Modern Sculptures

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Electric, Size: 32.5" x 50" x 4.5'' inch, 82...

"Pagoda" is a modern rustic wall sculpture. It was made in a similar fashion to an abstract expressionist painting, where the process of creating the piece is not predetermined, but ...

Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists...

Glass Sculpture Modern Wall Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Arctic, Size: 2...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Empire, Size: 30" x 72" x 4'' inch, 76x...

Jogen Chowdhury Bronze, Edition 5/6 H 12 x W 8.5 x D 5 inches, 2022 ( Delivered ) Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had develo...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Cosmos, Size: 29" x 47" x 4'' inch, (74x120x...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Cascade, Siz...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Water Hex, Size: 32.5" x 89" x 1'' inch, 83x226x3...

Abstract Art Original Glass and Metal Wall Sculpture Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Dawn, Size: 37.5" x 77.5" x 1'' inch, 95x197...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Axial, Size: 40" x 26" x 4'' inch, 124x66x10...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Drip, Size: ...

Ilona Romule Decorated Plate (Porcelain, Latvia, Dish, Smooth Texture, Translucent, White Gold) Porcelain, Glaze, Chinapaint, Overglaze Decoration Year...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Electric, Size: 19" x 24" x 4'' inch, 48x61x...

This sculptural jar features two women gazing at one another in a domestic setting, which is signaled by the seated figure’s chair and the jar’s pattern ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Play Time, Siz...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Linear 2, Size: 34" x 60" x 3'' inch,86 x153x8 cm...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Sunset, Size: 29" x 47" x 4'' inch, 74x...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Impressions, Size: 19" x 24" x 4'' inch,...

Urban Abstract Original Metal Wall Sculpture, Modern Art, One of a Kind Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 St...

Eternal Recurrence #16 by Natasha Zupan Measure: 73" x 20" x 8" Edition of 10 in collaboration with deiNERI Limited edition prints on Acrylic glass with stand This work is signed and...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Apex, Size: 20" x 49" x 3.5'' inch, 51x125x1...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Autumn, Size: 19" x 24" x 4'' inch, 49x61x10...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Arctic, Size: 29" x 47" x 4'' inch, 74x125x1...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Arctic, Size: 19" x 24" x 4'' inch, 49x61x10...

Date: circa 1965 Bronze sculpture, wooden base Size: 10 x 8 x 3.75 in. (25.4 x 20.32 x 9.53 cm)

An original carved marble sculpture by Constantin Antonovici from his Torso Series. Referenced in "Constantin Antonovici: Sculptor of Owls", pg 79 Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists. Antonovici himself survived imprisonment in Germany for his refusal to fight on the side of the Nazis. After the war, he continued his studies in Vienna, under the tutelage of Professor Fritz Behn...

Shipping costs on request Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. With this garden wall you'll conjure up an atmospheric ambience in your garden. Ideally the garden screen should be lighted up from the front, so the wall becomes a highlight even in the dark. You can easily set up a privacy screen e.g. to the neighbouring property, on the other hand with this decorative element beautify your garden. This art piece will surely be an eye catcher in your yard! The garden wall is mounted on 2 round steel pins of 18 mm diameter. These are 1 meter long and are included. Hammer the round posts into the ground at the correct distance of 50 cm, Push the wall over it and you're done! We manufacture the garden walls in our own locksmith's shop. This means that we can also produce special designs, e.g. name plate with house number...

Carol Fleming Untitled Sphere (multi-color) Medium: Ceramic, glaze Year: 2020 Size: 12" diameter COA provided ----------------------- Creating is the best and deepest part of me, t...

This artwork "Woman with Bird" c.2000 is an original cast paper bas relief by noted Swedish/American artist Carlo Wahlbeck, b. 1933. It is hand signed a...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

Max Bill "Endless Loop from a Circular Ring II" This work was conceived in 1947-1949 and executed in 1958 in gilded brass with a white marble base. This sculpture is very important...

Modern abstract brutalist metal sculpture by Houston artist Bob Fowler. The work features a skeletal figure welded in a box or locker. Firmly attached to a white and natural wood bas...

In this sculpture I have embodied the idea of the Holy trinity. According to the Bible, God in the form of three angels appeared to Abraham's wife and pre...

Tom Binger "Coffee Pot" Medium: Mixed Media Year: 2018, Signed Size: 18.25 x 11.25 x 2 inches Tom Binger finds it interesting that during a time in which th...

Monumental Val Bertoia sculpture 60 Beryllium copper rods silvered in a brass base in two square columns. Makes a beautiful resonating tone. Title: 'Two walking squares for sounds...

Jean COCTEAU Atalanta and Hippomenes, 1958 Original ceramic plate Signed bottom middle Limited to 20 copies, numbered on the back 30 cm (c. 12 inch) diameter and about 3cm (c. 1.5 ...

Three sculptures from the series "The Rust" by renowned Japanese artist Aijiro Wakita, from a very prominent collection in Dallas The sculptures, were created in pieces of corten ste...

The artist, Elliot Eames Saarinen, son of Eero Saarinen, inspired by his grandmother Lilly's tender homage to her mother, Grandma Susie, created this sculpture to honor the timeless ...

Melanie Sherman Corvina Bowl (Hand-Painted, Gold Luster, Platinum Luster, Vintage Imagery) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Platinum Luster Year: 20...

Georges Braque (French, 1882-1963) Antiboree Gold and Enamel Brooch, 1963 18k gold textured brooch designed by Georges Braque, a rare 18ct gold textured brooch from 1963, a bird flyi...

Spinnaker is a modern mixed media wall sculpture. Made from MDF, acrylic and repurposed Black cherry wood. This is the second piece I made as I begin to experiment with additional ma...

Artist: Hans van de Bovenkamp, Dutch (1938 - ) Title: Circles and Waves Year: 1986 Medium: Steel Sculpture Overall Size: 87 x 50 in. (220.98 x 127 cm)

Cool Mid-Century Modern Scandinavian 1950s Kosta Boda Rurik clear round textured ashtray in great vintage condition. No chips or cracks. Glass has a nice weight to it —minimal wear c...

Stunning pink Murano ribbed gold-specked glass Sommerso bud vase created in a traditional workshop on Murano island using a rare gold leaf technique....

"Bourgeois Big Top" is a wood wall sculpture. Made for repurposed oak, mahogany, walnut, leather, suede, dining room table legs and brass tacks, the piece has an overtly architectur...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Moth IV (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 4.5x6x0.5in Signed by hand COA provided Ref.: 924802-1329 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware, William Morris wallpaper and other historical sources. Porcelain, Ceramics, Pottery, Ornament Vintage Moth Wall Piece Ornament Small Dish Candy Sugar Tea handpainted handmade butterfly peacock 24k German gold luster ceramics porcelain charm, jewelry, personalized, family, tree, retro, heart, mother, moon, baby, feet, gemstone, flower, mom, birth, year, art, chinapaint, luster, lustre, contemporary ceramics, futility of pleasure, herend, meissen, sevre, pattern, arita, arita ware, imari, imari ware, dresden, germany, japan, jingdezhen, china, photography, momento mori, flowers, flower motif, drawing, illustration, peacock, cherry blossom, chrysanthemum, kiku, 菊, kikka, 菊花, Ōka, 黄花, Kiku no hana...

Marble free form sculpture by Chrissy Harris. Composition is cipollino green marble from Greece. Signed on base of marble sculpture. American School....

Artist: Ernst Neizvestny, Russian (1926 - ) Title: Monument in Honor of Dead Year: 1970-1974 Medium: Bronze Sculpture on Wooden Base Edition: 7 + AP's Size: 16 x 10 x 6.5 in. (40...

Artist: Anthony Quinn, American (1915 - 2001) Title: Zeus Year: 1992 Medium: Bronze Sculpture with Patina, signature, date and number inscribed Edition: 8/8 Size: 22 in. x 9 in. x 5 ...

Satyr and Baby is a bronze statue created by the artist Aurelio Mistruzzi. Minotaur with child on his shoulders. Edition of the late 1900s. Engraved signature on the marble base....

Ann Rothman Ringmaster (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2021 Porcelain, Low Fire Glazes, Crayons, Waterc...

Una Dia en el Parque Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze, signature and number inscribed Edition of XVII/XXX Size: 32 x 23 x 13.5 ...

signed "1938-42 Morgan Russell" with monogram on base cast circa 1982 with permission of the Estate of Morgan Russell

Ann Rothman Clown (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2022 Porcelain, Low Fire G...

Tom Binger "Head IV" Medium: Mixed Media Year: 2018, Signed Size: 14.5 x 10.25 x 2 inches Tom Binger finds it interesting that during a time in which the internet is quickly becomin...