Abstract Geometric Art

This diptych contains Field Patterns Blue alongside Field Patterns Blue and Pink. This diptych contains a sophisticated colour palette and considered use of negative space in her com...

John Hambleton Holdcroft (British, 1926 – 2014) Abstract No.1 Signed on the reverse 30 x 40 in. (76.2 x 101.7 cm.) During his time at art college John Hamilton Holdcroft was preside...

Richard Smith Signature, 1997 Etching and Aquatint 22 3/4 × 18 inches Edition 17/25 Signed and numbered 17/25 in graphite on the lower front RICHARD SMITH BIOGRAPHY Charles Richard ...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* This Futuristica skyline series by Mauro Oliveira h...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Agent X Yeleon (Abstract, Round, Disc, Circle, Warm) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2024 Size: 19x19in Edition: 75 Signed, dated and numbered ...

Original linen-backed Secret Ceremony vintage film poster. French, archival linen backed in fine condition, ready to frame. A woman and the girl s...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7 (double) J...

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

Hand-crafted Glassfusing Glass Artwork Glass Urn Symbolic Memorial Art for Sale This unique glass artwork, model "Ravenna Purple", is a hand-crafted piece of colored glass using the...

Time Travel Black & Gold Glyphs I by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary F...

Pigmented hydrocal, concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Architecture, functional objects and the human gestures that occur when interacting with these structures inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces,...

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

Lithograph realized by Giulio Marelli in 1970 ca. Edition of 150 in arab numbers and XXV in roman numbers. Hand signed and numbered in pencil. Very g...

Sophie Dumont invites us to peer into the creative cauldron of her artist's studio. Through the language of geometric abstraction, she reveals the vibrant energy and meticulously orc...

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

Geometrically shaped copper sculpture. The piece is the tone of shiny bright copper and has circular and triangular shapes to the work. It is not signed. Artist Biography: Matthew ...

Black & Gold Glyphs III by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminist / ...

Photograph of Blue Sky option of paper +can be printed on metal..inquire for pricing comes unframed. Inquire about various sizing About the Artist: Short Biography in a Nutshell: ...

Original poster: Linen-backed original poster "Tage Slawischer Kultur" done by the artist Rasch. The days of Slavic Culture. This would cover the countries knowns as Slavic language speaking people: Russia, the Ukraine, Belarus, Poland, Czech Republic, Slovakia, Bulgaria, Slovenia, Croatia, Serbia, Bosnia and Herzegovina, Macedona and Montenegro. A drama mask in white rests on a leaning abstract color panel that could be a scarf or material that blends the styles and colors inlocking together to form a cultural pattern. A dark blue background brings the image to the forefront of this vintage original poster. Every year on May 24th all Slavic countries commemorate Saints Cyril...

Digital art print on Lex Jet, 170 gram Satin Stock paper Blue abstract geometric kaleidoscope pattern made as abstractions of the artist's hand painted GLYPHS series Hand-signed by...

14th and B 2021 Acrylic on canvas 60 x 40 x 2 inches East Village New York Geometric Abstract Stretched Painting Robert Petrick's paintings create a link between the street cultur...

Richard Anuszkiewicz Celebrate New York (hand signed limited edition poster), 1974 Silkscreen on wove paper Hand-signed by artist, signed, dated and inscribed "to Lowell" on the fron...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Untitled 7 Chryssa, Greek (1933–2013) Date: circa 1975 Screenprint Size: 33 in. x 20 in. (83.82 cm x 50.8 cm)

This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museu...

Pique A Terre VIII, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focu...

Column XIV (Pointer), John Van Alstine. This sculpture will be shipped directly from the artist's studio.

Crossover, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the...

Sisyphean Circle 8-14-17, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a maj...

Sisyphean Circle (Diagonally Down), John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these material...

Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Melanie Sherman "Ornament Red, Turquoise & Gold Pattern (Medium)" Year: 2021 Porcelain, Glaze, ChinaPaint, Gold Luster, Flocking, Wire, Ribbon for hangin...

Stacker PC [2019] original acrylic on box-mounted MDF panels Image size: H:36 cm x W:23 cm Complete Size of Unframed Work: H:36 cm x W:23 cm x D:6cm Sold Unframed Please note th...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

Untitled #5 Archival Pigment Print (from the original hand made darkroom c-type), Edition of 3 Reflections... An exploration of light and shadows, creating harmony through symmetric...

Artist: Hugo Dietz, Swiss (1930 - 1973) Title: September Year: 1971 Medium: Serigraph, signed, verso and numbered in pencil Edition: 18/135 Paper Size: 17 x 17 inches / 43 x 43 cm Fr...

Michel Seuphor Europa Nostra Original screen print Handsigned in pencil Numbered / 100 On vellum 75 x 52 cm (c. 30 x 21 inch) Excellent condition

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

Time Travel Gouache on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction / Abstract Art / Mini...

"The Bigger Picture" is an abstract artwork by Stan Olthuis composed of acrylic paint on pine wood and reclaimed picture frame. The Bigger Picture measures...

Minimalist, abstract geometric standing sculpture in dark brown oxidized steel "Some Guy #2" by Joe Wheaton, made in 2005 oxidized steel, 80 x 17.5 x 15 inches Freestanding sculpture...

Pink with black, green and blue, vibrant action painting by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'No Me Olvides', which translates from Spanish into English, 'Don't Forget Me' is 72 x 72 inches, and is created in two parts that hang side by side. Each individual panel is 72 x 36 inches. 'No Me Olvides' is from a series of paintings that characterize sacred spaces such as Mexican chapels...

Dana Piazza's creates abstract colorful drawings, full of the illusion of depth, movement, and three-dimensionality. His highly obsessive ink drawings on paper are built upon algorithms, a set of instructions that details how he will draw each series. Different algorithms and geometric patterns result in multiple drawing series that appear divergent but all of Piazza’s work is focused on explorations of chance, discovery and time. Unintentional changes in the mark are inevitable and create distorted and moving images that almost appear as 3D renderings. Dana Piazza received a BFA Magna Cum Laude from the School of Art+Design at Purchase College in 2010. He lives and works in Massachusetts. Item description Square 16...

Sea glass teaches us that beauty can emerge from brokenness. It reminds us that flaws can be transformed into something exquisite, finding tranquility amidst chaos. Using the reminis...

"The dunes change with the wind, but the desert remains the same." - Paulo Coelho - The Alchemist Print info: Ephemeral #1, Sand Dunes, Morocco, 2006 #landscape, Silver Gelatin Pri...

Dan Christensen Untitled, circa 1970-71 Acrylic and enamel on canvas 44 x 20 inches Provenance: The artist Sherron Francis (gift from the above) Dan Christensen was an American abs...

Today Leonid Tomilin's drawings are the result of more than 35 years of experimentation with technique and material (paper, graphite pencil). Alexander Glezer, director general of ...

When creating this piece, many thoughts danced in my head. I chose the star as the dominant visual element, inspired by humanity's timeless fascination with the night sky and the gui...

A truly unique and vibrant original abstract painting. Created with acrylic and UV reactive acrylic accents as a unique surprise effect. This artist draws inspiration from the great Keith Haring and creates beautiful and mesmerizing compositions with rich color and movement. About the artist: Avi Ash...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Untitled 2015 Color serigraph 15.75 x 15.75 inches Framed: 21 x 21 inches

Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...

Artist: Josef Albers (German-American, 1888-1976) Title: "MMA-3 Variant" Series: MMA (Metropolitan Museum of Art) *Unsigned edition Year...

Nikolay Starostenko - Mr. Rabbit (2022) "Mr. Rabbit", Original drawing done in pen and colored pencils, no frame on heavy paper, 34 x 29 cm. The work will be shipped flat and secure...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...

Robert W. Petrick Shadow City, 2022 acrylic on canvas 54x40x1.5 inches NYC, 2nd street studio Colorful geometric abstract acrylic painting on canvas. Robert Petrick's paintings create a link between the artist culture of the East Village, where he has lived for 31 years, and the power of symbols, geometry, and language. This work captures the excitement of the East Village in its color, shapes, energy and density. -- In 1984, Petrick stenciled two designs on walls along Avenue B. Capturing a moment in time, EXIST / EXIT and NOWHERE / NOW HERE were photographed and featured in Vogue magazine. The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn...