Paint Sculptures

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all...

Acrylic on maple with matte finish Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism to make dyna...

The Veils introduce Brindle’s newest series, where diaphanous washes of color float on elegantly suspended sheets of acrylic. Painted in layers from the back of these sleek, crystall...

"Emerging Force" is a painted steel sculpture by Ralph Wickstrom created in 2000. From the front view, this sculpture appears to be simply a concave lens held up by a thin steel rod....

This beautiful laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium and covered with black automotive paint. The pieces can be hung horizontally or vertically as seen in the images. The length of each piece is 20.5" and each has a different height: 25.5", 27.5" and 28.3". The size written in the description of the work is if all 3 are placed horizontally with 6" gap in between them. The pieces can also be custom sized!!! As all of Ilanit`s works, this work is based on a poem Ilanit wrote. At first, it looks as an abstract wall sculpture, but as you dive into it you start recognizing the Hebrew letter of the poem. The words of the poem that are hidden in this work are: "Excuse/ pardon me miss, Where did you say it feels good...

Text by Nancy Webb It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level. Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings. Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...

carved and polychromed pine

Anna Kara is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia in 1980, ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

"The World in a Grain of Sand" by Joan Giordano Mixed media, international archival newspapers, encaustic on canvas Museum shown and collected artist Joan Giordano is known for her ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Young Nancy artist born in 1991, MHS, from an early age, had a strong taste for artistic creation. Self-taught from the Street Art culture, he was able to develop his artistic skills...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Karine Payette was born in 1983 in Montreal, Quebec, where she lives and works. Working primarily with sculpture and installation, she reproduces, for the most part, environments tha...

The sculptures are geometrical spatial structures in which colour and vibrations float in space and change according to their rotation or to the spectator's movement.

“Man's profound gestural relationship to objects, which epitomizes his integration into the world, into social structures, can be a highly fulfilling one, and this fulfilment is discernible in the beauty - the 'style' - of the relationship in its reciprocity.” -Jean Baudrillard, The System of Objects (1996) The cliché that “one man’s trash...

Oil painting on wood panel Unique work Hand-signed lower right by the artist

Acrylic on solid maple with texture, matte and gloss finish Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-centu...

Cast plaster with red acrylic paint, 1968, signed in felt-tip pen, incised 'C.O.' and 'Chicago August 1968' on the base, numbered from the edition of 100, published by the Richard Fe...

"Homage to Picasso" is an acrylic on gourd signed by Kyle Zubatsky. This sculpture shows a nude woman. Her body is shown in the lower and larger part of the gourd, everything is circular. The face is pouty and a crown is made by yellow sticks around her head. Sculpture: 11.5 x 8 x 8 in Wisconsin artist Owner of the Tall Tree Gallery Used to co-own the Art Escape Gallery in Thiensville, WI with Diane Arenberg Volunteered her talents to Wisconsin Breast Cancer Coalition's "The Rare Chair Affair" an auction/event to raise awareness about Breast cancer; was a guest artist for ColettaScope 2008-10th Anniversary...

Seated Mother And Child, Modern Pre Columbian style large sculpture edition 1/30, artist signed. Walter Bastianetto is an Italian born sculptor who moved to Mexico in the 1970s an...

"The Merger Will Have Its Ups & Downs" is an original clay sculpture painted with acrylic paint by Reginald K. Gee. The sculptures are on a stained wood base. This sculpture depicts ...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

Spray paint on upcycled plastic bottles 23 x 21 x 5 cm Set of eight pieces Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued ...

In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...

"Lavender Drizzle" Abstract Sculpture 54" x 30" x 30" in by Shawn Kolodny Medium: Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for...

KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...

KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...

KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...

KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...

Artwork made by acrylic on solid maple, matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century ...

Artwork made by Suede Venetian paint , latex, birch, MDF & wax Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Ar...

"Chromatic Orbs" Abstract Sculpture 54" x 16" x 16" in by Shawn Kolodny Medium: Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for o...

“Man's profound gestural relationship to objects, which epitomizes his integration into the world, into social structures, can be a highly fulfilling one, and this fulfilment is discernible in the beauty - the 'style' - of the relationship in its reciprocity.” -Jean Baudrillard, The System of Objects (1996) The cliché that “one man’s trash...

In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...

Andy Warhol Bearbrick 400% Vinyl Figures: Set of four individual works (2020-2021): (after) Andy Warhol Muhammad Ali, Elvis & Marilyn (pink & blue variations) collectibles trademarke...

Artwork made with spray acrylic on poplar with gloss clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-c...

Magnificent sculpture by French artist Claude Gilli entitled “Absinthe” dating from 2000. Made of wood and acrylic, this work measures 78,5 cm x 41,5 cm.

Kusbudiyanto is an Indonesian artist born in 1969 who lives & works in Jogjakarta, Indonesia. This sculpture tells the happiness of children traveling to the zoo. Happiness can be s...

Wood, iron, carbon, gauze & paint

Beautiful sculpture by French artist Claude Gilli entitled "Femme au Figuier de Barbaries" dating from 2007. Made of wood and acrylic, it measures 170 cm x 133 cm.

Lamontagne has an interest for the conflicting relationship that exists between the end of the landscape and its contemplation, as well as for the so-called death of painting. The pa...

Five Stainless steel discs measuring 6.75x6.75x1.5 inches each (17x17x4 cms) hung individually on the wall with a 3M velcro tape hanging provision on the back of each disc, can be hu...

Six Stainless steel discs measuring 14x4x4 cms each hung individually on the wall with a wooden hanging provision on the back of each disc, can be hung in any way as a set of six. S...

Ten Stainless steel discs measuring 3x3x1.75 inches each (7.6x7.6x4 cms) hung individually on the wall with a 3M velcro tape hanging provision on the back of each disc, can be hung i...

Lamontagne has an interest for the conflicting relationship that exists between the end of the landscape and its contemplation, as well as for the so-called death of painting. The pa...

Textiles, acrylic paint and metal on wooden panel, edition of 5 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Sc...

Artwork made in acrylic on birch with satin lacquer and Venetian gold plaster paint backer Navy Citron is a striking mid century modernist inspired wall sculpture made from birch, m...

Laure Krug. Contemporary French artist Holder of a license in plastic arts, she naturally turns to sculpture. Materials: She begins by working the soil and masters the different co...

Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...

Artwork made with MDF, enamel, Shou sugi ban pine, oil & satin lacquer Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The ...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the University of California Santa Cruz. Her exhibition record most recently includes the Phoenix Art Museum, Blue Star Art Museum, in San Antonio, TX, Arte Laguna in Venice, Italy, Czong Institute for Contemporary Art in Korea, and Elmhurst Museum in Chicago, IL. Day's work has been supported by an Elizabeth Greenshields Grant in 2018, Contemporary Forum Artist Grant from the Phoenix Art Museum in 2017, a Barron Purchase Award in 2016 and through participation at the Ucross Foundation, the Jentel Foundation, Playa Foundation For The Arts, Kimmel Harding Nelson Art Center, and the Armory Art Center. Jenny Day lives and works in Santa Fe, New Mexico and is represented by Ferrara Showman Gallery. "Gas can...

With each feather, Alan Derrick has moved his art form into new expressions. He continues to experiment with each stage of the process, producing surprisi...