made a limited series of white and black resin multiples back in 2003 as a result of numerous requests by students for affordable models of the Horse and Rider. They were only available for sale by the Texas Tech student union and sold out very quickly. Although there is no stated edition, it was a one-off offering, produced by the artist just for Texas Tech students, with no second editions ever made. Once they sold out - that was it. Now Otterness' "Horse & Rider" is a highly desirable vintage collectors item. Created in an unknown but very limited first edition only back in 2003. Horse and Rider is difficult to find, - so if you're an Otterness (or Texas Tech) fan, we recommend you snag this one! About Tom Otterness: Tom Otterness was born in Wichita, Kansas in 1952. He came to New York City in 1970 to study at the Arts Students League, and in 1973 took part in the Whitney Independent Study Program. In 1977 he became a member of Collaborative Projects, a pioneering community of independent artists, and took a leading role in organizing Colab’s 1980 Times Square Show, which was called “the first avant-garde art show of the ‘80s” by the Village Voice. Otterness is one of a handful of contemporary artists invited to design a balloon for the Macy’s Thanksgiving Day Parade, for which he devised a tumbling Humpty-Dumpty in 2005. Otterness lives and works in New York. Otterness may well be “the world’s best public sculptor,” as the art critic Ken Johnson opined in the New York Times in 2002. Public art is his focus, and Otterness has had major outdoor exhibitions of his sculptures on the Park Avenue Mall in New York (2003), in more than a dozen sites in downtown Indianapolis (2005), on the grounds of the Beverly Hills city hall (2005-06) and throughout Grand Rapids, Michigan (2006). His first solo exhibition, held at Brooke Alexander Gallery in New York in 1983, featured elements of The New World (1991), a white plaster frieze of 250 nude “Ur-people,” as essayist Hayden Herrera called them, eventually destined for the plaza of the Edward R. Roybal Federal Building in Los Angeles, a General Services Administration commission. In the U.S., Otterness has completed at least three dozen public commissions, including Life Underground (2004), his celebrated multi-figural bronze sculpture installation for the New York Metropolitan Transportation Agency at the 14th Street station on the Eighth Avenue subway lines. His international commissions include public plazas in Münster, Germany (1993), Toronto, Canada (2007), and Seoul, South Korea (2010), and a large public park in Scheveningen, the Netherlands (2004). In 2013, Creation Myth, a gateway park for the Memorial Art Gallery in Rochester, N.Y., was dedicated. Otterness has exhibited his work at John Berggruen Gallery in San Francisco, and other important contemporary art galleries. His most recent exhibition, Metal on Paper: Silverpoint, Copperpoint & Steelpoint Drawings, opened at Marlborough in September 2015. Works by Otterness are included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Eli Broad Family Foundation, the Brooklyn Museum, the San Francisco Museum of Modern Art, the Carnegie Museum, the Museo Tamayo in Mexico City, the Israel Museum in Jerusalem, and others. He was elected a member of the National Academy in 1994. Most recently, Otterness has installed The Tables from the collection of the Whitney and 50 new sculptures in niches at the Cathedral of Saint John the Divine, as part of the group exhibition, The Value of Food. On a personal note, Otterness has practiced Tai Chi, martial arts, and boxing in the school of William C. C. Chen since the 1970s, and his studio features a boxing bag...

Multifaceted Copper Enamel Tiles Abstract by N.G. Bloome Enameled Copper panels "Picasso" esq by an unknown artist. N.G. Bloome (American, 20th C). Uniq...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

A striking and completely unique abstract fibreglass sculpture from the artist's own home. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Concrete Fram...

This textured abstract diptych by Teodora Guererra features a light blue-green palette with warm yellow accents throughout. The artist layers thick strokes of paint using a palette k...

This textured abstract diptych by Teodora Guererra features a light, cool palette with subtle warm pink accents throughout. The artist layers thick strokes of paint using a palette k...

Liam Gillick, Recessed Discussion Stream Plexiglas and MDF Edition of 30 12 x 50.1 x 20 cm (4.7 x 19.7 x 7.9 in) Signed and numbered on Certificate of Authenticity In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. Gillick’s work exposes the dysfunctional aspects of a modernist legacy in terms of abstraction and architecture when framed within a globalized, neo-liberal consensus. His work extends into structural rethinking of the exhibition as a form. He deploys multiple forms to expose the new ideological control systems that emerged at the beginning of the 1990s. "By making the abstract concrete, art no longer retains any abstract quality, it merely announces a constant striving for a state of abstraction and in turn produces more abstraction to pursue." -Liam Gillick Gillick’s work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere. This colorful Plexiglas...

This pair of textured abstract paintings by Teodora Guererra features a light, greyscale palette with subtle warm accents throughout the composition. The artist layers thick strokes ...

This textured abstract diptych by Teodora Guererra features a light blue, grey, and white palette. The artist layers thick strokes of paint using a palette knife over board, creating...

Carlos Cruz Diez (1923-2019) “Physichromie No. 1354” 2002 Plastic inserts and digital print on cardboard Ed. 2/3 11 7/8 x 12 in Provenance: Galerie Mark Hachem, Paris. Private Colle...

Historic Collectors item! RARELY found hand signed by the artist. KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Cast Vinyl (Hand Signed & Dated by KAWS) 7 3...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Contemporary abstract geometric sculptural wall applique "Haut Relief Totem' by French artist Joseph Alessandri, signed and dated 2011 with reference number to the reverse. Superb a...

Encaustic painting is an ancient art form and was practiced by artists as far back as the 5th century B.C. The word encaustic comes from Greek and means “to burn in”, which refers to...

Encaustic painting is an ancient art form and was practiced by artists as far back as the 5th century B.C. The word encaustic comes from Greek and means “to burn in”, which refers to...

Die Arbeit Eiskalt, markiert für mich einen wichtigen Punkt in der aktuellen Entwicklung der Serie. Ich bemerke, dass mein Wunsch mit Objekten zu arbeiten immer deutlicher wird. Die ...