Photography Sculptures

Frederic Remington (1861-1909) New York / Kansas / Connecticut Image Size: 56" across 52" tall 25" deep Medium: Bronze Sculpture Recast "The Bronco Buster"

“LarA 011” is a unique architectural sculpture from the Antropotectura series by Spanish artist José Perozo. Cast in black pigmented cement, this head-and-shoulders bust presents a fusion of the human figure with modular architectural volumes. The vertical extension of block-like forms emerges from the cranial area, transforming the head into a structural topography. This hybrid configuration invites reflection on the human body as both inhabited and inhabiting — a site of memory, construction, and symbolic permanence. The formal arrangement of the sculpture is symmetrical but discontinuous, with geometric protrusions interrupting the organic contours of the face. These elements suggest urban formations, perhaps ruins or unfinished constructions, anchored to the surface of the skin. This layered structure evokes the aesthetic of posthuman figuration and resonates with speculative architectural languages often seen in anime environments — particularly those of Studio Ghibli or early cybernetic landscapes. The matte black surface finish accentuates the raw tactility of the material. Subtle tonal variations, occasional air pockets, and manual traces from the casting process are preserved, underscoring the artist’s interest in the sculptural language of construction materials. These choices align with the conceptual underpinning of Antropotectura, a term coined by Perozo to describe his ongoing investigation into the convergence of embodiment and architecture. About the Artist: José Perozo (Vigo, 1978) is a Spanish sculptor with a background in Scenic Construction and Fine Arts. His practice explores how built structures can be inscribed onto the human form, merging classical figuration with a contemporary sculptural grammar. The LarA series has been exhibited in institutional and independent contexts and is currently represented by Casa das Peritas. About Casa das Peritas: This work is presented by Casa das Peritas, an independent art space located in Galicia’s Atlantic coast, working with international collectors, designers, and institutions. Known for its curated selection of contemporary figurative and conceptual works, the gallery combines rural precision with global outreach. All works include certificates of authenticity and are shipped with personalized follow-up and care. Visitors are encouraged to follow our storefront to explore new additions and artist collaborations. Technical Details: Title: LarA 011 Series: Antropotectura Artist: José Perozo Medium: Black pigmented cement with fine aggregates and acrylic fibers Finish: Hand-tinted and sealed with matte protective varnish Dimensions: 21 x 29 x 17 cm Weight: 6 kg Year: 2024 Packaging: Custom-made box (27 x 35 x 23 cm) for secure international delivery Authenticity: Signed by the artist with certificate included Installation and Context: The sculpture may be installed as a freestanding work in display niches, shelving, or plinths. Its formal and material language lends itself to architectural, conceptual, and collectible sculpture contexts, making it suitable for residential interiors, institutional settings, or design-driven environments. Keywords (SEO): architectural sculpture, figurative bust, posthuman art, concrete head...

Holi is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 62 × 24 × 23 cm (24.4 × 9.4 × 9.1 in). The sculpture is signed and numbered, it is part of a limite...

A large stainless steel bowl is coated in a rich cerulean blue by sculptor Marlene Hilton Moore. Based on Tibetan singing bowls, this sculpture c...

Coral Rose Title: Window Pane Year: 2018 Medium: Mixed Media Size: 15.25 x 18 x 4.5 inches

This miniature compact mirror sculpture of a snowy winter scene titled "Child’s Play, Make Way, Replay" is an original artwork by Kendal Murray made of m...

Paul Villinski's "Chiaroscuro" incorporates his signature butterfly motif with a found antique frame. This unique piece dazzles with its shimmering gold leaf finish, with the bespoke...

Melanie Sherman "Poisson En Mission" - Serving Bowl (Hand-Painted, Gold Luster, Fish, Durer, Dürer, Made to Order) Porcelain, Glaze, Overglaze, Vintage Flower Decal, German Platinum and 24k German Gold Luster Year: 2023 Size: Height 4.25in x Diameter 9in (approx.) Signed by hand COA provided Ref.: 924802-1809 *Made to Order Every piece is unique, design might differ slightly Customization possible **Lead time approx. 2 weeks for qty 1-3 495 780 Her work references exclusive and precious porcelain wares from 18th-century Europe. In her work she tries to capture the qualities for which porcelain has been known since its discovery in China: whiteness, translucency, and resonance. She is attracted to the enameled and lustered surfaces of the Baroque, Renaissance and Rococo porcelain designs, as well as to elaborations on structural elements of these time periods. She is investigating surface decorations and embellished shapes in order to gain more knowledge for my own studio practice. Sherman is interested in incorporating and referencing historic drawings, motives, and patterns into her work. Studying the history of ceramics Sherman has been captivated by the relationship between East and West, and how they continue to influence each other, especially through the ceramic arts. Although there might be considerable differences between the two civilizations, the cultural exchange between them is an important connector of history and has produced a long and rich exchange of ideas between artists and makers. Asian craft traditions have been handed down to the West and the handmade aspect, even within the factory setting, is still an important concept that allows for control of design and quality by the artist, which is essential within craft of the West. Tags: 24kgermangoldluster, 70s, 80s, aesthetic feed, all that glitters, Anderson ranch, Anderson ranch arts center, applied arts, arita, arita ware, armour, art, aspen, baby, bara, be my valentine, birth, Blue flowers, bowl, calix, ceramic, ceramics, céramique, chabana, chalice, charm, cherry blossom, china, chinapaint, Chōgenbō, chrysanthemum, cobalt blue, colorado, contemporary ceramics, craftswomen, cup, cups, cute cats, decal, decarts, decorative arts, design and decoration, design dictionary, design history, design museum, designhounds, dishes, dose, drache, dragon, drawing, dresden, duerer, family, feet, fish, floral arrangement, flower, flower arrangement, flower motif, flowers, futility of pleasure, gemstone, Germany, goblet, gold, gold luster, gold powder, hand painted, hand thrown, handmade, harajuku, Harajuku fashion, harajukustyle, heart, Herend, holy grail, horror vaccui, Ikebana, illustration, imari, imari ware, japan, japanese pattern, Japanese textiles, jewelry, jingdezhen, Jiyūka, Jōshō shita, Jú shí, Just A Little Tipsy, Kadō, Kansas City, Kansas City artist, kawaiidesu, kazari christmas, kc artist, kc crossroads, kc made, kck, kcmo, kenzan, Keramik, kiddush cup, kikka, kiku, Kiku no hana, kimono, koi, kuge, lighting design, luster, lustre, made in england, made in kc, mak, mak collection online, makers movement, makvienna, makwien, meissen, midcentury modern, ⁠modern ceramics, modern craft, mom, momento mori, moon, more is more, Moribana, mother, mug shot Monday, nageirebana, necklace, obi, Ōka, ornamentation, owl, pastel, pastel kawaii, pattern, patterns, peacock, personalized, photography, pink glitter, polar ice, polar ice porcelain, porcelain, porcelain jewelry, porcelain painting, porzellan, porzellan malerei, post it for the aesthetic, potters of instagram, pottery, prahran, precious, pretty pastel please, ramen, ranchmade, red gold, red world, retro, rikka, ring, ring dishes, rose, Rōze, Rōzu, Sedensho, seika, Serving, sevre, shiny objects, shoka, snowmass, sogetsu, soup, sparkle, staffordshire, stereo, stoke on trent, stonnington gifts, suiban, suna-no-mono, surface decoration, tatebana, tatehana, tea bowl, tea lovers, thepinkstagram, tree, vintage, vintage dinnerware...

Peter Max serigraph 1970s era signed and numbered. Measures 34x29. In good condition. Not sure of the titled.

Gypsum cast-medieval tile, inspired from Central Europe. Adjusted in a frame, ready to hang or install.

A striking fusion of portrait sculpture and architectural abstraction, LarA 008 by José Perozo reimagines the human figure as an inhabited form. Cast in pale gray cement with subtle ...

"LarA 003" is a unique sculpture from the LarA series, created by Spanish sculptor José Perozo in 2024. Measuring 21 x 29 x 17 cm and hand-tinted in an intense blue tone, this piece ...

This superb French Art Deco wooden panel or wall-mounted sculpture features a spectacular Venetian mask and was hand-crafted in the 1930s. The sculpted panel boasts finely detailed c...

CLAUDE LALANNE "Gui" Mirror, circa 1980-1985 Edition Artcurial I Ed. 58/450 pcs Gilt bronze, bevelled glass 22 x 17 cm I 8 5/8 x 6 3/4 in Signed, stamped and numbered on the back : c...

Pair of carved and gilded mirror cabinets 'in the manner of Sansovino' Venetian (or Tuscan) carver active in the 18th century Carved and gilded wood Total frame measurements: 86 x 6...

Ian Edwards - Leap Within Faith - Original Signed Bronze Sculpure Dimensions: 170 x 55 x 40 cm Edition of 12 Edwards’ practice expresses the power and determination of human endea...

Stamped with artist stamp on verso. Edition number written on verso. Ed. 50/500. Framed dimensions: 15.88 x 15.88 inches

2011, 8 Editions Stainless Steel Polished 39 2/5 × 35 2/5 × 35 2/5 in - 100 × 90 × 90 cm The artwork is signed by the Artist , carved with edition number and date under the artwork T...

Dale Dunning’s contemporary sculptures often use the generic image of the human head as a metaphor for our collective experience. With this table top piece in bronze, the Canadian ar...

Bronze sculpture with brown patina. Head of a young girl.

Arrighini Nicola (Pietrasanta 1905-1977) a sculptor of Pietrasanta (Italy) in 1930 decided to create, in white Carrara marble on black marble basis, the Mask of Leopoldo Fregoli, o...

Signed Wrede Bas Relief - Angel with torch Bronze 106,6 x 34,7 cm with the wood panel Signed on lower right

"Surgeon" is an original artwork by Alex Eckman-Lawn made of hand-cut paper and layered to create a dimensional illusion. This piece measures 11"h x 9"w x 1.25"d and is shipped in th...

Marco Olivier is a renowned South African artist and owner of a bronze foundry in Cape Town. He is widely known for his original art in resin and bronze,...

Artist/Designer; Manufacturer: Tom Wesselmann (American, 1931-2004) Marking(s); notes: signed; 1972 Materials: acrylic on paper over wire support Dimensions (H, W, D): 12"h, 8.5"w, 4...

This is a one of a kind original wall sculpture by San Diego artist, Cheryl Tall. Its diameter is 12 inches. A Certificate of Authenticity will follow the delivery of this piece. Th...

In the work of the sculptor and painter Samuel Salcedo, it is possible to raise a deep and at the same time fun reflection on the human condition. He st...

Silver sculpture with chrome-plated brass Executed in 1968, work produced in 2 copies + 1 artist's proof Dimension of the work: 29 x 35.5 x 7 cm signature engraved on the lower right...

This is an Ashton Howard Dye Sublimation “Into the Wild”. In excellent condition . Measures 46x34

Ian Edwards - Within Unfolding - Original Signed Bronze Sculpure Dimensions: 34 x 25 x 20 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeavo...

Marco Olivier is a renowned South African artist and owner of a bronze foundry in Cape Town. He is widely known for his original art in resin and bronze,...

Jeff Koons, Split Rocker (Hand-signed and finished), 2012 Ceramic plate 31.8 × 31.8 × 5.1 cm (12 1/2 × 12 1/2 × 2 in) Edition of 2500 Hand-signed by the artist

This limited edition plate, titled Split Rocker, was designed by Jeff Koons and produced in collaboration with Bernardaud under the auspices of the Fondation. Drawing from Koons' fas...

Ceramic, Wall Hanging Tile, French Cleat, Stoneware, 2D Sculpture, The Hermit “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic ...

medium: silkscreen on paper, wood, acrylic Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance unde...

"Weekday, Faraway" is an original Metal, mirrored glass, crushed quartz, polyesterfibre, plastic, wire, and enamel paint artwork by Kendal Murray measuri...

Stephen Fishwick Giclee on canvas signed and numbered “Elephant”. In good condition measures 32x25

We’re big fans of Jeff Koon’s famously optimistic, kitschy and celebratory approach to contemporary pop art. We’ve offered a number of Koon’s humorous and playful works before, and...

The sculpture is signed outside - unique and handmade, unglazed ceramics, double firing,  weight of the sculpture including the base apr. 6 kg Material: unglazed ceramics, base of ...

Michael O’Keefe’s sculptures, drawings, and paintings depict figurative narratives born from unpredictable processes. He couples innovative methods with unconventional tools to creat...

Her poetic porcelain plates examine and reimagine the history of art in a way that values women, not only in body, but in wholeness, power, and love. Focusing on the narrative qualit...

Evocator, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

Wall Hanging Sculpture, Ceramic Tile, French Cleat, Painted Stoneware, Gallo “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic d...

Pagan Christian, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in. 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

This is a limited Edition plate by Jeff Koons, numbered out of 2500 on the verso, published by Bernardaud in France in 2012. The diameter of the plate is 12.5 inches, with a height o...

Paul Villinski's "Cycloid" incorporates his signature butterfly motif with a found antique frame. This unique piece dazzles with its shimmering gold leaf finish, with the bespoke but...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

This sculpture is part of our exhibition Charles Goeller: A Wistful Loneliness. Carved and painted wood and gesso, 23 x 15 3/4 x 3 inches, Signed verso "Carved by Charles L. Goeller...

"Into the Blue" is a digital print on 5 acrylic panels by Michelle Jader.

Woman's face, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Tuscan Sculptor. Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 27 cm. The ch...

Isabelline “Niño Jesús de la Bola” – Cap i Pota Sculpture, Mid-19th Century Exceptional devotional sculpture of the Christ Child, known as Niño Jesús de la Bola, belonging to the tr...

Bronze, glass & marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions...

Hand Sculpted Ceramic, Glazed, trompe l'oeil, Beyond A Shadow by Dirk Staschke Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ce...

Elizabeth Alexander's series A Mightier Work is Ahead transforms a series of commemorative Confederate plates that are collected and displayed in many homes. Alexander interrogates t...

This hexagonal tile, created by Pablo Picasso in 1956, is made of chamotted red earthenware clay and has decoration in engobes in black and white. It is from the edition of 350, num...

Martyrs is a modern artwork realized by Artist of 20th century. Relief on metal decoration artwork depicting a martyrdom scene. Includes frame.

In AFFIRMATIVE ACTION, Samuel Dunson creates an epic work that encompasses generations, drawing upon his own personal creative history and inspirations t...

ROBERTO LISANO "HOMBRE" WOOD, SIGNED COSTA RICA, DATED 1995 13 X 11.5 INCHES Roberto Lisano Born 1951 Lizano in the work of the significance of the matter is ess...

Provenance Acquired by the gallery directly from the artist Note: Bronze available