Metal Sculptures

"Elena, Atelier, Red" captures a Cirque du Soleil performer suspended mid-air, elevated by an elegant cascade of drapery. Embodying freedom, grace, and transcendence, she appears cau...

In exquisite detail, William Hung’s contemporary sculptures explore both human physicality and emotion, often capturing figures in motion. This dynamic ...

Peter Shire Night Studio, 1989 Welded steel and aluminum metal sculpture with anodizing and two-part polyester painting, Movable kinetic Elements: yellow vane 27 1/4" tall, 18" wide, and 15" deep. Edition of 24 (not sure if they were all produced, this is not numbered) This piece is unsigned. There is some Paint Loss present, and some small Scratches. Overall, the piece looks to be in Nice shape. Additionally, the yellow squares can turn when they are pushed, or if they are in the presence of a strong gust of air. Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. Further reading A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990. Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987. Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984. Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000. Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990. Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983. Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984. Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993. Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991. Select Museum Collections: Art Institute of Chicago, Illinois Brooklyn Museum of Art, Brooklyn, New York Berkeley Museum, Berkeley, California Fresno Museum of Art, Fresno, California The Israel Museum, Jerusalem, Israel The Jewish Museum, New york city Judisches Museum, Frankfurt, Germany Laguna Art Museum, Laguna Beach, California Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles, California Metropolitan Museum of Art, New York Mint Museum of Craft and Design, Charlotte, North Carolina Museum of Arts and Design, New York Museum of Fine Arts, Houston, Texas Museum of Modern Art, Lodz, Poland Newport Art Museum, Newport Beach, California Oakland Museum of Art, Oakland, California Österreichisches Museum für Angewandte Kunst, Vienna, Austria Portland Art Museum, Portland, Oregon Sak’s Fifth Avenue, New York San Francisco Museum of Modern Art, San Francisco, California San Jose Museum of Art, San Jose, California Seattle Museum of Art, Seattle, Washington Skirball Museum, Los Angeles, California Stedelijk Museum, Amsterdam, The Netherlands Total Contemporary Art Museum, Seoul, Korea Victoria and Albert Museum, London, United Kingdom Selected Solo Exhibition venues Los Angeles County Museum of Art, Los Angeles, California Chouinard Gallery, South Pasadena, California Antonia Jannone Gallery, Milan, Italy Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California LA Artcore Center, Los Angeles, California S.K. Josefsberg Gallery, Portland, Oregon 20th Century Collage, Dallas, Texas Toomy-Turrel Gallery, San Francisco, California Frank Lloyd Gallery, Santa Monica, California Bobbie Greenfield Gallery, Santa Monica, California Diane Nelson Fine Art, Laguna Beach, California Loyola University, New Orleans, Louisiana S.K. Josefsberg Gallery, Portland, Oregon University of Judaism, Platt Gallery, Los Angeles, California El Centro del Pueblo, Los Angeles, California Gallery Saito, Sapporo Hokkaido, Japan Morgan Gallery, Kansas City, Missouri Riva Yares Gallery, Scottsdale, Arizona Daniel Saxon Gallery, Los Angeles, California David Lawrence Editions, Beverly Hills, California Art et Industrie, New York Clara Scremini Gallery, Paris, France Design Gallery Milano, Milan, Italy Lucy Berman Gallery, Palo Alto, California Parallel Gallery, Del Mar, California Davis-McClain Gallery, Houston, Texas Saxon-Lee Gallery, Los Angeles, California Traver-Sutton Gallery, Seattle, Washington Onyx Gallery, Los Angeles, California Skirball Museum, in cooperation with Saxon-Lee Gallery, Los Angeles, California Installation of the Olympic Village Entertainment Center, California State Polytechnic University in conjunction with the School of Architecture Museum of Contemporary Art, Temporary Contemporary, Los Angeles, California Hokin-Kaufman Gallery, Chicago, Illinois Hand and the Spirit Gallery, Scottsdale, Arizona B.Z. Wagman Gallery, St. Louis, Miss Traver Sutton Gallery, Seattle, Washington The Morgan Gallery, Shawnee Mission, Kansas, Missouri The Art Store, Los Angeles, California American Hand Gallery, Washington, D.C Modernism, San Francisco, California Studio Alchymia, Florence, Italy Janus Gallery...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies+ II PA Fantastic piece of art representing Spanish sculpture Very popular artist in Europe and Lat...

Tiffany & Co. 19th Century Cherub Bronze on marble base Engraved on back of base Sculpture: 6 x 13.5 x 7 inches Overall: 7.5 x 15.5 x 9 inches Tiffany & Co. is an American luxury je...

An inspiring piece that encourages us to take up the challenge and look for adventures in life. This 2020 work of Mireia Serra is cast with bronze then hand-prepared with black patin...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* Absolutely and positively one of a kind Dragon Sculpture Masterpi...

Figure of a horse , French 1940's , on a marble base appears unsigned finely carved, beautiful rendering, nice patina

‘Andromeda,’ Viktor Mitic’s grand contemporary outdoor sculpture forged from stainless steel is has a patina finish and is accented in 24 kt. gold. The abstract fluid lines of this p...

Monumental Bull I is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 197 × 250 × 120 cm (77.6 × 98.4 × 47.2 in). The sculpture is signed and numbered,...

Peter D. Cole (Australian, b. 1947) Symbols of Landscape, 1987 Mixed metal, enamel and marble signed P.D. Cole and dated 21 x 6 1/2 x 6 in (53 x 16.5 x 15cm) Provenance: Macquarie Galleries, Sydney, Australia, 1987. Sculptor Peter D. Cole was born in Gawler, South Australia and trained at the South Australian School of Art between 1965 and 1968. Since the 1980’s Cole has been based in the Kyneton District of Victoria, where he has established himself as one of Australia’s senior and most renowned contemporary sculptors, drawing on the landscape as a source of inspiration and recent research trips to Japan and India have added to his rich source material. As a public artist, Cole has made a significant contribution to the urban landscape and public spaces of Australia receiving the Australian National Trust Heritage Award and the Australian Institute of Landscape Architecture Award of Merit for Foundation Park, a permanent work at The Rocks, Sydney. He is highly sought for commissions and his work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport and recently Windsor Railway Station precinct. He was awarded the H.P. Gill medal for top student and the Contemporary arts Society award for drawing in 1968 and has exhibited regularly since 1969 with exhibitions in Australia and America, with notably a solo exhibition in 1995 at The Carpenter Centre, Harvard University USA. Peter D. Cole ranks as one of Australia's senior and most renowned contemporary sculptors. Graphic, minimalist and refined, his uncompromising aesthetic vision encompasses both large-scale structures, aerial works, and more intimate, witty ruminations. An accomplished water-colourist and draughtsman, Cole's vision translates easily into works on paper, valued by collectors for the insight they provide into his practice. Cole's robust materials- brass, bronze, painted steel and aluminium- vibrant colours and precise shapes articulate spatial, intellectual, and philosophical concepts. He is also interested in the notion of 'diagrammatic' landscapes, ones that express the transition between the flat plains of the Australian bush, and a more city-centric urban cacophony. Cole's work observes and recognises the boundaries of modern life without limiting its scale, or its scope. Cole is the recipient of the Australian National Trust Heritage Award (1996), the Australian Institute of Landscape Architecture Award of Merit (1995), and is highly sought for commissions. His work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport. Hs work bears similarities to Peter Shire, Charlie Hewitt and Brad Howe. Cole lectured in sculpture between 1975 and 2001 and has worked continuously on his practice encompassing sculpture, painting, drawing, printmaking, design and architecture. His work is represented in many collections both private and public throughout Australia, America, Japan and Europe. SOLO EXHIBITIONS 2017 A Modern Narrative, Australian Galleries, Sydney 2016 PLACE AND SPACE, Australian Galleries, Melbourne 2013 Australian Galleries, Roylston Street, Sydney 2012 Lister Gallery, Perth 2011 New Sculptures, John Buckley Gallery, Melbourne 2006 New works, Australian Galleries Painting & Sculpture, Sydney 2004 Primary Structure, Calder Lister Gallery, Perth 1997 Steele Gallery, New York, USA 1995 Carpenter Centre for the Visual Arts, Harvard University, Massachusetts, USA 1990 William Mora Gallery, Melbourne SELECTED GROUP EXHIBITIONS 2021 This is Gippsland, with works by Sidney Nolan, John Wolseley, Anne Montgomery Trevor Vickers, Ann Greenwood, Tony Newsom, Peter Cole, Nick Mount, John Woollard, Cheryl Burgess, Kiyoshi Ino and more. 2019. Australian Galleries: The Purves Family Business. The First Four Decades, Book Launch and Group Exhibition, Australian Galleries, Melbourne 2019. papermade, Australian Galleries, Melbourne 2017. Painting, sculpture and works on paper – Group exhibition, Australian Galleries, Melbourne 2017. Sculpture: medium and small scale – Mixed Sculptors, Australian Galleries, Sydney 2016. Impressions, Australian Print Workshop, Melbourne 2014. one of each, Australian Galleries, Derby Street, Melbourne 2011. large exhibition of small works, Australian Galleries, Roylston Street, Sydney 2006. Stock Show, Australian Galleries Painting & Sculpture, Melbourne 2005. End of Year Group Exhibition, Australian Galleries Painting & Sculpture, Sydney 2003. This was the future: Australian Sculpture of the 1950s, 60s, 70s + Today, Heide Museum of Modern Art, 2002. Tokyo Designers Block Idee, Tokyo, Japan PUBLIC COMMISSIONS Arts Victoria; Shepparton lake sculpture, Shepparton VIC 19 October 2019 Bank of Melbourne; in consultation with Bates Smart McCutcheon; large freestanding sculptural screen, Melbourne Brisbane International Airport; in consultation with Bligh Voller architects and Jean Battersby Art Consultants; large suspended sculptures...

Roger Phillips Kinetic Sculpture Painted iron and aluminum on walnut plinth base 44 1/2 inches high x 13 inches wide x 7 3/4 inches deep oger Phillips was born in New York City in ...

Extraordinary outdoor garden torch for your garden. Customization possible and designed in 2010. Also available to order in stainless steel. We produce this object in our own locksm...

Counterpart (triptych) is a sculpture by contemporary artist Tom Price. This sculpture is made of coal, resin, tar, steel, acrylic, LED, dimensions are 45 × 220 × 35 cm (17.7 × 86.6 ...

Sculpture by the Spanish artist AMANCIO GONZALEZ 7 COPIES Fantastic piece of art representing Spanish sculpture Amancio González is a sculptor from Leon and an internationally celebr...

The graceful arc of a dancer in motion is emulated in the fluid form of this elegant sculpture by Claude Millette. Three attached curved columns of polished stainless steel appear to almost float in mid-air. The Quebec artist...

"Casanova" 24K Gold and Diamonds Sculpture 8.5 x 2 in Ed. of 10 by Colin Burn Medium: 24K Gold, Precious Cabachon Cut Gems, Diamonds & Pearl Edition of 10 NOTE: preparation time may take up to 8 weeks. Electroformed 24k yellow gold olisbos sculpture, embelished with beautiful smooth colorful cabochon gem stones, sparkling white diamonds plus exquisite sapphires and emeralds. Casanova inspired this venetian styled design, vintage itialian feel, rich in color and full of passion. Sculpture comes with Limited Edition Artist Certificate of Authenticity and Jewelry Certificate of Materials. Casanova’s playground the Venetian masquerade, with the mystery of disguise one shares in the freedom of naughty playfulness with no consequence of identity. Exploring new lovers in order to learn and grow we face our fears and jealous tendencies through uninhibited pleasure. Casanova the master lover inspires the freedom to explore and discover our deepest desires, surfacing our inner sexual being, imploring us to satisfy our insatiable imaginations and fulfill our wildest fantasies. Artists Inspiration: “I wanted to create a classic vintage piece in honor of the world’s greatest lover Giacomo Casanova, reflecting on his rich Venetian heritage and his impact on carnal thoughts and desires. The sculpture embodies the image of this red blooded Italian, full of passion, color and strength, dressed in ornate design and bursting with sexual energy. The piece had to scream Venice with all the mystery of disguise and its naughty playfulness. Smooth cabochon gems possessing natural sexual energy were my inspiration for the rich colors. The ornate wrought iron pattern on the shaft is reflective of Casanova's gateway to pleasure and my use of rich yellow gold, diamonds and pearl was to add treasure to the memory of this passionate man and his famous legacy of love.” ABOUT COLIN BURN: Australian artist Colin Burn is a bold provocateur in the world of conceptual art, using his work to disrupt societal norms and spark critical dialogue often around uncomfortable truths. His art pushes boundaries, urging viewers to rethink their assumptions on value, power, and meaning, especially in contexts often deemed taboo or overlooked. Known for his masterful fusion of symbolism and opulence, Burn transforms ordinary objects into potent allegories, frequently employing their high monetary value to amplify the emotional and intellectual resonance of his themes. He understands that society frequently ties value to price, and this awareness is central to his approach. With an attention-grabbing allure, Burn’s work invites viewers to look beyond the surface, encouraging them to explore the deeper, often concealed meanings behind what they see—reminding them that true value lies not only in the material cost, but in the idea or theme that it represents. A compelling example of this is his Pearl Royale chess set...

An iconic and historic work of art, Man Ray's Le Cadeau ("The Gift"), is an early ready-made created by the artist in 1921 during his Dada period. Typical of the perverse, subversive...

Hermaphrodite I is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 31 cm × 25 cm × 20 cm (12.2 × 9.8 × 7.9 in). Dimensions of the metal base: 10 cm x 31 cm x 2...

Angelo Canevari’s Don Quixote is a 38 x 44 inch mix media sculpture. It is made of metal, resin, blue automotive paint, and cardboard. Angelo Canevari's work is often inspired by classical themes and myths. In this sculpture, he revisited with a modern interpretation the famous character of Don Quixote of La Mancha, in the Spanish novel by Miguel de Cervantes Saavedra. Almost Baroque in it's curvilinear shape rendered by the interlacing blue lines, the horseman and the horse emanates a superb emotional tension that culminates in the horse's red eye and the horseman's red head. This sculpture is part of a very limited number of works that the artist created at the end of his life. It has been featured in a book written by renowned writer Andrea Camilleri. Angelo Canevari is an Italian sculptor who comes from a long lineage of artists active in Rome since the 17th century. He has been commissioned several works by the Vatican including the Bronze Doors of the Cathedral of Belluno and the Vatican Coins.

One of a kind original sculpture by local San Diego artist, Duke Windsor. This sculpture depicts a figure facedown with gold bricks on their backs. The artist uses gold leaf to highl...

Original wall sculpture multiple by famed American Pop Artist, Mel Ramos (1935 - 2018). It is hand-signed and numbered in marker from the edition of only 35. Artist: Mel Ramos, Ame...

The Totem " Imnek ” is a unique aluminum and recycled wood Sculpture by David Marshall in 2015 the combination of recycled wood and cast aluminum showcases the Artists ability to tr...

In Butterfly, Atelier the gesture has a powerful, yet sensitive, conviction of universality, which places it amongst Richard MacDonald’s most distinctive and original works of art. The Baroque spiral of the body and constant motion rises out of swirling earthy beginnings. The patina adds color and dynamic movement by creating tones, values, and pattern to emphasize the concept, and creatively underscore the message of spiritual release and personal freedom. Dawson Cole...

Woman By Lynn Chadwick Lynn Chadwick (1914–2003) was a pioneering British sculptor renowned for his distinctive, angular bronze and steel figures that blend abstraction with human...

Bust of a young man with green bronze patina.

A one time exclusive re-edition of 500 pcs from the highly popular 999 pcs edition of the famous "Balloon Dog". Cold cast resin, comes with its original box and certificate of authe...

Lyrical and elegant in form, Jeremy Guy’s contemporary sculptures are simply stunning. This is Mobius; one of a series of larger pieces Guy produced to be displayed outdoors. The di...

William Tucker The Promise, ca. 1980 Bronze Signed and numbered 5/6 - incised on the metal 2 5/8 × 8 5/8 × 1 inch This abstract sculpture is by the renowned modern British born sculp...

From the series ”Gods and Goddesses”. Original sculpture: 3/8 ex Signed and numbered by the artist and stamped Bocquel fondeur. Acquired directly from the artist. Free shipment wor...

A steel pine cone cut lengthwise or segmented exposing its stem of clustered steel rods is secured to a flat stone base by sculptor Floyd Elzinga. The steel scales and stem of this l...

Eileen III is a tall, elegant bronze sculpture of a human figure. Nando Kallweit is a German sculptor working in bronze and oak. Kallweit carves the original piece from a piece o...

Large standing figure IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 147 × 28 × 26 cm (57.9 × 11 × 10.2 in). The sculpture is signed and number...

This contemporary wall sculpture of a mask is made out of metal. An iconic Canadian symbol—the maple leaf appears in stunning detail in this unique work by sculptor Dale Dunning. H...

Victor Vasarely (1908-1997) Axo This piece is hand signed and numbered circa 1972-1977 I have seen it described as enamel on steel and enamel on aluminium. it is a serigraph on meta...

Franz Iffland (1862 Tempelhof - 1935 Berlin), Javelin thrower, after 1910. Olive-black patinated bronze with cast plinth mounted on a white-veined black marble base (7 cm high). Tota...

This abstract sculpture by Joe Sorge is made with steel with orange dye and wax. A single strip of steel extends upward from a base, and twists and spirals in a curled ribbon shape. ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Drip, Size: ...

"5th Avenue P" by David Gerstein is a vibrant wall sculpture that captures the dynamic energy of New York City's iconic 5th Avenue. Using bold colors and layered shapes, Gerstein bri...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Artist: Branko Bahunek, Croatian (1935 - ) Title: The Flautist Year: 1990 Medium: Bronze Sculpture, Signature and number inscribed Edition: 10/15 Size: 20.5 in. x 8 in. x 8 in. (52....

Artist: Mr Brainwash Medium: Chrome Painted Resin Sculpture Title: Art is Not a Crime - Hard Candy Gold Year: 2021 Signed: Hand Signed Edition: 11/95 Image Size: 6.5 x 8.25 x 2 Comes...

Ver Bronze Sculpture Nude Male Figure Boy Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises...

Synthesis A2 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, stainless steel and LED, dimensions are 42 × 109 × 21 cm (16...

Subrata Paul - Natural Game Bronze & Wood, H 21 x W 26 x D 7 inches About : Subrata Paul ( b 1972) is one of the empanelled sculptors of Abundant Art Gallery. Subrata Paul’s favoured materials are bronze embellished with wood. His signature fusion of the two different materials with his stitching style lends an unique texture to his sculptures. Our collection, includes some of his remarkable creations including “Fish”, “Goat” and “Bull”.Paul’s ‘Fish’ represents contrasting characteristics. The Buddha like drooping eyes of the ‘Fish’ is contrasted paradoxically against the frenzied fins, reminding us of Medusa’s dishevelled hair. Calmness and restlessness in one form, the ‘Fish’ resembles the life force.It is a metaphor for the inner human strength to swim against the tide of adversities. His ‘The King’ represents an imperial image. The statute is looking towards heaven, as if seeking some inspiration to perform his royal duties. His crown is like a crown of thorns. It is not a pleasant task but it has to be performed. His attire declares he has to modify his own life into the straightjacket of his royal duties. Another creation of his, ‘Bull’ recalls the interpretation of a bison of the Altamira cave paintings. Paul’s ‘Meditation’ series defines peace in different perspectives through various aspects of Buddha figures. Inspired by sculptors such as Sunil Kumar Das...

"Felicity" Bronze Sculpture 15" x 16" x 9.5" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979....

In William Hung’s dramatic contemporary bronze sculpture called "The Messenger" a male figure dancer is elegantly balanced on a gently curved arc, one arm...

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

Zō is a bronze sculpture by contemporary Argentinian artist Marcelo Martin Burgos, portraying an abstracted elephant, a reference subtly embedded in its title, which translates to el...

“Elena", poised mid-air, elevated by an elegant cascade of drapery, becomes the embodiment of freedom, grace, and hope. Soaring and ethereal, the Cirque du Soleil performer sculpted ...

Emmanuel FREMIET (1824-1910) " La Saint Hubert, 1520 " A very fine bronze equestrian group with a gilded patina Titled to the front "La St Hubert, 1520" signed "E. Fremiet" on the ...

Old Man and the Sea by Jane DeDecker Abstract Figurative Cast Aluminum Monument Inspired by Hemingway's tale, a man walks towing a fish skeleton be...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Alchemy is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 34 × 44 × 27 cm (13.4 × 17.3 × 10.6 in). The sculpture is signed and numbered, it is part of a l...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Henk Jan Sanderman's "Mine:" is a captivating blend of sculptur...

This new work by Tal Nehoray is from her latest body of works called "1000 MG Love Pills". All are hand made with Fiberglass and hand painted with automotive paint. It stands on a bl...

19th Century Old Man & Woman Bronze Sculptures These charming bronze sculptures have a rich patina that only comes with age Each bronze measures 2" square at the base x 5" high No...

Cerise Platinum Ceremics Cherry Fruit Modern Sculpture Still Life New In Stock Giorgio Laveri (Savona Italy, March 3, 1954) is a painter, sculptor, screenwriter, director and actor ...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 14 x 14 Medium: Bronze Sculpture 1982 "Proud & Protective" I am the largest G. ...

A fine & large bronze sculpture "Basket Dancers", by the celebrated American sculptor Glenna Goodacre (1939-2020). A beautiful and sensitively rendered bronze sculptural group depict...