Oil Sculptures

This contemporary abstract acrylic painting consists of green geometric shapes. An intuitive artist, Lucy Maki’s unique artwork is often both a painting and a sculptural piece. With...

This contemporary abstract mixed media composition is geometric in form. The bold, unique and complex artwork of Lucy Maki challenges the traditional approach to painting. The New Mexico artist has been influenced by modernist abstraction, cubism, and even surrealism. For decades she has explored a distinctive visual language that incorporates mixed media, geometric shapes and architectural elements. Her shaped canvases like Beneath the Surface are an eclectic mix of oil paint and wood framing on canvas—they are both paintings and sculptures. Within the frame of this work, lyrical gestural brushstrokes in green and a creamy white play against a teal backdrop. Thick black patterns framed in geometric shapes add structure. The wood frame of this piece extends beyond the artwork itself extending the picture plane--a signature of Maki’s work. “I am fascinated with the New Mexico’s 1930s...

This is an Markus Pierson Dreaming of Her Sculpture Wood Sculpturer 1987 48 inches tall 50 made. Measures 48x12. In good condition

Pink Pleasure (Textile Inspired Abstract Wood Wall Sculpture in Pink and Yellow), made by Susan Stover in 2024 wood, oil paint, varnish, waxed linen thread 54 x 72 inches Lightweight...

Mid 20th Century sgraffito work on plaster by Jean Pierre de Cayeux. The work is signed and dated on the skirt of the card player, bottom right, and on the stretcher of the chair, bo...

Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture), made by Susan Stover in 2025 wood, oil paint, varnish, waxed linen thread 30 x 30 inches Lightweight,...

This Modern abstract piece by Stanley Bate is a wood panel sculpture that has been painted white. Three-dimensional that are reminiscent of architectural pieces are tightly stacked w...

SOUND AND VISION – Budgies is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 100 × 100 cm (39.4 × 39.4 in). Every piece is 30 cm in dia...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Artist: Sijan, Marc Title: Security Guard Date: 2024 Medium: Polyresin with oil paint and mixed media Signature: Signed lower leg Edition: Unique ...

"Beasts of Burden" (2023) by Andy Evansen is an original handmade watercolor painting on paper that depicts a midwestern plain, with a sunset from a passing storm. This piece measures 11 x 15 inches, and 16 x 20 inches in its frame. Andy Evansen’s interest in art started in childhood, as he can’t recall a time when he wasn’t drawing. He began painting watercolors in the mid 1990s as a change of pace from his career as a medical illustrator. Choosing a ‘style’ was not difficult, as Andy was always inspired by the watercolor paintings of British artists Trevor Chamberlain, David Curtis...

Oil-based alkyd enamel on plywood panel with cuts. this is a cut plywood wall relief sculpture with paint on it. This has an architectural quality to it. Peter Wegner (born 1963) i...

This figurative mixed media bust sculpture in ceramic, metallic oxides and carved fir wood opens with a strong emphasis on material expression and emotional tension. The work belongs to the Xentes series, a body of sculptures by the Spanish artist Óscar Aldonza Torres that explores the dialogue between individuality and collective identity. The piece combines high-temperature ceramic for the head—treated with oxides and imitation gold leaf—with a tall fir-wood torso...

5-3506 Hand carved sailing diorama wood and oil paint. Signed on verso Esposito 1920 Set in a new wood frame

A Renaissance man,circa 1930's polychrome painting on a wood plaque . Artist unknown

'Stretcher Series' by Toi Hoang, 1990. Large Conceptual Oil, SFMoMA, SECA Art Award, CMoCA, Saigon ----- Signed lower right, on stretcher bar, 'T H N' for Toi Hoang (Vietnamese-Amer...

Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes I Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 20,...

This contemporary abstract mixed media piece consists of oil on wood and a fabric collage in colourful geometric shapes. For decades, Lucy Maki has explored a distinctive visual lan...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a orange-bronze and pink background, the artist has attached several objects, including plastic letters, paper cutouts, and glass slides...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

"Golden Dreams" is a contemporary and parametric wall sculpture. Made from oil lacquer paint and acrylic mirror on carved maple, this body of work is c...

"Beasts of Burden" (2023) by Andy Evansen is an original handmade watercolor painting on paper that depicts horses resting in the shade alongside a small creek. This piece measures 15 x 22 inches and 21 x 28 inches in its frame. Andy Evansen’s interest in art started in childhood, as he can’t recall a time when he wasn’t drawing. He began painting watercolors in the mid 1990s as a change of pace from his career as a medical illustrator. Choosing a ‘style’ was not difficult, as Andy was always inspired by the watercolor paintings of British artists Trevor Chamberlain, David Curtis...

Robert Arthur Goodnough (AMERICAN, 1917-2010) Untitled oil on aluminum with nuts and bolts Provenance: Christie's Auction House from the estate of William F. Buckley and Patricia ...

Colorful abstracted color field painting of matchsticks by Bay Area artist Michael Pauker (American, b. 1957), circa 2000. Unsigned, but was acqui...

Artist: Paul von Ringelheim, Austrian/American (1933 - 2003) Title: Spiral 1 Medium: Painted Flame-Cut Steel Sculpture Size: 47 x 52 x 8 in. (119.38 x 132.08 x 20.32 cm)

A sculpture by Tom Wesselmann. "Bedroom Brunette with Irises" is a contemporary wall sculpture, oil on cut-out aluminum by Blue Chip, Pop artist Tom Wesselmann. The work is unsigned. This piece was conceived in 1988 and frabricated by Lippincott Sculpture studio in 2004. Tom Wesselmann was born in Cincinnati Ohio on February 23 1931. He attended college from 1945-1951, first at the Hiram College in Ohio and then the University of Cincinnati, where he majored in psychology. He was drafted during the Korean War in 1952, and it was during this time that Wesselmann did his first cartoons. After he was discharged and had finished in degree in psychology, Wesselmann began to study drawing at the Art Academy of Cincinnati. He sold his first cartoon strips to two magazines, 1000 Jokes and True. In 1956, he was accepted to Cooper Union in New York and he continued his studies there. It was while he was studying in New York, specifically on a trip to the MoMA that Wesselmann became inspired by Robert Motherwell and Willem de Kooning. In 1958, a landscape painting trip to Cooper Union’s Green Camp in New Jersey brought him to the realization that he could make his career in painting, rather than cartooning. After graduation, Wesselmann became one of the founding members of the Judson Gallery, along with Marc Ratliff and Jim Dine. Wesselmann also began to teach art at a public school in Brooklyn and later at the High School of Art and Design. In 1961, Wesselmann began the series that would bring him to the attention of the art world, Great American Nude. After a dream concerning the phrase “red, white and blue”, Wesselmann decided to limit himself to a palette of only those colors (including colors like gold and khaki that are associated with patriotic motifs). This series incorporated representational images along the same patriotic theme, including American landscape photographs and portraits of the founding fathers. Wesselmann often collaged these images from magazines and discarded posters which required him to work in a much larger format than he was used to. As his works became larger and larger he approached advertisers directly to acquire billboards. Wesselmann’s first solo show was held in 1961 at Tanager Gallery. In 1962, Richard Bellamy gave him a one man exhibition at the Green Gallery. In 1962, Wesselmann participated in the group exhibition “New Realists” at the Sidney Janis Gallery and kicked off his international career. In that same year his first pieces with the title of Still Life, came about. In these works, Wesselmann concentrated on the juxtaposition of different elements, i.e. a cigarette ad...

HUGO G. URRUTIA B. 1974, Mexico Hugo G. Urrutia is a multidisciplinary artist-designer, interested in the cross-pollination between art and architecture. His artwork challenges the...

Artist: David Bromley Title: Stacked Illustrated Blocks Year: circa 1990 Medium: Six Oil- and Acrylic-Painted Wooden Blocks, Staggered in Size Size: Smallest Block: 5.5 x 5.5 x 5.5 i...

SOUND AND VISION – You called me mellow yellow (9 pieces, C) is a unique installation by German contemporary artist Doris Marten. It is composed of 9 oil-painted vinyl records, 11.8 ...

An original unique mixed media painting and sculptural creation by well listed artist Enrico Embrolli. Enrico Embroli is a mixed media artist born in the small Western New York town...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby cars of his youth, eac...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

A polychrome and gilt plaster statue of the Blessed Virgin Mary. The quality of the original gilding and the handling of the folds in the clothing are exceptional. A wonderful statu...

The intricate retablos of contemporary artist Patrick Fitzgerald are his means of paying homage to the musicians that inspired him throughout his life. Derived from Mexican votive...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

This contemporary abstract mixed media composition consists of black and white geometric shapes. This striking black and white composition on canvas is by Lucy Maki. The New Mexico ...

Anneke Bogardus "Lion Face" 2023 Entirely hand sculpted. Raku fired. Finished With touches of Oil paint, Pencil, and Acrylic. 67” around, 8” Off the wall. Raku firing is an ancie...

HUGO G. URRUTIA B. 1974, Mexico Hugo G. Urrutia is a multidisciplinary artist-designer, interested in the cross-pollination between art and architecture. His artwork challenges the...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 12 x 16 Frame Size: 21 x 25 Medium: Oil on Canvas Signed Lower Left "Bend In T...

Noé Katz is a multi-media Mexican artist creating paintings, sculptures, and murals that reflect concepts of humanity in his signature modernist style.

Bold, graphic, and richly textured, Bat Figure (2025) exemplifies Matt Barter’s distinctive approach to folk‑influenced contemporary sculpture. Hand‑carved from reclaimed wood and ac...

Charming, early 19th century, hand carved, gessoed, and 22-karat gold gilded, polychrome wall plaques featuring nature spirits surrounded by foliate wreaths. Each with wonderful, mis...

Oil Painting / Contemporary Academic Realism / Figurative Art / Animals / Earth Tones

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole...

Figurative ceramic sculpture with forged iron elements and hand-painted polychromy, this female bust explores identity, tension and material presence. In this ceramic sculpture, Ósca...

Figurative ceramic bust sculpture with textured coat and expressive glaze, created in high-temperature reduction firing with oil-based polychromy. This sculptural work forms part of ...

This contemporary abstract mixed media composition consists of geometric and expressive shapes in teal and black. The eclectic, wholly original work of Lucy Maki has been exhibited ...

This contemporary abstract painting consists of geometric shapes in shades of blue. For decades, the engaging work of Lucy Maki has attracted both critics and collectors internation...

This contemporary abstract painting has expressive markings and geometric shapes in black and white. Lucy Maki has been exploring and experimenting with different media, geometric s...

This contemporary abstract mixed media composition consists of predominantly blue geometric shapes. Lucy Maki’s masterful paintings have evolved over decades to embrace a variety of...

Alexander Liberman STOI V, 1986 Wood with paper and paint 97 1/2 × 28 × 37 inches This work is hand signed twice by Alexander Liberman: Signed on the side as well as the underside an...

Roughly hewn and painted, carved wooden sculpture. Hand signed and dated. Provenance Richard Gray Gallery, Chicago, Illinois, (accompanied with copy of original invoice dated 1986.) This was from his show Out of Africa. Expressionist paintings and carved reliefs at the Richard Gray Gallery, Chicago His first one-man exhibition in the United States, the show featured multidimensional and multi-media work with influences from Africa and nature. Philippe Cognée...

In this whimsical wall-mounted mixed media piece, María Magán constructs a surreal domestic scene blending floral textiles, embroidered text, and a dripping pink liquid painted on a ...

This textile-based wall sculpture by María Magán brings together embroidery, fabric sculpture, and painting in a surreal mixed media assemblage. Titled Crecer y menguar and part of t...

Untitled "Marble Fragment 10" 2019, oil, Italian marble, landscape, wall sculpture, clouds, purple, blue, green

SOUND AND VISION – You called me mellow yellow (9 pieces, B) is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 100 × 100 cm (39.4 × 39....

This figurative ceramic and bronze bust sculpture highlights a fragmented surface that evokes repair, continuity and embodied memory. Part of the Xentes series by Spanish sculptor Óscar Aldonza...

Untitled 05, 2016 Mixed media on metal sheet (Signed on reverse) 69,78 H × 39,98 W x 12,6 D in 177 H × 99 W x 32 D cm Berszán’s black silicone structures arise through a process of ...

Artist: John Taylor (1936-) Scottish Title: "Wall Relief Tiles" (a pair) Medium: oil on board Size: 15cm x 20cm inc. frame & 13cm x 21cm inc. frame Notes: Painter, notably in watercolour, and printmaker, gallery owner and teacher, born in Darvel, Ayrshire. Graduated from Glasgow School of Art in 1959, some years later taking a higher diploma in art. Taylor made a big impact on the Scottish gallery scene when in 1963 he opened the New Charing Cross Gallery in Glasgow, giving young artists a chance to exhibit more adventurous work. Taylor had a long association with the Glasgow Print Studio as senior technician. In 1977, with Ainslie Yule, he was recommended by Scottish Arts Council for a residency at Editions Alecto to work on a screenprint. Taylor’s own work could sometimes have a strong polemical element, notably regarding war and the nuclear threat. As well as taking part in many group shows across Europe he was a regular solo exhibitor. Notable among these were Compass Gallery, Glasgow, 1985 and 1987; Richard Demarco Gallery in Edinburgh and Glasgow Print Studio in 1987; and Edinburgh Print...