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Medium: Found Objects
Conny Goelz Schmitt "Flyover" Vintage Book Parts Sculpture
Located in New York, NY
"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-ending story where I play with deconstruction and reconstruction, and changing di...
Category
2010s Contemporary Found Objects Sculptures
Materials
Found Objects
"RECLAIMERS" Abstract assemblage, found objects, acrylic paint
By Jim Houser
Located in Philadelphia, PA
This piece titled "RECLAIMERS" is an original artwork by Jim Houser and is made of acrylic paint and assembled objects. This piece measures approximately 10”h x 10”w x 3.5”d and was ...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Found Objects, Acrylic
Assembler Naranja N°1, N°3 and N°2. Abstract Mixed Media Wall Sculpture
Located in Miami Beach, FL
For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...
Category
2010s Minimalist Found Objects Sculptures
Materials
Metal
“Video Editing Keyboard 1 - 2 - 3” (Archeology series) Video Keyboard Sculpture
Located in New York, NY
Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso.
Art measures 7 x 7 x 1.75 in (each)
The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape.
Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects.
The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas.
Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...
Category
2010s Contemporary Found Objects Sculptures
Materials
Concrete
"Day in the Life: Green #22", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Green #22" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Glue, Found Objects, Acrylic, Mica, Organic Material
"Chimaera: Green #14", Reconstructed egg sculpture
Located in Philadelphia, PA
This piece titled "Chimaera: Green #14" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.75”h x 2”w x 2”d and ships with the pic...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Candy Everybody Wants", Found object assemblage, Reconstructed eggs
Located in Philadelphia, PA
This piece titled "Candy Everybody Wants" is an original piece by Kate VanVliet and is made from repaired quail eggs, mica, and acrylic (vintage candy dispenser...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Found Objects, Acrylic, Mica, Organic Material
"Egg Canoes: Duck #9-11", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "SEgg Canoes: Duck #9-11" is an original piece by Kate VanVliet and is made from eggshell, mica, 3-D printed PETG, acrylic, pine. This piece measures 4”h x 10”w x 2...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Wood, Found Objects, Acrylic, Mica
"Chimaera: Green #13", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: Green #13" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 2.5”w x 2.5”d and ships with the ...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Oldies Swing", Abstract Patterns, Geometric Abstraction, Woodcut, Monoprint
Located in Philadelphia, PA
This piece titled "Oldies Swing" is an original piece by Alexis Nutini and is made from a woodcut and and found object stencil monoprint mounted on panel. This piece measures 19"h x ...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Found Objects, Wood Panel, Monoprint, Woodcut
"Bouquet, " Mixed Media Sculpture
Located in Chicago, IL
Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life.
Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest.
Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...
Category
21st Century and Contemporary Abstract Found Objects Sculptures
Materials
Stone
Land Of The Giants
By Tony Dagradi
Located in New Orleans, LA
TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Paper, Varnish, Found Objects
Everyone gets Due Process, Right?
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Found Objects, Wood, Mixed Media
Conny Goelz Schmitt "See Through" Vintage Book Parts Sculpture
Located in New York, NY
"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-ending story where I play with deconstruction and reconstruction, and changing di...
Category
2010s Contemporary Found Objects Sculptures
Materials
Found Objects
"CELLAR MUSIC" Wall hanging assemblage by Jim Houser
By Jim Houser
Located in Philadelphia, PA
This piece titled "CELLAR MUSIC" is an original artwork by Jim Houser and is made of assembled objects. This piece measures approximately 9.5”h x 8”w x 5.5”...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Found Objects, Acrylic
Miss You
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Miss You" is an original artwork by Kelly Kozma made of hand embroidery, stickers, and chain on paper. The piece measures 13”h by 13”...
Category
21st Century and Contemporary Found Objects Sculptures
Materials
Fabric, Thread, Found Objects
Liz Sweibel, Untitled (Splinter 8 ), 2014, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...
Category
2010s Minimalist Found Objects Sculptures
Materials
Wood, Paint, Found Objects
Jo Yarrington, Ghost Girls, Camel Hair Brush Display, 2018, Found Objects, Metal
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Found Objects Sculptures
Materials
Metal
Surreal Contemporary Figurative Mixed-Media Sculpture Found-Object American
Located in Buffalo, NY
One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame.
Born in Dunkirk NY, Kuznicki started his career working for artists su...
Category
2010s Surrealist Found Objects Sculptures
Materials
Found Objects, Mixed Media
Ten Milkweed Pods
Located in Philadelphia, PA
This piece titled "Ten Milkweed Pods" is an original artwork made from Plaster, acrylic paint pens, milk, relief on mulberry paper, and silverpoint, moun...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Plaster, Found Objects, Acrylic, Mulberry Paper
Tool-Box
By Mary Shaffer
Located in Glen Ellen, CA
This "Tool-Box" installation by Mary Shaffer includes all nine slumped glass and found metal tool sculptures, as well as the custom, painted wood wall cabinet for display...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Steel
$21,000
Can Man (Make Graffiti Fun Again), animatronic dancing spray can, black & gray
By NTEL
Located in Jersey City, NJ
Animatronic spray can sculpture by NTEL that dances and shakes its hips when plugged in. Made with felt, polymer and acrylic and includes cardboard black and silver brick wall. Gen...
Category
2010s Street Art Found Objects Sculptures
Materials
Felt, Found Objects, Acrylic, Polymer
Milky Way
By Eric Rhein
Located in New York, NY
Eric Rhein “Milky Way”
2006
Signed, verso
Wire, paper, and found objects
17 x 24 x 2 inches (43.2 x 61 x 7.6 cm), framed
This work is offered by CLAMP i...
Category
Early 2000s Contemporary Found Objects Sculptures
Materials
Wire
$10,000
Coin Cunt XXXVIII
Located in Philadelphia, PA
This piece titled "Coin Cunt XXXVIII" is an original artwork made from kiss-lock coin purses and thread by Suzanna Scott. This piece measures approx. 4"x4", size varies
Suzanna Scot...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Thread, Found Objects
"An Exact Record Of How It Happened", Green, Red, and White Sculpture
Located in Philadelphia, PA
This free-standing sculpture titled "An Exact Record Of How It Happened" is an original artwork by Jedediah Morfit made of plaster, paint, wax, thermoplastic, epoxy, wood, rope. This piece measures 33.25"h x 10"w x 14"d.
BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Wood, Plaster, Paint, Wax, Epoxy Glue, Found Objects
Treasure 7.8 (with blue silver and pink)
Located in Boston, MA
Artist Commentary:
Made from post consumer can-tabs. Can-tabs can be found in a rainbow of colors according to their brands. The blue are from Michelob beer and the pink are from White Claw brand beverages. The can-tabs are washed 3 times at my studio before being added to an artwork.
Keywords: assemblage, post consumer can-tabs
Details: This is a wall mounted scuplture made from post consumer can-tabs and safety pins mounted on green MDF. A hanging cleat is attached on back. signed on back. No paints are used in this piece. The can-tabs are manufactured in many colors according to thier brand.
Artist Biography:
Since 2002, award winning artist Virginia Fleck...
Category
21st Century and Contemporary Assemblage Found Objects Sculptures
Materials
Found Objects, Pins
Small Fruit Press
Located in Philadelphia, PA
This sculpture titled "Small Fruit Press" is an original artwork by Ulla-Stina Wikander made of needlepoint embroidery and vintage object. This piece measu...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Textile, Thread, Found Objects
Grounding
By Kelly Kozma
Located in Philadelphia, PA
This sculpture titled "Grounding" is an original artwork by Kelly Kozma made of punched paper and photographs hand-stitched together with embroidery thread...
Category
21st Century and Contemporary Found Objects Sculptures
Materials
Metal
"Philomena Dates a Photon" mixed media sculpture
Located in Glen Ellen, CA
This large-scale suspended sculpture is made from welded and powder-coated steel, repurposed highway reflectors, and a cut-glass sphere. It is pictured here installed outdoors with an optional welded steel stand, but the sculpture can also be suspended from another structure or stand, indoors or outdoors. Watch the short video to see "Philomena Dates a Photon" spinning from the ceiling in an indoor gallery setting!
Jeff Glode Wise makes wildly exuberant sculptures. He utilizes such diverse materials as steel, wood, stone, glass, concrete, bronze, and gold -- whichever is the most appropriate for the aesthetic and functional purposes at hand. He then transforms these materials through various techniques and crafts honed for years through his practice of jewelry making: welding, carving, casting, meticulous fitting, plating, etc.
Art and the making of objects have defined Jeff Wise...
Category
2010s Contemporary Found Objects Sculptures
Materials
Steel
Thinking About the Old Carpet & the Air Hockey Table
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Thinking About the Old Carpet & the Air Hockey Table" is an original artwork by Kelly Kozma made of hand embroidery and photographs...
Category
21st Century and Contemporary Found Objects Sculptures
Materials
Fabric, Thread, Found Objects
Little April Shower
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Little April Shower" is an original artwork by Kelly Kozma made of hand embroidery on paper. The piece measures 13”h by 13”w fra...
Category
21st Century and Contemporary Found Objects Sculptures
Materials
Fabric, Thread, Found Objects
Soft Swirl
By Kelly Kozma
Located in Philadelphia, PA
This fibers, drawing, and sculptural work titled "Soft Swirl" is an original artwork by Kelly Kozma made of hand-embroidery, colored pencil, and acrylic paint on paper. The artist us...
Category
21st Century and Contemporary Abstract Found Objects Sculptures
Materials
Fabric, Thread, Found Objects
Mystery Friends
Located in Philadelphia, PA
This figurative sculpture titled "Mystery Friends" is an original artwork by Debra Broz made of secondhand ceramics and mixed media. The individual sculptures measure 3.5"h x 2.5"w x...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Ceramic, Found Objects
Jo Yarrington, Ghost Girls_Brushes, 2017, Organic Material, Found Objects, Pins
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Found Objects Sculptures
Materials
Organic Material, Found Objects, Pins
"Persian Spaniels" vintage ceramics animals, chimaera, repurposed materials
Located in Philadelphia, PA
This figurative sculpture titled "Persian Spaniels" is an original artwork by Debra Broz made of secondhand ceramics and mixed media. The sculptures measure...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Ceramic, Found Objects
"Louis", Contemporary, Mixed Media, Beaded, Sculpture, Found Objects, Glass
By Jan Huling
Located in St. Louis, MO
Jan Huling was born in Chicago and raised in St. Louis. After attending the Kansas City Art Institute she started her career in greeting card design at Hallmark. She now works in New...
Category
2010s Contemporary Found Objects Sculptures
Materials
Glass, Plastic, Found Objects, Mixed Media, Other Medium
Queen Victoria -- contemporary abstract painting & collage with figure & objects
Located in Bryn Mawr, PA
"QUEEN VICTORIA" is created and from acrylic and found objects on round MDF panel. It includes a photograph of a figure, pocket knife, beads, charms, and other unidentified objects in metal and wood. It is signed and dated along the lower edge.
PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022.
"Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson
Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; Temple University; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...
Category
Early 2000s Abstract Found Objects Sculptures
Materials
Found Objects, Acrylic, Panel
“Pen Decline 1 - 2 - 3 in White” (Archeology series) Computer Keyboard Sculpture
Located in New York, NY
Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso.
Art measures 8.75 x 8.75 x 1.25 in (each)
The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape.
Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects.
The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas.
Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...
Category
2010s Contemporary Found Objects Sculptures
Materials
Concrete
New Address
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "New Address" is an original artwork by Kelly Kozma made of hand embroidery and photographs on paper. The piece measures 13”h by 13”w framed.
Kelly Kozma is ...
Category
21st Century and Contemporary Found Objects Sculptures
Materials
Fabric, Thread, Found Objects
Squeaking By
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Squeaking By" is an original artwork by Kelly Kozma made of hand embroidery and photographs on paper. The piece measures 13”h by 13”w framed.
Kelly Kozma is...
Category
21st Century and Contemporary Found Objects Sculptures
Materials
Fabric, Thread, Found Objects
"Flowering Ballerina" Vintage ceramic sculpture
Located in Philadelphia, PA
This figurative sculpture titled "Flowering Ballerina" is an original artwork by Debra Broz made of secondhand ceramics and mixed media. The sculpture measu...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Ceramic, Found Objects
Jesse Hickman, Note Three Twenty Seven Sixteen F, 2016, Enamel, Wood, Glue
Located in Darien, CT
Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...
Category
21st Century and Contemporary Minimalist Found Objects Sculptures
Materials
Enamel
Margaret Roleke, Holy Wars, 2015, children's toys, spray enamel, wood panel
Located in Darien, CT
Roleke creates politically aware work. Her wall reliefs are composed of multitudes of plastic toys, oddly sexualized Disney characters and Happy Meal trinkets. Through investigation ...
Category
21st Century and Contemporary Post-Modern Found Objects Sculptures
Materials
Plastic, Found Objects, Spray Paint, Wood Panel
"Close Enough", Hand-Cut Paper Towel Sculpture, Text, Found Object, White
Located in Philadelphia, PA
This white wall-hanging artwork titled "Close Enough" is an original artwork by Rosa Leff made of hand-cut paper towel. This piece measures 12"h x 12"w fra...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Found Objects
"A FLATNESS IN THE EYES", Assemblage Wall-Hanging, Found Objects, Threat, Paint
By Jim Houser
Located in Philadelphia, PA
This artwork "A FLATNESS IN THE EYES" is an original assemblage artwork by Jim Houser. Incorporating various dimensional elements and techniques, such as painting and found objects, ...
Category
2010s Contemporary Found Objects Sculptures
Materials
Thread, Found Objects, Acrylic
Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Found Objects Sculptures
Materials
Metal
"Kryptonite Wares", Found Objects 2015/2019, Chartreuse & Red, House Paint
Located in Detroit, MI
"Kryptonite Wares" is a clever and humorous collection of both superfluous and everyday objects purchased from the Dollar Store. It is a wry comment by the artist on the overabundanc...
Category
2010s Assemblage Found Objects Sculptures
Materials
Plastic, Wood, Found Objects, Lights, Mixed Media, House Paint
The Florist, Free Standing Indoor Sculpture
By Kay Ritter
Located in Long Island City, NY
Artist: Kay Ritter
Title: Florist
Medium: Papier-mache with metal watering can, glasses, papier-mache flowers
Year: 1995
Size: 57 x 24 x 14 in. (...
Category
1980s Contemporary Found Objects Sculptures
Materials
Metal
Arrival, Shipyards tales. Iron vessel wall sculpture. 19x21 "
Located in Tel Aviv, IL
Nir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world.
We are offering limited editions ...
Category
2010s Contemporary Found Objects Sculptures
Materials
Metal, Iron, Steel
Assembler Violeta N: 3, and N: 1. Abstract Mixed Media Wall Sculpture
Located in Miami Beach, FL
For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...
Category
2010s Minimalist Found Objects Sculptures
Materials
Metal
ImPossible
Located in New York, NY
Found objects, repurposed textiles
Statement
In work that integrates the theories and methodologies of both fine art and craft, I transform domestic cast-offs, such as old furnitu...
Category
2010s Abstract Found Objects Sculptures
Materials
Textile, Found Objects
Loren Eiferman, Nature Will Heal, 108 Pieces of Wood, 2016, Wood, Found Objects
Located in Darien, CT
Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material.
First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack.
Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life.
We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy.
Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains.
For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose.
Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes).
Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator.
The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils.
Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections.
In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...
Category
2010s Abstract Found Objects Sculptures
Materials
Wood, Found Objects
Andra Samelson, Pemarom, 2013-2022, 1300 + cds, Edition of 5, Abstract Sculpture
Located in Darien, CT
The word in Tibetan for lotus is “Pema.” In Buddhism the lotus is a symbol of purity. The lotus is planted and rooted in the mud, but grows up through the water and into the vast sky...
Category
2010s Conceptual Found Objects Sculptures
Materials
Mirror, Plastic, Acrylic Polymer, Found Objects, Other Medium
Memo (Night)
Located in New Orleans, LA
medium: aluminum (found cans), wire, soot
Unique, open edition
Available in multiple color/finish options (see second image on listing for options).
Installations are made to order, sizes and shapes of butterflies vary and can be oriented leftward or rightward.
Ships with installation template and loaner tool kit.
Installation can be arranged with JONATHAN FERRARA GALLERY.
Paul Villinski is a professional visual artist who has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY.
His work has been included in numerous exhibitions nationally, recently including the solo exhibition “Passage: A Special Project,” at the Blanton Museum, University of Texas, Austin; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; “Second Lives: Re-purposing the Ordinary,” at the Museum of Arts and Design, New York, NY; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer redesigned and rebuilt into a solar-and wind-powered mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY.
Villinski’s work is widely collected, including major public works created by commission. His studio is currently at work on “SkyCycles,” three full-scale “flying...
Category
21st Century and Contemporary Contemporary Found Objects Sculptures
Materials
Wire, Metal
Jo Yarrington, Mute-Ability_Composition 6, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Found Objects Sculptures
Materials
Steel
Scottie
By Leo Sewell
Located in Greenwich, CT
Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide.
Sewell was born in Annap...
Category
2010s Contemporary Found Objects Sculptures
Materials
Found Objects, Mixed Media
$7,000
"Cleo" Contemporary, Ceramic, Mixed Media, Sculpture, Marble Base, Brass Rod
Located in St. Louis, MO
Since graduating from the University of Colorado in 2010, Pichaske has risen to attention in the art world. She was an assistant to artist Cristina Cordova, and has been an Artist in...
Category
2010s Contemporary Found Objects Sculptures
Materials
Marble, Brass
Jo Yarrington, Mute-Ability_Composition 1, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Found Objects Sculptures
Materials
Steel
Colors of the Real World 71 (2022)
By RH Doaz
Located in Jersey City, NJ
Aerosol, oil and wood stain on reclaimed oak wood by street artist and muralist RH Doaz.
Earth tones, metallic, folk art style, inspired by Hungarian textiles...
Category
2010s Street Art Found Objects Sculptures
Materials
Wood, Found Objects, Oil, Spray Paint
Richard Klein, Expo 67, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Found Objects Sculptures
Materials
Metal
Found Objects sculptures for sale on 1stDibs.
Find a wide variety of authentic Found Objects sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, pink, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Katie VanVliet, Kat Flyn, Kelly Kozma, and Ulla-Stina Wikander. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Found Objects sculptures, so small editions measuring 0.12 inches across are also available
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