American Realist Art

This piece is an original oil on canvas by artist Brian Roach (?). The painting shows a street scene of Hanover Street in Boston's historic Italian neighborhood. The artist has exper...

Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA Antonio Petruccelli (1907 – 1994) Army Wedding New Yorker cover proposal, c. 1939 11 1/2 X 8 inches ...

A very good American 19th Century oil on canvas painting of President George Washington, circa 1845, after the Athenaeum Portrait by Gilbert Stuart (1755-1828). The portrait is very true to the many painted by Stuart (please see the history below), it was painted in 1845 & has the canvas suppliers stamp of "Reeves and Sons...

This piece is an original oil painting on panel. It features red currants reflected in a silver vessel. A house finch perches above the scene, its red breast complimenting the berrie...

Guy with Beatbox by Michael Ormerod is available as a 24" x 34" print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous solo exhibition, 'Mic...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features Swedish model Inga Lindgren, wife of Argentinian finance minister Ceferino Alonso Irigoyen,...

Lilacs in Bloom is a lush and romantic 19th-century still life oil painting that exudes quiet elegance. Rendered in rich, earthy tones and dramatic chiaroscuro, the artist captures a...

Frederic Remington, After, American (1861 - 1909) - The Outlaw, Medium: Bronze Sculpture on marble base, signature inscribed on the base, Size: 25 x 14 x 7 in. (63.5 x 35.56 x 17.7...

Original Antique Western Nevada Desert Oil Landscape by Phoebe K. Higgins A mid-century desert oil landscape of Western Nevada by Phoebe K. Higgins (American, 1895 - c 1960), circa ...

Dale Zinkowski is a master of still life. His work, reminiscent of Golden Age Dutch still life painting, glows with light and subtle, quiet beauty. This original oil painting shows a...

Forest Landscape - an Antique Oil Painting by 19th Century American Artist, Clara Davis Inness (1874-1932) Art measures 36 x 24 inches F...

Dale Zinkowski is a master of still life. His work, reminiscent of Golden Age Dutch still life painting, glows with light and subtle, quiet beauty. This original oil painting shows ...

Frederic Remington, After, American (1861 - 1909) - The Scalp, Medium: Bronze Sculpture with Brown Patina on green marble base, signature inscribed on the base, Size: 24 x 17.5 x 8...

Bruce Kurland – Still Life with Decoy and Shells Oil on board, framed in antique gold leaf A master of intimacy and restraint, Bruce Kurland’s Still Life with Decoy and Shells is a ...

Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove paper, with margins, in excellent condition. Published by Associated American Artists. Archivally matted to museum standards, unframed. Image size 9 7/16 x 11 7/8 inches; sheet size 10 3/4 x 13 5/16 inches. Impressions of this work are held in the following museum collections: Figge Art Museum, Georgetown University Art Collection, Indianapolis Museum of Art, Library of Congress, Metropolitan Museum of Art, and the Nelson-Atkins Museum of Art. ABOUT THE ARTIST “Benton’s idiom was essentially political and rhetorical, the painterly equivalent of the country stump speeches that were a Benton family tradition. The artist vividly recalled accompanying his father, Maecenas E. Benton — a four-term U.S. congressman, on campaigns through rural Missouri. Young Tom Benton grew up with an instinct for constituencies that led him to assess art on the basis of its audience appeal. His own art, after the experiments with abstraction, was high-spirited entertainment designed to catch and hold an audience with a political message neatly bracketed between humor and local color.” —Elizabeth Broun “Thomas Hart Benton: A Politician in Art,” Smithsonian Studies in American Art, Spring 1987. Born in 1889 in Neosho, Missouri, Thomas Hart Benton spent much of his childhood and adolescence in Washington, D.C., where his father, Maecenas Eason Benton, served as a Democratic member of Congress from 1897 to 1905. Hoping to prepare Benton for a political career, his father sent him to Western Military Academy. After nearly two years at the academy, Benton persuaded his mother to support him in attending the Art Institute of Chicago for two years, followed by two additional years at the Académie Julian in Paris. In 1912, Benton returned to America and moved to New York to pursue his artistic career. One of his first jobs involved painting sets for silent films, which were being produced in Fort Lee, New Jersey. Benton credits this experience with equipping him with the skills necessary to create his large-scale murals. When World War I broke out, Benton joined the Navy. Stationed in Norfolk, Virginia, he was assigned to create drawings of camouflaged ships arriving at Norfolk Naval Station. These renderings were used to identify vessels that might be lost in battle. Benton later remarked that being a "camofleur" profoundly impacted his career: "When I came out of the Navy after the First World War," he said, "I made up my mind that I wasn’t going to be just a studio painter, a pattern maker in the fashion then dominating the art world—as it still does. I began to think of returning to the painting of subjects, subjects with meanings, which people, in general, might be interested in." While developing his Regionalist vision, Benton also taught art, first at a city-supported school and later at The Art Students League from 1926 to 1935. One of his students was a young Jackson Pollock, who regarded Benton as both a mentor and father figure. In 1930, Benton was commissioned to paint a mural for the New School for Social Research. The "America Today" mural, now permanently exhibited at the Metropolitan Museum of Art, led to many more commissions as Benton’s work gained wide recognition. The Regionalist Movement became popular during the Great Depression of the 1930s. Painters such as Benton, Grant Wood, and John Steuart Curry rejected modernist European influences, choosing instead to depict realistic images of small-town and rural life—comforting representations of the American heartland during a period of upheaval. Time Magazine referred to Benton as "the most virile of U.S. painters of the U.S. Scene," featuring his self-portrait on the cover of a 1934 issue that included a story titled "The Birth of Regionalism." In 1935, Benton left New York and returned to Missouri, where he taught at the Kansas City Art Institute. His outspoken criticism of modern art, art critics, and political views alienated him from many influential figures in both political and art circles. Nonetheless, Benton remained true to his beliefs, continuing to create murals, paintings, and prints that captured enduring images of American life. The dramatic and engaging characteristics of Benton’s artwork drawn the attention of Hollywood producers, leading him to create illustrations and posters for films, including his famous lithographs for the film adaptation of John Steinbeck’s "The Grapes of Wrath," produced by Twentieth Century Fox. During the 1930s, The Limited Editions Club of New York asked Benton to illustrate special editions of three of Mark Twain’s books...

42nd Street NYC 1923 Deco WPA Ashcan American Modern Cityscape Realism Broadway. 10 x 7 1/2 inches. Graphite on paper. Signed, titled "42nd Street" and dated July 26, 1923, lower l...

Original Painting Undersea Whale Life Mag Published 1953 Illustration Ocean Sea Antonio Petruccelli (1907 – 1994) Underwater Whale Life Illustration published, c. November 7, 1953 1...

"3rd Avenue EL" NYC American Scene Ashcan WPA Modern 20th Century Social Realism Bernard Gussow (1881-1957) 3rd Avenue El 28 1/8 x 30 1/4 inches Oil on canvas Signed lower left Fram...

A group of 14 Blackfeet Indians prints created by the artist Winold Reiss. The Great Northern Railway printed and released these prints in c. 1940. This is for the entire group...

One of our finest living contemporary American Realist artists, Willard Dixon, has painted 'View From the Window; featuring green leaves, grey branches, purple lilac and orange turni...

Artist: Ernie Barnes Title: Destination Unknown Year: 1979 Print - Lithograph Size: 25" x 19 ½" inches Edition: Pencil signed and numbered 24/300 Unframed ‘Destination Unknow...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

A very good American 19th Century oil on canvas painting of President George Washington, circa 1845, after the Athenaeum Portrait by Gilbert Stuart (1755-1828). The portrait is very true to the many painted by Stuart (please see the history below), it was painted in 1845 & has the canvas suppliers stamp of "Reeves and Sons...

Caped Skiers, Colorado, Estate Edition, Landscape Photograph This late 1960s landscape photograph, captured by society photographer Slim Aarons, features skimaster Stein Eriksen lea...

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...

Bruce Kurland – Still Life with Decoy and Shells Oil on board, framed in antique gold leaf A master of intimacy and restraint, Bruce Kurland’s Still Life with Decoy and Shells is a ...

Fletcher Martin (1904-1979). Darkness, 1940. Oil on canvas, 18 x 22 inches; 28.5 x 32.5 inches framed. Signed and dated lower left. Presented in a carved chestnut Heydenryk custom frame of the period. Excellent condition with no damage or conservation. Biography: Birth place: Palisade, CO Death place: Guanajuato, Mexico Addresses: NYC; Woodstock, NY, 1947 and after; Guanajuato, Mexico in 1976 Profession: Painter, lithographer, block printer, muralist, illustrator, teacher Studied: Stickney Mem. Sch. Art Exhibited: Hatfield Gal., Los Angeles, 1932 (solo); LACMA, 1935 ( Van Rensselaer Wilbur Prize), 1939 (prize), 1944; FAP, 1937 (prize); PAFA Ann., 1939-54 frequently (prize 1947); 48 States Comp., 1939 (prize); WMAA, 1940-57; AIC, 1940-45; VMFA, 1941; CI, 1942-44; MoMA, 1942; NAD, 1943, 1949 (Altman Prize); Corcoran Gal. biennials, 1943-53 (6 times); Roberson Mem. Center, Binghamton, NY, 1968 (retrospective); Eve Loring Gal., Cedarhurst, NY & Rudolph Gals., Woodstock, NY, 1970s Member: A.N.A., 1969; Woodstock AA (chmn., 1953-55); Calif. WC Soc.; Am. Artists Cong.; Fnd. of Western Art; AEA (nat. committee,1949-55). Work: MMA; WMAA; MoMA; LOC; Cranbrook Acad. Art; William Rockhill Nelson Gal., Kansas City, KS; LACMA; Denver Art Mus.; Mus. FA, Houston; SFMA; PAFA. Commissions: true fresco, WPA, Hollywood H.S., 1935; oil on canvas, U.S. Secretary Fine Art, Fed. Bldg., San Pedro, CA, 1937; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Lamesa, TX, 1938; bas relief sculpture, U.S. Secretary Fine Art, County Court House, Bonner's Ferry, ID, 1939; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Kellogg, ID, 1940. Comments: Preferred media: oils, watercolors, print media. Specialty: Western subjects. Illustrator: Tales of the Gold Rush, 1944; Mutiny on the Bounty, 1947; The Sea Wolf, 1961; The Jungle, 1965; Of Mice and Men...

Lowell Blair Nesbitt's arrangement of lemons against a blue tablecloth is full of contrast and color. With light shining over the table and casting shadows across the cloth, the lemo...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of w...

Antique American watercolor painting, Bucolic Farm scene by Frank F. English (1854 - 1922), Bucks County, Pennsylvania, Circa 1910. A very attractive painting by the celebrated Pennsylvania artist Frank F. English, the location is in Point Pleasant, Bucks County, Pennsylvania. The painting depicts a scene of blue skies with two farmers tossing hay with pitchforks & two horses harnessed to a hay wagon, with barns to the background. The painting signed lower right " Frank F. English", condition is excellent and is ready to hang on your wall. Frank F. English was born in Louisville Kentucky in 1854. In the early 1880s, he studied for five years in the evening classes of the Pennsylvania Academy of the Fine Arts. His instructors included Thomas Eakins, James P. Kelly and Thomas Anshutz. However, English's reputation primarily rests with his outstanding facility as a watercolorist; most of his known paintings are executed in this medium. English's propensity for its use coincides, appropriately enough, with the watercolor's growing popularity among other American painters. The American Water Color Society brought the medium special prominence by the late 1860s, and acceptance on the level of oil painting in 1876. That same year, the society was invited to display its works at the Philadelphia Centennial Exposition. Its members exhibited 116 watercolors, and their public exposure was enormous. It is safe to assume that during the 159-day Centennial, Frank English was among the nearly 10 million exposition attendees, surpassing attendance records at all preceding world's fairs. At age twenty-two, English, traveled to Philadelphia to see works by the Society's notables such as Samuel Colman, R. Swain Gifford, Louis Comfort Tiffany, Albert Fitch...

Bathers 1940s Mid 20th Century American Scene Social Realism WPA Modern Ashcan Marion Gilmore (1909-1984) Bathers 15 1/2 x 19 1/2 inches oil on canvas boar...

Post Office WPA Mural Study American Scene Social Realism Modern 20th Century Carlos Lopez (1910-1953) "Bounty" WPA Mural Study for Michigan Post Office 19 ½ x 22 ½ inches Oil on B...

This is an original oil painting on by Ginny Williams. Celebrating the elements of still life often found in paintings of the Dutch golden age, this piece showcases blue and white po...

Zack Zdrale's "Excise" (2021) is a compelling oil on panel that captures a striking moment of physical and emotional intensity. This original, handmade painting depicts two male figu...

Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...

JOHN TAYLOR ARMS (1887 – 1953) LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.) Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...

James Allen, 'Pipe and Brawn,' 1937, lithograph, edition 40. Signed and annotated 'Ed/40' in pencil. A superb, richly inked impression on cream wove paper, the full sheet with margin...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

This early 1960s winter landscape photograph, captured by society photographer Slim Aarons, features people ice skating at the Palace Hotel, St. Moritz, Switzerland, 1963. This is a...

Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Matted to museum standards, unframed. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Scarce. Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Born in Massachusetts, Nicholas Panesis (1913-1967) studied art at Syracuse University, NY, and went on to teach ceramics at Alfred University, NY. Panesis moved to San Francisco in the early 1930s shortly before settling in Los Angeles, where he worked for different animation studios...

In First Light (2024), Alan Bray captures the quiet majesty of dawn over Spencer Pond, Maine. This luminous casein tempera on panel painting (15 x 24 inches) depicts a breathtaking s...

"Child Star" Mid Century Portrait of a Boy with Brown Eyes Oil on Canvas Stately portrait of a boy by William Robert Shulgold (Russian-American, 1897-1989). The subject is looking o...

Elizabeth Bell’s Dappled Elegance is a masterfully rendered oil painting celebrating the grace and stature of an Arabian or American Saddlebred horse in motion. The artist captures t...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

Original Pin-Up Girl with Red Hat vintage pin-up poster. Artist: Billy Devorss. Size: 15.25" x 20". Archival linen backed in mint condition; ready to frame. This striking original poster displays a graceful model wearing a vibrant red sun hat against a light blue background. This is truly a lovely piece! Billy DeVorss (1908 – 1985) was a self-taught illustration artist who started his commercial career in 1933. He was well known throughout his career for the voluptuous figures and attractive faces of his images. This poster is one of those great pin-up style images created by DeVorss. Alone among the pin-up artists in being entirely self-taught, Billy De Vorss sold his first three published pin-ups to the Louis F. Dow Calendar Company in St. Paul in about 1933. Until that time, he had been working as a teller in a bank in St. Joseph, Missouri. There, he met the stunning woman Glenna, who became his wife and first official model. Encouraged to develop his talent by Gene Sayles, the manager of Brown and Bigelow...

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...

This piece is an original oil painting on panel by American artist, Ginny (GC) Williams. Its framed measurements are 14.5x14.5 inches. GC Williams has a degree in art history which gave her an understanding of, and appreciation for, not only the art of the past, but the historical events and ideologies that fostered various aesthetics, movements, and styles. She has studied at several classical ateliers, including three years at Boston's Academy of Realist Art. Her work has been shown in galleries throughout the US and is included in public and private collections. She maintains a studio on the north shore of Massachusetts. "My work is about the little moments of beauty that comprise our existence: the greening of the landscape in early spring, the glint of light on an object; growing things and made objects. I enjoy creating interesting interactions, and making up narratives. I love the way light animates objects...

Dale Zinkowski is a master of still life. His work, reminiscent of Golden Age Dutch still life painting, glows with light and subtle, quiet beauty. This original oil painting shows a...

Canvas Size: approx 26.5 x 18 Framed Size: approx 30 x 22 inches Born into a poor family in Durham, England, John George Brown (1831-1913) earned a reputation as one of 19th-century...

Breathtaking impressionistic ocean scene with large cumulus cloud rising where the mountains meet the ocean. Tranquil blue water with filtered early evening light captured on the canvas where time stands still. Ready to hang unframed with its edge painted in a reddish brown patina for which the artist is known. Artist signed, titled and dated. Condition is excellent / as new. Brooks Anderson...

John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks ...

Original poster: Save Freedom of Worship (S) Artist: Normal Rockwell. Archival linen backed. Original fold marks touched up at the time of b...

Iconic portrait photograph by midcentury society photographer Slim Aarons, capturing young Jackie Kennedy (Jacqueline Onassis) (1929 - 1994) wife of Senator Jack Kennedy, at a 'April...

Donald Trump, Businessman 1985 Archival pigment print 48 x 48 inches, edition of 10, $12,000 36 x 36 inches, edition of 15, $7,000 24 x 24 inches, edition of 25, $5,000 14 x 14 inch...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a young woman modelling an outfit for a Saks Fifth Avenue catalog shoot. This is an estate...

AMERICAN SCHOOL (CIRCA 1840) A Gentleman with Groom, Horse and Greyhounds outside a Country House Oil on canvas Framed 75 by 99 cm., 29 ½ by 39 in. (frame size 87 by 113 cm., 34 ¼...

Mid Century Seascape and Figural Original oil painting on Linen 1956 Solitary figure on wharf by California artist Robert Watson, painted 1956 (1923 - 2004)The following, is from To...

Artist: Earnie Barnes (1938-2009) Title: Destination Unknown Year: 1979 Medium: Lithograph on archival paper Size: 25 x 19.5 inches Edition: 120/300, plus proofs Condition: Good Insc...

"Cubist Factory" American Scene WPA Era Social Realism Mid 20th Century Industrial Herbert Heyel (American 1907-2000) "Cubist Factory" 14 x 20 inches Watercolor on paper, c. 1933 S...

A large-scale bronze of "Coming Through The Rye", after Frederic Remington, American (1861–1909). Frederick Remington was an American painter, sculptor, and illustrator best known fo...

Printed on Canson Rag paper with the finest archival inks, these giclee prints offer a beautiful, affordable alternative to the originals. Offered fully framed complete with TruVu co...

"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII. 18 x 24 inches Watercolor on paper. c. 1940s. Signed lower right. BIO ...

Twin Lights, Thacher Island is a superlative early Luminist rendering of Thacher Island off the coast of Rockport, Massachusetts executed in 1873 at an important early point in the a...

"Company For Supper" - After Dale Nichols "Company For Supper" oil on canvas painting by Arlene a mid-west artist (American, 20th Century). Painted by an anonymous artist in the sty...

Paul Cadmus, 'Two Boys On A Beach, No. 1', etching, 1938, edition 75, Johnson & Miller 85. Signed in pencil and initialed in the plate in the lower right image corner. Annotated by t...

Work on canvas Beige wooden frame 62 x 71 x 4.3 cm

THOMAS HART BENTON (1889-1975) INSTRUCTION 1940 (Fath 41) Lithograph, signed edition of 250 as published by Associated American Artists. 10 ¼” x 12 ¼”. Full margins, deckle edges....

"Harbor Rainbow" with rippling water reflections of the blue boat floating in the sea is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pulled 90 color ...

Shock and awe! Original Counselor at Crime vintage movie poster. 'Good with the Law, Better with a Gun! Paper, original theater fold. Very good condition without any paper loss or tears. 1973 When the godson of San Francisco's crime lord asks permission to leave "the business," Don Antonio (Martin Balsam) agrees, but reluctantly. Such behavior by either one is a violation of the code, and a bloody mob war breaks out. It is only through the strong support of his family connections in Sicily that Don Antonio is able to survive the melee and come out on top. Aghast at the situation he has caused, the godson (Tomas Milian) becomes his leader's "consigliere," or Counselor at Crime. This Italian movie was filmed in English in San Francisco, California, and Palermo, Sicily. This is a man-cave vintage poster, one that you very seldom see or have the chance to purchase. Printed in black and white with red to grab your attention. Italian movie in English. The poster was originally folded, like all early movie posters, so that it could be sent to the movie theater. Original fold marks. Some small scuff marks at the fold marks. No tears. The original fold marks are not classified as flaws in old movie posters...

This is an original oil painting on a linen panel. Mums, the traditional flower of All Saints Day in France, are pictured in a reflective silver cup. A jewel-like deep green-blue bac...

Charming 19th century oil on canvas of bunny rabbits. The painting appears to be unsigned. It measures 15 inches wide by 10 inches high. The period frame...