Abstract Geometric Art

Artist: Max Epstein Title: Untitled - Abstract with Checkers Year: 1974 Medium: Acrylic on Canvas, Signed Lower Right Size: 48 x 48 in. (121.92 x 121.92 cm) Frame Size: 49 x 49 inc...

Time Travel Gouache on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction / Abstract Art / Mini...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Clark Nicol Barcode for a Clean Ocean Original Abstract Seascape Painting Acrylic Paint and Seaweed on Canvas Framed Size: H 100cm x W 100cm x D 4cm Sold F...

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

Structural tapestry, my interpretation of contemporary, traditional Ukrainian folk art. I saw the idea and the visual form of the sculpture as a picture in my imagination just the other day, and I immediately wanted to try to implement it, because. I don’t always fully understand how in the process it will be possible to realize what was conceived. This tapestry differs from others in that it has a form, a small volume created from wooden sticks and wire. And then the usual textiles. This tapestry is part of the project on my idea before the war, I continue to implement my ideas old and new. My arrival home gives me new strength and ideas. Despite the danger of living in a frontline city. My new tapestry is a modern interpretation of classic tapestries...

Clifford Singer has been working with mathematical spirals since the 1980s. This is a brilliant example of his continuation of working in this vein.

Contemporary Abstract geometric painting in vivid shades of yellow, greys, white, and black "Ospedale III" painted by Hudson Valley, NY based painter, Anthony Finta, in 2019 36 x 24...

"Rift Valley, Sonde 2" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with textural topography. Various techniq...

"In Sync II" is an abstract artwork by Stan Olthuis composed of acrylic paint on a reclaimed laminate table top. In Sync II measures 42" high by 42" wide ...

"Checkered Woman Purple & Yellow" Artist unknown Silkscreen on paper c. 1970s 19"x24" unframed unsigned

Bird green sandpiper. 1976., Paper, linocut, print size 46x50 cm; page size 80x65 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publi...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

PAUL VON RINGELHEIM American Flag III, 1979 Silkscreen in Colors on wove paper Signed and numbered in graphite pencil on the lower margin front 31 × 23 inches Unframed Hand signed and numbered from the limited edition of 300. Born in Vienna Austria, but working in the US for many decades, Von Ringelheim, also known as a sculptor, brought his unique hard-edge minimalistic geometric abstraction outsider's take on the American Flag to this vintage 1970s limited edition, signed silkscreen. Unframed and in fine condition. Ringelheim was represented in the 1960s by the legendary Rose Fried Gallery...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This artwork is a part of the COVID-19 Documentary art (2020). Paintings on high quality, acid-free, high-density paper 360g/m2. All COVID paintings a...

Work on paper White wooden frame with glass pane 87 x 66,5 x 3 cm

An original etching by Takesada Matsutani, a Japanese contemporary mixed-media artist who was a member of the Gutai group from 1963 to the dissolution of the group in 1972. The print...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is inc...

Israel Hadany (Israeli, 1941-). A stainless steel maquette for sculpture "Three Tubes", currently installed at the University of Pennsylvania ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Title: Dots Medium: Oil on canvas Size: 19.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of III/XXX.

Artist/ School: Modern British contemporary Title: abstract composition Medium: oil on canvas , unframed Canvas : 19.5 x 19.5 inches Provenance: private collection, UK Conditi...

Geometric and gestural abstract painting on canvas in earth tones of beige, tan, and light brown with accents of dark magenta, light sienna, and neon pink Disturbances in the Field, 2019 by Jeanette Fintz 60 x 72 x 2 inches, acrylic on canvas Signed verso Hanging wire on reverse "Disturbances in the Field" is a painting in a series of work created during the year of the pandemic. The artist explains that this painting is about "giving structure to something intangible, ephemeral, in-flux or conversely, revealing the dissolving of structure that has been.” As an abstract artist, Fintz has long been interested in the contrast of hard-edged planar geometry (circles, squares, hexagons) existing within an atmospheric field where shapes can float or hold the plane, in a space that appears expansive, transient and increasingly released from the canvas’s edge. A calculated use of opacity and transparency resulting from fluid washes of acrylic create an atmosphere where fragmented geometry becomes “a vocabulary of gestures”. This work merges white and faintly gold hard edge lines with gentle washes of blue and neutrals. Working in a space between planning and chance, Jeanette Fintz presents a series of paintings that fuse gestural and geometric abstraction. This body of work continues Fintz’s use of the circle, ellipse and hexagon; motifs that embody references to nature, architecture and the decorative arts. Jeanette Fintz is an established artist working in the Hudson Valley, NY. She has taught at the School of Design Strategies at Parsons the New School for Design, SUNY Purchase, and Pratt Institute, among other American universities. Her work is collected in both private and corporate collections worldwide. To read more about her career, please scroll down for see her detailed CV and biography. Artist Statement: My paintings evolve in a space between planning & chance, systems & spontaneity, conveying contradictions that I view as metaphors for maneuvering through “real “life. In this work I play a fairly high stakes game of improvisation around a motif. Using a working method akin to jazz, I counterpoint systematically repeated elliptical shapes against gestural pours & drips and something unexpected emerges. I am drawn to create complexity, and challenged to unify multiple layers through the physicality of the paint, which fuses & knits together, as well as, ultimately, through the power of color to stabilize & resolve. The ellipse, which is hypnotic & spatial in repetition, & monumental, but not static as a shape unto itself, embodies references to nature and to the decorative arts which are both alluded to in the paintings. (The egg, the mirror, the vulva, or the shield.) Dynamic visual rhythms, in these pieces, the momentum of the repetitive ellipse, are typical of my work and help to maintain order within complexity. Their sources for me are both musical, notably the poly-rhythms of Latin jazz, Brazilian & East Indian music, and are also derived from the decorative arts, particularly textiles. The latter have been a source of excitement, often contributing a playful aspect to the paintings. I intentionally disturb the regularity of pattern, encouraging discordance & uniqueness, and then bring it back home after finding another by - way to work things through. Color is my most intuitive source of inspiration, connecting me to nature; It is also, ironically, my most passionately calculated element. In the primal struggle among sometimes apparently random components, subtlely modulated color clarifies purpose, builds context, and holds the structure together. The intuitive rhythmic order of Jeanette’s paintings prior to 2009 which featured repetitive lines, circles and ellipses clashing with fluid gestural streams of color have given way fully in the new work to a given crystalline geometric substructure that unifies all visual events. This work embraces and employs the Oneness found in sacred geometry as the underpinning for improvised pathways that give each work its uniqueness. Shapes that are found have a “role” to play, to riff off some of Jeanette’s series titles. The earlier pieces acknowledge through the unexpected visual event, the imperfection of the human condition while the newer geometries strive for the expression of spiritual wholeness and connection. About the artist: Jeanette Fintz is an abstract painter, who resides and paints in Hudson, NY. She is also an arts writer and independent curator. The intermix of being a native New Yorker and now, happily, a resident of the lush Hudson River Valley is evident in her work, which combines an urban edginess with the lyrical influences of her natural surroundings. Ms. Fintz was born in Brooklyn NY, educated at Queens College, The New York Studio School and Boston University. Her personal amalgam of NY School formalist principles, and love of natural light and color was initially forged during her summer at the Skowhegan School of Painting & Sculpture where she painted from the Maine landscape. Ms. Fintz lived and worked in the artist communities of Tribeca and Williamsburg, exhibiting regularly in NYC. Jeanette in part, credits the importance of natural light for her decision to transplant home and studio to Surprise. Ms Fintz has filtered nature through her urban sensibility, stretching color motifs towards the heightened and intensified palette often found in the realms of design and fashion. Her pieces have a rhythmic impact stemming both from her enjoyment of jazz and poly-rhythms of Brazilian and Indian origin, which she also sees displayed in the visual rhythms found in textiles and Islamic tile patterns. Jeanette’s involvement with these resources was enhanced by sabbatical travel to Spain’s Andalusia Region (2005 & 2009) to investigate patterning systems found in Moorish tiles and architecture, and to Turkey (2013), where she focused on the Iznik, Byzantine and Greco-Roman tiles and frescoes. Jeanette also had immersed herself in textile patterns and Ikat designs during her yearlong sojourn in Malaysia, where she was founding faculty in a new Parsons School of Design affiliate in Kuala Lumpur (1996-97). Selected Grants and Awards include 2015 EYP Architecture & Engineering Award, Artists of the Mohawk Hudson Region 2015 Trustees Award, Albany Institute of History & Art 2013 Sabbatical, Parsons the New School For Design 2008 The Emil & Dines Carlsen Award / Painting, National Academy of Design 2005 Sabbatical, Parsons the New School for School Design 2005 Sudden Opportunity Stipend 2003 Faculty Development Award, Parsons, the New School for School for Design 1995-92 Sudden Opportunity Stipend, NYFA Rensselaer County Council for the Arts 1993 N Y F A, Artists Fellowship / Drawing 1990 E. D. Foundation Grant / Painting 1984 Ludwig Vogelstein Grant / Painting 1980 The Ingram Merrill Award / Painting 1975 Purchase Prize, Painting, Skowhegan School for Painting & Sculpture Ms Fintz has taught as an Assistant Professor of Art & Design, in the School of Design Strategies at Parsons the New School for Design for 17 years. At Purchase College, SUNY, Jeanette taught all levels of painting and drawing for 12 years as Assistant Professor in the BFA conservatory program. She also has taught at Pratt Institute, Brooklyn, NY, Hobart & William Smith Colleges, Geneva, NY, The University of Southern Maine, Portland, The University of the Arts, Philadelphia, PA, and SUNY, Albany. Jeanette shows her work at the Garvey Simon Gallery, New York, NY, Fox Gallery, New York, NY, Geoffrey Young Gallery, Great Barrington MA, the Thompson Giroux Gallery, Chatham NY, Cross Contemporary Gallery, Saugerties, NY. Recent projects include a solo show at Garvey Simon Gallery, NY NY (Sept. 7 - Oct, 2017), and a curatorial project, "The Ritual of Construction," at the Kleinert James Center, Woodstock Byrdcliff Guild (May 19 - July , 2017). Ms Fintz’s Residencies and Fellowships include: The MacDowell Colony, The Millay Colony for the Arts, The Ucross Foundation, and Altos De Chavon & Ossabaw Island Project. Jeanette’s selected Visiting Artist spots include Art New England, Bennington College, Bennington, VT, Ohio State University, Columbus, OH, Illinois State University, Normal, IL, Hobart & William Smith Colleges, Geneva NY. Ms. Fintz received her MFA from Boston Universtiy SFA (1975 ), and her BA from Queens College CUNY (1972). She attended the New York Studio School (1972-73), and received a scholarship to the Skowhegan School in 1975. Ms Fintz’s work can be found in many national & international collections. Collections Par Capital Management Boston MA VYV Apartments, Luxury High Rise, Jersey City, NJ Boca Raton Yacht Club, Waldorf Astoria Resort, Boca Raton, FL Liberty Mutual Insurance Company, Boston, MA, and Plano, TX Robert A.M. Stern Architectural Project, Washington DC Capital G Bank Hamilton, Bermuda Brigham & Women's Hospital, Foxboro, MA Wilmer Cutler Pickering Hale & Dorr, Boston, MA Posternak Blankstein & Lund, Boston, MA Hale & Dorr, Boston, MA Analysis Group, Boston, MA National Televison, 7 Kuala Lumpur, Malaysia Christmas Island Phosphate, Singapore Jewish Free Loan Association, Los Angeles CA Rabobank NYC Commerzbank, New York, NY Commerzbank 2, World Financial Center, New York, NY National Television 7, Kuala Lumpur, Malaysia Hobart & William Smith Colleges, Geneva, NY Skowhegan School, Skowhegan, Maine Collection of Minister of Agriculture Datuk Effendi & Datin Norwawi Collection of the Former Prime Minister Datuk Seri Dr Mahathir Mohamed of Malaysia Jim & Debbie Ellickson -Brown, Cultural Attache, American Embassy, Kuala Lumpur Malaysia (1996) Rohana Tan Sri Mahamad, Kuala Lumpur, MY Suherwan Abu, Kuala Lumpur, MY & Singapore Valentine Willie, Kuala Lumpur, MY Aloysious Goh, Singapore Betsey Swan & Chris Calder, Albuquerque NM Carrie Chen & Stanley Cohen Center Hill, Copake, NY Albert & Linda Eskenazi, Montreal, CA Barbel & Peter Starz, Toulouse, FR Clarissa & Jean Kueller, Rio de Janeiro, Brazil Mr. & Mrs. Andre Keller, K L, MY & Geneva, Switzerland Shirley Greitzer, Esq. Washington DC Mark Meltzer, Los Angeles & Palm Springs, CA Joel & Fran Soroka, Aspen, Colorado Estate of Hella and Carl Ossenberg, NYC & Palm Beach, FL Estate of Gabriel Laderman, New York, NY Stephen Westfall, New York, NY Dr & Mrs Joseph Delisi, Lake Hopatcong, NJ Dr & Mrs Chris Calder & Besty Swan, Menands, NY Carol & Joachim Frank, NY, NY Mark Pettygrove, Los Angeles, CA George A Schulman, Los Angeles, CA Gerald De Silva, Los Angeles, CA Caryl Horn, Port Richmond, CA Joe & Cathy Plumber, Cold Spring, NY Molly Doland, Esq. Washington DC Bethany Beardslee Winham, Rhinebeck, NY David Fox & Associates, Inc. Briarcliff Manor, NY Eric & Carolyn Egas, Greenviille, NY & Vieques, PR Jin Zeng, New York, NY Selected Solo Exhibitions 2017 “Worldline Schreiber Paintings, plus...," Garvey/Simon Gallery 547 W 27th St, New York, NY 2016 "The Presence of the Invisible Proposition," Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, MA 2012 "Andalusian Shards," The Wall Street Journal Bldg Lobby, New York, NY 2012 "The Plaid Paintings...

"High Desert Composition" is a welded steel wall sculpture where the lines between two- and three-dimensional art are blurred. The viewer has a variety of experiences from multiple vantage points where volumes and angles disconnect and reconnect as one moves around the piece. The hand welded steel is painted with acrylic paint in a kaleidoscope of color tones. Chris Hill High Desert Composition welded steel, acrylic paint 80h x 48w x 7d in 203.20h x 121.92w x 17.78d cm CHI024 Chris Hill is a Santa Fe based sculptor. Chris was born in Port Arthur, Texas but grew up in small town North Mississippi. He began welding at age 18 at the Tennessee Valley Authority...

Anastasia Vasilyeva - Black white abstraction 015 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Anastasia Vasilyeva - Black white abstraction 019 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Anastasia Vasilyeva - Black white abstraction 014 (2019) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Anastasia Vasilyeva - Black white abstraction 016 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

In his tribute to Latin American Masters, Morel Orta succesfully reinterprets in his own langauge the geometric play of light and colors favored by Cruz Diez .

Woodcocks return. 1970, Paper, linocut, print size 52x55 cm; total 70x65 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. ...

The artist intends to modifie the human landscape with the abstract presence of his artworks. The point of starting to think this artwork, we can say that it is the same of the Fran...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Horizontal bands of fire-orange, rose pink, mauve and turquoise float on a ground of rust orange in this acrylic canvas by Burton Kramer. The poised geometric composition is a medita...

This piece was primarily inspired by the pinwheels. My goal for this piece was to create new relationships between color, proportion, texture, and scale. I never alter the color of t...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Cerj Lalonde, born in 1954 in Canada, is a multi-talented artist known for his diverse creative expressions. With an adaptable spirit, Lalonde seamlessly ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Congo" by Roman Goss is an original...

This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museu...

An original screenprint by Frank Stella from X + X (Ten Works by Ten Painters) published in 1964 by Wadsworth Atheneum, CT. The print was printed by Ives-Sillman, CT and referenced i...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Somewhere Inside the Endless House 14 x 11 8 color ultra chrome HD archival digital ink on archival paper. Editions of 25 Print to Order About the Artist: Eric Ernst was born in Nor...

This artwork is a part of the COVID-19 Documentary art (2020). Paintings on high quality, acid-free, high-density paper 360g/m2. All COVID paintings a...

Unveil a one-of-a-kind creation by artist Mahesh Sharma: a hand-painted zebra-striped chair crafted from solid wood with acrylic finishes. This contemporary masterpiece, featuring a ...

Hand-crafted Glassfusing Glass Sculpture Glass Artwork for Sale "Ravenna Purple", is a hand-crafted sculpture of colored glass using the fusion process. This window model sculpture...

Valerie Jaudon Lincoln Center Information Center, 1986 Color silkscreen on wove paper Pencil signed, dated and numbered 45/72 on the front Published by the Lincoln Center print...

Jennifer Bartlett Fire, 1998 (from The Elements) Etching 33 1/4 x 33 inches Ed. 80

Alejandro Rubio Flat Perspective, 2017 Oil on canvas 60 x 48 inches This one-of-a-kind oil painting on canvas is stretched across wooden stretcher bars. This painting is part of Al...

This is an artwork created by the well known Italian artist Carmelo Cappello. It is a multiple, an Abstract Sculpture one of the identical 99 specimen edited in 1978. This piece is ...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

"House of Peacock Ore" (2020) is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a square shaped piece and measures 30 inc...