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Medium: Photographic Film
IRIS I - unique abstraction of colors in circular glass frame (45" diameter)
By Frank Schott
Located in San Francisco, CA
a mesmerizing sea of blue, green and ocre color tones
from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique abstractions
Iris I...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Plexiglass, Archival Paper, Photographic Paper, Photographic Film
IRIS IV - unique abstraction of colors in circular glass frame (45" diameter)
By Frank Schott
Located in San Francisco, CA
a mesmerizing sea of light amber, emerald and aqua color tones, from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Plexiglass, Photographic Film, Archival Ink, Archival Paper, Photographi...
IRIS V - unique abstraction of colors in circular glass frame (45" diameter)
By Frank Schott
Located in San Francisco, CA
a mesmerizing sea of abstract grey blue and aqua water color tones, from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's un...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Plexiglass, Photographic Film, Archival Ink, Archival Paper, Photographi...
Jo Yarrington, Ghost Girls, 2018, Organic Material, Photographic Film, Plastic
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Photographic Film Sculptures
Materials
Pins, Organic Material, Plastic, Photographic Film, Acrylic Polymer, Fou...
Highly conceptual mixed media wall sculpture Contemporary Cat charm rabbit foot
Located in Buffalo, NY
No Fear (Trapper Keeper)
UV print on aluminum, chain, jewelry, keychain, sticker,
Croc Jibbitz, rabbit’s foot, Tamagotchi
18x48”
2019
$975
Eternal Flame i...
Category
2010s Conceptual Photographic Film Sculptures
Materials
Metal
Adam & Eve with Snakes
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
11
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
7
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Death in a Frame
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Impending Doom
By Peter Olson
Located in New Orleans, LA
For the last six years, Peter Olson has harmonized photography and ceramics, two mediums that have forced their way into fine art. As bands of imagery spin around the thrown and asse...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
6
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
12
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
9, 10
By Peter Olson
Located in New Orleans, LA
Vases in various sizes.
From left to right:
9 - 21h x 5w in
10 - 20h x 5w in
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and c...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
5
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Adam and Eve in a Frame
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
"Marilyn Monroe" Mixed-Media abstract image on Wood with Mirror Inlay
By Carlos Alejandro
Located in Miami Beach, FL
"Marilyn" 2017, by Carlos Alejandro
Measures: 11.25" x 9.25" x 2"
One of a kind piece, mixed media on wood
2017
Art is a way of living. For Carlos Ale...
Category
2010s Modern Photographic Film Sculptures
Materials
Mirror, Wood, Plexiglass, Photographic Film
8
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
From the Pyx series, nude figure unraveling
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Figures with nervous systems
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Reliquary, Christ with an audience
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Half Death
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Flayed couple in a frame
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Wound Man
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Photographic Film Sculptures
Materials
Metal
Jo Yarrington, Ghost Girls Slides for Carousel, Photographic Film, Plastic
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Photographic Film Sculptures
Materials
Metal
Richard Klein, Expo 67, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Photographic Film Sculptures
Materials
Metal
Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Photographic Film Sculptures
Materials
Metal
Richard Klein, Johnson Hs. & Guest Hs. General View (2024), Ed 2/3, replica
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
Johnson Hs. & Guest Hs. is an exact replica of an art history slide made in the 1950s picturing Philip Johnson’s Glass House. The slide has been replicated digitally on a much larger scale (23” x 23”) and like the original is made of a cardboard mount that contains a color transparency. The original slide is faded from years of use and most of the color, other than red, has been bleached out.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Dada Photographic Film Sculptures
Materials
Photographic Film, Film, Archival Paper, Digital, Wood
Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Photographic Film Sculptures
Materials
Metal
Richard Klein, iHop II, 2018, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Photographic Film Sculptures
Materials
Metal
From the Pyx Series, Full figure
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
From the Pyx Series, Portrait male unraveling
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Flayed man in decorative frame
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Adam & Eve with close ups
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Defaced graveyard portraits
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Small Pox vessel
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Egyptian bowl
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Flay in a Frame
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Adam & Eve series: Vessel #1
By Peter Olson
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954]
Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Jo Yarrington, Ghost girls_Slide Carousel, 2018, Photographic Film, Found Object
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Photographic Film Sculptures
Materials
Photographic Film, Found Objects
"Intimate", Archival Pigment Print Mounted on Aluminum Intervened
By Sara Modiano
Located in Miami Beach, FL
Intimate by Sara Modiano
A three-dimensional freestanding sculpture
Measures: 27 in. H x 24 in. W x 4 in. D
Metal, wire
This piece is a mixed-media, one of a kind sculpture from ren...
Category
Early 2000s Modern Photographic Film Sculptures
Materials
Wire
Highly conceptual mixed media wall sculpture Contemporary skull emoji jewelry
Located in Buffalo, NY
Monarch Memento Mori
UV print on aluminum, chain, jewelry, keychain,
boondoggle, stickers, Croc Jibbitz, rabbits’ foot
12x36”
2019
$975
Eternal Flame is a...
Category
2010s Conceptual Photographic Film Sculptures
Materials
Metal
Reliquary, The Dead Photographed in Upper Derby PA
By Peter Olson
Located in New Orleans, LA
For the last six years, Peter Olson has harmonized photography and ceramics, two mediums that have forced their way into fine art. As bands of imagery spin around the thrown and asse...
Category
21st Century and Contemporary Contemporary Photographic Film Sculptures
Materials
Ceramic, Porcelain, Photographic Film
Photographic Film sculptures for sale on 1stDibs.
Find a wide variety of authentic Photographic Film sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Peter Olson, Magda Von Hanau, Jo Yarrington, and Rachel Gallmeyer. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Photographic Film sculptures, so small editions measuring 0.12 inches across are also available
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