Resin Sculptures

Frederick Hart is America's greatest figurative sculptor. Not only did he create works of great beauty and gravitas, he was singularly responsible for restoring to American public mo...

Nicola Domenici was born in 1969 in Viareggio (Lucca). After the University and several experiences in the fields of jewellery and goldsmithery, he dec...

Laure Krug. Contemporary French artist Holder of a license in plastic arts, she naturally turns to sculpture. Materials: She begins by working the soil and masters the different co...

Silk Road Pyramid, Original Reclaimed Wood Free Standing Sculpture 36" x 48" x 48" (HxWxD) Wood, Resin Repurposed wood of varying coloration and patterning is pieced together with r...

Tombem-ho Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies ...

jd Hansen crafts works with exceptional detail, utilizing texture and language in a unique way to create ephemeral and intricate bronzes. Hansen's work has been collected and exhibi...

73” x 40” x 2” variable dimensions (resin, metal) In Philip Simmons' series of sculpture made of resin, metal, and vinyl, he references pop sources and the news media to comment o...

This sculptural installation incorporates running water and and interior light which activates the scene of a streambed along a grassy knoll. Kathleen Vance is an environmental artist who creates projects that connect people to local aspects of nature that are overlooked or under appreciated. With the series “Traveling Landscapes” Vance creates miniature landscapes with running streams and rivers inside vintage suitcases and trunks...

The sculpture is being offered with a work and authenticity certificate

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Steel and resin sculpture Unique “It has long been known that the Earth is round, but it is only now in the space age that it is really seen...

Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham and Malka Green Award, and a BMO 1st Art Nomination. His work has been seen at Word On The Street, Katharine Mulherin Contemporary Art Projects, the Al Green...

Information: Anna is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia i...

Anna Kara is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia in 1980, ...

Joseph Safina Atlantic, 2024 Resin and mixed media with decommissioned 1911 gun10 x 10 x 3 in (25.40 x 25.40 x 7.62 cm)

Inspired by both art and science, Eric Johnson creates composite works of pigment, wood and resin that reference a kinship with other artists: to the sensuality of Brancusi, the arch...

Inspired by both art and science, Eric Johnson creates composite works of pigment, wood and resin that reference a kinship with other artists: to the sensuality of Brancusi, the arch...

Fernando Moreno is a Mexican artist who was born in 1983. Fernando Moreno's work has been offered at auction multiple times. Only one artwork sold; this was Untitled, which realized ...

Fernando Moreno is a Mexican artist who was born in 1983. Fernando Moreno's work has been offered at auction multiple times. Only one artwork sold; this was Untitled, which realized ...

Fernando Moreno is a Mexican artist who was born in 1983. Fernando Moreno's work has been offered at auction multiple times. Only one artwork sold; this was Untitled, which realized ...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Uses versatility of techniques and materials to create sculptures adorned with irony and contemporary beauty in accordance with urban art. Throughout his life, he has been accompanie...

Eric Johnson creates enigmatic and sensual abstract sculptures that are constructed with pigment, wood and resin. Johnson’s work seamlessly unites two traditions of Southern California art - the sleek and sexy aesthetic of the Finish Fetish movement and the organic and elegant tradition of woodworking. His handcrafted pieces are sheathed in resin skins, which often reveal glimpses of the wooden architectures encased within. Endlessly fascinated by physics and science, Johnson’s references range from cosmology and astrophysics to the human form. Johnson’s work is deeply personal - in addition to drawing inspiration from his ancestral boat-building heritage (which is Norwegian, Scottish and Cree Native...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Monumental Quan Monumental Scale Lacquer On Resin - Purple Sphere w/ Painted Purple Suit with 24K Gold Leaf Cap Artwork Dimensions: 67” x 60” x 43” Base: 55" x 72" x 54" Variant of...

Miniature Balance Miniature 18” x 16” x 9” Oil on Resin with Citrine AB Crystal Cap Edition of 10 Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyper...

Miniature Brooke with Beach Ball Miniature Oil on Resin 12” x 16” x 12” Edition of 38 Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyperrealism. She...

Justice (Table Top Scale) Champagne Gold Leaf Suit and Cap, Polished Stainless Sphere Table Top Scale 27” x 18” x 18” Edition of 8 Carole A. Feuerman (born 1945) is an American scu...

Justice (Bronze Museum Scale) Lacquer On Bronze with Highly Polished Stainless Steel Museum Scale Dimensions: 112" x 86" x 86" Variant of 8 Exhibited on Chicago's Magnificent Mile ...

Patience (with Pearl White Suit) Lacquer On Resin with 24K Gold Leaf Cap Museum Scale 45" x 84" x 46" Variant of 8 Carole A. Feuerman (born 1945) is an American sculptor and author...

Survival of Serena (with Candy Red Tube) Lacquer on Resin with Citrine AB Mosaic Crystal Cap Monumental Scale 38" x 84" x 32" Variant of 3 Carole A. Feuerman (born 1945) is an Amer...

Brooke with Beach Ball Lacquer on Resin with Painted Yellow Cap Monumental Scale 42” x 64” x 44” Variant AP1 Exhibited on Chicago's Magnificent Mile as part of the exhibition "Monu...

Contemplation (with Candy Pink Suit) Lacquer On Resin with 24K Gold Leaf Cap Life-Size Scale 34" x 42" x 22" Variant of 8 Carole A. Feuerman (born 1945) is an American sculptor an...

Miniature Serena (with Tangerine Tube) 2021 Oil On Resin with Pearl White Cap and Gold Rim Table Top Scale 10” x 17” x 8” Variant of 10 Carole A. Feuerman (born 1945) is an America...

Serenity Life Size Lacquer on Resin with 24K Gold Leaf Cap Variant of 8 48” x 18” x 26” About the artist: Carole A. Feuerman (born 1945) is an American sculptor and author worki...

Miniature Quan 2022 Table Top Scale 11” x 11” x 7” Oil on Resin with Stainless Steel and 24k Gold Leaf Purple Suit, 24k gold leaf cap, polished Stainless Steel Sphere Variant of 2...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...