Minimalist Art

Kozo Inoue, Japanese (1937 - ) - Camellia Slant, Year: 1990, Medium: Screenprint, signed, numbered and titled in pencil, Edition: 23/120, Image Size: 33 x 23 inches, Size: 43 x ...

This beautiful landscape painting by Olga is part of her Pandemic series she did during the Covid 19 pandemic. As oppose to the chaos the world is experiencing due to the pandemic, her landscape paintings are the opposite; calm, almost surreal and utopic. Olga is mostly engaged in painting and illustration. She likes breaking the rules of proper reflecting of nature with the use of unexpected elements from another universe. Her works are minimalistic in the form, simply elegant and gracefully colorful. Olga Szczechowska...

ANNA WARDĘGA-CZAJA Studies at Painting Departament at Academy of Fine Art in Cracow, Poland. She's dealing with easel painting, wall painting as well as drawing. Finalist of Competit...

Jo Baer, American (1929 - 2025) - Cardinations V, Year: 1974, Medium: Lithograph, signed, numbered and dated in pencil, Edition: 59/75, Image Size: 24.5 x 18.5 inches, Size: 28....

This artwork "Untitled #1" c. 1980I is an original color silkscreen with embossing by noted artist Charles Hinman, b.1932. It is hand signed and numbered 52/100 in pencil by the artist. The artwork size is 20.5 x 22 inches, sheet size is 25.15 x 25.15 inches, framed size is 25.5 x 25.5 inches. Custom framed in a silver metal frame. The artwork is in excellent condition, the frame is in fair condition, it have some scratches. It can be shipped framed, or without the frame if requested. About the artist: Charles Hinman is a New York Minimal painter who pioneered shaped canvas paintings through his innovative use of shadow, light, and shape with complex mathematical formulae. Born and raised in Syracuse, New York, Hinman holds his BFA from Syracuse University and later moved to New York City to study at the Arts Student League of New York. His first studio in the early 1960s was shared with James Rosenquist in an old sail factory in the Coenties Slip in Lower Manhattan, and he later shared a studio with Robert Indiana on Spring Street. In 1965, he moved into his own studio and living space at 231A Bowery in the same building with artists Will Insley and Max Gimblett, where he resided for over fifty years. Hinman’s work has been included in era defining exhibitions alongside many of his Minimalist and Conceptual contemporaries. His art career began with a seminal exhibition at Sidney Janis Gallery, titled '7 New Artists', and thereafter a solo exhibition at Richard Feigen Gallery in 1964. This was followed by an historic exhibition at Tibor de Nagy Gallery in 1965, "Shape and Structure", curated by Frank Stella and MET Curator, Henry Geldzahler, which included artists, Donald Judd, Carl Andre and Will Insley. Charles Hinman’s artwork is exhibited internationally and collected by major institutions and private collectors across the world. His work is included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Denver Art Museum, the Nagaoka Museum in Japan, and the Tel Aviv Museum in Israel, among others. He is the recipient of a Guggenheim Fellowship and four Pollock-Krasner Foundation grants. SOLO EXHIBTIONS 2019 - Kreeger Museum, Washington, D.C. 2019 - Chromatic Eclipse, WESTWOOD GALLERY NYC, New York 2017 - Shaped Paintings, WESTWOOD GALLERY NYC, New York 2016 - Two Points on a Plane: The Paintings of Charles Hinman, Museum of Art, DeLand, FL 2013 - Charles Hinman - 6 Decades, Marc Straus, New York 2012 - Marc Straus, New York 2011 - Gems. Butler Institute of American Art, Youngstown, OH 2008 - Butler Institute of American Art, Youngstown, OH 2006 - Butler Institute of American Art, Youngstown, OH 2005 - Wooster Art Space, NYC 2004 - Margot Stein Gallery, Lake Worth, FL 2004 - Boca Raton Museum of Art, Boca Raton, FL 2001 - Landing Gallery, Boca Raton Museum of Art, Boca Raton, FL 1999 - Fairfield University Museum, Fairfield, CT 1999 - Gallery Camino Real, Boca Raton, FL 1998 - Bergen County Museum of Art, Paramus, NJ 1995 - Ewing Gallery, University of Tennessee, Knoxville, TN 1994 - Georgia Museum of Art, Athens, GA 1993 - Chassie Post Gallery, Atlanta, GA 1990 - North Carolina State University Museum, Raleigh, NC 1990 - Douglas Drake Gallery, NYC 1989 - Virginia Lust Gallery, NYC 1987 - Irving Feldman Galleries, West Bloomfield, MI 1985 - Gallery 99, Bay Harbor Island, FL 1984 - I. Irving Feldman Galleries, Southfield, MI 1983 - Galleri Bellman, NYC 1982 - Irving Feldman Galleries, Sarasota, FL 1981 - Medici-Berenson Gallery, Bay Harbor Island, FL 1981 - Laguna Gloria Art Museum, Austin, TX 1981 - Museum of Art, Fort Lauderdale, FL 1980 - Everson Museum of Art, Syracuse, NY 1979 - Grace Hokin Gallery, Chicago, IL 1979 - Donald Morris Gallery, Detroit, MI 1977 - Grace Hokin Gallery, Palm Beach, FL 1976 - Irving Galleries, Milwaukee, WI 1975 - Grace Hokin Gallery, Chicago, IL 1971 - Galerie Denise Rene', NYC 1970 - Donald Morris Gallery, Detroit, MI 1970 - Galerie Denise Rene'/Hans Mayer, Krefeld, West Germany 1969 - Lincoln Center Retrospective, NYC 1968 - Donald Morris Gallery, Detroit, MI 1967 - Richard Feigen Gallery, NYC 1967 - Biennale, San Marino, Italy 1966 - Tokyo Gallery, Tokyo, Japan 1966 - Richard Feigen Gallery, NYC and Chicago, IL 1966 - Contemporary Art, Museum of Contemporary Art, Nagoaka, Japan 1964 - Richard Feigen Gallery, NYC GROUP EXHIBITIONS 2014 - Xigue-Xigue, MARC STRAUS, NYC 2014 - The Shaped Canvas, Revisited., Luxembourg & Dayan, NYC 2014 - Shaped, Galleri Tom Christoffersen, Copenhagen, Denmark 2013 - On Deck, Marc Straus, NYC 2013 - Going Into the Dark, curated by Amalia Piccinini, The Painting Center, NYC 2011 - American Abstract Artists 75th Anniversary Exhibition, OK Harris Gallery, NYC 2011 - Structured Color, D. Wigmore Fine Art, Inc, NYC 2011 - Armory Show, NYC 2009 - Exploring Black and White: the 1930s through the 1960s, D. Wigmore Fine Art, Inc, NYC 2005 - Geometric Abstraction 1930-1980, Margot Stein Gallery, Lake Worth, FL 2004 - Blast from the Past, Pace Editions, NYC 2004 - Abstractions, Lee Hansley Gallery, Raleigh, NC 2004 - Current Work, Two-person Exhibition, Elaine Baker Gallery, Boca Raton, FL 2003 - Gallery Artists, Margot Stein Gallery, Lake Worth, FL,USA 2002 - Light and Shadow, curated by Corinne Robbins, Delaware Valley Arts Alliance, Narrowsburg, NY 2001 - XXXIII Festival International de la Peinture, Castle Museum, Cagnes-sur-Mer, France 2001 - Painted in New York City, curated by James Little, Hofstra University, Hempstead, NY 2000 - Foundation of a Century, Nassau County Museum of Art, Roslyn Harbor, NY 2000 - The Art of Absolute Desire, curated by James Little, 450 Broadway, NYC 1999 - Red, Mitchell Algus Gallery, NYC 1999 - The Armory Show, Mitchell Algus Gallery, The International Fair of New Art, NYC 1999 - Red, Black, White: Bolotowsky, Nevelson, Hinman, Weber Fine Art, Scarsdale, NY 1999 - Absolut Secret, curated by David McKee, D'Allenburg Fine Arts International, David McKee Gallery, New York Studio School, New York; Royal College of Art, London 1999 - Abstraction: New Directions for a New Millennium, Robert Kidd Gallery, Birmingham, MI 1998 - Recent Acquisitions , Boca Raton Museum of Art, Boca Raton, FL 1998 - Art Students League of New York: Instructors' Work, Gremillion Fine Art, Houston, TX 1998 - Gallery Artists, Lipworth International, Boca Raton, FL 1998 - Summer 1998 Exhibition, Space 504 Gallery, NYC 1997 - Abstractions: Charles Hinman and Manfred Mohr...

Produced for an A.I.R. portfolio in 1975, the portfolio was funded by the National Endowment for the Arts. Artist: Laurace James, American (1936 - ) Title: Untitled from the A.I.R...

Gorgeous acrylic on paper titled "Schwindle" or "Deception" 1986 by James Sprouse (American, 20th Century). Image 6"H x 9"W. Sheet, 12"H x 18"W. Unframed and with acid free neutral color mat. Sprouse minimalist approach to monochrome objects and colors are rare treasures. Currently a New York based artist. He was born in Chicago and received a Master’s of Fine Arts from the University of Illinois. His work has been shown in solo and group exhibitions throughout the US, including the Soap Box Gallery, Van Brunt Projects, Robert Anderson Gallery, the San Jose Institute of Contemporary Art, and the Kohler Art Center and 57W57Arts. His work has been featured in Details Magazine...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Jo Baer, American (1929 - 2025) - Cardinations VI, Year: 1974, Medium: Lithograph, signed, numbered and dated in pencil, Edition: 59/75, Image Size: 24.5 x 18.5 inches, Size: 28...

Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper Minimalist landscape with two figures walking along the shore by Doris Ann Warner (American, 1925-201...

""Plume" As the elephants toss the dirt, it rises in an arc- like a firework- above their heads, creating a temporary marriage of modern art and our natural world. Exceptional Crea...

Ellen Williams Cosmos I Original Drawing Coloured pencil on A4 150gsm paper Image Size: Signed Sold Unframed This drawing is one in a series of botanical...

What could be better than the beauty of a foggy morning on the river. A feeling of freshness, clean air and glimpses of the first rays of sun through the fog. The painting was painte...

Stephen A. Davis, American (1945 - ) - Untitled 25, Year: 1999, Medium: Lithograph with hand colored pastel, signed and dated in pencil lower right, Image Size: 23 x 16 inches, Si...

Artist: Bruce Porter, American (1948 - ) Title: Untitled II Medium: Lithograph, signed and numbered in pencil Edition: 15 Image Size: 24 x 18 inches Size: 28 x 22 in. (71.12 x 55.88 cm)

In this aerial image, a lone surfer takes a moment before heading out to sea A lone surfer holding a yellow board stands parallel to the shore The print series Swell: Endless Blue ...

John Urbain, Belgian/American (1920 - 2009) - Blue Moon, Year: circa 1967, Medium: Screenprint, signed and numbered in pencil, Edition: 100, Image Size: 23.75 x 23.75 inches, Size:...

Against the Swell sets one small turquoise canoe against a whole frame of dark choppy water, empty except for two oars laid across the thwarts. There is no shore, no horizon and nobo...

Carl Stevens - Horizon, Year: circa 1980, Medium: Acrylic on canvas, signed lower right, Size: 60 x 60 in. (152.4 x 152.4 cm)

"Voices XII" Aquatint Etching • Monoprint Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/1 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space an...

Artist: Ellsworth Kelly (American, 1923-2015) Title: “Blue/Red-Orange” Portfolio: (Related to the Series of Ten Lithographs) *Signed by Kelly in pencil lower right Year: 1972 Medium:...

The elite, unparalleled racing yacht Lionheart at sea The smooth contours of the sail and the angles of the boat's hull below make an incredible visual conversation The nautical pr...

40H x 60W inch, Innovative and Contemporary Original New Media Abstract Black And White Work on Canvas Minimalist New Media Original Painting on Canvas ❘❘❙❙❚❚ Invest in original pai...

Genre: Minimalism Subject: Abstract Medium: Etching Surface: Archival Paper Country: United States Dimensions: 22.25" x 22" Dimensions w/Frame: 23.25" x 23.25" CORBAN WALKER Dublin, ...

"Watusi in Profile" Portrait of an ancient breed of cattle with sky high towering horns In these scenes of life from South Sudan, experience the surreal, roving camps of the Mundar...

Black & white portrait of two brown bears walking at the water's edge Two brown bears walking in sync towards the camera at the water's edge Each year, brown bears descend on a rem...

An extraordinary view from looking down the mast of a 12-Meter yacht Looking down the mast of a 12-Meter yacht such as KZ-5 gives you a sense of the scale and majesty of these exce...

Portrait of a dark horse with an Argentinian halter A portrait of a dark, velvet-coated horse looking over his shoulder The print series Equus: Light & Form focuses on the details ...

Artist: Paul von Ringelheim, Austrian/American (1933 - 2003) Title: Untitled - Gold Minimalist Year: 1975 Medium: Oil on Canvas, signed and dated verso Size: 66.5 x 66.5 in. (168.91 ...

"Lapis at Dusk" Young Mundari boy looking at the camera and holding a stick among the long-horned cattle in the cattle camp on the banks of the Nile In these scenes of life from South Sudan, experience the surreal, roving camps of the Mundari...

Born in 1951, Eishin Yoza was largely inspired by the 1970s growing up. The art sphere of the 1970s was epitomized by a desire to evolve and strengthen its...

Artist: Gene Davis, American (1920 - 1985) Title: Sonata Year: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil, verso Edition: 250 Paper Size: 20.75 x 28.5 inc...

"Deux en Une" is an original black?and?white line drawing by Hildegarde Handsaeme, exploring the quiet coexistence of two intertwined figures — a male and a female presence sharing...

"Arteti in Profile" Elegant beaded patterns adorn the warriors of the Rendille and Samburu tribes of Northern Kenya. Feathers complete the look, which is meant to signify that the ...

SOL LEWITT (1928 – 2007) Grids and Color Plate #41 Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 wit...

Joel Shapiro Poster (Hand Signed), 1990 Offset Lithograph poster Boldly signed and inscribed in black marker on the front 20 × 27 1/2 inches Unframed Hand signed and inscribed by Jo...

An original one-of-a-kind large abstract painting. The painting is predominantly composed of various shades of blue, evoking a sense of a serene atmosphere and calm night sea. The ...

Marurn II The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - ...

A wonderful minimalist black and red mixed media work Circa 1970. Though the artist is unknown this work was acquired along with pieces by well know artists Karel Appel and Robert M...

Hand signed. Edition of 125 prints of which 100 in Arabic numbers and 25 in Roman numbers.

Minimalist screenprint by American artist Barbara Lynch Zinkel, inspired by Josef Albers' iconic "Homage to the Square". Date: 1987 Medium: Scr...

A wonderful minimalist mixed media work Circa 1970. Though the artist is unknown this work was acquired along with pieces by well know artists Karel Appel and Robert Motherwell from...

"Reverie" Profile portrait of a lion with eyes closed Exceptional Creatures is a limited edition print series documenting the most extraordinary animals roaming our Earth. These l...

Artist: Elwood Howell, American (1933 - ) Title: Nereides Series IV Year: 1979 Medium: Acrylic on Canvas, signed l.r. Size: 66 x 54.5 in. (167.64 x 138.43 cm)

Artist: Frank Roth, American (1936 - ) Title: Abstract Composition II Year: circa 1968 Medium: Screenprint, signed, titled and numbered in pencil Edition: 150 Image Size: 33.25 x 33 ...

Trunk 1 Ruth Eckstein, German (1916–2012) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 5/20 Size: 25.75 x 19 in. (65.41 x 48.26 cm)

Ruth Bloch, Couple in a window, wall sculpture, Bronze sculpture, two nude figures with a book, classic figures, couple in love, Israeli art , Israeli artist, art

Trunk 2 Ruth Eckstein, German (1916–2012) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 11/20 Size: 25.75 x 19 in. (65.41 x 48.26 cm)

Jonathan Moss NV17 Bright Contemporary Art Unique Relief Print printed on Somerset, 300gsm, paper. Sheet Size: H 76cm x W 111cm x D 0.1cm Sold unframed Please note that in-situ images are purely an indication of how a piece may look. NV17 is an original minimalist print...

Gate to Infinity Ruth Eckstein, German (1916–2012) Date: circa 1975 Etching, signed and numbered in pencil Edition of AP Image Size: 13.5 x 11.5 inches Size: 16.5 x 14 in. (41.91 x 3...

Richard Serra - Blind Spot - Open Ended (Hand Signed by Richard Serra), 2009 Offset lithograph poster. hand signed by Richard Serra Boldly signed in black marker on the front Acquire...

A minimal, non-centered etching by German artist, Erwin Bechtold. The print is hand-signed, dated and numbered in pencil.

Melanie Sherman Fifty Gestures, No. 1 - Large Edition (China Ink, Calligraphy, Sumi Style, Minimal) 2026 China Ink on Premium Paper Paper Size: 14 x 17 inches (35.56 x 43.18 cm) Matt...

Part of the Mångata series, "Cornflower Blue" is an intimate, minimalist painting meticulously handcrafted on wood using diverse, layered techniques. This artwork combines the raw ma...

Sans Titre buy Jacqueline Debutler, French (1928) Date: circa 1968 Aquatint Etching, Signed and numbered in pencil Edition of 114/120 Size: 29 in. ...

'Big Blue' is from my minimalist abstract collection on high quality linen in my favourite colours. I love the challenge of painting in the minimalist style, it takes me two to three...

Born in 1951, Eishin Yoza was largely inspired by the 1970s growing up. The art sphere of the 1970s was epitomized by a desire to evolve and strengthen its...