Minimalist Art

In her evocative landscape painting “Stahl House,” Natasha Kissell masterfully combines contemporary realism with a vivid color palette, inviting viewers into a tranquil moment of in...

- Dimension 30 cm x 30 cm x 1.5 cm - Acrylic on canvas, mixed media, degradation, textured - Minimalism, degradation, the beauty of decay - Signed on the back - The edges...

Being a minimalist painting there are a lot of subtleties in this work. In shades of blue and green with some surface textures and mark making, you can see glimmers of shapes just be...

Lee Adler, American (1926 - 2003) - Computer Reels I, Year: circa 1970, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 10/10, Image Size: 12 x 15 inches, Size...

A pair of original mid century acrylic on canvas paintings. Wonderful as a pair but dynamic enough to occupy two distinct spaces. The reverse shows a mystery monogram and a date of...

Beautiful abstract painting by American artist, Harris Strong (1920-2006). Acrylic and pins on folded handmade paper, 1970's. Measures 30 x 40 inches framed. Weighs 22 lbs. Color ...

Doug Purcell - Zoot, Year: circa 1975, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 22/85, Image Size: 28 x 28 inches, Size: 34.5 x 34.5 in. (87.63 x 87.63 ...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

"Needle" Black & White Photography 40" x 30" inch Edition 1/12 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist ...

This beautiful landscape painting by Olga is part of her recent body of works. Olga is mostly engaged in painting and illustration. She likes breaking the rules of proper reflecting of nature with the use of unexpected elements from another universe. Her works are minimalistic in the form, simply elegant and gracefully colorful. Olga Szczechowska (born 1987, Radom, Poland) — graduate of Painting and Cultural Studies at the Nicolaus Copernicus University in Torun (Poland); lives and works in Warsaw...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Number 2 from 3 prints (3 identical original pieces). Fine art print epson matt enhanced, mounted on dibond panel, with a black wooden frame.

Number 1 of a total of 3 copies. Fine art print epson matt enhanced, mounted on dibond panel, with a black wooden frame.

A lone white horse photographed against formations of snow in the background Sometimes, it felt like the Icelandic horses were posing. They ap...

"Italian Espresso II" is a contemporary still-life painting that portrays an Italian coffee maker, highlighted against a minimalist grey backgroun...

Marurn VII The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme -...

Black and white portrait of a mountain gorilla in Rwanda Intimate, up-close portrait of a mountain gorilla in Rwanda Exceptional Creatures is a limited edition print series documen...

"Strength in Color" is a captivating collection of contemporary abstract artworks that explores the dynamic interplay of positivity and adversity. Rendered in vibrant acrylics and ae...

'Framed Dahlia’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemü...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Natasha Kissell’s "I Miss The Way You Make Me Feel" is an evocative and richly imaginative landscape, seamlessly blending elements of contemporary realism with an air of nostalgia an...

A young Mundari man walks through the smoky, dusty cattle camps of South Sudan Portrait of a young Mundari man walking swiftly through the cattle camps in South Sudan with a rope I...

This striped collage in all shades of indigo calls to mind Indonesian or Guatemalan woven textiles. The pattern mounted on wood panel was made by hand-printing, then then slicing int...

- Dimension 30 cm x 30 cm x 1.5 cm - Acrylic on canvas, mixed media, degradation, textured, Rust - Minimalism, degradation - Signed on the back - The edges of the painting are painte...

Marurn IV The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - ...

Gary Goldberg Blue with Red Rope Trick, 2021 Archival pigmented print 19 x 13 in Edition of 10 Gary Goldberg has been photographing the unique qualities of Oaxaca City, Mexico for o...

'Dahlia buds’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühl...

"Don Quixote" Abstract Painting 78" x 46" inch by Ty Joseph Acrylic on canvas * * * ABOUT THE ARTIST * * * “An art that is a quest through vibrant symbolic visuals of the artist’s ...

Fine art print, photo of a swimming pool, limited edition of 15, signed by the author.

A sensuous curve of light dances across some of the largest sand dunes in the world Sand dunes in Sossusvlei, Namibia, with a delicate shadow resembling a woman's torso in the foreg...

Marurn III The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme -...

Marurn I The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - t...

Josef Levi, American (1938 - ) - Karen, Year: 1972, Medium: Screenprint, signed and numbered in pencil, Edition: 18/135, Size: 16.5 x 16.25 in. (41.91 x 41.28 cm), Frame Size: 18.75 ...

The elite, unparalleled racing yacht Lionheart at sea The smooth contours of the sail and the angles of the boat's hull below make an incredible visual conversation The nautical pr...

"RIVULET is a minimalist design concept that represents refinement in its purest form. This unique sculpture combines a vase and a tube and masterfully combines artistic expression w...

charcoal and pearl paint on paper 25 x 24 x 1.5 inches framed In the fields of sculpture and drawing, George Thiewes creates sharp, angular work with a focus on the interaction of ...

Untitled (ID. 1279) (Abstract Painting) Oil and pencil on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmoni...

Ethereal black and white image of a white horse swimming underwater Portrait of a radiant white horse swimming taken underwater Created completely underwater, Equus: Underwater Rh...

Larry Spaid. C-10, 2003. Oil and acrylic on cradled wood panel. 14.75 x 11.25 inches. Signed on verso with original gallery label. Spaid is currently Professor of Art at the Tyl...

Whether you love art or just looking to decorate your home, this vibrant piece will create a new ambiance and impact your daily life. Painting is 8.7X11â€

Agnes Martin Untitled, from Paintings and Drawings, Stedelijk Museum, Amsterdam, 1990 Lithograph on vellum transparency paper Unsigned Edition of 2500 Publisher: Nemela & Lenzen GmbH...

Light on the sand dunes in Sossusvlei, Namibia, with one mysterious pocket of shadow The dunes created valleys and peaks and delicate compositions of light and dark The print serie...

"Reflecting Sticks, Muan-gun, Mokseo-ri, Jeollanam-do, South Korea." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

A lone female lioness is featured in this profile portrait Elegant black and white portrait of a single lioness in the Maasai Mara Exceptional Creatures is a limited edition print ...

This mini collage on wood panel were made using hand-printed botanical cyanotypes in blue and yellow. Their sides are painted gold. Quite small, it measures just 8 x 8 inches x 3/4...

Created as part of an intriguing garden installation, Rocksbreath No 10 & 11 are a series of sculptures by Susan Low-Beer. These pieces formed from a concrete mold...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...

"DRIP 3" Black and White Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. Ben Cope is a Georgia native graduating from Columbus State University w...

This captivating oil painting on canvas, titled "Frozen Planet," is a mesmerizing display of modern minimalism. The artwork, created by Stephanie Ho, features around a hundred small,...

Lee Adler, American (1926 - 2003) - Pocket Watch I, Year: circa 1970, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 8/40, Image Size: 17.5 x 24 inches, Size:...

This reproduction, titled Canto VIII by Barnett Newman, was published by Art Edition in Düsseldorf, Germany. The print is of high quality and features Newman’s characteristic vertica...

Louise's painting technique requires months to create a brushless surface effect, marking each of her panels on the back with the date she returned to work on them.. Her paintings ha...

These mini collages on wood panel were made using my hand-printed botanical cyanotypes in blue and yellow. Their sides are painted gold. They each measure 8 x 8 inches x 3/4 “ (20 x ...

"Strength in Color" is a captivating collection of contemporary abstract artworks that explores the dynamic interplay of positivity and adversity. Rendered in vibrant acrylics and ae...

Kyohei Inukai (aka Earle Goodenow), American (1913 - 1985) - Spectrum, Medium: Poster, signed in pen, Size: 19 x 12.25 in. (48.26 x 31.12 cm)

This minimalist patterned collage calls to mind West African indigo textiles, Japanese Shibori fabric or perhaps the work of Ellsworth Kelley. The pattern mounted on wood panel was ...