Minimalist Art

Chance/Fall (8) 2010 (Abstract photography) C print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with over...

Z (Abstract Painting) Pigmented cement on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the construction...

watercolor on Arches, framed Throughout Mala Breuer’s career she completed well over 400 watercolors and works on paper that preceded each and every one of her large works on canv...

Wish 8 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting...

Stack 42.06 (Abstract painting) Lacquer on MDF. This series of works, titled ‘Stacks’, started in 2005. They stand in the continuum of Tilman’s exploration of the ‘painted object’...

Blur (Abstract painting) Gouache on Japanese paper - Unframed This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers t...

Untitled (260.11) (Abstract photography) Crayon on vellum. Unframed. In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The ...

Untitled (257.11) (Abstract drawing) Crayon on vellum. Unframed. In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The visu...

17.16 (Breather) (Abstract Painting) Lacquer on MDF and Aluminum. This work as well as 14.16 (In the Cities) and Anywhere Now 19.15 can be understood as reflections on urban and a...

Linear momentum (Abstract painting) Pigmented beeswax, oil and Collage on wood panel. Unframed. This work was created and exhibited at the same time as the series (r) evolution, and was conceived using a similar process: many layers of encaustic are applied, then hand cut squares of Japanese paper which have been dipped in encaustic are mounted on the panel. Finally, each square is covered with clear encaustic medium, then painted with oil to create spatial depth. It was inspired by the artist’s ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color. Adams has been intrigued by math and serial systems since her days of graduate school at New England Conservatory (Boston, Massachusetts) when John Cage was composer in residence at Harvard University. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Anywhere now 19.15 (Abstract Painting) Lacquer on MDF and Aluminum. This work as well as 17.16 (Breather) and 14.16 (In the Cities) can be understood as reflections on urban and a...

Five marks (Abstract Expressionism painting) Flashe on panel. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines and organic fo...

Gong (Red, Blue) (Abstract Painting) Acrylic on honeycomb aluminum - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects i...

Z (Abstract Painting) Pigmented cement on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the construction...

A Color of Sumac 2 (Abstract painting) Acrylic on Roc-Lon - Unframed A colour, found in nature and mixed into paint with the aid of a computer program, is applied to a surface in a...

Bend 12 (Abstract painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...

Flat 68.12 (Abstract painting) Lacquer on Aluminum - Unframed As the title indicates, this work stands in the trajectory of Tilman’s interest in architectural space and its correlation with light. The title ‘Flat’ relates to the simple idea of a ‘flat’ painted object. However, in a humorous sense it also makes a relation to a flat, an apartment and henceforth to an architectural description of a certain spatial quality. The series ‘Flat’, started in 2010, consist of hand-painted aluminum planes...

Shauna (Abstract Painting) Acrylic on 300 lb Arches. Unframed. Using mediums such as markers, watercolors and acrylics, Hallard constructs monochromatic and semi-monochromatic imag...

"Suffocate" (FRAMED) Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships rolled in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait a...

C print. Unframed. For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define space and structure, and achieving a superb r...

Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a tran...

Ukrainian mermaid, bather, the mystical protective character of Ukrainian waters and rivers. This attracts the attention of men, strangers, who go into the water and drown. I am wor...

Negation - Scratch #6, Oil and Charcoal on wood panel by San Francisco artist Jeffrey Palladini. It is 30x40. The painting is part of a new series based on the conceptual basis of ...

limited_edition Screen Print Edition number 20 Image size: H:19.5 cm x W:28 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look The...

"FTR" Mixed Media Abstract Painting 36" x 24" inch by Ben Cope 2022 Photo on deconstructed paper with oils and paint pigments Mixed media oil on wood Ready ...

#2209F by David Jones [2022] original and hand signed by the artist Ink on Paper Image size: H:41.5 cm x W:29.5 cm Complete Size of Unframed Work: H:41.5 cm x W:29.5 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look #2209F is an original meditative life drawing by David Jones. A technique the artist has developed to create these beautifully composed and minimal figurative...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Tissue paper on paper. Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuiti...

Acrylic on MDF - Unframed This work is one of six similar painted works, consisting of acrylic painted MDF of the same size. Two colours are dividing the painting into two separate...

Slight Fragments 13 - Pigment print from a Pinhole Analogue Negative printed on traditional Japanese handmade Ise - Washi paper Image 15 3/8 × 15 3/8 “, total paper size 16” x 23 3/8 Print only $ 2,000 Limited Edition of 12+ 3 AP Framed 20x22” $ 2,300 Image 23 1⁄4 × 23 1⁄4, Paper size 33 7/8 x 37 3/8 Print only $ 3,000 Limited Edition of 10+ 3 AP Framed 39 x 43 $ 3,400 Image 30 x 30” (29 1/2)“, total paper size 33 7/8 x 39 3/8 Print only $ 4,600 Limited Edition of 7+ 3 AP Framed $ 5,200 Image 40 × 40”, total paper size 43 3⁄4 x 47 3⁄4 Print only $ 6,700 Limited Edition of 5+ 3 AP Framed 47x50 3/4 $ 7,400 A Shiga-born photographer Reiko Yagi...

Cement and corroded steel on foam panels. Unframed. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the...

Edition of 5

A one of a kind 25x31 Conceptually Minimal Scratched & Punctured Paper with Colored Film Artwork executed by artist Melissa Walter. A certificate of aut...

Dan Flavin Untitled, 1973 Screenprint, on rag paper Signed, dated and numbered from the edition of 300 With the artist's copyright inkstamp verso From The New York Collection for St...

Mid Point 3 (Abstract Photography) Black and white photogram. Unframed. Tenesh Webber is a Canadian artist who works in abstract black and white photography. She lives and works in...

Ink, enamel on paper - Unframed This work is part of one of 4 on-going series of large works on paper. The name of this series, "Cut", relates to the technique used by the artist, ...

Crayon on vellum. Unframed. In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The visual information derives from various so...

Acrylic on honeycomb aluminum - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challenge the perception of...

Acrylic on anodized aluminum - Unframed Using mediums such as markers, watercolors and acrylics, Hallard constructs monochromatic and semi-monochromatic images of recognizable geome...

Crayon on vellum - Unframed In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The visual information derives from various s...

Watercolour on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuitio...

Lacquer on MDF and Aluminum. This work as well as 17.16 (Breather) and 14.16 (In the Cities) can be understood as reflections on urban and architectural structures which form our a...

C Print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes: "Tupperwa...

Acrylic on museum board. Unframed. This artwork is part of the series "A Painting A Day" The pieces from the series may come as quite a shock to people who have always viewed Lang...

C Print - Unframed For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define space and structure, and achieving a superb r...

Adhesive tape on anodized aluminum - Unframed This work is one of four wall objects of the same size. It is consisting of two adhesive colour tapes building a regular grid pattern ...

Acrylic on honeycomb aluminum - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challenge the perception of...

#2203D is an original drawing by David Jones. David Jones, artist, is pleased to present a series of nude drawings in the style of Matisse. David Jones, artist draws Matisse style ...

Crayon on vellum - Unframed In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The visual information derives from various so...

C print - Unframed For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define space and structure, and achieving a superb r...

Lacquer on MDF. This series of works, titled ‘Stacks’, started in 2005. They stand in the continuum of Tilman’s exploration of the ‘painted object’ or painting. These works vary in ...

Lacquer on MDF - Unframed This work is one of 12 similar wall objects consisting of colour lacquered MDF. Form and colour of the object are unique. The shape of the object is a fr...

Lacquer on Aluminum. This work reveals the artist's interest in architectural form. The melodical interplay between planes and colors offers a reading of an intended play on infini...

Acrylic on museum board. Unframed. This artwork is part of the series "Painting A Day" The pieces from the series may come as quite a shock to people who have always viewed Langley...

Acrylic on paper. Unframed. This piece comes out of the more informal Painting A Day series. While these are more interested in scale, stroke, and surface, they also carry with them...

Acrylic and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a transparency i...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

"Untitled: Movement 2" Unique Abstract Mixed Media Photography by Ben Cope 2019 Photo on deconstructed paper on wood panel with oils and paint pigments 24” ...