Abstract Geometric Art

Lithograph realized by Nicolas Carrino in 1970. Edition of 150 pieces plus 30 pieces in Roman Numbers. One of the 30 specimen in roman numbers. Excellent condition.

Artist: Jasha Green, American (1923 - 2006) Title: Untitled 30 Year: circa 1976 Medium: Lithograph, signed and numbered in pencil Edition: 200 Size: 29 x 35 in. (73.66 x 88.9 cm)

Hand Signed ad numbered. Edition of 90. Very good condition.

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

Artist: Robert Einbeck, French (1944 - ) Title: Untitled I Year: circa 1975 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 150 Image Size: 22 x 26 inches Size:...

Abstract Geometric Composition with Bottles in Acrylic on Canvas Bold geometric abstract by an unknown artist (20th Century). Rectilinear shapes are overlapping each other, creating...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Meteorite" by Heny Steinberg is a captivating exploration of ...

Abstract print by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Peace work. Presented in a new gray mat with foamcore ba...

This large abstract painting by Sofie Swann is made with acrylic paint and Persian tea on canvas. Circle-like shapes which are half sand-colored and half o...

Gregory Block's (US based) "Metro Denver" is an original, handmade aluminum can, carpet tack, and acrylic painting that depicts a monochromatic, silver grid of the city of Denver, Co...

Daniel Hill’s work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also sa...

This hybrid of circuit boards and parts from computers, collaged into patterms reminiscent of Persian carpets. Collaged digital images from a circuit board on Epson archival paper...

In Ascension, rows of narrow fins climb toward a peak at the top of the frame, with a single cloud breaking an otherwise blank sky. The building reads as a comb held against the ligh...

Carmen Louis Cicero, American (1926 - ) - Untitled 11, Year: circa 1971, Medium: Screenprint, signed and numbered in pencil, Edition: 27/76, Image Size: 18 x 20 inches, Size: 23 x ...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles, and the Pattern and Decoration movement. The Pattern & Decoration movement interests her in particular since it was a female-driven movement using the materials and techniques of traditional “women’s work” at a time when the art world was dominated by the machismo of minimalism. Fabricant also draws inspiration from spiritualists such as Emma Kunz, Hilma af Klint, Agnes Pelton, early...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

Daniel Hill’s work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also sa...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

Daniel Hill’s work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also sa...

A bright neon futuristic geometric landscape, depicting a detailed imaginative deconstructive dome structure in a polychrome world, titled "Domus Series" by Anita Margrill (American,...

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...

This painting was created over several months with intermittent pauses throughout the process. The primary composition was established early on, but the surface evolved as layers of ...

Artist: Jack Graves III (American, 1988-) Title: "Penthouse" Series: Abstract *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2025 Medium: Origina...

In Clef, Linda Kamille Schmidt composes a lyrical fabric collage that echoes the rhythm of music and memory. Layered bands of translucent and opaque textiles are stitched into a vibr...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"Ab-scrap" - Abstract Geometric Composition in Acrylic on Wood Panel Dynamic abstract composition by Sam Dantone (American, b. 1971). This piece was created as a part of the "Ab-scrap" series, where Dantone uses excess paint from his sign painting business to create new compositions. Whenever there is a little extra paint on a brush, Dantone would add it to a panel, slowly creating a new composition out of the leftovers from his other work. Thus, each piece contains a wide variety of colors and brushstrokes, and the echoes of other compositions. Signed "Sam Dantone" on verso. No frame. Board size: 20.75"H x 8.75"W Sam Dantone (American, b. 1971) is an artist from Oregon who works as a sign painter, designer, and sculptor. Artist’s Statement: “Not once in my life do I know a time when I have not been an artist. My father tells that I once copied the Kleenex logo from the side of the box, at age three. I tribute my abilities to naïve confidence and other’s positive attention. As a kid, drawing was magical . . . Though my art stylings vary widely, one thread stitches all of my work together, (my art) is my critique on man’s apparent love for life and his constant destruction of it.” Exhibitions: 2015 - FoundSpace, Jackson, WY 2013 - Pacific Park Gallery, Coos Bay...

Daniel Hill’s work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also sa...

Artist: Enrique Carbajal Sebastian, Mexican (1947 - ) Title: Deconstrucción de Cubo Year: circa 1974 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 22.5 x 30 ...

Lithograph realized by Giulio Marelli in 1970 ca. Edition of 150 in arab numbers and XXV in roman numbers. Hand signed and numbered in pencil. Very g...

Artist: Jack Graves III (American, 1988-) Title: "Aura VI" Series: Aura *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2024 Medium: Original Acryl...

This artwork titled "Drypoint Lambda I" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist....

Dramatic abstract geometric lithograph by Patricia A. Pearce (American, b. 1948). Labeled "State 2" in the lower left corner. This piece ...

Clare Halifax Small St Paul Limited Edition 8 Colour Silkscreen Print Edition of 50 Image Size: H 15cm x W 21cm Sheet Size: H 18cm x W 23cm x D 0.1cm Sold Unframed Please note that i...

~Parra~ "Sliding Doors" (2017) Screen-print on white Arches paper. Signed and numbered by the artist. Edition 0f 250. 50 × 70 cm / 19 7/10 × 27 3/5 in Dutch illustrator, painter, ...

Limited edition of 100 prints, hand signed and numbered.

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition. Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more. A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm. “I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.” In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time. She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...

This large abstract statement painting by Sofie Swann is made with acrylic paint and gesso on canvas. Marrying organic and geometric qualities, this painti...

Stuart Shedletsky (1944 - 2006) - Composition, Year: 1981, Medium: Screenprint on Arches, signed, numbered and dated in pencil, Edition: 21/250, Im...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition. Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more. A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm. “I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.” In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time. She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...

Matt Magee Grapheme 1, 2013 Lithograph 12 x 10 inches ed. 15 Framed

Walter Hoyle (1922 - 2000) Untitled Abstract Linocut 10 x 68 cm Signed and inscribed A/P in pencil. This linocut by Walter Hoyle is a striking abstract composition that blends geo...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

Ellen Hackl Fagan creates works of art focused on building a visual language. Molecules of Music is a large acrylic painting based on crowd sourced input of viewers pairing sounds from the Do Re Mi musical scale to colors. 260 people submitted their opinions on color to sound matches. Language is a recurring theme in Fagan's work, ranging from interactive, ColorSoundGrammar works to painting, sculpture, lost languages...

Artist: Jack Graves III (American, 1988-) Title: "Diamond XXXV" Series: Diamond *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2021 Medium: Origin...

Carmen Louis Cicero, American (1926 - ) - Untitled 10, Year: 1971, Medium: Screenprint, signed, numbered and dated in pencil, Edition: AP, Image Size: 18 x 20 inches, Size: 23 x 24...

Bold abstract composition with sweeping purple and green pastel tones in organic flowing forms, by Renee Harwin (Austrian, b. 1924). Tag on verso with name, date, title, and dimensions. Presented in a white plexiglass frame with plexiglass covering. Image size: 44.5"H x 31.75"W As a young Viennese woman, Renee Harwin found her artistic development interrupted by Hitler's arrival to her city. Soon after, Renee and her family left and moved to the United States. Harwin says that while "one can drawn his or her own conclusions from my work, I believe that the tremendous impact of change from Nazism to free America has left deep impressions on me that are played out on these canvases." Her work combines the influence of Midwest painters such as Clyfford Still and San Francisco Art Institute instructor Jack...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

Bright, monochromatic abstract in warm, glowing desert tones by Marianne K. Brown (American, 1928-2019), 2000. The free flowing color field background is accented with areas of patterns evoking the Southwest. Signed "Marianne K. Brown" in the lower right and was acquired with a collection of Brown's work. Title "Desert Days" and date 2000 are written on verso. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

José Soto creates works of art that explore the physical experience of looking through photography and invite the viewer to reexamine his/her own perception of form, light, and space...

This painting is an exceptional abstract work by the noted Argentine artist Delia Solari (1940-). The painting is titled Ritmico III (Rhythmic III in Engl...

"Into the Blue I and II" (2024) by Susanne Zuehlke (b. 1962) is a captivating diptych that immerses the viewer in the depths of the color blue. The two canvases feature varying shade...