Minimalist Art

"Relic" Profile portrait of a rhino with a very long horn Dramatic profile portrait of a rhino with a very long horn in East Africa Exceptional Creatures is a limited edition prin...

Lyman Kipp Untitled Minimalist painting on paper, 1981 Oil paint on paper Signed and dated 1981 on the front Floated and framed in the original vintage frame under UV plexiglass Meas...

This work is part of my series of tributes to cities and places. This time it is the Sahara desert. And the search that begins with the color fields, the shapes and the balance of th...

Island Vibes - emerald 24.0 x 48.0 x 2.0, 7.0 lbs Acrylic Hand signed by artist Artist's Commentary: "'Island Vibes' - Emerald embodies the soul of a tropical haven, using a ca...

Static 411 abstract framed minimal painting. Whether you love art or just looking to decorate your home, this vibrant piece will create a new ambiance and impact your da...

Lila Katzen said, "I feel marvelous when my works find a home. They are like my children. They are my links to the past. They are what I am." The sculpture proposed here consists of...

Rooting explores the quiet persistence of life as climbing plants stretch and anchor themselves against a textured wall. The fine tendrils of the roots, illuminated by soft light, cr...

These Robert Therrien “Chapel” works are consider Therrien’s iconic works - especially those done in the color red. A work very similar to this one was used on the cover of his first...

Richard Serra Silence, For John Cage (Hand Signed), 2016 Offset lithograph (hand signed by Richard Serra) 29 inches vertical × 39 inches horizontal Boldly signed in black marker on t...

Sognare I by artist Kim Fonder is a abstract contemporary white, grey, and gold mixed media on burlap painting that has texture and is minimal. This painting meausures 67 x 49 and is priced at $5,900. Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each piece; these two attributes remain her focus. She seeks to honor Leonardo Da Vinci’s words, “Simplicity is the ultimate sophistication. Born Corvallis, Oregon creative director, aberson exhibits master of science in applied behavioral studies, school psychometrics bachelor of science degree education group shows and juried exhibitions biting the apple, IAO gallery, oklahoma city, oklahoma 1999 mayfest invitational gallery tulsa, oklahoma may 1999 biting the apple,IAO gallery, may 2001 mayfest invitational gallery may 2002 j joseph gierek fine art/ group show tulsa, oklahoma 2003-2004 oklahoma visual artists coalition “visionmakers” January 2006 “oklahoma friendly” oklahoma artist guild, march 2008 -honorable mention- “personal space” gallery RFD swainsboro, georgia october 2008 tubac center for the arts tubac, arizona october 2008 artspace international juried exhibition raleigh, north carolina november 2008 gallery shows fashionhaus, manhattan, new york june 2008 jordan art gallery corsicana, texas october 2008 marziart international galerie, hamburg, germany october 2008 helen yi, chicago, illinois october 2008 exhibit by aberson tulsa, oklahoma april 2009 fashionhaus, manhattan, new york 2010 leslie powell...

"""Rugged Beauty"" Lone wild horse standing against the grass on Sable Island There is a very distinct beauty to the wild horses living on Sable Island, from their manes to their c...

Epic portrait in black and white of a magnificent rhino with a large tusk A single rhino with a large tusk on the plains Exceptional Creatures is a limited edition print series do...

This is an unframed photographic print. Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw...

"""Mother's Grace"" Black and white print of a cheetah and her cub in the plains of East Africa A mother cheetah looks out over her cub as they rest in the grassy plains of Kenya ...

"""Unhindered"" Black and white profile portrait of a wild horse with a light blonde mane The poise and confidence of a wild Sable Island horse is part of what defines them The pr...

The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size framed (black) with a styrene face on a mat board in white color with size 20 ...

"""The Charge"" Panoramic image of brown bear running through the water towards the camera Black & white panoramic image of brown bear charging towards camera Each year, brown bea...

Robert Mangold Untitled minimalist drawing, ca. 1980 Drawing in Ink on Paper Hand signed and inscribed on lower front Inscription reads as follows: Best Wishes David Bob Mangold Fram...

A Spaniel: This stunning minimalist black ink painting on Indian rag paper of a Spaniel dog on a jewel like blue background, is a contemporary portrait of a Spaniel. Ian Mason's por...

Profile portrait of a stunning Rendille woman wearing traditional ornamentation In this detailed profile portrait, the bold silhouette of a young Rendille woman shows the impressive...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Giclée print on archival paper Gigi Mills work is born out of her need and desire to simplify and/or reduce each moment to its absolute essential, by removing details from life that...

"""Summer Dream"" Black and white timeless portrait of a brown bear resting on its paws Portrait of a brown bear resting on its paws Each year, brown bears descend on a remote par...

Set of four screenprints by Mel Bochner, Barry LeVa, Sol LeWitt, and Robert Mangold. Sol Lewitt's tight crosshatching over teal, Mel Bochner's tessellated blue houses, Barry Le Va's...

"""Sublime"" White horse swimming in a profile portrait taken underwater Ethereal underwater portrait of a white horse swimming in black and white The print series Band of Rebels:...

Christopher Wool Martin Kippenberger Self-Portraits Poster, 2005 Offset lithographic poster in colours on smooth wove paper. 36 × 24 inches Published by Luhring Augustine Unframed T...

"""Surface"" Epic, minimal capture of a whale's fin rising above the still water A Minke whale surfaces for a moment with a minimal backdrop of fog and still water The limited ed...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Untitled 03, 2017 White adhesive and white oil paint on canvas (Signed on reverse) 17 23/32 H x 13 25/32 W in 45 H x 35 W cm The work 'Untitled 03' was part of the exhibition “Subst...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Susan English Cascading Folds (with footer) No.75, 2025 tinted polymer on Yupo paper 32 x 26 in. (eng288)

This is an exclusive handprinted limited edition cyanotype. "Lake Tahoe Panorama" shows a sequence of abstracted ripples of the calm Tahoe waters. Details: + Title: Lake Tahoe Panor...

"""Simba Simba"" Exceptional black and white portrait of two lion cubs in Kenya Two lion cubs look curiously out onto the plains Exceptional Creatures is a limited edition print s...

This drawing by Radoczy features a delicate and minimalist portrayal of a nude figure rendered in a profile stance. The figure emerges effortlessly from the subdued lines as if each ...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

"""Resting Warrior"" A Rendille warrior crouching on the ground with his spear in hand in the desert Kneeling on the salt flats of the Chalbi Desert in Northern Kenya, this Rendill...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

Artwork sold in perfect condition - Off-Print # 2 (Roma 1980) from the portfolio Garden 2 (Coffret Prestige # 9) This image was captured on film (1980) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. From Germany to Portugal, from Portugal to Italy, the artist continues his research on light and its games, this time taking nature and trees as the theme. The black and white, the strong intensity of the contrasts, the immobility that seems to emerge from them, all combine to suggest that the vegetation has also mineralized, frozen, under the ascetic gaze of the artist. But put together, close together (which is the very principle of Jörg Krichbaum...

Rose Pod is a large modern abstract painting on canvas started in 2019 and reworked in 2021. It features pink, purple and blue on a white and gray background. It is a painting full o...

*** The canvas has been taken off the stretcher bars and rolled for shipping. It will need to be taken to your framers to be re-stretched. *** Large-scale acrylic painting on canvas....

Lemon Cherry is an abstract color field painting in acrylic on canvas. It is part of a fresh new series called Chroma where color is the inspiration, subject and star. The colors fea...

Small textured abstract painting in light blue and white. It was painted with acrylics on a 1.5 inch deep canvas. The edges of the canvas are painted black. Small paintings are the p...

abstract 40/40 40.0 x 40.0 x 3.0, 23.0 lbs Encaustic Paint Hand signed by artist Description: An orginial, contemporary minimalist painting by Michele Renée Ledoux. Ledoux uses en...

"""Tusker's March"" Black and white print of a herd of elephants in low grass in East Africa Herd of elephants walking through the low grass in Amboseli National Park Offered in a...

Poppy Across Studio Still Life · 2025 A single poppy leans across a field of light, its stem bending in quiet rhythm. Captured on large format film, the image isolates form and ges...

Richard Serra East-West/West-East: A Permanent in the Brouq Nature Reserve, Qatar (Hand Signed by Richard Serra), ca. 2014 Superb provenance: donated by the artist to a major contemporary art organization Very rare offset lithograph (Hand Signed by Richard Serra) Boldly signed on the front in black marker by Richard Serra 24 × 36 inches Unframed Sscarce when hand signed by Richard Serra. This work depicts Serra's iconic permanent installation in the desert of Brouq Qatar: East-West/West-East, which has become a famous landmark in Qatar since its installation in 2014. According to the Jewish-born Richard Serra, he had been visiting Qatar for about 12 years, during which he was introduced to the Chairperson of the Qatari Museums Authority and the sister of the new Emir, Sheikha Mayassa, by the architect of the Museum of Islamic Art, IM Pei. It was Sheikh Mayassathat who urged Serra to build a sculpture in the desert. The artist once said it was the most important thing he had ever done. In 2020 the Serra sculpture was famously vandalized. This hand signed print has superb provenance as it was donated directly by the artist to a major charitable foundation and is accompanied by a documentation from a Foundation as well as a COA from the gallery. Richard Serra biography: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

Created by Richard Britell (American, born 1944) circa 1990. Accompanied by a certificate of authenticity from the Richard Britell Archive of Works, signed by the artist and noting t...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Brice Marden Elevation print (Hand Signed by Brice Marden), 2019 Offset lithograph. Hand Signed by Brice Marden Boldly signed in black marker by Brice Marden on the front 24 × 34 3/4 inches Provenance: Acquired from Gagosian gallery Publisher: Gagosian Gallery, NY Unframed Produced in 2019 on the occasion of the exhibition "Brice Marden: It reminds me of something, and I don’t know what it is." at Gagosian. This signed example was acquired directly from Gagosian gallery before they sold out. About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...

This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

A Brown bear charges through the water towards the camera in this portrait Intimate black & white image of a brown bear running in the water during the salmon run Each year, brown...

SOLACE is a black and white fine art photography book that captures the interplay of light, shadow, and natural form with a refined, cinematic sensibility. Through a series of compos...

Untitled (260.11) (Abstract photography) Crayon on vellum. Unframed. In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The ...

"""Silent Titan"" Intimate portrait of a single wild horse living on Sable Island A lone dark horse looks over Sable Island. The wild horses that live there are a part of the islan...

"""Ripple Effect"" Surfers line up for a set of waves on the blue sea in this color photograph The unexpected beauty and delicate composition of the surfing line up can only be see...

Carl Andre Untitled (0813), 1976 Rubber stamp relief print Artist Stamp and Copy Right on the back. It is from a limited edition of 1000. Frame Included This is Minimalist master Car...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Oil on linen. Working on a traditional support, “R/Y/B” uses the primaries as a challenge. This later developed into a series in which Jean Feinberg worked exclusively with the thr...