Polyurethane Sculptures

Shaped aluminum with acrylic polyurethane paint and black flock

This interactive installation allows the collector to plan their own design using these sophisticated elements made of steel or aluminum painted in polyurethane. This indoor or outdo...

Artist Commentary: None of my sculptures are ever worked out on paper. The process is always tactile and worked out in the form of a model or small sculpture. This sculpture was an ...

Aleksandra Domanović Calf Bearer 2017 Sculpture constructed of Laser sintered PA plastic, polyurethane, Soft-Touch, patinated copper and Kevlar-carbon fiber coating, Corian and foam....

Edition of 12 Born in Mexico City in 1953, artist Noé Katz lives and works in the U.S., and his paintings and sculptures can be found around the world. He received his formal traini...

Polyurethane Sculpture.

Reinforced polymer (FV) and acrylic polyurethane. Edition 2 of 9

From the newest original works by Zammy Migdal, these wall objects hang as sculpture on the wall, each one unique, forming its own fluid story. This dark gray work is from a series ...

An installation work of photos on aluminum, these hexagonal elements inference the hexagon of the Pentagon. The artist is telling a story of what ma...

Undulating on the wall in any pattern desired, this colorful installation of various shades of Caribbean blue is a multi element installation that can be arranged in any way you like...

This installation is made up of individual metal and polyurethane painted elements that can also be purchased individually and create any design scheme. Influenced by the waters of ...

This interactive work can fit in any format the collector desires and can contain as many elements, both big and small, that the space requires. From the artist's Levitation series...

Beautiful shades of green resembling fields of green grass are the inspiration for these undulating steel elements installation. There are 18 element of various sizes that can be arr...

A wild and colorful indoor or outdoor work, this interactive installation gets the collector involved in the work. The colors of turquoise, green, yellow, with pop accents of red an...

Patrizio Moscardelli born in Ripatransone (A.P.) in 1959 actively participates in the national life of art, obtaining recognition and acclaim in various competitions from the most qu...

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

Part of Zammy Migdal's newest works these abstract unique square framed installtions are white on white with mounted three dimensional elements on French linen and framed to hang on ...

Balloon Dog is an iconic work within the highly acclaimed Celebration series, which JEFF KOONS began in the mid 1990s. The Celebration artworks reference certain times of year (holidays and birthdays) but also the celebration of the cycle of life. What else could suggest the cheer of children’s parties more eloquently than a colorful balloon, twisted into the instantly recognizable form of a dog. According to the artist, “It is about celebration and childhood and color and simplicity – but it’s also a Trojan horse. It’s a Trojan horse to the whole body of art work.” Balloon Dog has the profoundness of an archaic sculpture. The monumental Balloon Dog sculptures...

Balloon Dog is an iconic work within the highly acclaimed Celebration series, which JEFF KOONS began in the mid 1990s. The Celebration artworks reference certain times of year (holidays and birthdays) but also the celebration of the cycle of life. What else could suggest the cheer of children’s parties more eloquently than a colorful balloon, twisted into the instantly recognizable form of a dog. According to the artist, “It is about celebration and childhood and color and simplicity – but it’s also a Trojan horse. It’s a Trojan horse to the whole body of art work.” Balloon Dog has the profoundness of an archaic sculpture. The monumental Balloon Dog sculptures...

Zammy Migdal's work can be characterized by continuity and discontinuity: the continuity is reflected in the repeating qualities of the forms while the discontinuity reflects the var...

The "Meditation Man," in his yoga pose, is in total concentration. His plumaged eyes could be interpreted as life's struggles as he continues to maintain his maximum mental focus. ...

Sugar pine with satin polyurethane finish, maple plywood, letterpress on pigmented embossed cotton paper (Edition of 15) This artwork is offered by ClampArt, located in New York City.