Metal Sculptures

Boulder #4 is a sculpture by English artist Tom Price. This artwork can be customized— feel free to contact us for a quote. Tom Price’s artistic approach focuses on material explora...

Sculpture by the Spanish artist AMANCIO GONZALEZ 7 COPIES Fantastic piece of art representing Spanish sculpture Amancio González is a sculptor from Leon and an internationally celebr...

Circa Late 1920s - Early 1930s. It is all Bohlin made and marked to include the saddle, the headstall and the breast collar. All made in Hollywood California. The only non-Bohlin item is the bit which appears to also be early California. There is some interesting provenance of the fine saddle. It was commissioned by Charles R. Bell, married to Margaret Vail Bell who was the daughter of Walter Vail. On the Bolin nameplate it has engraved, Vail Ranch as well as made for Charles Bell. Charles Bell Died in 1939. The Vail Ranch has some great Western History which I will go into a little detail. You see, not only am I selling Saddles, but I’m also selling History. If you want to skip the history lesson you can just scroll down past the following info to images of the saddle. It’s no secret that ranching runs in the family blood. There is no greater example of that than California Rangeland Trust CEO Nita Vail. On April 14, 2018 Nita had the opportunity to witness her great-grandfather Walter L. Vail’s induction into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum. This high honor is bestowed by the Museum to “exceptional individuals who have made an indelible impact upon the history of the great West.” A pivotal figure in early California and Arizona ranching, Walter Vail joins just over only 200 individuals who have been inducted into this esteemed hall. The Vail legacy of advocacy and ranching lives on strongly through his descendants, including Nita. All these years later, Nita carries the mantle of advocacy for ranchers in her own work at the California Rangeland Trust. Reflecting on her great-grandfather’s induction ceremony in Oklahoma, Nita says, “Witnessing my great-grandfather’s induction with family and friends was an incredible experience and a reminder of why I do what I do. Ranching plays an integral role in the culture, economy, and quality of life in California. Generations later, I get to honor Walter L. Vail’s legacy in my work with the California Rangeland Trust every day, preserving those open spaces for new generations and partnering with ranchers to continue to sustain life on the range in California.” Walter Vail History A native of Liverpool, Nova Scotia, Walter Vail purchased the 160-acre Empire Ranch southeast of Tucson, Arizona in 1876, along with an Englishman named Herbert Hislop. In 1882, the Empire Land & Cattle Company was formed with Walter L. Vail as principal shareholder. Over the years Vail, along with various partners, expanded the original land holdings to include over one million acres. The year after Walter purchased the Empire Ranch, the Southern Pacific Railroad built a railroad line, which was great news for the Vail family as it provided a means for them to ship their cattle. Edward L. Vail, George Scholefield and Bird at the mouth of Rosemont Canyon ca. 1896-1898 Standing Up for Ranchers In the fall of 1889, the Southern Pacific Railroad announced they would raise cattle freight rates by 25 percent. They ignored loud protests from ranchers who had already been hit hard by depressed cattle prices. In response, the Vails made a plan to drive the cattle overland themselves without the railroad. They knew that, if they were successful, they could break the railroad’s monopoly on the ranchers and force prices down. Walter’s brother Edward Vail and foreman Tom Turner volunteered to drive the almost 1,000 steers on the 300-mile trip to the Warner Ranch in San Diego. The journey ahead would be grueling. Most of their trip was through desert with water sources 15 to 30 miles apart. The ranchers would face a slew of obstacles—a stampede, a chaotic Colorado River crossing, an encounter with a group of horse thieves. In spite of all the dangers and challenges, they reached their destination. Just 71 days after leaving Arizona, the Empire cowboys arrived at the Warner Ranch. They had only lost 30 steers. The historic Empire Ranch Trail Drive of 1890 inspired other Arizona ranchers to make similar drives as a stand against the railroad. That fall, a group of Arizona cattlemen met and agreed to fund improvements to establish a safe cattle trail from Tucson to California. In response to the united stand of the ranchers, sparked by the Vails, the railroad finally agreed to restore the old freight rate—on the condition that the cattlemen would make no more cattle drives. Walter Vail led by example, but he was also an active representative of ranching interests in the legislature. He served in the 10th Arizona Territorial Legislature in 1878 and in 1884 on the Pima County Board of Supervisors. He introduced two significant bills: One proposing the creation of Apache County in the northeastern corner or Arizona Territory, and the other calling for the repeal and replacement of a Pima County fencing ordinance. Elected to the Arizona Stock Growers Association in 1884, Walter L. Vail advocated for levying fines on outfits that brought diseased cattle into the Territory, proposed a system of recording brands and earmarks, and requested the establishment of the livestock sanitary commission to oversee quarantines on infectious diseases, and tighter trespass laws. Moving to California In the late 1880s when a long drought hit Arizona, the Vails began leasing California pastures and shipping increased numbers of their cattle there to fatten. This marked the beginning of Walter’s efforts to purchase land in Temecula Valley. Vaqueros (Mexican cowboys) at the Empire Ranch in Arizona In 1890, with growing corporate holdings in California, Walter Vail established his headquarters in downtown Los Angeles and moved his family there. By this time, he had pieced together four Mexican land grants—Pauba Rancho, Santa Rosa Rancho, Temecula Rancho and Little Temecula Rancho—to form the Pauba Ranch. Eventually, the Vails would own more than 87,500 acres surrounding the little town of Temecula. In 1892 they leased Catalina Island and in 1901-1902 in partnership with J. V. Vickers, they purchased most of the interests in Santa Rosa from the estate of A.P. More. In March of 1894, Vail and Gates joined Vickers in setting up a third cattle company, the Panhandle Pasture Company, with the hopes of expanding new markets in the east. The Panhandle Pasture Company bought seven thousand acres of grassland in Sherman County, Texas, and an equal amount across the line in Beaver County, Indian Territory (later Oklahoma). Walter Vail was tragically killed in a Los Angeles streetcar accident in 1906. After his death, the Empire Land & Cattle Company (later renamed the Vail Company) assumed control of all his ranches and other real estate holdings. Walter had five sons and they would all have a hand in running the various ranches and the Vail Company as whole throughout their lives. The Empire Ranch in Arizona was sold in 1928. The Temecula area ranches continued to operate until it was sold in 1965. Santa Rosa Island, the last of Walter Vail’s holdings, was sold to the National Park Service in 1986, and ranching operations shut down there in 1998. Walter Lennox Vail (May 13, 1852 - December 2, 1906) was an American businessman, cattle dealer, and politician. He is known for his Empire Land & Cattle Company (later the Vail Company), which spanned over one million acres throughout five states.[1] Vail has been called "a pivotal figure in early California and Arizona ranching." Early life Vail was born in Liverpool, Nova Scotia on May 13, 1852, to Mahlon Vail, Sr. and Eliza Vail. Career Empire Ranch The headquarters of the Empire Ranch in the modern day Vail left his family's Plainfield, New Jersey house in the middle of 1875 to pursue riches in the West. He worked for a few months in Virginia City, Nevada as a mine's timekeeper, but in November he wrote of his intention to get involved in Arizona's sheep business. He, along with an Englishman named Herbert R. Hislop, then purchased the Empire Ranch along with its 612 cattle on August 22, 1876. The purchase from Edward Nye Fish and Simon Silverberg cost $1,174 at the time and was only 0.25 square miles (0.65 km2). Vail had met Hislop for the first time in August of that year, at the Lick House in San Francisco. Vail also became the main shareholder of the Empire Land & Cattle Company, which was formed in 1882. Politics Vail additionally served in the House of Representatives on the 10th Arizona Territorial Legislature for two years, starting in 1879. He was one of five representatives from Pima County. There, he proposed the creation of Apache County in the northeast. In 1884, Vail was elected to the Arizona Stock Growers Association, where he introduced many laws relating to cattle farming. California Vail moved his main operations to California in the late 1880s due to a long drought in Arizona. He started leasing Californian land mainly in Temecula Valley, but established his headquarters in downtown Los Angeles. By this time, he had already bought four ranches: the northern half of Rancho Little Temecula, Rancho Pauba, Rancho Santa Rosa, and Rancho Temecula. Later, Vail would own over 135 square miles (350 km2) surrounding the city of Temecula. He also leased Santa Catalina Island and Purchased Santa Rosa Island in 1892 and 1901, respectively. Vail, along with Carroll W. Gates and J.V. Vickers, set up the Panhandle Pasture Company, which bought about 22 square miles (57 km2) in Sherman County, Texas and Beaver County, Oklahoma. Personal life Vail married Margaret "Maggie"[a] Newhall in 1881, with them having five children: Nathan Russel, Mahlon, Mary, Walter Lennox Jr., and William Banning (who used his middle name) together. In 1890, a Gila monster bit Vail on his middle finger, and for years thereafter he experienced bleeding and swelling in his throat, which was thought to be caused by the venom from the bite. Death Vail died at 54 on December 2, 1906, due to complications from a tram (Trolley Car) accident in Los Angeles. He was cremated, then buried at the Hollywood Forever Cemetery on December 6. Legacy Vail's sons took over the company after his death, renaming it to the Vail Company. The Empire Ranch was sold in 1928, and the Temecula ranches were bought by a syndicate of companies, including Kaiser Aluminum, Kaiser Industries, and Macco Realties in 1965. Santa Rosa Island was acquired by the National Park Service in 1986, and ranching ceased in 1998. Vail was inducted into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum in 2018.[2] Various properties have been named after the Vail family including: Vail Headquarters, an outdoor shopping mall, Vail Lake, and Vail, Arizona. In 1867, German immigrant, Louis Wolf, and his Chumash wife, Ramona, built a small adobe trading post next to Temecula Creek. Their Wolf Store helped launch the Temecula community, serving as a saloon, livery stable, legal services, hotel, general store, stagecoach stop, post office, school and employment agency. After Louis and Ramona’s deaths, their land and other Ranchos were purchased by Arizona cattle baron Walter Vail. By 1905, the 87,000-acre Vail Ranch became one of the largest cattle operations in California, stretching from Camp Pendleton to Vail Lake to Murrieta. It operated through the late 1970’s when it was sold to build Temecula’s housing. Some of the ranch’s oldest buildings survived in a cluster around the long-vacant Wolf Store. Together they would wait more than 40 years to be restored and once again become a center for community life in the Temecula Valley. ​ In 1905 after his death, Wolf’s Temecula was purchased by Arizona cattle baron Walter Vail, along with three other Ranchos totaling 87,500 acres. The sprawling Vail Ranch spread from South of Highway 79 to South of Clinton Keith Road, East to Vail Lake Resort and West to Camp Pendleton and continued operations through the late 1970’s when it was sold for housing subdivisions. The remaining buildings that comprised the Vail Ranch Headquarters, several having been demolished, have sat mostly vacant since then awaiting their restoration and re-use. John N. Harvey, Edward L. Vail, Walter L. Vail, 1879 Ned Joins the Partnership - May 1879 In May of 1879 Walter’s older brother, Edward Lang Vail, known as Ned, joined the Empire Ranch partnership. He had no ranching experience but quickly learned. The Empire Ranch herds were finally sufficiently developed for sale, and the Empire Ranch found a ready market in the town of Tombstone and its nearby mines. Walter finally had sufficient funds to begin to pay off some of the loans from his Uncle Nathan and Aunt Anna. North end of the original four rooms of the Empire Ranch House. Empire Ranch Census Records - 1880 The 1880 U.S. Census documents that eight men were living full time at the Empire: the partners, Walter Vail, John Harvey and Ned Vail; John Randolph Vail, Uncle Nathan and Aunt Anna’s son; John Milton Requa, nephew of Isaac Requa who hired Walter in Virginia City; John Dillon, who was instrumental in locating the Total Wreck Mine; Tomás Lopez, a herder; and Mon Ta, the cook. Section of Official Map of Pima County by Roskruge 1893. The Southern Pacific Railroad Arrives in Pantano - April 1880 In 1880 the Southern Pacific Railroad finally reached Tucson and by April it was extended to Pantano, north of the Empire Ranch. The availability of rail transportation was a major boom to the Empire Ranch as it was now possible to sell cattle and beef to markets beyond Southern Arizona. The railroad also increased the availability of goods in Tucson and allowed for much quicker and safer transportation to California and the East. Empire Ranch land acquisitions are highlighted in red. Courtesy of Dave Tuggle Land Holdings Expand-1881-1882 Starting in 1881 the land holdings of the Empire Ranch expanded considerably. They acquired Charles and Agnes Paige’s Happy Valley Ranch near the Rincon Mountains in 1881. 1882 saw the addition of Don Alonzo Sanford’s Stock Valley Ranch totaling over twenty-eight square miles of grassland between the Whetstone and Empire Mountains. Charles Bell Bohlin Saddle. All of the leather has been professionally cleaned and conditioned. All of the sterling has been professionally polished as are all of my saddles. THE BOHLIN BRAND IS AS ICONIC AS THE FAMED WESTERN STARS that wore it. The late actor Richard Farnsworth sported a recognizable gold steer-head Bohlin buckle...

Large Runner is a bronze sculpture by contemporary artist Yann Guillon, dimensions including metal base are 140 × 45 × 40 cm (55.1 × 17.7 × 15.7 in). The sculpture is signed and num...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Synthesis 6 (small horizontal) is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, acrylic and LED, dimensions are 45 × 51 × 35 cm (17.7 × 2...

Auguste Moreau (French, 1834-1917) Swan Baby, 19th Century Bronze with reddish gold patination mounted on verdigris marble base Signed on base 6 x 9.5 x 5 inches Auguste Moreau was...

Psyche is a unique mirror-polished stainless steel sculpture on a concrete base by contemporary artist Franck K, dimensions including the base are 300 × 170 × 80 cm (118.1 × 66.9 × 3...

Inspired by the heavens, Canadian artist Viktor Mitic has created another captivating contemporary stainless-steel sculpture finished in 24 kt. gold. One of Mitic’s Constellation ser...

Anton Nelson (i.e. Antoine Joseph van den Kerckhoven) (1849 Brussels - after 1910 ibid.), Bust of a young woman, c. 1890. Patinated bronze on cast base, 30 cm (total height) x 20 cm ...

Synthesis LS1 is a unique sculpture by English artist Tom Price. Dimensions are 208 × 45 × 45 cm (81.8 × 17.7 × 17.7 in). The dimensions include the base of the sculpture, dimensions...

Using simplified shapes, artist Frances Semple reveals the emotive essence of movement in this bronze sculpture of a walking woman. At 60 inches high, the figure is life-size. The sculpture is inscribed by the artist with initials and edition number, 3/9. The concrete base measures 12h x 24w x 42d inches. Together, the sculpture and base...

Loet Vanderveen, Dutch (1921 - 2015) - Thoroughbred, Medium: Bronze sculpture, signature and numbering inscribed on bottom, Edition: 235/500, Size: 4.75 x 8 x 4 in. (12.07 x 20.3...

Emile Louis Picault 19th Century French Bronze Sculpture "Gloire Et Fortune". In good condition measures 24x10

Salvador Dali (Spanish, 1904-1989) Alma del Quijote Bronze with marble base Edition: AB 52/100 Signed by Dalí This Surrealist sculpture depicts a dynamic and fragmented Don Quixote...

The contemporary cerulean-blue glass tabletop sculpture is by Cheryl Wilson Smith. Cheryl Wilson Smith is known for her uniquely beautiful glass work—its form, color and texture is ...

Small Bronze Of A Lady Opening A Box Artist signed a small bronze with a carved ivory face 4wx2dx2.75h The sculptor Peter Tereszczuk was born in 1875 in the Ukrainian city Wybudow. H...

Philippe Pallafray’s latest sculpture—an eye-popping candy-coloured large steel cube—each stripe painted in bright red, orange and pink balances on one corner. The Quebec artist designs pop art pieces that reflect the duality of nature and the industrial world. Pallafray typically uses steel and stainless steel that he cuts, shapes, folds and welds. “My geometrically shaped sculptures...

The Guardian, or Wächter, is an elegant figurative bronze sculpture by Nando Kallweit. This sculpture exudes elegance through its elongated, slender form, capturing attention with i...

Dan Murphy was born in Chicago and created his first sculpture in 1976, whilst studying law at the University of North Carolina. Having taken the sculpture to New York and received a...

This sculpture titled "Arabesque (Ballet Dancer)" 2001 is a cast bronze sculpture with silver patina by noted contemporary American artist Rebecca Clark. Signature, date and numbering /500 are impressed in the bronze on the deck. The sculpture size without the marble base is 28.25 x 17.75 x 13 inches, with the marble base is 29.5 x 17.75 x 13 inches. It is in mint condition. About the artist: Rebecca A. Clark is a Fine Artist and Creative Director with over 20 years of professional experience working in the fine art field in New York City. Her masterful artworks are collected by prominent art collectors worldwide. Rebecca specializes in figurative bronze sculptures, oil paintings, drawings and monumental works of art that embody dynamic strength and classic iconic beauty. Her artworks range from sensuous figurative sculptures to magnificent heroic size monuments. Commissioned works include “Battling Stallions”, her 18 ft. tall monumental bronze sculpture at the luxury gated development “Le Chevalier” in Barrington Heights, West Linn, Oregon, as well as her elegant 9 ft. tall ballerina bronze sculpture titled “Arabesque” on public display at the Oregon Ballet Theatre. Exclusive custom created works of art portray diverse concepts and themes for private and corporate collectors. Signature series include: Heroic series (Honoring American military Heroes), Inspirational, Classic Nudes and Romantic among other series and sculpture projects in development. Rebecca was born an artist and has always had the desire to achieve excellence in all of her endeavors. From a very early age she was immersed in imaginative creative works such as building models of futuristic cities, paintings, sculptures and a multitude of drawings. In 1981, at the age of 17, Rebecca moved from Lake Oswego, Oregon to New York City to pursue a career in fine art and design at the Parsons School of Design. Shortly after she arrived, Rebecca began her professional artistic career assisting the renowned illustrator Antonio Lopez. At age 18, Rebecca was hired by the famed designer Halston, and began working directly with him as a fashion designer and illustrator. Subsequently, she was discovered by the Ford Models agency and traveled around the world as a top international fashion model. Rebecca worked with renowned fashion photographers such as Richard Avedon, Bruce Weber, Steven Meisel, Patrick Demarchelier and others. Rebecca is experienced in working with the major media, including international publications such as Vogue, Harpers Bazaar, Elle, The New York Times and Glamour, among others, as well as in television. She was featured in a national Diet Slice-Style television commercial that was shown during halftime at the 1987 Super Bowl. Rebecca also appeared in top fashion shows in New York City and Paris, France and in international advertising campaigns such as Revlon’s “The Most Unforgettable Women In The World” ads photographed by Richard Avedon. In 1991, Rebecca left a prestigious modeling career to return to her true creative passion. She began creating a series of beautiful and universally appealing fine bronze sculptures and many commissioned works. In 1998, she began oil painting and studied at the New York Academy of Art, while creating oil paintings depicting the classic nude, equine, inspirational themes and portrait commissions for select art collectors. In 2001, Rebecca developed several digital film projects through her studies in the Film Directors Program at New York University. From 2001 to the present, she continues to create bronze sculptures, drawings, and oil paintings for private art collectors. In 2011, Rebecca was officially endorsed and directed by the National Special Forces Association to create The National Special Forces Green Beret...

British sculptor Anthony Theakston (1965), who draws his inspiration from the shape and movement of birds, simplifies the birds and omits more and more details until only the essence...

Counterpart (triptych) is a sculpture by contemporary artist Tom Price. This sculpture is made of coal, resin, tar, steel, acrylic, LED, dimensions are 45 × 220 × 35 cm (17.7 × 86.6 ...

Circa 1910 bronze cast medal by the French sculptor, Pierre Charles Lenoir. Edge mark, cornucopia. Pierre Lenoir was a French sculptor and medallist and was one of the Breton sculp...

'Spirit' by Carl Payne. Edition of 25. A small desktop bronze sculpture of a reclining nude figure captures the timeless beauty of the human form in a moment of repose. The sculptor ...

Pietro Chiapparelli (Italian, 19th Century) Sleeping Ariadne, c. 1865 Bronze on marble base Inscribed 'P. Chiapparelli F.I. Roma' 22 x 24 x 10.5 inches 136 lb. (34 lb. bottom marble,...

Pair of dancing satyrs in bronze Edouard Drouot (Sommevoir 1859 – Paris 1945) in the style of Lost-wax cast bronze Dimensions (maximum dimensions): height 131 cm / depth 60 cm ...

As a sculptor, Roch Smith often interprets the big questions in life in imaginative and playful ways. The Toronto artist is known for his use of toys –familiar childhood images that ...

Signed & dated: Signed C. Meunier and inscribed with Foundry mark B. VERBEY ST. FOUNDEUR BRUXELLES Provenance: Private collection, UK

Synthesis L1 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, acrylic and LED, dimensions are 85 cm × 117.5 cm × 40 cm (33...

The graceful arc of a dancer in motion is emulated in the fluid form of this elegant sculpture by Claude Millette. Three attached curved columns of polished stainless steel appear to almost float in mid-air. The Quebec artist...

The Great Secret is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 87 × 21 × 10 cm (34.3 × 8.3 × 3.9 in). The sculpture is signed and numbered, it is...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Elevated Geometry - Stunning rusted steel sculpture, ideal for indoor or outdoor spaces. Its weathered look adds a unique charm, making it a bold and durable statement piece for any...

After Antonio Canova (Italian, 1757-1822) Bust of Young Napoleon as Caesar, 19th Century Hallow cast bronze with verdigris patina, attached to rouge...

This sculpture can also be made to order in the dimensions specified. Please contact the gallery for further details. At Escat Gallery we are committed to maintaining the highest s...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact fr...

3 Seated Figures II is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 50 × 35 × 13 cm (19.7 × 13.8 × 5.1 in). The sculpture is signed and numbered, i...

Antique Silvered Bronze Rooster France, circa 1900 10 1/4 x 9 1/2 (H x D) inches A very fine and lively bronze statuette of a preening Rooster. Nicely cast and well-carved and in ex...

Resin, steel, chrome and jute with white pedestal AP aside from the main edition of 10 Not signed or numbered Artwork in excellent condition. Minor scratch and scuffs on base of scul...

Bespoke 1/1 original Neon SMSPF wall sculpture Easy wall mount Signed 1/1 Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best stre...

Patricia III is a tall, elegant bronze sculpture of a human figure. Nando Kallweit is a German sculptor working in bronze and oak. Kallweit carves the original piece from a piece...

Klaus Ihlenfeld (b.1934) Untitled (Flower Form), sculpted phosphor bronze-coated copper sounding sculpture, early 1970s. Exhibited: Klaus Ihlenfeld - Recent Sculpture at Albright College - Campus Center Gallery from Feb. 18 - March 18, 1973.. Welded bronze. 15 h x 12.5 inches w. Signed with initial on base. Provenance: Albright College Museum collection. Excellent condition. Klaus Karl Otto Ihlenfeld. He was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe. Opened own gallery in the Kurfürstendam area of Berlin. 1954 Traveled to West Germany, France, Barcelona, Spain (Balearic Islands), and Menorca for 3 months. 1957 First visit to the United States in Durham, NC. Participated in a group show at the Museum of Art, Raleigh, NC. Friendship with Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Work with metal sculptor Harry Bertoia in Bally, PA. Started own metal sculptures in Bertoia Studio. Traveled to Mexico and throughout the US. Visited Monte Alban, and Mitla-Oaxaca. Started collecting works of pre-Columbian art. Also African and South Pacific works of art and the works of children. 1958 Returned to West Berlin, Germany to open own workshop and gallery. Cooperation with his brother Bertram Ihlenfeld and brother-in-law, violinist Heinz Ortleb. Precise metal sculptures in various medias. 1959: Motion picture of the development of sculptures: Spiel in Stahl (Play in Steel), filmed by Dr. Hans Cürlis shown at the Bergamo Film Festival in Italy, in West Germany, and German Embassies in South America. 1960 Second visit to the United States. Cooperation with sculptor Harry Bertoia in Bally, PA. Friendship with Brigitta Valentiner Bertoia. Worked on large commissions. Met painter Willem DeKoonig, gallerist Georg W. Staempfli in New York City, and furniture maker George Nakashima in New Hope, PA. First one-man show of sculptures at Kutztown State College, Kutztown, PA. One-man show of sculptures at the Allentown Museum of Art under Director Hirsch. 1961 Traveled and studied archeological sites in Mexico (Monte Alban, Mitla-Oaxaca; Colima, Nayarit, Sinaloa, Patzcuaro, etc.). Collected pre-Columbian art in Mexico and New York City. Second one-man show at the Allentown Museum of Art (sculptures) under Director Caldwell. 1962 One-man show at Staempfli Gallery in New York City. Participated in various group shows at the gallery: "Twenty Sculptors" and "Recent Acquisitions". Met artists Marcel Duchamp and Salvador Dali; sculptors Alexander Calder and Alexander Lieberman. Participated in a major exhibition at the Solomon R. Guggenheim Museum in New York City entitled "Modern Sculpture from the Joseph H. Hirshhorn Collection". 1963 Married Patricia A. Lambert of Springfield, PA. Harry Bertoia was their best man. 1964 One-man show at the Pennsylvania State University, University Park, PA and a group show "Stone, Wood and Metal" at Staemplfi Gallery in New York City. First child, Paul Vincent born. 1965 Entered group show at Staempfli Gallery "Stone and Crystal". One-man show of graphics at Kutztown State Teachers College in Kutztown, PA. One-man show at Wyomissing Art Alliance, Reading, PA. 1966 Commissioned for a fountain sculpture at Kutztown State Teachers College, Kutztown, PA. Birth of twins, Phillip Sydney and Naomi Andrea. 1967 Artist-in-Residence at the Bertha Eccles Art Center, Ogden, Utah (received a grant from the National Endowment of the Arts). Met sculptor Larry Elsner. One-man show at Mansfield State College, Mansfield, PA. Fourth child born, Douglas Robinson. 1968 - 1969 Commissioned to create a large relief sculpture for the Emigrant Savings Bank at 5 East 42nd Street in Manhattan, New York City entitled: Heavenly Bodies, 250 ft. X 32 ft. (weighing 8 tons). Moved to the estate "Iron Masters Mansion", Barto, PA. 1970 - 1971 Artist-in-Residence at the Huntington Museum of Art, Huntington, WV (received a grant from the National Endowment of the Arts). One-man show at the Huntington Museum of Art. A movie was made of the exhibition by the Huntington Television Station. Met A. Moretti, sculptor of glass figures. One-man show at the old Sears and Roebuck mansion in Haverford, PA. 1971 - 1972 Artist-in-Residence at the Pennsylvania State University, University Park, PA (received a grant from the National Endowment of the Arts). Classes for drawing and experimental sculpture. One-man show at the Chambers Building and the Hetzel Union Building. Also Artist-in-Residence at Shippensburg State College, Shippensburg, PA. Commissioned to execute a sculpture for the new Library at the Shippensburg State College. Death of father, Kurt Ihlenfeld. 1973 Invitation to lecture and work with sculpture classes at Colorado State University, Denver, Colorado. One-man show at Albright College, Reading, PA. 1974 - 1976 Years of increased studies and work. Acquisition of a farm in Barto, PA. Built a new workshop. Works and lives with his wife and four children at the Barto, PA farm. New sculptures in iron, bronze, brass and wood. Traveled to Belgium, West Germany and Switzerland. One-man show at Gallery Heimat 85, West Berlin, Germany. One-man show at the Ianuzzi Gallery, Scottsdale, Arizona. Friendship with sculptor Tom Althouse and paintress Jane Mitchell. 1977 - 1981 Traveled to West Berlin. Works exhibited at Gallery Heimat 85, West Berlin. Also exhibited at Gallery Ludwig Lange. New workshop opened at parent's house in West Berlin. Many sculptures in steel, iron and bronze, some are represented at the Gallery Herbert Remmert and Dr. Barth, Düsseldorf, West Germany. Visited the Island of Korfu in Greece. New graphics. First visit to Italy. A fire at the farm destroyed two buildings, also 38 sculptures (created from 1950 to 1979), reliefs, graphics, correspondences, and various art collections. 1981 - 1984 One-man show and group shows at the Jack Savitt Gallery, Macungie, PA. One-man show at Misericordia College, Dallas, PA. 1984 - 1985 Change of direction. Painting in watercolor dominates sculptural work. Also greater interest in collecting other artists' work. One-man show at the James A. Caplan estate in Villanova, PA. 1989 Represented in the June 1989 Colonial Homes magazine. The article and photographs described the artist's life and his collections. 1992 Traveled to Europe, mainly living and working in Germany and Belgium. One-man show in Liegé, Belgium. Sculptures, drawings and paintings shown at the Heinz Ortleb Gallery, Berlin. Death of mother, Annie Ihlenfeld, in Berlin. 1994 - 1996 Restored a large barn at the farm with his son Phillip for extensive art collections and completed sculptures. Created sculpture garden at farm. 1996 Created many new bronze and brass sculptures during the winter months. Participated in the Central Bucks Chamber of Commerce Sculpture Show. Study tour to Bermuda with his wife. The semi-tropical plants and landscapes inspired new works. 1997: Traveled, study-tour, to St. Lucia, near Martinique, in the West Indies with his wife. This tropical environment was most inspiring. Participated in the Central Bucks Chamber of Commerce Sculpture Show at the James A. Michener Art Museum in Doylestown from June 13 to September 7, 1997. 1998 Entered the Berks County Art Alliance juried art show in the fall at the Reading Art Museum, Reading, PA. 1999 Travels and studies with family members of ruins near Oaxaca City, Oaxaca, Mexico (Monte Alban, Mitla, Dainzu, Teotitlan del Valle, Lambityeco, San Jose El Mogote, Yagul), the Rufino Tamayo Museum of Pre-Columbian Art, and the Regional Museum of Anthropology in Oaxaca City, in May. This is one of the most productive years in metal sculpting - forged iron and steel (many large scale works) all welded, new watercolors and art acquisitions. 2000 Sculptures entered in the Baum School Art Auction, Allentown, PA. 2001 Entered a group show of sculpture and paintings at the Schwenkfelder Library and Heritage Center, Pennsburg, PA. Continues to create new sculptures in iron, bronze, brass and wood. Also has continued to produce a wide variety of watercolor & other graphics large and small. 2002 Study tour to the Key West, Cozumel, Tulum, Belize and Nassau. Continues to produce many sculptures in bronze and iron. 2003 - 2004 Visited Niagara Falls, the Finger Lakes, Thousand Islands, Rockport, Maine and Concord, Massachusetts. Many inspirations for water colors and sculptures. 2005 - Exploring Maryland during the summer. First grandchild born in July, which was an extraordinary event. Painting many watercolors and continuing to work in forged iron. 2006 Sculptures entered in the PA Sinfonia Orchestra Art Auction, Allentown, PA. Continues to produce a wide variety of watercolors and bronze sculptures. Acquired over 200 African artifacts. Sculptures sold at David Rago Auctions...

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