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Style: Minimalist
Pacific Foamy Shoreline, Black and White Seascape, Minimal Style Giclée, Classy
Pacific Foamy Shoreline, Black and White Seascape, Minimal Style Giclée, Classy

Pacific Foamy Shoreline, Black and White Seascape, Minimal Style Giclée, Classy

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

Category

2010s Minimalist Art

Materials

Emulsion, Photographic Paper, C Print, Giclée

Cycle 14, Ink Painting on Paper, 2021
Cycle 14, Ink Painting on Paper, 2021

Cycle 14, Ink Painting on Paper, 2021

By Allison Kunath

Located in Boston, MA

Artist Commentary: 31x43" Sumi Ink on Washi Paper Keywords: minimal, minimalist, abstract, ink, textural, meditative, meditation, monochromatic Artist Biography: Allison Kunath is...

Category

21st Century and Contemporary Minimalist Art

Materials

Paper, Ink

Twilight over Lake - painting, acrylic on canvas
Twilight over Lake - painting, acrylic on canvas

Twilight over Lake - painting, acrylic on canvas

By Otto Rogers

Located in Bloomfield, ON

This contemporary abstract acrylic landscape is by Otto Rogers. International collectors and critics alike consider Otto Rogers to be one of Canada’s finest abstract artists. A mast...

Category

21st Century and Contemporary Minimalist Art

Materials

Canvas, Acrylic

Kompromat No. 2
Kompromat No. 2

Kompromat No. 2

By Sally Smith

Located in Boston, MA

Artist Commentary: This minimalist oil painting is created with oil paint and charcoal made from Trump's "Art of the Deal" and Playboy magazines. The calmness belies the blackmail referred to in the title. Trace amounts of human urine are mixed with acrylic medium painted over the charcoal lines. This medium has not color or texture, but is a tool for making the charcoal adhere to the oil primed linen. Keywords: political art, small minimalist painting...

Category

21st Century and Contemporary Minimalist Art

Materials

Linen, Charcoal, Oil

Untitled

Untitled

By Donald Judd

Located in New York, NY

Created by Donald Judd as an aquatint on wove paper, Untitled, 1978-79 is hand-signed and numbered in pencil, measuring 40 3/8 x 29 5/8 (102.7 x 75.3 cm.), unframed, and is from the ...

Category

20th Century Minimalist Art

Materials

Aquatint

Spark #18 (Abstract Painting)
Spark #18 (Abstract Painting)

Spark #18 (Abstract Painting)

By Holly Miller

Located in London, GB

Spark #18 (Abstract Painting) Plastic bag and thread on paper - Framed Dimensions without frame: 30.5 x 23 cm/ 12 x 9" The threaded lines suggest a physical barrier that interrupts...

Category

2010s Minimalist Art

Materials

Canvas, Thread, Acrylic

Rain, Clay Abstract Sculpture, 2019

Rain, Clay Abstract Sculpture, 2019

By Beverly Morrison

Located in Boston, MA

Artist Commentary: Stoneware; Cone 5/6 Oxidation Firing; Slips & Oxides Keywords: abstract, contemporary, clay, ceramic, vessel, brown, black, white, abstract, minimal, surface texture, zen, meditative Artist Biography: Beverly Morrison...

Category

21st Century and Contemporary Minimalist Art

Materials

Clay

Cowboy Sep 3 - figurative painting
Cowboy Sep 3 - figurative painting

Cowboy Sep 3 - figurative painting

By Jeroen Allart

Located in New York, NY

This beautiful figurative painting by Jeroen Allart is part of his minimalist figurative paintings he did in his home country the Netherlands. A farm stands before you on the horizo...

Category

2010s Minimalist Art

Materials

Canvas, Oil

The Way Home - Original Minimalist Scenic Warm Earth Tones Landscape Painting
The Way Home - Original Minimalist Scenic Warm Earth Tones Landscape Painting

The Way Home - Original Minimalist Scenic Warm Earth Tones Landscape Painting

By Mike Gough

Located in Los Angeles, CA

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s scenic lan...

Category

21st Century and Contemporary Minimalist Art

Materials

Mixed Media, Acrylic, Wood Panel

So Tough
So Tough

So Tough

By Matthew Langley

Located in London, GB

Acrylic on paper. Unframed. This piece comes out of the more informal Painting A Day series. While these are more interested in scale, stroke, and surface, they also carry with them...

Category

2010s Minimalist Art

Materials

Paper, Acrylic

Winter of the dead dunes No.2 - monochrome landscape photography, Limited to 5

Winter of the dead dunes No.2 - monochrome landscape photography, Limited to 5

By Ugne Pouwell

Located in London, GB

Winter of the Dead Dunes is a black and white minimalist landscape photograph by Ugnė Pouwell, made on the Baltic coast of Lithuania. In –26°C conditions, with harsh coastal winds, t...

Category

21st Century and Contemporary Minimalist Art

Materials

Giclée

Deep Creek Seeps 10, Minimalist painting inspired by Agnes Martin New Mexico art
Deep Creek Seeps 10, Minimalist painting inspired by Agnes Martin New Mexico art

Deep Creek Seeps 10, Minimalist painting inspired by Agnes Martin New Mexico art

By Johnnie Winona Ross

Located in New York, NY

Johnnie Winona Ross Deep Creek Seeps 10, 2007 Oil paint on acrylic base burnished on Belgian linen Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\ Canvas is stretched against wooden backing but no outer frame This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss. Maureen Mullarkey of Studio Matters wrote in 2010: THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition: "Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.” Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps...

Category

Early 2000s Minimalist Art

Materials

Linen, Laminate, Mixed Media, Oil, Acrylic

Winter of the dead dunes No.2 - monochrome landscape photography, Limited to 20

Winter of the dead dunes No.2 - monochrome landscape photography, Limited to 20

By Ugne Pouwell

Located in London, GB

Winter of the Dead Dunes is a black and white minimalist landscape photograph by Ugnė Pouwell, made on the Baltic coast of Lithuania. In –26°C conditions, with harsh coastal winds, t...

Category

21st Century and Contemporary Minimalist Art

Materials

Giclée

Minimalist Abstract Color Field Painting in Blues and Greys (C22-1)
Minimalist Abstract Color Field Painting in Blues and Greys (C22-1)

Minimalist Abstract Color Field Painting in Blues and Greys (C22-1)

By Ginny Fox

Located in Hudson, NY

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of cool blues and greys. Acrylic on 3 panels, Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Category

2010s Minimalist Art

Materials

Acrylic, Panel

Space Bound, Large-Scale Gouache & Mixed Media Abstract, Signed
Space Bound, Large-Scale Gouache & Mixed Media Abstract, Signed

Space Bound, Large-Scale Gouache & Mixed Media Abstract, Signed

By Nancy Louise Jones

Located in Soquel, CA

Space Bound, Large-Scale Gouache & Mixed Media Abstract, Signed Large-scale mixed media and gouache abstract by Nancy Louise Jones (American, 20th century), 1980. This large-sca...

Category

1980s Minimalist Art

Materials

Mixed Media, Gouache, Laid Paper

Korean Abstract Minimalist Oil Painting LA Woman Artist MInimalism Jae Hahn
Korean Abstract Minimalist Oil Painting LA Woman Artist MInimalism Jae Hahn

Korean Abstract Minimalist Oil Painting LA Woman Artist MInimalism Jae Hahn

By Jae Hahn

Located in Surfside, FL

Textured oil on canvas Hand signed verso 20 x 16 inches Jae Hahn is a Korean-born artist living in Los Angeles. Known for abstraction and minimalism. She graduated with a Bachelors of Arts degree majoring in painting at UCLA in 1977. She spent her first 20 formative years in Korea, and the following 30 years in Los Angeles. Hahn’s search to find her own identity and cultural heritage resulted in studying Oriental philosophy, but more specifically, Taoism and Zen Buddhism. She later focused on figure painting, consolidating what she learned from all schools of masters. The first was about structure from cubism. Next were the dynamic color studies of Henri Matisse, and third, the freedom of spontaneous gestural strokes found in Abstract Expressionism. During the late 1990’s, Hahn experienced her own Renaissance. Her paintings took on a new life, with more activity and interlocking positive and negative space, and varying textures (“folding”) and irregular shapes. This resulted in the Unfoldings series, which encompasses Hahn’s artistic attributes of color and form, surface layered depth of field, sculpture, geometry and structure. Jae's paintings are painted in varied tones of a single colour, and usually appear in the form of diptych, triptych or polyptych. The contents are patterns formed by lines such as a triangle, a diagonal, a cross or simply a horizontal line. Simplicity is indeed a quality that the artist intends to convey through her art. Following in the tradition of Donald Judd, John McCracken, Agnes Martin, Dan Flavin and Robert Morris, Her work tends towards a luminous minimalist style. She has showed at Kelley Roy gallery alongside John Henry, Dolly Moreno and Sebastian Spreng. She has also shown at Seth Jason Beitler Gallery in Miami. Selected Individual Exhibitions Millenia Fine Arts, Orlando, FL Lois Neiter Fine Arts, Sherman Oaks, CA Gallery Seohwa, Seoul, Korea Rule Modern and Contemporary Gallery, Denver, CO Lois Neiter Fine Arts, Malibu Beach, CA Grey McGear Modern, Santa Monica, CA T. Curtsnoc Fine Arts, Miami, FL Rule Modern and Contemporary Gallery, Denver, CO University of Wyoming Art Museum, Laramie, Wyoming T. Curtsnoc Fine Arts, Miami, FL Boritzer/Gray/Hamano Gallery, Santa Monica, CA The Seoul Club Exhibition, Seoul, Korea Claremont Graduate School - West Gallery, Claremont, CA Byucksan Museum, Seoul, Korea Boritzer/Gray Gallery, Santa Monica, CA Indeco Gallery, Seoul, Korea Brand Library Art Galleries, Glendale, CA Selected Group Exhibitions "Zen Summer”, Thomas Lavin, West Hollywood, CA The Fall Show, Susan Street Fine Art, Solana Beach, CA "Faces and Figures", Lois Neiter Fine Arts, Malibu, CA Jae Hahn, Kathleen Keifer, Caroyl Labarge, Maggie Lowe Tennessen Los Angeles County Museum of Art, Las Angeles, CA "Surface, Color, Light", Lois Neiter Fine Arts, Sherman Oaks, CA Miami Art Fair, T. Curtsnoc Fine Arts, Miami, FL London Art Fair 2002, Mark Jason Gallery, London, England "Abstractly", Rio Hondo College, Whittier, CA "Spring", LewAllen Contemporary, Santa Fe, NM "Contemporary Art Without A Mouse", LewAllen Contemporary, Santa Fe, NM "California Asian Women In Art", Fresh Paint Art, Culver City, CA "Summer Exhibition", Gallery Seohwa, Seoul, Korea "Update 2000", Fresh Paint Art, Culver City, CA Pasadena Historical Architecture Showcase, Pasadena, CA "Korean Contemporary Art," University of Wyoming Art Museum, Laramie, Wyoming Five Persons' Show, Cline LewAllen Contemporary, Santa Fe, NM "Korean Contemporary Art," Edwin Ulrich Art Museum, Wichita, Kan "Fall Exhibit" Lois Neiter Fine Arts, Sherman Oaks, CA "Paradise Lost-Abstraction after Modernism" Grey McGear Modern, Santa Monica, CA "Summer Exhibit" J.J. Brookings Gallery, San Francisco, CA "Korean Contemporary Art" The Cerrillos Cultural Center, Cerrillos, NM. "Essence in Purity" The Luckman Fine Arts Gallery, California State University, Los Angeles, CA. "Collector's Choice" Center for the Arts, Vero Beach, FL "Of Paint and Metal", Ken Elias...

Category

Late 20th Century Minimalist Art

Materials

Canvas, Oil

Justice, original print, Kate Boxer
Justice, original print, Kate Boxer

Justice, original print, Kate Boxer

Located in Deddington, GB

Justine is a handmade dry point print by artist Kate Boxer, featuring a white dog sitting with a brown background. This work is sold unmounted and unframed. ADDITIONAL INFROMATION: ...

Category

21st Century and Contemporary Minimalist Art

Materials

Drypoint

Green Soul 7, Painting, Acrylic on Canvas
Green Soul 7, Painting, Acrylic on Canvas

Green Soul 7, Painting, Acrylic on Canvas

By Christel Haag

Located in Yardley, PA

"Green Soul 7" is an abstract, modern acrylic painting on cardboard. It is painted expressively and gesturally. It is inspired by nature. It is a statement for nature, to protect nat...

Category

2010s Minimalist Art

Materials

Acrylic

Norma Márquez Orozco, Purple Shapes, 2018, Translucent Paper, Minimalist, 31x31
Norma Márquez Orozco, Purple Shapes, 2018, Translucent Paper, Minimalist, 31x31

Norma Márquez Orozco, Purple Shapes, 2018, Translucent Paper, Minimalist, 31x31

By Norma Marquez Orozco

Located in Darien, CT

Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition. The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move. When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own. Norma Márquez Orozco was
 born
 in
 Chicago,
Illinois,
 and
 raised
 in
 Guadalajara,
 Jalisco,
 Mexico. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered. She currently lives and works in New York City. Marquez Orozco
 has
 curated
 exhibitions throughout
 New
 York
 and
 has hosted
 lectures
 and
 artist
 talks
 for
 the
 public. In
 2001
 she founded
 Floor4Art, an
 alternative
 space
 in
 West
 Harlem
 that
 houses
 artist’s
 studios
 and
 exhibition
 space
 aimed
 at
 producing,
 promoting
 and
 connecting
 artists.
 Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...

Category

2010s Minimalist Art

Materials

Archival Paper

Blooms in vase- analogue black and white floral photography, limited edition 20

Blooms in vase- analogue black and white floral photography, limited edition 20

By Ugne Pouwell

Located in London, GB

'Blooms in vase’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnem...

Category

21st Century and Contemporary Minimalist Art

Materials

Archival Paper, Photographic Film, Photographic Paper, Giclée

Minimalist Abstract Color Field Painting in Lime Green and Yellows(C20-7)
Minimalist Abstract Color Field Painting in Lime Green and Yellows(C20-7)

Minimalist Abstract Color Field Painting in Lime Green and Yellows(C20-7)

By Ginny Fox

Located in Hudson, NY

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Lime Green and yellows Acrylic on 3 panels Each panel is 24 x 24 x 2 inches can be oriented vertically or horizontally Overall measurement for horizontal install with 1-2 inch recommended spacing, 24 x 76 x 2 inches horizontally We are amazed by Ginny Fox's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Category

2010s Minimalist Art

Materials

Acrylic, Panel

Black Bloom - Limited Edition Large Format Floral Photography on Fine Art Paper

Black Bloom - Limited Edition Large Format Floral Photography on Fine Art Paper

By Ugne Pouwell

Located in London, GB

‘Black Bloom’ was photographed in London, United Kingdom, in 2024 using a 4x5 large-format Linhof camera. This black-and-white analogue photograph captures the minimalist beauty of n...

Category

21st Century and Contemporary Minimalist Art

Materials

Giclée

Picasso, original print, Kate Boxer
Picasso, original print, Kate Boxer

Picasso, original print, Kate Boxer

Located in Deddington, GB

Picasso is a hand coloured limited edition drypoint etching by Kate Boxer. Picasso by Kate Boxer is reminiscent of how the famed artist looked in the late sixties. Kate Boxer makes t...

Category

21st Century and Contemporary Minimalist Art

Materials

Drypoint

Elevation Exhibition print (Hand Signed by Brice Marden) Minimalist lithograph
Elevation Exhibition print (Hand Signed by Brice Marden) Minimalist lithograph

Elevation Exhibition print (Hand Signed by Brice Marden) Minimalist lithograph

By Brice Marden

Located in New York, NY

Brice Marden Elevation print (Hand Signed by Brice Marden), 2019 Offset lithograph. Hand Signed by Brice Marden Boldly signed in black marker by Brice Marden on the front 24 × 34 3/4 inches Provenance: Acquired from Gagosian gallery Publisher: Gagosian Gallery, NY Unframed Produced in 2019 on the occasion of the exhibition "Brice Marden: It reminds me of something, and I don’t know what it is." at Gagosian. This signed example was acquired directly from Gagosian gallery before they sold out. About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...

Category

2010s Minimalist Art

Materials

Lithograph, Offset

Gestural, Abstract, Composition (Composición, in Green/Blue  Spain, Catalonia)
Gestural, Abstract, Composition (Composición, in Green/Blue  Spain, Catalonia)

Gestural, Abstract, Composition (Composición, in Green/Blue Spain, Catalonia)

By Joan Hernandez Pijuan

Located in Kansas City, MO

Composición, (in Green/Blue) Color etching year: 1980 signed by hand, dated and inscribed Edtion: H.C. Size: 12.3 × 24.8 on 33.3 × 27.3 inches COA provided Joan Hernández Pijuan’s l...

Category

1980s Minimalist Art

Materials

Etching

Abstract Black White New Media Painting, Everything and More 44x72"
Abstract Black White New Media Painting, Everything and More 44x72"

Abstract Black White New Media Painting, Everything and More 44x72"

By Irena Orlov

Located in Los Angeles, CA

Minimalist New Media Original Painting on Canvas ❘❘❙❙❚❚ Invest in original paintings today! ❘❙❙❚❚ Discover Art You Love. Start and build your art collection. Innovative and Conte...

Category

2010s Minimalist Art

Materials

Canvas, Mixed Media, Acrylic, Digital

Minimalist art for sale on 1stDibs.

Find a wide variety of authentic Minimalist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Drew Doggett, Len Klikunas, Ricky Hunt, and Irena Orlov. Frequently made by artists working with Paint, and Synthetic Resin Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Minimalist art, so small editions measuring 0.25 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $1,150,000, while the average work sells for $1,905.