Silver Sculptures

Antique Silvered Bronze Rooster France, circa 1900 10 1/4 x 9 1/2 (H x D) inches A very fine and lively bronze statuette of a preening Rooster. Nicely cast and well-carved and in ex...

Our silver cheetah is a statement piece for discerning buyers, which brings a level of sophistication and appeal, for the ideal home. The sculpture is first cast in bronze, and then ...

Zawadi offers a wide range of silver-plated bronze sculptures, which have been carefully designed and created for the discerning buyer. We have used the “lost wax” technique in casti...

Original sculpture 2/8 ex. 2011 - 2020. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites...

A 'Running Hare' sterling silver sculpture by Lucy Kinsella, the limited edition finely modelled hare depicted at full stretch bounding across the ground, his hind legs lengthening b...

Antique Silvered Bronze Rooster France, circa 1900 10 1/4 x 9 1/2 (H x D) inches A very fine and lively bronze statuette of a preening Rooster. Nicely cast and well-carved and in ex...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

Large abstract sculpture made of silver leaf and gold leaf on linen

Original sculpture 6/8 ex. 2011 - 2020. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites...

Original sculpture 5/8 ex. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism and pop art in humoristic sculptures that at first sight may seem “kitschy”. However, closer familiarity with his works reveals their role as a creative antidote to the overproduction and overconsumption of our society. With his cloned animals William Sweetlove calls for greater ecological awareness and urges us to reflect on the consequences of the climate change challengeing humanity. His cloned dogs wear boots since the sea level rises and the penguins carry water bottles since we are runnig out of drinking water. William Sweetlove has had exhibitions at art fairs, galleries and museums all over the world. His works are found in several private art collections. He has also participated in different art manifestations worldwide together with the Italian Cracking Art Group...

Salvador Dali Fecundity - Bas Relief Silver Sculpture, 1977 Dimensions: 24 x 18 cm Framed: 38 x 33 cm Signed on the bas relief and printed signature on the certificate on the back. ...

This piece titled "Twenty Silver Eggs" is an original piece by Kate VanVliet and is made from silverplate and brass. This piece measures 16”h x 10.5”w x 1”d and is hand signed by the...

This splendid male cheetah uses its exceptional eyesight to scan the savannah. Always alert and on the lookout for either prey or enemy. Being life-size, it will create an exceptiona...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

Leap of Faith One Drop Special Edition Atelier is a special platinum Atelier edition of Richard MacDonald's iconic Leap of Faith sculpture, in support of the "One Drop" Foundation. L...

This splendid male cheetah uses its exceptional eyesight to scan the savannah. Always alert and on the lookout for either prey or enemy. Being life-size, it will create an exceptiona...

With heavy “Renaissance” innuendos, his work approaches our concept of “existence” and “reality.” Bellino questions the viewer’s awareness and convictions about the boundaries of “li...

Because they cut back old growth and consume lower quality plant matter as they graze, Zebras increase the overall quality of vegetation in areas where they travel. They play a criti...

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

This exquisite miniature silver Torah ark is a rare and exceptional piece of Judaica, meticulously crafted with intricate details and artistry. The ark is adorned with a gilded crown...

Philippe Berry's Ballons de foire in bronze and silver portrays the playful lightness of balloons, captured in a dynamic, almost weightless form. The combination of bronze & silver a...

Our silver cheetah is a statement piece for discerning buyers, which brings a level of sophistication and appeal, for the ideal home. The sculpture is first cast in bronze, and then ...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...

"Ballons de Cirque" by Philippe Berry is a sculpture, made of three full cast bronze balloons with a silver-coated projection. This piece captures the e...

A new and exclusive version of the world-famous Hand Chair created in collaboration with Pedro Friedeberg's studio.

Damien Hirst (b.1965) Abacus - The Dream is Dead 2007 silver 14.5 x 14 x 21 cm incised, titled and numbered ‘Abacus Damien Hirst The Dream is dead 2/12’ (on the verso) edition 2/12 Price: $85,000 USD Provenance: White Cube, London Private collection, New York Sale: Christie’s London, 29 June 2011, lot 114 Private collection, London (acquired at the above sale) Notes: ‘I remember I was thinking that there were four important things in life: religion, love, art and science. At their best, they’re all just tools to help you find a path through the darkness. None of them really work that well, but they help. Of them all, science seems to be the one right now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end.’ (D. Hirst, quoted in conversation with S. O’Hagan in New Religion Damien Hirst, exh. cat., British Council, London, 2006, p. 5) Born in 1965 in Bristol, Hirst grew up in Leeds and subsequently went to Goldsmith's College in London. Between 1988 and 1990 he curated a series of exhibitions of work by his contemporaries including the highly acclaimed group shows Freeze, Modern Medicine and Gambler. In his own work Hirst has continually challenged the boundaries between art, science, the media and popular culture. A 12-foot tiger shark, a cow and her calf sawn in two, pharmaceutical bottles...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

Giraffes grow to nearly their full height of 5.5 mt (18ft) by four years of age but gain weight until they are seven or eight. Males weigh up to 1,930 kg (4,250 pounds), and females up to 1,180 kg (2,600 pounds). They can reach speeds of 50 km (31 miles) per hour and can maintain this for several kilometers, but 60 km (37 miles) per hour can be attained over short distances. This giraffe silver-plated bronze sculpture is ideal to grace those larger interior spaces of a home or corporate environment and is sure to become a talking point. The sculpture is cast in bronze, and then silver-plated. The "lost wax" technique was used in casting, which is the preferred method, as it brings out every fine detail of the original sculpture. Zawadi’s sculptures have added features that put them above the rest, such as treating them with a nano-technology protective coating, that protects and enhances the shine, premium quality black paints used for the spots, felt pads under the feet to prevent scratching surfaces, etc. Zawadi takes great care in making sure our sculptures are of the finest quality, to ensure many years of enjoyment ! Contemporary African decor

Cardboard, silver leaf, gilder’s bole This work was created for an exhibit as part of the artistic unit SHIKŌ, a collaborative effort between sculptors Kanji Hasegawa, Isaji Yugo, a...

Masculine inspiration can take many forms and looks different depending on the individual, his personality, energy, and emotional state. But generally speaking, masculine inspiration...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

Silver was the material of choice for both ecclesiastical and domestic vessels in the New World, not only for its status as a precious metal, but also because of its abundance and du...

A new and exclusive version of the world-famous Hand Chair created in collaboration with Pedro Friedeberg's studio.

Cardboard, silver leaf, gilder’s bole This work was created for an exhibit as part of the artistic unit SHIKŌ, a collaborative effort between sculptors Kanji Hasegawa, Isaji Yugo, a...

Original sculpture 8 ex. Signed/Numbered 1/8 ex. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 19...

Provenance: Manuel Ortíz de Zevallos y García, Peru; and by descent in the family to: Private Collection, New York. This impressive baptismal dish is an example of eighteenth-cent...

"Folded Form I", steel mesh, painted, electroplaited, gold and silver leaf, 12 1/4" x 12 1/4" x 12 1/4", 2004. This abstract geometric wall sculpture was done by fiber artist, Jin-S...

Masculine inspiration can take many forms and looks different depending on the individual, his personality, energy, and emotional state. But generally speaking, masculine inspiration...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

Medium: clay sculpture, glass beads, metal beads, chains, crystal, silver leaf, metal Esperanza Cortés is a Colombian born multidisciplinary artist based in New York City. Cortés ha...

Height 20.5cm x length 20cm 1187 grams A 'Boxing Hares' sterling silver sculpture by Lucy Kinsella, the limited edition pair of long eared brown hares caught mid boxing match, with ...

A sculptor of animals, Sirio Tofanari (Florence 1886 – Milan 1969) is not inclined to the school discipline, he decides to learn and train as self-taught by travelling around Europe ...

18cm high x 13cm long 1069 grams A 'Seated Hare' sterling silver sculpture by Lucy Kinsella, the limited edition finely modelled hare sits upright and alert, his front legs straight, muscles tensed, poised to run at any moment. His long ears are held aloft and his eyes are watchful. He has been sculpted in Kinsella’s instantly recognisable style, her dynamic, impressionistic treatment of surface texture here helping to convey the animal’s textured...

He and She reach for manifestation. He opens the way, She holds the foundation, grounds. He is spirit, She is matter. He is gold, She is silver. They are in the harmony of Creativity...

Hand made elegant wáter sculpture collage for walls. This is all made with 10,520 buttons and nails all delicately placed upon a white canvass with a silver frame. The blue tones and acrylic pieces give subtle reflections to the piece. This wáter splash...

This piece titled "Twenty Silver Eggs" is an original piece by Kate VanVliet and is made from silverplate and brass. This piece measures 16”h x 10.5”w x 1”d and is hand signed by the...

He and She reach for manifestation. He opens the way, She holds the foundation, grounds. He is spirit, She is matter. He is gold, She is silver. They are in the harmony of Creativity...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

Lucy Kinsella exclusive to Hancocks Length 14cm x height 10cm 520 grams The limited edition finely modelled pig sitting down with his curly tail poking out behind him, nose up in the air and mouth open, as if we’ve caught him mid oink! He has been sculpted in Kinsella’s instantly recognisable dynamic style and demonstrates her skill at conveying personality in the animals she creates. He would make a delightfully light...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

A sterling silver Besamim (spice) container, In the shape of Harp with Hebrew letters "בשמים". In silver and gold colors, very nice and decorative, Mono...

A ‘Leaping Hares’ sterling silver sculpture by Lucy Kinsella, the limited edition finely modelled pair of long eared hares caught mid confrontation with one stood tall on stretched h...

Lucy Kinsella exclusive to Hancocks Height 16.5cm x length 15cm 659 grams The limited edition finely modelled otter weaves sinuously through the waving fronds of a water plant in hi...

Zawadi offers a wide range of silver-plated bronze sculptures, which have been carefully designed and created for the discerning buyer. We have used the “lost wax” technique in casti...

Red and Aqua Wreath Drop Earrings are made from acrylic gemstones set in brass frames with sterling silver and fine silver ear components. Each ‘stone’ is hand cut, sanded, and polished to resemble her own version of gemstones that sparkle with holographic material. By utilizing multiple gauges of acrylic and brass these earrings are large, but lightweight and easy to wear. About the Artist: Nikki Couppee is originally from Pensacola Beach, Florida and currently resides in Oakland, California. She holds an MFA in Jewelry/ Metals from Kent State University in Kent, Ohio and a BFA in Jewelry/ Metals from the University of Georgia in Athens, Georgia. Her work examines the connection between adornment and social status. Using non-traditional materials such as acrylic, brass, holographic foil, and found objects, Couppee creates jewelry that appears opulent. By utilizing time-intensive processes, she further references the language of fine jewelry, with the intention of elevating the work. Using everyday materials, she is able to exaggerate the size and abundance of gems to parody class issues inherent in fine jewelry. Couppee's work has been featured in many publications including American Craft, Allure Australia, Marie Claire Australia, Metalsmith Magazine, Modern Magazine, Vogue Brazil, Daily Candy and Lark Book's 500 Enameled Objects. She exhibits her work globally through exhibitions, gallery representation, fairs and recent runway collaborations for Paris' Fashion Week and Australian Fashion Week with designers Romance was Born.

A 'Spaniel and Pup' sterling silver sculpture by Lucy Kinsella, the limited edition finely modelled spaniel lying down and watching indulgently as her puppy rolls around playfully in...

Original sculpture signed/numbered 3/8 Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealis...

Lucy Kinsella exclusive to Hancocks Length 17cm x height 9cm 395 grams The limited edition finely modelled terrier races across the ground, his muscles tense and body bunched, mid s...

Lucy Kinsella exclusive to Hancocks Length 17cm x height 9cm 395 grams A 'Bunched Terrier' sterling silver sculpture by Lucy Kinsella, the limited edition finely modelled terrier ra...

Ezequiel Tapia Bahena Guerrero, Mexico. Medium: Obsidian with Silver Details. Weight: 2.8 lbs, Height: 9 in, Length: 3.3 in, Width: 3.3 in Ezequiel Tap...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...