American Realist Art

Naturalistic coastal dock landscape depicting Arnold's Wharf in Massachusetts by New England native artist John Nesta. Signed in the front lower left corner. Currently hung in a wood...

Henriette Wyeth-Hurd Hand signed, Collotype, Limited Edition of 490 Image Size: 20" x 26" framed 28.5 X 34.5 Provenance: printed at Triton Press and has their certificate of authenticity verso. Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania. Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family. Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes. A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture. At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd...

'Bucking Bronco' is a black and white photographic print by Michael Ormerod. Featured in the 2024 posthumous solo exhibition, 'Michael Ormerod: Vanishing Point'. Michael Ormerod w...

Flowered Dress on Essex Street, 1986 by Tria Giovan From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20"...

James Robinson (1944-2015) Austin, Dallas, Houston Artist Image Size: 30 x 40 Frame Size: 40 x 50 Medium: Acrylic "The Cowboys" Texas Hill Country Biography James Robinson (1944-2015...

Make Every Minute Count For Pershing. United States Shipping Board Emergency Fleet Corporation Original 1917 World War 1 vintage poster. Artist: Adolph Treidler Original linen backed World War I vintage poster. Tonnage built in American ship yards tripled after the U.S. entered the war. Poster shows a riveter using his wrench to bolt the steel plates of the hull of a ship together. Until the 1930s, when arc welding was introduced, bolts were secured by hand. Standardization speeded production. Make every minute count for Pershing. United States Shipping Board Emergency Fleet Corporation Artist: Adolph Treidler Dimensions: 27.75 x 22 in. Published: Philadelphia Linen backed, ready to frame. Remember Rosie the Riveter...

A lone cowboy figure emerges from a stark, sun-bleached desert, his face swallowed in shadow beneath the brim of a worn hat. The cinematic framing and mid-chest crop evoke the drama ...

Original Mercedes-Benz Type 300-SL. Linen-backed, horizontal format, fine condition. This is an original small format Mercedes 300 SL sports car pri...

EDWARD BOREIN (1872 -1945) BLACKFOOT WOMEN MOVING CAMP, NO. 1 (Galvin 168) Etching, Signed in pencil. 4 x 9 ½”, Full sheet with deckle edges, 6 3/8 x 13”. Small patch of reinforcem...

Gravitas is a breathtaking ocean scene / landscape with tree branch and distant hills, The oil painting measures 48 x 96 inches (4 x 8 feet). Tranquil blue wate...

Painted from life, a single pink peony blossoms amidst green leaves against a black backdrop. A classical painting subject and style, with a fresh and intriguing touch. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: 13.25 x 11.75 inches Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design...

Amaryllis with Lemon in a white ceramic pot sits atop a white table with river rocks, in this still life painting from American realist artist, Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate one's subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." Best known for painting the American landscape and captivating the spirit of the West, with its grand and humble spirit, Willard Dixon also paints slill lifes, using objects from his own collection of bottles, dominoes, dice, cups and saucers. His work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art in New York, and the Oakland Museum of Contemporary Art. 'Amaryllis with Lemon' is a sunny and delightful work with a meditative and warm glow, in red, green. white and yellow. 47 x 42 inches. Artist signed. condition excellent. The artist was born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015: REAL with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014: Stillness and Activity / A father and daughter exhibition, Gallerie Citi, Burlingame, CA. 2013: Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012: Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011: California: A Landscape of Dreams/ Fresno Art Museum 2010: Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009: On Beauty /I. Wolk Gallery, St. Helena, CA. 2008: At Water’s Edge / I. Wolk Gallery, St. Helena, CA. 2007: San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006: Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005: 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002: H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001: Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000: Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999: Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999: What is Art For? What are Museums For? What are You For? curated Curated for the Oakland Museum by William T. Wiley & Mary Hull Webster, Oakland, CA 1998: Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997: 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996: Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996: Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996: New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995: Facing Eden: 100 Years of Landscape Art in the Bay Area / De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery, Birmingham, MI 1994: Still Life/ Fischbach Gallery, New York City, NY New Bay Area Painting/ Contemporary Realist Gallery, S.F., CA A Room with a View/ The North Point Gallery, S.F., CA 1993: Bay Area Painting/ Contemporary Realist Gallery, S.F., CA Vanishing Point: A Look at Contemporary Landscape Painting”, Bedford Gallery, Walnut Creek, CA Tribute/ William Sawyer Gallery, S.F., CA Revolution: Into the 2nd Century at the San Francisco Art Institute, One Market Plaza, S.F., CA Contemporary Realism: Central and Northern California Landscapes/ Monterey Museum of Art, Monterey, CA The Artist as Native: Reinventing Regionalism/ a traveling exhibition curated by Alan Gussow and Babcock Galleries, N.Y., NY 1992: A Day in the Country, California Landscape Painting / I. Wolk Gallery, St. Helena, CA West Art and the Law/ Weat Publishing Co., St. Paul, MN(traveling ex.) The New York Academy of Art, New York, NY In Support of Contemporary Bay Area Artists / One Market Plaza, S.F., CA 1991: The Landscape in 20th-Century American Art: Selections from the Metropolitan Museum of Art/ New York, NY, National Traveling Exhibit 1990: Contemporary Landscapes/ 21st Anniversary Exhibition Tortue Gallery, Los Angeles, CA. 1990: New Bay Area Painting Contemporary Realist Gallery, S.F., CA 1989: The Modern Pastoral/ Robert Scholekopf Gallery, New York, NY 1988: Images of the Land/ William Sawyer Gallery, San Francisco, CA 1988: Ten Artists from the William Sawyer Gallery / Shasta College Gallery, Redding CA Works on Paper/ William Sawyer Gallery, San Francisco, CA 1987: The Contemporary American Landscape/ Swain Gallery, NJ 1986: Landscape, Seascape, Cityscape/ Contemporary Arts Center, New Orleans, LA 1985: The Bay Area Seen/ Bay Area Regionalists Show, Hall of Flowers, Golden Gate Park, San Francisco, CA Large Scale/ Harris Gallery, Houston, TX A City Collects/ Transamerica Pyramid, San Francisco, CA American Realism/ William Sawyer Gallery, San Francisco, CA 1984: San Francisco Bay Area Painting/ curated by George Neubert for the Sheldon Memorial Art Gallery, Lincoln, NE American Landscape Painting/ California State University, L.A. CA Western Landscape Painters/ The Museum of the West, Houston, TX The Urban Landscape / One Market Plaza, San Francisco, CA 1982: Collectors Gallery 16/ McNay Art Institute, San Antonio, TX Thirty Approaches to Realism/ William Sawyer Gallery, S.F., CA 1981: Views of California Past and Present/ Triton Museum, Santa Clara, CA Landscapes/ Harris Gallery, Houston, TX 110th Anniversary S.F. Art Institute Alumni Group Show/ William Sawyer Gallery, S.F., CA 1980: Realism/ Walnut Creek Civic Arts Gallery, Walnut Creek, CA 1979: Bay Area Artists Exhibition/Sale/ Oakland Museum, Oakland, CA Omnium Gatherum/ Tortue Gallery, Los Angeles, CA California Viewpoints/ Sunne Savage Gallery, Boston, MA 1978: New Work/ Mills College Art Gallery, Oakland, CA Images of the Land/ William Sawyer Gallery, S.F., CA 1977: Contemporary California Artists/ Marshall-Meyers Gallery Alternative to the Whitney Annual/ James Yu Gallery, N. Y, N.Y. San Francisco Art Festival/ ( Airport Competition Purchase Prize) 1977: Eight Young Americans/ Montclair Museum of Art, Montclair,NJ 1976: Three From California/ Francine Sedars Gallery, Seattle, WA Faculty Show/ California College of Arts and Crafts, Oakland, CA 1975: Realism in Painting and Ceramics/ Helen Euphrat Gallery, De Anza College, Cupertino, CA 1975: A Tribute to the Art Institute/ Hansen Fuller Gallery, S.F., CA California Artists/ Utah Museum of Fine Art, Salt Lake City, UT 1974: Our Land, Our Sky, Our Water/ by Alfred Frankenstein Expo 74, Spokane, WA A Sense of Place/ curated by Alan Gussow for the Joslyn Museum, Omaha, NE The Discovery Gallery, Montclair, N.J. 1973: College of Marin Gallery, Kentfield, CA California Artists/ Kaiser Center, Oakland, CA 1972: Visiting Artists/ California State University, Hayward, CA 1970: Drawing Invitational/ Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA 1970: San Francisco Art Institute Centennial Exhibition, San Francisco Museum of Modern Art, S.F., CA 1967: Society for the Encouragement of Contemporary Art Annual, San Francisco Museum of Modern Art, S.F., CA 1966: California Landscape Painters/ San Francisco Art Institute, S.F. CA. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank, NY Swissre Corporation, NY The Insurance Company of North America First National Bank of Midland, Texas Commerce Bank AMA Headquarters, Washington, DC Hughes Tool, Houston, TX ATT, NY Morgan Stanley Dean Witter, San Francisco, CA IBM Corporation, San Jose, CA Northern Trust Company, Chicago, IL Smith Kline and French Corp., Philadelphia, PA Wells Fargo Bank, San Francisco, CA Republic National Bank Chevron Trammel Crow Company, Dallas, CA U.S. Insurance Group, N.J. Southwestern Bell Corp., MO Union Bank Pacific Bell United States Trust Company, NY The United Bank of Denver, CO Cigna Corp., Philadelphia, PA Atlantic Richfield Corp., Los Angeles, CA Show, Pittman, Pots and Trobridge, Washington, DC San Francisco Zen Center Hughes Aircraft Co. Los Angeles, CA Minnesota Mining and Manufacturing (3M), St. Paul, MN Bank of America, NY Commerce Bancshares, Inc., Kansas City,MO Robinson Humphrey/American Express, Atlanta, GA Merrill Lynch, San Francisco, CA Goldman Sachs, NY Metropolitan Life Insurance Co., NY Victoria Bank and Trust, Victoria, TX NYNEX, NY Coca Cola, U.S.A., Atlanta, GA TransAmerica Corporation Pacific Telesis Group Brobeck, Phleger, & Harrison Exxon Corporation U.S. Trust Selected Private Collections Estate of Ahmet Ertegun, New York, NY Mr. Harrison Ford, Los Angeles, CA Estate of Irving Lazarr, Los Angeles, Ca Mr. and Mrs. Leonard Holzer, New York, NY Mr. and Mrs. Peter Asher...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features Swedish model Inga Lindgren, wife of Argentinian finance minister Ceferino Alonso Irigoyen,...

This artwork titled "TheLong Trail West" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and n...

Societe National des Chemins de fer Francais. Puissance Economie. (powerful and economical) Original vintage railroad SNCF poster. Linen backed. Movin...

A beautiful and delicate 19th century image of one of New England's most storied ports. Boston: Estes & Lauriat Editions, 1882 Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...

D. Robins Image Size: 18 x 36 Frame Size: 24 x 42 Medium: Oil "Rushing River"

ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...

Original 1943 Linen-Backed Vintage Poster — “Doing all you can, brother? Buy War Bonds”. In excellent condition, with the best restoration of the original fold lines. You won’t fin...

Elizabeth Bell’s Dappled Elegance is a masterfully rendered oil painting celebrating the grace and stature of an Arabian or American Saddlebred horse in motion. The artist captures t...

Artist Comments
"This painting was inspired by the dramatic lighting and shadows receding into West 14th Street at sunset," says artist Nick Savid...

Artist Comments
Artist Emil Morhardt displays an impressionist portrait of three brown pelicans. The birds sun themselves in the Sea of Cortez against a subtle greenish-blue late afternoon sky. "I hadn't thought about pelicans having a 3D vision like hawks until I was looking over my photos and saw one of the birds staring straight at me," shares Emil. He references his photographs from a National Geographic Zodiac that the pelicans seemed curious about, allowing very close viewing.

About the Artist
Emil Morhardt is an acrylic painter from Santa Barbara, California who expresses his passion for birds through realistic acrylic paintings. He paints at home in a studio room that has large windows and a north-facing view of the mountains. He observes the animals from this window, watching roadrunners, foxes, bobcats, deer, and coyote run by. Surrounded by this wildlife, Emil paints bird portraits reminiscent of those by artist John James Audubon. He bases his paintings off hundreds of photographs he takes of birds in the wild and at wildlife recovery centers. Emil captures the freedom and inquisitiveness that birds display in the natural world. Before painting birds, he painted landscapes of San Francisco and the Eastern Sierra. Emil was raised in the high desert of California and learned to paint from his father, who was one of the early California watercolorists...

A serene Hudson River scene by a student of Louis Comfort Tiffany. Anna May Walling was born in 1881, a native of Goshen, New York. She was a graduate of the Blair Academy, and Prat...

Unique contemporary 'Grey Ocean' depicts a provocative grey sky with a blue, yellow and white sea. Choppy waters beneath a sky alive with filtered early eve...

Artist Comments
Serenity prevails in artist Jenn Williamson's dreamy and atmospheric skyscape. In her creative practice, she explores light and darkness, searching for beauty in quiet, unnoticed places, thus creating a spiritual oasis. She aims to bring an atmosphere of tranquility to each viewer. "I painted this in the summer of 2022 after I completed a 4-year journey of organizing charity golf tournaments and decided to launch as a full-time artist," shares Jenn.

About the Artist
Jenn Williamson expertly evokes the scenery of British Columbia in her soft abstract landscapes. She utilizes defining horizontal and vertical strokes, coupled with a skillful handling of color, to create significant depth in each piece. Her paintings, though abstracted, clearly convey the atmospheric attributes of the scene–rain, wind, clouds, fog. Jenn’s muted color palette transports the viewer to the Canadian west...

What is the basis for the exclusivity of this landscape? Firstly, the patterns!They can be used in textiles, ceramics, jewelry. Secondly, the color! A very interesting combination. V...

Limited edition offset print of the original photorealistic painting, a portrait that portrays a historical reenactment of a civil war volunteer by James Bama...

Hans Weingaertner (1896-1970). Oil on canvas measures 8 x 10 inches; 14 x 16 inches in a frame of the period. Signed lower right. Excellent, clean condition with no damage or restoration. Signed with monogram and dated 1966 en verso. Biography: Birth place: Krailburg, Germany Addresses: Lynhurst, NJ; Belleville, NJ Profession: Painter Studied: Royal Acad., Munich, Germany, and with Ludwig Klein, Moritz Hyman, A. Jank. Exhibited: Soc. Indep. Artists, 1929-40; BM, 1932; New Haven PCC, 1934-39; AIC, 1936; traveling exhib., 1936-37; Corcoran Gal biennial, 1939; Montclair AM, 1938, 1939; New Jersey State Mus., Trenton, 1939; Newark Mus., 1940, 1944; Carnegie Inst., 1941; VMFA, 1946; Penn. State Teachers College, 1944, 1946; PAFA Ann., 1951; WMAA; NAD; CAFA; Salons of Am. Awards: prizes, Montclair AM, 1949, 1950; New Haven PCC, 1950; Newark Art Club, 1951; Bamberger purchase, 1964 Member: Mod. Artists, New Jersey; Soc. Indep. Artists; New Haven PCC; New Jersey AA; Audubon Artists; New Jersey WCS Work: Newark Mus.; Rutgers Univ.; Jefferson H...

This artwork titled "Noyo Sundown, California" c. 2000, is a watercolor on paper by noted California artist Erin Dertner, b.1957. It is signed at the lower left corner by the artist....

This artwork titled "Liberated Village" c. 1940, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hans signed and titled in pencil by the artist. The artwork (image) size is 12 x 16.5 inches, framed size is 20.25 x 24.25 inches. Custom framed in a black metal frame, with off white matting. It is in excellent condition. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses...

AMERICAN SCHOOL (CIRCA 1840) A Gentleman with Groom, Horse and Greyhounds outside a Country House Oil on canvas Framed 75 by 99 cm., 29 ½ by 39 in. (frame size 87 by 113 cm., 34 ¼...

Original prerelease Indiana Jones and the Last Crusade 1 sheet movie poster that was rolled and not folded. Artist: Drew St4uzan. Size: 27" x 40". Linen backed. Excellent co...

Gail Chase Bien paints thinly layered oil on linen over extended periods (from months to years) to complete a single work of art. Taking cues from nature’s extraordinary visual offerings — specifically, the play of light as it touches upon water and earth — her nature-inspired works bridge realism and abstraction, and they convey a thin veneer of the of human spirit. Complex, rich, and slow in the making, the paintings, with their serene simplicity, are intended to be viewed and enjoyed over time. Ten Mile Beach...

Luigi Lucioni: 1900-1988. Very well listed American Painter and etcher. He has Auction results as high as $4600 for an etching. This adding is most likely a barn in Vermont.. It meas...

Remember Your First Thrill of American Liberty — A Historic Call to Patriotic Action Own a piece of American history with this authentic 1917 Liberty Loan vintage poster from the 2n...

Summer Shadows, Wiscasset, Maine Lithograph, 1947 Signed in pencil lower right (see photo) "Ed. 85" lower left corner (see photo) Edition: 85 Wiscasset, known as the "prettiest villa...

While the 1920s stock market was raising some Americans to new heights of wealth, plenty of folks ground out a minimal existence through hard labor. Pointedly capturing this disparit...

Danza has a deep appreciation for the feelings of wonder and awe that come from being in nature. She tries to capture this experience with her immersive paintings, while also paying ...

'Paragon park, 1997' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 10 x 10 inches ...

Harry Roseland: 1866-1950. Well listed American artist with auction results over $250,000. This fabulous incredibly detailed oil on board measures 11 inches wide by 8 inches high. T...

The original Hawaii Western Airlines 1970s vintage travel poster is archivally linen-backed, in excellent condition, and ready to frame. It was p...

Etching with drypoint in brownish black ink on cream wove paper, 6 1/8 x 10 inches (155 x 255 mm), full margins with a deckle edge. Signed in pencil, lower right margin, and titled (...

Nature has always been Tara Esperanza’s muse and source of endless fascination and inspiration. From an early age, her love for the environment shaped her way of seeing the world. As...

High schoolers picnic on the beach at Bonita Springs, Florida, 1955. Slim Aarons Spring Break Black and White Photography Slim Aarons Estate Edition Nu...

Bruce Barton Penney American, born 1929 Barn on a Hill Oil on board 25 by 30 in, w/ frame 30 ¼ by 35 in Signed lower right, dated 64 Born Laconia, New Hampshire. Addresses: Kennebu...

This is an oil on artist board (unframed) by the important Hungarian-born and internationally celebrated Denes de Holesch (1910-1983). Denes de Holesch was an international equestrian artist. His works have been exhibited all over the world, including in New York, Beverly Hills, Boston, Chicago, Paris, Mexico City, Montreal, Tokyo, Sydney, and Madrid. His horse paintings fall into one of seven themes, including polo, cowboys, circus, rodeo, hunt, bull-fight, race-course and running free. His mastery of the subject has been compared to that of Picasso, Delacroix and Franc Marc. 1910 Denes Dezo George de Holesch was born on 9 February, 1910 at Banska-Bystrica, Northern Hungary. He was the third child and youngest son of Hugo de Holesch, an architect and Margit, nee Wagner. Many generations of the de Holesch family had worked as professional architects. He studied at the Hungarian Academy of Fine Arts in Budapest on a scholarship. Early in his career he traveled to China, Japan, Philippines, Java, Bali and Australia, where his reputation grew rapidly. Here he produced portraits in oils, and lithographs of the Chinese, as well as landscape works in oils,depicting the local countryside, and canal, street and city scenes. His exposure to the arts of the Chinese, with their simplicity of line, greatly influenced his later works. In 1939 he established a studio at Lavender Bay near Sydney. In 1940 he exhibited at the Macquarie Galleries in Sydney. In 1944 he married Joyce Greer, the Melbourne concert pianist. In 1945 the couple moved to New York where his interest in horses grew. He held exhibitions at Gallery Wildenstein, Herve, and FAR Gallery. In 1946 Holesch moved to Montreal where he exhibited at the National Gallery of Montreal. In 1947 he moved to Boston where he continued painting portraits and horses. He exhibited there at the Ehrmann and Vose galleries. Later in the year he moved to San Francisco where he was invited to participate in the "Renoir to Picasso" Exhibition held at the Maxwell Gallery.1946 He moved to Montreal, Canada and exhibited at the National Gallery of Montreal. (Frederic Remington and Charles Russell) 1947 Early in the year he moved to Boston and continued painting portraits and horses. In June, he painted the portrait of Harvard Law School Dean, Erwin N. Griswold, and in October his works were exhibited at Margaret Brown's Galerie Intime, Newbury Street, Boston. 1948 He produced a clay sculpture head of Egon Petri, one of a number of clay sculptures that he produced. He also produced a number of wood carvings. His paintings were chosen for inclusion in a Group Exhibition in the National Gallery of San Francisco, and in the important and prestigious 'Renoir to Picasso' Exhibition held at Maxwell's Galleries, 372 Sutter Street, San Francisco. 1953 His works were included in a Group Impressionists Exhibition held at the Ohana Gallery, London 1954 He travelled to New York, where he was commissioned to paint Herbert Gasser, Nobel Prize Winner in Biochemistry. 1955 He returned to England, and then travelled to Paris to exhibit works in the Galerie Marcel Lenoir. 1956 He again returned to New York to work on portrait commissions and for exhibitions of his works, mainly of horses. These exhibitions were held in New York, Boston, San Francisco and late in the year at the Galleries of Frank J. Oehlschlaeger at 107 East Oak Street, Chicago. During this year, visits with his family to Ringling Circus and to a rodeo in Tucson, Arizona must have impressed him greatly, for images of these events soon appeared on his canvases. His work was greatly admired by Hollywood film- stars, such as Ann Rutherford and Burt Lancaster, and David Niven purchased one of the horse paintings to give as his wedding present to Grace Kelly on her marriage to Sovereign Prince Rainier III of Monaco. 1959 The prints of 'Courtship' and 'Chargers' were produced. It has been estimated that close to a million copies of his prints were sold over the next ten years, with 'Courtship' being advertised by Stern's Book Dpt. on 5th Avenue, New York along with prints by Picasso...

This artwork titled "Evening Fog, Moss Landing, California" 1970, is a watercolor on paper by noted French/American artist Albert Bechely Crundall, 1906-1997. It is signed at the low...

"Islands In The Sun," with rippling water reflections below the iconic Morro Bay harbor is a quintessential example of Tom Swimm's enhanced realism. This colorful oil painting exhibi...

Christopher Clark's (US based) "Looking for Breakfast" is an original, handmade oil painting that depicts a bird perched in a flooded grassy field. Bio/artist statement: Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger...

Nature has always been Tara Esperanza’s muse and source of endless fascination and inspiration. From an early age, her love for the environment shaped her way of seeing the world. As...

This artwork "Landscape with Trees" 1909 is a watercolor on paper by noted American artist Frederick Leo Hunter, 1858-1943 It is signed and dated at the lower right corner by the artist. The artwork size is 9.5 x 14 inches, framed is 18.5 x 22.35 inches. It is framed in a custom wooden gold frame, with gold color spacer and fabric matting. It is in very good condition. About the artist. Frederick Leo Hunter was born in New York City in 1858. He was known for street scene paintings and etchings of...

This watercolor is part of our exhibition America Coast to Coast: Artists of the 1930s Circus Wagons, 1927, watercolor on paper, signed and dated lower left, 10 x19 ¾ inches (sight), provenance includes Stary-Sheets Art Gallery (Gualala, CA); J. Ralph & Louis Stone Foundation; presented in a newer metal frame behind glazing About the Painting Millard Sheets was only twenty years old and in his third year of studies at the Chouinard Art Institute when he painted Circus Wagons. Despite his youth, Sheets was already an accomplished artist who had publicly exhibited his work and won prestigious prizes. Within several years, he would have his first solo exhibition at one of Los Angeles’ premiere galleries and become a painting instructor at his alma mater. In Circus Wagons we already see Sheets deft handling of the watercolor medium and his interest in the California Scene. In this case, Sheets captures a back lot view of a traveling circus, a subject he sometimes returned to, including in a color screen print in the collection of the National Gallery. Sheets made a career by painting what he knew and observed firsthand. This approach allowed Sheets to capture with authenticity the details of each narrative. Even with a narrowly limited palette and an economy of brushstrokes, Sheets effectively depicts the southern California scene with its strong and mysterious shadows, as well as the workers and circus animals. Seen through the hindsight of his six-decade long career, Circus Wagons offers a fascinating insight into the early development of California Scene painting which would by the mid-1930s become the best recognized style on the West Coast. About the Artist Millard Sheets was the dean of California watercolorists. His list of accomplishments is so extensive that his entry in Who was Who in American Art is over forty lines. Born in Pomona, California, Sheets became a painter at an early age, winning a prize at the Los Angeles County Fair in 1918. By the mid to late-1920s, Sheets became a regular at art exhibitions in the western part of the United States, winning several additional prizes before he reached the age of twenty-five. Sheets studied at the prestigious Chouinard Art Institute from 1925 through 1929 with Frank Tolles Chamberlin and Clarence Hinkle and had his first solo show with Los Angeles’ Dalzell Hatfield Gallery in 1929. During the 1930s, Sheets was invited to exhibit at almost every major American Museum and in many ways, his work came to represent the California watercolor school...

'Diversity (Yellow)', An abstract organically shaped sculpture reminiscent of totems. It is a spatial composition from the Void series. Composite materials and fiberglass is 84 x 25...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...

Represented by George Billis Gallery. This most recent body of work is inspired by Tom Gregg's fascination with objects and the powerful resonance that they ...

Derek Fox Columbia, Missouri Signed recto Derek Fox is a painter based in Columbia, Missouri, whose work centers on representational landscape, often created both en plein air and in...

In the 1880’s Smith made a trip to Italy, which added a whole new dimension to his work. His tight style was highly suited to the depiction of the majestic architecture and complex c...

"Rushing Water" by Diego Glazer is an original oil painting depicting a rushing river. About the Artist: For as long as I can remember, I have been on a quest to convincingly repre...

James Elliott Bama was born in 1926 in New York City. He studied at the Arts Student League and became a very successful illustrator for magazines like the Saturday Evening Post. He...

"Harbor Rainbow" with rippling water reflections of the blue boat floating in the sea is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pulled 90 color ...