Aesthetic Movement Art

The most feminine still life is in yellow-orange, lilac and red shades, full of feminine symbols and feminine beauty and strength. The book of the most feminine Spanish director Pedr...

This is a spiritually inspired oil painting by noted American artist Caroline W. Pitkin. The Japanese themed setting is well composed with figures, a screened backdrop and a folded f...

Moshe Oved (aka Edward Good) was a Polish-British, jeweler, artist, sculptor and Yiddish author and founder of the antique jewelry shop Cameo ...

The painting depicts a girl sitting on the seashore. She is wearing a white dress that flutters in the wind. The girl looks into the distance, on the horizon, where a yacht is seen, ...

A modern urban scene brought to life in oil on canvas: a confident young woman walks her happy Golden Retriever along a city street lined with skyscrapers reflecting the sunset. The ...

This oil painting captures a stunning natural phenomenon — a towering cumulus cloud formation rising over the tranquil expanse of the sea. The artist masterfully blends soft whites...

André Hambourg (French, 1909-1999) Les fruits d'automne, 1957 Oil on canvas Canvas Dimensions: 9 x 13-3/4 inches (22.9 x 34.9 cm) Framed Dimensions: 14.75 X 20 X 2.5 Inches Signed lo...

This sensual oil painting captures a tranquil moment of connection between nature and the human form. A nude woman stands by the sea at sunset, looking out at the glowing horizon. T...

Circa 1890-1920. This Neoclassical, Judaic, Egyptian revival, Orientalist Mizrach sign, was produced in British Mandate Palestine by the chromolithograph process at the beginning of the 20th century. It pictures vignettes of holy places. with a hand written memorial. It was for the Tzedakah charity fund for the century-old institutions in Jerusalem: The great "Torah Center Etz Chaim"; a Free Kitchen for poor children and orphans; the famous Bikur Cholim Hospital with its dispensaries and clinics and the only Home for Incurable Invalids in Eretz Israel. They also worked with Arthur Szyk and Alfred Salzmann.. The A.L. Monsohn Lithographic Press (Monzon Press, Monson Press, דפוס אבן א"ל מאנזאהן, דפוס מונזון) was established in Jerusalem in 1892 by Abraham-Leib (or Avrom-Leyb) Monsohn II (Jerusalem, c.1871-1930) and his brother Moshe-Mordechai (Meyshe-Mordkhe). Sponsored by members of the Hamburger family, the brothers had been sent to Frankfurt, Germany in 1890 to study lithography. Upon returning to Jerusalem in 1892 with a hand press, they established the A.L. Monsohn Lithographic Press in the Old City of Jerusalem. According to the Information Center for Israeli Art A.L. Monsohn "created complex decorations for documents and oriental calendars that combined the tradition of Jewish art with modern printing techniques such as photographic lithography, raised printing and gilding." The founders of the Monsohn press produced Jewish-themed color postcards, greeting cards, Jewish National Fund stamps, and maps documenting the evolution of the Jewish settlement in Eretz Israel in the nineteenth-twentieth centuries; religious material such as decorative plaques for synagogues, portraits of Old Yishuv rabbis such as Shmuel Salant, Mizrah posters indicating the direction of prayer for synagogues, memorial posters, and posters for Sukkot booths; color frontispieces for books such as Pentateuch volumes and the early song collections of Abraham Zvi Idelsohn (e.g., Shire Zion, Jerusalem 1908); artistic wedding invitations; and labels, packaging and advertisements for the pioneering entrepreneurs of Eretz Israel. The texts appearing in the Monsohn products were in several languages: Hebrew, Arabic, Yiddish, English, German (e.g., a c1920 trilingual Hebrew-English-Arabic "Malaria Danger" broadside warning the public of mosquitoes spreading malaria). Many of the brilliantly colored postcards and maps can be seen online as can the artistic invitations to his children's weddings which Monsohn published in the Jerusalem Hebrew press. For years, the Monsohn (later, Monson/Monzon) Press was considered the best and most innovative in the country—pioneering in such techniques as gold-embossing and offset printing, among others. Early items for tourists included collections of Flowers of the Holy Land (c. 1910–1918)—pressed local flowers accompanied by scenes from the Eretz Israel countryside and relevant verses from the Bible, edited by Jsac Chagise (or Itzhak Haggis), an immigrant from Vitebsk, and bound in carved olive wood boards. Shortly after World War I Monsohn (now spelled מונזון) used zincography to produce the prints included in the Hebrew Gannenu educational booklets for young children illustrated by Ze'ev Raban of the Bezalel Academy of Art and Design and printed in Jerusalem by Hayim Refael Hakohen (vol. 1, 1919; vols. 2–3, 1920). In 1934 Monsohn moved into the new, western part of Jerusalem, in a shop with four presses and 30 workers, including Abraham-Leib's sons, David, Yosef, Moshe and Shimon, and his daughter Raytse's husband, Abraham Barmacz. The concern did business with all sectors of the city's population, including Arabs, for whom they printed in Arabic. Among their clients were members of the Ginio, Havilio, and Elite families, and Shemen, Dubek, and other renowned national brands, manufacturing products such as wine, candies, oil, and cigarettes. They also printed movie and travel posters, and government posters, postcards and documents, hotel luggage labels...

Gustav Klimt (Austrian, 1862-1918) Frauenkopf nach rechts, 1916 Pencil on paper Dimensions: 22.5 x 14.75 Inches (57.2 x 37.5 cm) (sheet) Stamped lower right: GUSTAV / KLIMT / NACHLAS...

“TEMPLE LOTUS. COLORFUL." 50X50 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” The lotus is one of the most ancient sacred symbols, adorning Buddhist...

An early 20th century aesthetic movement allegorical oil on canvas painting of Leda and the Swan by Fernand Allard l'Olivier. Presented in plain wood frame. Leda and the Swan is a story and subject in art from Greek...

Emidio di Nola, original Italian pasta poster. Size 19" x 25.5". Professional acid-free archival linen-backed; in excellent condition; ready to frame....

The painting depicts an elegant woman in a light jacket with voluminous hair, sitting in a relaxed pose. Her image is rendered in muted shades of gray, turquoise, and pink, which len...

Bisque bust with ploychrome enamel decorated with painted gilt and raised on a circular socle with a square plinth. After Albert-Ernest Carrier-Belleuse by Ferdinand and Bing Co. an ...

Roses from my garden Original watercolor painted on professional watercolor paper When I start a new watercolor, I go to my garden and try to find a new topic. Every day something u...

Original watercolor LILIES IN SUMMER GARDEN painted on professional watercolor paper When I start a new watercolor, I go to my garden and try to find a new topic. Every day somethin...

Moshe Oved (aka Edward Good) was a Polish-British, jeweler, artist, sculptor and Yiddish author and founder of the antique jewelry shop Cameo Corner. He le...

Johann Berthelsen (Denmark, 1883- 1957) 'St. Paul's Chapel, NYC'. Oil on canvas board. Signed lower right. NY. Property from a New Jersey estate. Dimensions: 16" h x 12 " w. Fra...

Evelyn Grace Ince (British/Indian, c.1886-1941) Mary Mary Oil on canvas Signed `EVELYN INCE’ (lower left) and inscribed with title (on an old label to the reverse) 14 x 10.1/8 in. (3...

Provenance Private collection, St. Petersburg, Florida; Arthur and Holly Magill, Greenville, South Carolina, acquired from the above; Sotheby’s, New York, 30 November 2000, lot 11, s...

This is the most summery still life of all the artist's works. In addition, this painting has a prototype, a painting with a blue chair, which was presented at World Art Dubai in 201...

Silhouette of a Young Girl Charcoal on paper 14 1/2 x 10 3/4 inches (36.8 x 27.3 cm) Signed lower left: J.W. Alexander Provenance Grand Central Art Galleries, New York; Samuel B. an...

A still life with a lot of sun. The summer color scheme and warm, magical mood will enliven and decorate any interior. The wine called "Magic Forest" is a metaphor for life, where ev...

This painting is about the most familiar image of Spain, which is so attractive to everyone. It is about the time of afternoon rest, red wine, juicy melon, flamenco dancers, and a bu...

Francisco Zuniga, Mexican (1912-1998). 'Brujeria', sepia and black charcoal on paper. I spoke with Ariel Zuniga and he was very impressed by this painting saying three or more figures is rare. The scene is of a mother and sick daughter with a witch (Bruja) hovering by her side expelling her maladies. the witch’s eyes are penetrating the daughter at the point of her demise with the mother in black rode mourning the very thought of losing her daughter. A very powerful and moving painting. The color spectrum is impressive combining Sepia and black chalk to create an impressive spectrum of colors and depth in this scene. A COA by Ariel Zuniga will be included with this painting and it will be included in Francisco Zuniga’s upcoming Catalogue Raisonne Vol V. Signed and dated bottom left 1970. Ariel Zuniga kindly authenticated this painting through his Zuniga Laborte A.C. Foundation and will include it in the upcoming Catalogue Raisonne Vol V. Gallery label on verso. Sight Dimensions: 19 Inches x 25 Inches. Framed: 25.5"H x 31.5"W. Condition: painting in very good condition with wear to frame. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Biography Zúñiga was born in Guadalupe, Barrio de San José, Costa Rica on December 27, 1912 to Manuel Maria Zúñiga and María Chavarría, both sculptors. His father worked as a sculptor of religious figures, and in stone work. His artistic inclinations began early and by the age of twelve had already read books on the history of art, artistic anatomy and the life of various Renaissance painters. At age fifteen he began working in his father’s shop. This experience sensitized him to shape and spaces. In 1926 he enrolled in the Escuela de Bellas Artes in Mexico, but left the following year to continue on his own. As part of his self-study, he studied German Expressionism and the writings of Alexander Heilmayer, through which he learned of the work of two French sculptors, Aristide Maillol and Auguste Rodin, coming to appreciate the idea of subordinating technique to expression. Zúñiga’s painting and sculpting work began receiving recognition in 1929. His first stone sculpture won second prize at the Exposición Nacional de Bellas Artes. In the following two years continued to win top prizes at this event. This work made critics recommend him for study abroad. He won first prize in a 1935 Latin American sculpture...

Thomas Cooper Gotch 1854 – 1931 Study of Violinist for Holy Motherhood Oil on canvas, on board Image size: 28 ¾ x 21 inches 18th century frame Illustrated in "The Golden Dream, A bi...

The art of hedonism in miniature is the subject of Olga Afanasyadi's new painting. Aesthetic and gastronomic pleasure are a combination of the material and spiritual aspects of life....

Elephant bell and clapper that rings with a deep rich tone and cast in bronze. Having acquired a verdigris patina and presented on a rustic wood and hide swing.

“SWANS. HAM & SA” 50×60 cm, acrylic on canva. Series “The Language and Knowledge of Ancient Aesthetics.” Since ancient times, from the distant East, a beautiful legend about a pair o...

ANTOINE BLANCHARD (French 1910 - 1988) La Rue Tronchet et la Madeleine Oil on canvas Circa 1980 Signed lower right and signed and titled on verso 18 x 21.5 inches (47 x 54.5cm) ...

“ABSOLUTE.” 70Х70 CM. ACRYLIC, CANVAS. SERIES "IN UNITY AND LOVE." In the depths of existence, an eternal interaction unfolds between two fundamental principles—light and emptiness, ...

The elephant is a profoundly sacred image that, across various ethnic traditions of the world, symbolizes strength, wisdom, protection, sovereignty, and connection to the divine. Its...

“TEMPLE OF THE Great BUDDHA.” 50X70 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." Once, Siddhartha Gautama was an ordinary man, yet through countless lifetimes of virtue ...

PERIOD FRAMES c. 1915 American painting frame pair, (earlier Stanford White design), Newcomb-Macklin, New York makers, gold leaf, gray bole, gesso, on c...

Energy 4 Soft Grey tones 40 X 40 Oil on Canvas. Contemporary artist Deborah Bigeleisen is celebrated for her exceptional ability to toggle between abstraction and representation cre...

“FLORA OF The BOROBUDUR TEMPLE.” 60X80 CM. ACRYLIC, CANVAS Series “The Language and Knowledge of Ancient Aesthetics.” Among the 2,672 bas-reliefs of the 8th-century Borobudur Temple ...

“DEVI.” 50X70 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." “Devi” in Sanskrit means Goddess, celestial, divine. Among the world’s religions, Hinduism has upheld the conc...

Mitchell Funk is a pioneering color photographer with more than 50 photography magazine covers from 1970 to mid 1990s. The work is signed and dated and numbered on the lower right...

“BY THE BODHI TREE.” WATERCOLOR, PAPER, 40×50 CM. SERIES "MANIFESTATIONS OF DIVINE." In the city of Kalutara, near the majestic Bodhi tree on the island of Sri Lanka, stands the sac...

This sculpture depicts a young girl. She just woke up and her body still remembers the night of love. She is beautiful, graceful and a little shy. Her body is innocent and inviting a...

“Water Hens Among the Lotuses.” 60×80 cm, acrylic, canvas. Series “The Language and Knowledge of Ancient Aesthetics.” In the treasury of world symbolism, birds often serve as guardia...

This still life contains everything that distinguishes the rich culture of Latin America - azulejo tiles, which came from Portugal, a book by Mexican writer Juan Rulfo...

“JAVANESE GOAT KIDS FROM BOROBUDUR TEMPLE” 70×70 CM, ACRYLIC ON CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” On the walls of the majestic Borobudur Temple, stan...

“BEAUTIFUL TEMPLE LOTUS." 50X50 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” Deep within temple architecture, among intricate ornaments and sacred ...

“TEMPLE LOTUS. WHITE AND RED.” 50×50 CM, ACRYLIC ON CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” In Buddhist and Hindu temple art, the lotus is more than just a...

“Blessed elephant calf.” 60X60 CM. Acrylic , Canvas . Series “The Language and Knowledge of Ancient Aesthetics.” This elephant calf is one of the many finely carved sculptures found...

“SHAKTI.” 50/70 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." A vivid fusion of the earthly and the cosmic—an attempt to convey the essence of the divine feminine energy ...

“BELLS.” 55X70 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” This painting is a contemporary reinterpretation of the refined perception of feminine ...

“HOYSALA CEREMONIAL DECORATIONS.” 60X60 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” The Hoysala Kingdom—an illustrious dynasty that flourished in ...

A space where every thing has its own history and energy. It can inspire you to create your own collection of art and design objects, books, or go in search of your own source of bea...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

What do we know about ourselves? How deeply do we know our inner world? When I was creating this picture, I thought that the hustle and bustle of the outer world took a person far aw...

The painting depicts large clematis flowers against a light wall with a tiled texture. The flowers are rendered in rich shades of purple, with delicate yellow and white centers, whic...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

Gants de Suede (Suede Gloves) Lithograph, 1890 Signed in the stone with the butterfly signature (see photo) Published in: The Studio 3, No. 13 (16 April 1894) Printed by Way in an ed...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

In my expressive art, I convey the emotions that arise in a person at the moment of awareness. I try to capture the beauty of the "Now" moment, in which there is no past or future. A...