Found Objects Sculptures

Conrad Willems’ “Big Set” is a bronze sculpture that reimagines the wooden construction blocks central to his artistic practice. Encased in one of the small wooden carts the artist u...

The word in Tibetan for lotus is “Pema.” In Buddhism the lotus is a symbol of purity. The lotus is planted and rooted in the mud, but grows up through the water and into the vast sky...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

This sculpture titled "Infinite Purpose: Rainbow" is an original artwork by Kelly Kozma made of retired colored pencils & acrylic on panel. The piece measures 12”h x 7”w. Kelly ...

Modeling-clay relief on a repurposed ping-pong racket where a luminous chroma spot animates a restrained, tactile surface. Scintilla is a concise mixed-media relief that foregrounds ...

Chakaia Booker (American, b. 1953) "Duty Free", 2010, rubber tire assemblage sculpture, signed and dated on back, with two signed wooden cleats. 24" H x 24" W x 9" D. Provenance: Mus...

This is a two-part wall mounted painting / sculpture this integrates found objects and photographs into an acrylic painting on the top, and a wooden shelf with bullet casings and coins below. This is a conceptual, abstract work of art that is a powerful homage to lives lost through calculated gun violence in American cites. signed by the artist. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Contemporary, Mixed Media, Hanging, Sculpture, Wood, Metal, Glass, Found Objects John Garrett was raised in southern New Mexico by parents who were both educators. They instilled i...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

Modeling clay and acrylic relief on a repurposed ping-pong racket, a compact mixed-media wall sculpture that stages sky, horizon and a suspended spherical element. This compact mixe...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

This is a shadow box construction approx. 13" x 9" x 2.5" with painted and collaged materials including historic photographs of Black figures and other found objects. Encased in a dark wood frame under glass. It is signed and dated along the lower edge. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Contemporary, Mixed Media, Hanging, Sculpture, Wood, Metal, Glass, Found Objects John Garrett was raised in southern New Mexico by parents who were both educators. They instilled i...

One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...

A unique sculpture by the French artist, Arman. This collection of world-class cigars encased in clear resin is a quintessential piece from Arman's 'Accumulations' period in which he...

This piece titled "Egg Canoes: Duck, Duck, Goose" is an original piece by Kate VanVliet and is made from eggshell, mica, 3-D printed PETG, acrylic, and pine. This piece measures 4”h ...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

This miniature paper sculpture titled "Vagabond" is an original artwork by Drew Leshko made of paper, PVC, basswood, acrylic, enamel, pastel, watercolor, inkjet prints, aluminum. The...

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contempo...

This sculpture titled "You Are Here: Yellow" is an original artwork by Kelly Kozma made of thread scraps & acrylic on panel. Kozma's work is supported by her practice of collecti...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

Recycled textiles, thread, batting, glazed ceramic, metal table, spray paint 34 x 22 x 18 inches Artist Statement I hand-sew compound sculptural forms that are constructed from clot...

medium: found aluminum cans, wire Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterflies vary. Unique, ...

MATT SMITH (BRITISH) Study in Green with Pearls, 2021 Black Parian, Found Ceramic, Freshwater Pearls 29 x 14 x 14 cm 11 1/2 x 5 1/2 x 5 1/2 in. (MS206) £ 4,000.00 UK-born Matt Smit...

This sculpture titled "You Are Here: Gold" is an original artwork by Kelly Kozma made of thread scraps & acrylic on panel. The piece measures 4"h x 4"w x 1.75"d. Kelly Kozma is ...

Peyton Pickenpaugh says of her work… In my work, I explore the hidden histories of women, feminist reinterpretations of myth, and the spiritual resonance of materiality. Through lay...

Nir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world. We are offering limited editions ...

No Fear (Trapper Keeper) UV print on aluminum, chain, jewelry, keychain, sticker, Croc Jibbitz, rabbit’s foot, Tamagotchi 18x48” 2019 $975 Eternal Flame i...

One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...

assemblage sculpture: old wood mantle clock box refashioned to resemble a Morocco Riad mansion, 6 antique painted skittles pins, antique photo with ...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

Aparici's work is characterized by simplicity, since most of his pieces bring together few elements, resulting in very elegant compositions with simple lines, which together with his...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...

Artist Commentary: This kinetic artwork is intended as a gently rotating, dimensional mandala. It has a baroque-upcycled aesthetic that playfully transcends the utility of the can-tab. Sparkling moiré patterns emerge as the artwork rotates slowly. One can experience the artwork as a sparkling, crystalline mystery from a distance, then as a familiar but incalculable marvel up close. Fun fact: it is powered by a disco ball motor Keywords: kinetic art,sensory art, suspended art, upcycled, sparkling , metal Details: A kinetic, sensory sculpture made from post-consumer can-tabs, safety pins, steel armature and ceiling mounted motor. 84"l x 44"w x 44"d x 40 lbs. rotates at 1 to 1-1/2 rpm Artist Biography: Since 2002, award winning artist Virginia Fleck...

The intricate retablos of contemporary artist Patrick Fitzgerald are his means of paying homage to the musicians that inspired him throughout his life. Derived from Mexican votive...

medium: aluminum (found cans), wire, soot Unique, open edition Available in multiple color/finish options (see second image on listing for options). Installations are made to order, sizes and shapes of butterflies vary and can be oriented leftward or rightward. Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. Paul Villinski is a professional visual artist who has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally, recently including the solo exhibition “Passage: A Special Project,” at the Blanton Museum, University of Texas, Austin; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; “Second Lives: Re-purposing the Ordinary,” at the Museum of Arts and Design, New York, NY; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer redesigned and rebuilt into a solar-and wind-powered mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY. Villinski’s work is widely collected, including major public works created by commission. His studio is currently at work on “SkyCycles,” three full-scale “flying...

John Petrey’s Shaman is a striking mixed-media sculpture that merges mythology, ritual, and contemporary artistry. The figure wears a robe of richly patterned patchwork, assembled fr...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars...

This sculpture titled "Love for Ten Thousand Years" is an original artwork by Kelly Kozma made of handmade origami wishing stars strung on embroidery thread. Kozma's work is supporte...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...

"This narrative questions the storyline that the wolf was the threat; but rather the Huntsman was the predator." KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box into a tenement building in Affordable Housing 2017, a jewelry box into a wheelchair in Last Lily Foot 2016, an old shoe shine box...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...

Artist Commentary: Aluminum can-tabs chained together with safety pins are layered, massed and attached to an MDF backing creating a dense sparkling texture. The can-tabs are reflective, glinting in the light, catching the eye of those who pass by them. These shield-like, glittering wall pieces have the presence of valuable treasure, but closer inspection reveals that the treasure is made from can-tabs, one of many common disposable items that continuously pass through our hands. Keywords: assemblage, post consumer can-tabs Details: This is a wall mounted scuplture made from post consumer can-tabs and safety pins mounted on green MDF. A hanging cleat is attached on back. signed on back. No paints are use in this piece. The can-tabs are manufactured in many colors according to thier brand. Artist Biography: Since 2002, award winning artist Virginia Fleck...

medium: aluminum (found cans), wire Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterflies vary. Unique...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Linda Stein, Skeletal Format 67 - American Feminist Contemporary Chair Black Tan Sculpture Linda Stein has been addressing the theme of Power/Vulnerability for more than five deca...

assemblage sculpture: painted wood building refashioned out of an old seed box, constructed old wood toy boat to resemble the Ark, vintage carved & painted an...

This sculpture titled "Let Me Work My Magic" is an original artwork by Kelly Kozma made of colored pencil, ink & acrylic on paper, wood, chain and handmade origami wishing stars. The...

Leo Sewell Biography American, b. 1945 Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collecti...

This sculpture titled "You Are Here: Black" is an original artwork by Kelly Kozma made of thread scraps & acrylic on panel. Kozma's work is supported by her practice of collectin...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

This work titled "From the Stars" is an original artwork by Kelly Kozma as part of her newest exhibition, "Watch Me Backflip." This collection is made up of meticulously fabricated a...

It is a sign of an unhealthy society when fringe personalities are increasingly found not on the fringe but in its mainstream. They bring with them ignorance, prejudice, and irration...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...

"Senufo (Gbon) Statute of Royalty" is a sculpture by thr Senufo peoples of Gabon. It is wood, mixed fiber, textiles, and cowry shells. 14" x 8" x 3" The...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...

This sculpture titled "Infinite Purpose: Purple & Pink" is an original artwork by Kelly Kozma made of retired colored pencils & acrylic on panel. The piece measures 12”h x 7”...