LED Light Sculptures

Breach is a unique resin sculpture by contemporary artist Tom Price, dimensions are 202 × 45 × 45 cm (79.5 × 17.7 × 17.7 in). The sculpture is signed and comes with a certificate of...

Resin, tar, steel, acrylic, LED. 45 cm × 220 cm × 35 cm. Available on commission. Production delay: 8 months. Synthesis Bench is one of Tom Price's 'hybrid' artworks sitting halfway ...

Raymond Graber's celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Synthesis 1 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, acrylic and LED, dimensions are 205 × 50 × 50 cm (80.7 × 19.7 × 19.7 in). T...

Counterpart is a sculpture by British contemporary artist Tom Price, it is composed by two elements each measuring 45 cm H x 220 cm L x 35 cm D ( 17.7 × 86.6 × 13,78 in). This artwo...

Coal, resin, tar, steel, acrylic, LED. 45 cm × 220 cm × 35 cm. Counterpart II is one of Tom Price's 'hybrid' artworks sitting halfway between art and design: the piece can be seen ex...

Raymond Graber‘s celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Counterpart (diptych) is a sculpture by contemporary artist Tom Price. This sculpture is made of coal, resin, tar, steel, acrylic, LED, dimensions are 45 × 220 × 35 cm (17.7 × 86.6 ×...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Synthesis LS1 is a unique sculpture by English artist Tom Price. Dimensions are 208 × 45 × 45 cm (81.8 × 17.7 × 17.7 in). The dimensions include the base of the sculpture, dimensions...

Counterpart (triptych) is a sculpture by contemporary artist Tom Price. This sculpture is made of coal, resin, tar, steel, acrylic, LED, dimensions are 45 × 220 × 35 cm (17.7 × 86.6 ...

Light Element is a unique Belgium black marble and LED sculpture by contemporary artist Francesca Bernardini. The dimensions are 12 × 30 × 24 cm (4.7 × 11.8 × 9.4 in). The sculpture...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Synthesis A2 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, stainless steel and LED, dimensions are 42 × 109 × 21 cm (16...

Synthesis C1 is a sculpture by the English artist Tom Price. Resin, tar, steel, acrylic, LED. 41.5 cm × 31.5 cm × 28.8 cm. Dimensions include the base of the sculpture. This artwork...

This sculpture can also be made to order in the dimensions specified. Please contact the gallery for further details. At Escat Gallery we are committed to maintaining the highest s...

Synthesis 6 (small horizontal) is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, acrylic and LED, dimensions are 45 × 51 × 35 cm (17.7 × 2...

Synthesis LC is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, acrylic, LED, dimensions are 20 × 150 × 16 cm (7.9 × 59.1 × 6.3 in). This ...

Synthesis BM is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 70 × 8 × 10.5 cm (27.6 × 3.1 × 4.1 in). This a...

Synthesis L1 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, acrylic and LED, dimensions are 85 cm × 117.5 cm × 40 cm (33...

Synthesis 2 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, acrylic and LED, dimensions are 125 × 50 × 50 cm (49.2 × 19.7 × 19.7 in). T...

Synthesis S is a sculpture by the English artist Tom Price. Resin, tar, steel, acrylic, LED. 200.5 cm × 40 cm × 40 cm (Dimensions include the stand). In the Synthesis series, Tom Pr...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...

Synthesis 3 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic and LED, dimensions are 28.8 × 29.5 × 29.5 cm (11.3 × 11.6 × 11.6 in). Thi...

Synthesis B is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 200 × 8 × 9 cm (78.7 × 3.1 × 3.5 in). This artw...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...

This piece titled "I Said to the Universe..." is an original piece by Hari and Deepti and is made from handcut archival paper diorama, watercolor & LED back light. This piece measures 12” in diameter. Hari Panicker (b.1980) is a trained graphic designer and illustrator. He was born and raised in Mumbai, India where he was the senior designer for MTV Networks India and has designed for brands like MTV India, VH1 India, Nickelodeon and Comedy Central. Apart from designing for these brands, he is also an established illustrator and has designed album covers for musicians like Dualist Inquiry and has been invited to design a cover for Rolling Stone India for their annual – Art as Cover Edition. He loves to collect and customize vinyl toys, is obsessed with drawing monsters, loves to screen print and secretly aspires to be in space some day. He fell in love with paper cutting art...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

In Fivefold Robotcats: Spirits of the Neon Pantheon, Hiro Ando reinvents the mythic feline guardian as an emissary of the technological era, merging ancestral symbolism with contempo...

In Fivefold Sumowarriors: Spirits of the Ritual Pantheon, Hiro Ando unfolds a sculptural constellation where the sumotori figure becomes both chromatic symbol and spiritual archetype...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

Warriorcat Quadrivium PPSB : A Chromium Tale stands among Hiro Ando’s emblematic creations, confirming his position as a leading figure of the Nippon Neo-Pop movement and founder of ...

Joshua Smith Cecile Walker Cycles Based on Cecile Walker Cycles, Melbourne Cardboard, MDF, plastic card, LED lighting, balsa wood, aluminum tubing, wire, recycled card, adhesive pape...

Andy Harding is a sculptor living and working in Nashville, TN. A range of interests from Eastern philosophy to contemporary science inspire and influence his work, but the practical...

This LED light box by Mads Christensen creates mood oriented and color changing variations that brings a subtle and enhancing sensory experience to a room. Easily installed as it ha...

This unique art piece is made of the original 35mm film of the movie, framed in an oak wood frame and lit with lit with RGB color changing LED light that can be controlled and light changed with smartphone app CONTROLLER for iOS and Android system. “I started by working with the idea of the large film...

The sculpture was created by artist Pablo Maojo, one of Spain's most famous and renowned sculptors. It was created in 2025 and measures 100 x 180 x 3 cm. It is a truncated flute, a m...

Beth Reitmeyer is a visual artist based in Nashville, TN. Her current installations are based upon landscape topography and geology, specifically sinkholes, caves, geodes, and rocks....

Jenny Holzer (American, b. 1950) Inflammatory Essays 3, 1982/2002 Medium: Electronic tri-color mini-LED panel, with anodized aluminium housing, incl. power adapter Dimensions: 10.1 x...

Trilogy Robotcat Orange, Sumocat Blue, Urbancat Yellow: Feline Metropolis by Hiro Ando crystallizes the playful yet symbolic language that defines the Nippon Neo-Pop movement. Part o...

In Trilogy Samuraicat Blu, Sumocat Orange, Urbancat Pink: Feline Odyssey, Hiro Ando stages a vibrant chromatic dialogue between three emblematic guardians of his feline universe. Thi...

Ben Young Rise, 2022 Laminated float glass, cast concrete, stainless steel, LED lighting and MDF plinth

Belgium black marble and LED. 28 × 38 × 30 cm Black Light is a sculpture by the Italian artist Francesca Bernardini from the series From the abyss. This artwork is available on commi...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...

Synthesis V is a wall sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 28 × 145.6 × 84.2 cm (11 × 57.3 × 33.1 in)...

This contemporary abstract monumental stone sculpture is by David Perrett. The captivating sculptural work of David Perrett is highly valued for its dynamic vision and raw beauty. P...

Kristina Larson creates biomorphic three-dimensional works primarily out of clay. Within her multidisciplinary practice she seeks to blur the lines between art, craft, and design by ...

The majesty of woodland animals is celebrated in these striking metal sculptures by the Six Nations Mohawk artist Adam Monture. Monture’s beautiful paintings of woodland animals—bears, deer, wolves, turtles, loons and herons were re-imagined as 3-dimensional sculptures hand forged from aluminum. Each animal and bird appears as a ‘double’—one image mirrors the other; the exterior sculpture...

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...

In INNER LIGHT, Eduardo Rezende transforms the silhouette into a threshold — a boundary between the visible self and the hidden territories that dwell inside each person. Photographe...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Wealthy Trio is a luminous artwork by Kumikaho Oshima from the series Luminous Transactions : Barbie Chronicles in Currency Boxes, where the artist stages a dense accumulation of U.S...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...

Powerful Dolls is a luminous artwork by Kumikaho Oshima from the series Luminous Transactions : Barbie Chronicles in Currency Boxes, where the artist presents a dense accumulation of...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

Sexy Robot Floating (Black), 2020 PVC, plated resin, alloy, and LED light 22 × 14 × 14 in 55.9 × 35.6 × 35.6 cm Edition of only 250.