American Realist Art

Norman Rockwell Title: Convention. Year: 1976 Medium Type: 7-Color Collotype on Rives BFK paper Size-Width Size-Height: 25" x 31" Signed Edition Size: Signed by the artist 9/200 ...

THOMAS HART BENTON (1890- 1975) HYMN SINGER / THE MINSTREL (Portrait of Burl Ives) 1950 (Fath 74) Lithograph signed with full signature “Thomas H. Benton” A large image, 15 ¾ x 12 i...

NYC Park Scene American Scene Social Realism WPA Woman Artist Ashcan Realism Isabel Bishop (American, 1902-1988) "NYC Park Scene" Pencil on paper Sight: 5 x 7-1/8 inches Signed l...

Painting size with frame: 21"x28" Painting size without frame: 15 1/2 x 23 Eric Sloane (1905–1985), "Cold Shed," a beloved chronicler of Americana, Sloane’s work blends painterly r...

Artist: Raymond Loewy, American (1893 - 1986) Title: Hydrofoil Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 300 Image Size: 17 x 24 inches Size: 21 in. x 28 ...

Oil painting by Willard Dixon featuring flying above the wispy clouds. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. At Thirty Thousand Feet no. II, painted in 2023. the canvas is 54 X 43 inches. Oil on canvas. Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank...

Charming 19th century oil on canvas of bunny rabbits. The painting appears to be unsigned. It measures 15 inches wide by 10 inches high. The period frame...

Subway 43 by John Conn was originally photographed in New York City between 1975 and 1982. Each black and white photograph is signed and numbered. Edition of 15. It is a 20x30 ima...

This artwork "Tulips in a Vase" 1995 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 169/200 in...

Original World War Two, U. S. Military poster: ME TRAVEL? … NOT THIS SUMMER, VACATION AT HOME. Artist Albert Dorne. This is the large format printing (26" x 37") of this poster...

Sixth Avenue & St. John, Oil on canvas, cityscape _________________________ Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein ai...

Autumn Landscape, by 1958, tempera on Masonite, 24 x 36 inches, signed lower left, exhibited: 1) 133rd Annual Exhibition of the National Academy of Design, New York, NY, February 20 – March 16, 1958 (Henry Ward Ranger Purchase Prize); and 2) Henry Ward Ranger Centennial Exhibition, National Academy of Design, New York, NY, September 25 - October 12, 1958, #133 (see Levin, Meyer, Illustrative Paintings Gathered for Ranger Show at National Academy, St. Petersburg Times, October 13, 1958 (“There’s a warm, low-keyed picture of golden fields, with distant structures, called “Autumn Landscape,” by Robert Vickrey, whose magic realism is felt in so “regular” a subject.”), literature: 1) Watson, Ernest William, Composition in Landscape and Still Life, Watson-Guptill Publications, New York, 1959, pp. 24, 155 and 157 (illustrated); and 2) Vickrey, Robert and Cochrane, Diane, New Techniques in Egg Tempera, Watson-Guptill Publications, New York, 1973, p. 111 (illustrated); ex collection National Academy of Design Reflecting on his art, Robert Vickery...

Humphris is a highly acclaimed American sculptor and created a large body of work of Western subject matter, particularly of the American Indian so rare to get a soldier. He did liv...

STEPHEN STALLINGS – "AN EVERLASTING MYSTERY" ⚜ Mixed Media on Board ⚜ Hand Signed and Titled Lower Right; Signed Verso with Fingerprint ⚜ Conservation Frame MYSTICAL COASTAL SCENE P...

Elizabeth Bell’s Dappled Elegance is a masterfully rendered oil painting celebrating the grace and stature of an Arabian or American Saddlebred horse in motion. The artist captures t...

Noel Daggett, American (1925 - 2005) - Mustangs on the Run, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 23.5 inches...

Brooklyn Bridge NYC American Scene Social Realism Mid 20th Century Modern WPA Cecil C. Bell (American, 1906-1970) Brookyn Bridge amid the NYC Waterfront 35 ½ x 23 ½ inches Oil on Bo...

This mid-1980s portrait photograph, captured by society photographer Slim Aarons, features Cynthia Eichler (sitting) with Vicky Schaft Bruder (centre) and Cathy Tankoos (Mrs Joseph T...

John Stobart "St. Louis, Gateway to the West" Color Lithograph 30 x 42 inches framed Signed in Pencil and Numbered 434/750

Original Porsche factory poster. Porsche 25 Years Driving in its Purest Form. Rare, Archival linen-backed original vintage Porsche poster. ...

Original vintage travel poster Chamonix Mont-Blanc PLM French travel poster. Very good condition, archival linen backed. Ready to frame. ...

Frank Corso Biography American, b. 1952 Frank Corso was born in Syracuse New York. Taking a keen interest in art at a very early age, he was inspired to draw and paint the landscape...

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...

This interior portrait of a woman dressed in an elegant lace shawl is a 30" x 25" oil on canvas painting in the style of Jacob Eichholtz. The artist is unknown but the painting is believed to have been painted in the 1840's. It is not signed but framed and in good condition. Provenance: Private Collection, Old Queens Gallery...

Elizabeth Zanzinger's (US based) "Foragers" is an oil painting that depicts two nude females traversing a tree trunk in the wilderness. Elizabeth Zanzinger is an award-winning paint...

Wang Kun's "Portrait of Qiang Woman" is an oil painting created in 2023 that depicts a traditional Qiang woman. kun Wang(王琨), was born in Jilin Province of China in 1970. His legs...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled The Berry Picker, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wye...

Antique American watercolor painting, landscape harvest farm scene by Frank F. English (1854 - 1922), Bucks County, Pennsylvania, Circa 1900. A very attractive painting by the celebrated Pennsylvania artist Frank F. English, the location is in Point Pleasant, Bucks County, Pennsylvania. The painting depicts a scene of blue skies with two farmers tossing hay with pitchforks & two horses harnessed to a hay wagon, with barns to the background. The painting signed lower right " Frank F. English", condition is excellent this very charming painting is ready to hang on your wall. Biography Frank F. English was born in Louisville Kentucky in 1854. In the early 1880s, he studied for five years in the evening classes of the Pennsylvania Academy of the Fine Arts. His instructors included Thomas Eakins, James P. Kelly and Thomas Anshutz. However, English's reputation primarily rests with his outstanding facility as a watercolorist; most of his known paintings are executed in this medium. English's propensity for its use coincides, appropriately enough, with the watercolor's growing popularity among other American painters. The American Water Color Society brought the medium special prominence by the late 1860s, and acceptance on the level of oil painting in 1876. That same year, the society was invited to display its works at the Philadelphia Centennial Exposition. Its members exhibited 116 watercolors, and their public exposure was enormous. It is safe to assume that during the 159-day Centennial, Frank English was among the nearly 10 million exposition attendees, surpassing attendance records at all preceding world's fairs. At age twenty-two, English, traveled to Philadelphia to see works by the Society's notables such as Samuel Colman, R. Swain Gifford, Louis Comfort Tiffany, Albert Fitch...

"Peachy Pumpkin" is an interior realist still life painted from life, orange and black colors. Framed. Signed on bottom. Sarah Lamb is a talented and dynamic realist painter. With ...

Allan Mardon, Canadian (1931 - ) - Pheasant Hunt, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 17 x 23 in. (43.18 x 58.42 cm), Descr...

Original Mid Century Pen and Ink on Paper "Cowboy and Bronco" Western Genre Compelling pen and ink western picture of Cowboy wrangling the bro...

Open Car Door on Eldridge Street, 1987 by Tria Giovan From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Ar...

Arne Charles Besser (1935-2012) was a Mid-Century Gay American Realist Painter whose work showed in galleries throughout Europe and North America. This 1970s painting showcases Besser's ability to capture the intricacies of human and animal figures, with the musculature of the horse and nude...

BING ZHANG's Subway no. 4, 48 x 48 inches, oil on canvas. Proudly presented by Andra Norris Gallery in California. Bing Zhang’s Subway painting series explores themes of class, labo...

Authentic Vintage World War I Recruitment Poster - A Rare Piece of Historical Memorabilia. Archival linen backed and ready to frame. ...

Represented by George Billis Gallery, NYC & LA --A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the validity of the canon, paintings of the old masters on the walls of museums like the Met, the Louvre, Rijks museum still have a certain cache. They're revered not just for their technique but because they enshrine our collective past experience. Of course, it's a selected past that gets validated. Conspicuously absent to me as a gay man...

JOSEPH MARGULIES (1896 - 1984) REFLECTIONS OF GLOUCESTER ca 1940 Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...

This is an original oil painting on linen canvas by Ginny Williams. This still life uses colors from the French flag as its color palette, and an image of the famous "Odalisque" pain...

"The Coward" (Woman Kissing Soldier). Original cover illustration for Life Magazine, published April 1919. Norman Rockwell’s The Coward (or, Woman Kissing Soldier) was published on...

John Steuart Curry "Cockfight in Cuba," 1946 oil on canvas Image: 38.25 x 46.25 in Frame: 43.75 x 51.5 in Signed on reverse with initials JSC on lower right stretcher bar John Steu...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Brinton’s Mill, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth...

Stephan Hoffpauir’s photorealistic watercolors invite viewers to contemplate spaces that, while familiar, are largely ignored by those who fleetingly pass through them. Among his sub...

This artwork titled "Dolores" c.1940 is an original soft ground etching and aquatint by noted German/American artist Emil Ganso, 1895-1941. It is hand signed and numbered 6/100 in pe...

This artwork titled "Madame Butterfly" 1986, is an original color serigraph with gold addition by noted American artist Margaret Keane, 1927-2022. It is hand signed and numbered HH 109/150 in pencil by the artist. The image size is 24 x 24 inches, framed size is 39.5 x 38.5 inches. Custom framed in a wooden gold frame, with green fabric matting, gold color bevel and three different colors fillet. It is in excellent condition, the frame have some minor restorations, barely visible. About the artist. Margaret D. H. Keane was born 1927 in Tennessee, and attributes her deep respect for the Bible and inspirations of her artwork to the relationship with her grandmother. She later became one of Jehovah's Witnesses, which she said changed her life for the better. In the 1960s, Margaret Keane's artwork was sold under the name of her husband, Walter Keane. He locked her in a room and forced her to paint,while taking credit for her work. Conflict over that issue was cited as one of the reasons they divorced. Neither wanting to relinquish rights to the artwork, Walter and Margaret's divorce proceedings went all the way to federal court. At the hearing, Margaret created a painting in front of the judge to prove that she was the artist. Walter declined to paint before the court, citing a sore shoulder. In 1986, the courts sided with her, enabling her to paint under her own name. Her works while living in her husband's shadow tended to depict sad children in a dark setting, but after divorcing, moving to Hawaii, and becoming one of Jehovah's Witnesses, her paintings took on a happier, brighter style. Keane is a fixture in popular culture. Some of her well-known fans over the years have included actresses Joan Crawford and Natalie Wood, whom she painted portraits of; filmmaker Tim Burton, who commissioned Keane to paint Lisa Marie; and animator Craig McCracken, whose characters the Powerpuff Girls are based on Keane's 'waifs'; additionally the Girls' schoolteacher is named "Ms. Keane". Cultural references • The American television comedy show Saturday Night Live once had a skit that featured her work, during the time when it was thought to be by her husband, as a parody of the reaction against modern art (e.g., Cubism or the New York Armory Show). "People don't look like that!" one comedian shrieks, before the picture in question was shown to the camera and audience as the punch line. • In Woody Allen's 1973 comedy Sleeper, the people of the future consider Keane to be one of the greatest artists in history, one of many references mocking the popular culture of the seventies. • Late Night with Conan O'Brien has "bumper" art in her style depicting a glum Conan O'Brien at his desk, next to a dog. • Weird Al Yankovic's song Velvet Elvis, in which the narrator says he needs "no pictures of Mexican kids with those really big eyes or dogs playing poker". • In season 3, episode 20 of 90210 (Women on the Verge), Annie is described as looking "like a Keane painting...

Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Movers New Yorker published, September 20, 1935 18 X 11 1/2 inches...

Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...

Original Hawaii, United Airlines Hawaii travel poster. Linen-backed, excellent condition. Ready to frame. Great price for an archival linen-backed poster of this Hawaii United Airlines vintage...

Wrestling Match on Clinton Street, 1990 by Tria Giovan From a 6cm x 9cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 wit...

Guys on Shoreline under Brooklyn Bridge, 1989 - New York City Skyline Landscape by Michael Ormerod 'Guys on Shoreline under Brooklyn Bridge' is a black and white photographic print ...

A long and quiet night in the hotel lobby is depicted by Clyde Singer in this moody and still painting. Entitled Hotel Night Lobby (1947), Singer paints a moment of solitude during ...

Dale Zinkowski is a master of still life. His work, reminiscent of Golden Age Dutch still life painting, glows with light and subtle, quiet beauty. This original oil painting shows ...

Serene and calm sky, ocean horizon, sunrise or sunset sky painting from American Realist Willard Dixon. A contemporary sky scape with clouds and etherial light. Like a window to a wide open, brilliant and warm sky, in blue, purple yellow and gold. Unframed and ready to hang and enjoy. The original painting is 42 x 40 inches. Signed in paint with artist initials front. And signed in pen with artist's signature, date and title, Verso. One of our finest American contemporary realist painters, Willard Dixon has painted Northern California and western landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in Dixon’s urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art (SFMoMA), and the Metropolitan Museum of Art in NY, and the California Museum of Att in Oakland, CA. Willard Dixon Born Kansas City MO, 1942 Education Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and N.E.A. Fellowship Grant- 1989 Commissions California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90 San Francisco State University 1975 San Francisco Art Institute Realism Seminar 1974-76 Academy of Art College, San Francisco, CA 1973-74, 1976 California College of Arts and Crafts, Oakland, CA 1971-72 California State University, Hayward, CA One Man Exhibitions 2015 Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014 SFMOMA Artists Gallery, San Francisco, CA. 2008 SFMOMA Artists Gallery, San Francisco, CA. 2005 Fischbach Gallery, NYC,NY 2005 Dolby Chadwick Gallery, San Francisco, CA 2004 Fischbach Gallery, NYC, NY. 2002 Earl McGrath Gallery, Los Angeles, CA 2002 Bolinas Museum, Bolinas, CA 2001 Hackett Freedman Gallery, San Francisco, CA 2000 Fischbach Gallery, NYC , NY 2000 Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998 Hackett Freedman Gallery, SF, CA 1997 Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995 Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994 Fischbach Gallery 1993 Contemporary Realist Gallery 1992 Fischbach Gallery 1991 Earl McGrath Gallery, 454 North, Los Angeles, CA 1990 Fischbach Gallery 1989 William Sawyer Gallery, San Francisco, CA 1988 Gallery 454 North, Los Angeles, CA 1987 Fischbach Gallery 1987 Gallery 454 North 1986 William Sawyer Gallery 1985 Fischbach Gallery 1984 Harris Gallery, Houston, Tx 1984 William Sawyer Gallery 1983, 1982 Fischbach Gallery 1981 William Sawyer Gallery 1980,1979 Tortue Gallery, Los Angeles, CA 1976, 1975 William Sawyer Gallery 1973, 1972 William Sawyer Gallery Selected Group Exhibitions 2017 SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015 REAL / with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014 Stillness and Activity / A father and daughter exhibition. Gallerie Citi, Burlingame, CA. 2013 Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012 Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011 California: A Landscape of Dreams/ Fresno Art Museum 2010 Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009 On Beauty/ I. Wolk Gallery, St. Helena, CA. 2008 At Water’s Edge/ I. Wolk Gallery, St. Helena, CA. 2007 San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006 Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002 H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001 Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000 Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999 Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999 What is Art For? What are Museums For? What are You For?/ curated for the Oakland Museum by William T.Wiley & Mary Hull Webster, Oakland, CA 1998 Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996 Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996 Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996 New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995 Facing Eden: 100 Years of Landscape Art in the Bay Area/ De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein...

Herman Hyneman (1849-1907) Portrait of the Artist's Wife, c. late 19th century Oil on canvas 21 1/2 x 29 1/2 in. Framed: 27 1/2 x 35 1/4 in. The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...

What did Broadway look like at the turn of the 20th Century? Here is a scarce and important block-by-block view published in 1899 by The Mail and Express New York: The Mail and Expr...

This piece is an original oil painting on panel. A garden is shown with the subtle shadow cast by a picket fence on the path between the flowers. In a wide, linen-lined frame, the ov...