Frederick Leo Hunter

Landscape with Trees

1909

This artwork "Landscape with Cattle" c.1930 is a watercolor by noted American artist Raphael Senseman, 1870-1966 It is signed at the lower right ...

This artwork "Village Harbor" c.1910 is a watercolor on paper by noted American artist Frederick Leo Hunter, 1858-1943 It is signed at the lower right corner by the artist. The artwork size is 8 x 15 inches, framed is 17 x 23.75 inches. It is framed in a custom wooden gold frame, with gold color spacer and fabric matting. It is in very good condition. About the artist. Frederick Leo Hunter was born in New York City in 1858. He was known for street scene paintings and etchings of New York...

This artwork "Winter Landscape " c.1930 is a watercolor by noted American artist Raphael Senseman, 1870-1966 It is signed at the lower left corner by the artist. The artwork size is ...

This artwork is a watercolor on paper by noted artist Carolyn Bullis Blish, born 1928. It is signed at the lower right corner by the artist. The artwork size is 17 x 26 inches, frame...

Artist: Merton Clivette (American, 1868-1931) Title: Landscape II Year: Circa 1925 Medium: Gouache Paper: Watercolor Size image: 17.35 x 22.65 inches Size paper: 17.35 x 22.65 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...

This artwork c.1950 is a watercolor by noted Oregon artist Maude Walling Wanker ( American, 1882-1970) It is signed at the lower right corner by the artist. The artwork size is 16.25 x 21.25 inches, framed size is 25 x 29 inches. Framed in a dark wood frame, with gold color bevel. The artwork is in excellent condition, the frame has some minor scratches. About the artist. Maude Walling Wanker (1882-1970) was born on October 22, 1882 in Lake Oswego, Oregon. She studied art at the Museum Art School with Clara Jane Stephens, at the Art Institute of Chicago in 1936 with John Bernard Hinshaw, at the University of Oregon with Steinhof, and in Vienna. She specialized in watercolors and oils. Maude Wanker grew up in the Tualatin Valley, where she began she began sketching as a child. After her marriage in 1901 and the birth of a child, she began attending the Museum Art School on an irregular basis. In 1939 she was one of the three artists chosen to represent Oregon at the fourth National Exhibition of American Art, held in New York's Rockefeller Center. Wanker moved to the Oregon Coast...

Man Working Mid 20th Century American Scene Social Realism Industrial WPA Modern Jo Cain (1904 - 2003) Telephone Pole Worker 38 1/4 x 18 1/2 inches Oil on pap...

Surveyors WPA American Scene Mid 20th Century Modern Social Realism Men Working Jo Cain (1904 - 2003) Surveyors 30 ½ x 40 ¼ inches (sight) Gouache on paper c. 1930s Signed lower rig...

Answering the Door Early 20th Century w/c Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identi...

Two Men on a Street Early 20th Century w/c Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identi...

Fletcher Martin (1904 - 1979) Sleigh Ride, Woodstock, New York circa 1955 Watercolor on paper 14 x 11 inches Signed lower right Provenance: James Cox Galler...

watercolor on paper 9 x 11 inches 17 x 21 x 1 inches, brown wood artist made frame, white mat This photo-realist cityscape of Albany, NY was painted with black and white watercolo...