Minimalist Art

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1964 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Sign No. 5 Year: 1971 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 38/110 I...

Tasha Jentel is an abstract sculptural painter with a deep love for minimalism and thick textures. Guided by her passion for exploring spatial tension, Jentel creates one-of-a-kind a...

Robert Morris Investigations (with Guggenheim Museum Labels), 1990 Graphite drawing on Mylar. Framed with the original Guggenheim Museum label (lent by Sonnabend), & Castelli Gal...

"A lone white horse sticks out amidst the herd of darker horses in this black and white image A black and white image of a herd of horses with one white horse among many darker colo...

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 27-76 Year: 1976 Medium: Screenprint, signed and numbered in pencil Edition: 100, AP 30 Size: 33 in. x 37 in. (83.82 cm x ...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and sculpture. It employs shizen (自然): the Japanese concept of naturalness; absence of pretense or artificiality. Material is stretched over a supporting three-dimensional framework, like a tent, and coated with paint. The work is characterized by “mindful artlessness” and simplicity. Understated and subtle, the work doesn’t only refer to itself, and it doesn’t explain everything. This 8 inch square post-minimalist artwork is wired and ready to hang. The sides are painted as a continuation of the front. The artist signs the artwork on the back. Convenient local Los Angeles shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included with this unique painting. Len Klikunas' sculptural works are represented by Artspace Warehouse Los Angeles as well as Kelly Wearstler Interior Design. They have been exhibited and collected throughout the USA. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2018 Lacy Lines, The District, Boise, Idaho...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1958 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer: ...

Landscape mixed media on canvas 97x37 cm this artwork have a frame 47x110 cm Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Pai...

Bathed in the golden light streaming through the leaves of early spring, a mother hen moves on the fence with quiet purpose of hunting for insects to feed her newly hatched chicks. H...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

"Dance of the Sea" This dark horse swimming appears drawn in charcoal - a chiaroscuro effect - while the water's lightness complements and heightens the dr...

Ellsworth Kelly Blue Yellow Red (Gemini 1524), 1991 Lithograph on Rives BFK paper with blind stamps Signed and numbered in graphite pencil; bears publisher's and artist's blind stamp...

"Underwater Rhythm" This dark horse against lighter water feels buoyant and weightless, while the tail adds softness in contrast with the sharper contours of the horse's body. The...

"Cowboy on his horse rising above the dust in an ethereal moment Black and white image of a cowboy on his horse riding in the dust This powerful global series explores horses in di...

Interior design paintings. The artwork were done with oil, gold leafing pen 18 kt and ink in gold and turquoise color on watercolor paper 300g. The work are 20 by 15 inches in size, ...

This exquisite silkscreen by Frank Stella (1936–2024), titled Rabat, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Mu...

Sophie Dumont is an established French contemporary painter whose works have been featured in solo and group exhibitions across France, Germany, and Canada, including museum shows su...

Color screen print on paper by the renowned American painter and printmaker, Pat Steir. This impression is hand signed and numbered from the edition of 144 plus 18 signed, Artist pro...

Artist: Gene Davis, American (1920 - 1985) Title: Sonata Year: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil, verso Edition: 250 Paper Size: 20.75 x 28.5 inc...

Interior design paintings. The diptych were done with oil, gold leaf pen 18 kt in green and gold color on watercolor paper 300g. The works are 11 by 14 inches in size, framed (gold o...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Christopher Wool (hand signed by Christopher Wool), 2006 Cloth hardback monograph (hand signed by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half title p...

Richard Serra Torqued Spirals, Toruses and Spheres, 2001 Offset lithograph poster (Hand signed by Richard Serra) Boldly signed in black marker on the front 28 × 20 inches Unframed This poster was published on the occasion of Serra's October 2001 exhibition at the Gagosian Gallery - one month after 9/11; The posters were sold for the benefit of the Twin Towers Fund and a certain quantity were hand signed by the artist. Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Interior design paintings. The diptych were done with watercolor in black and gold leafing pen 18kt color on watercolor paper 300g. The works are 11 by 14 inches in size, framed (bla...

Part of the Mångata series, "Baby Blue" is an intimate, minimalist painting meticulously handcrafted on wood using diverse, layered techniques. This artwork combines the raw mark-mak...

"Brilliance" Polar bear standing against flat, white, minimal backdrop of snow and fog. The limited edition print series Northern Dreams is a tribute to one of the most spectacular...

"""Swift"" A herd of zebras runs across the plains in unison in Amboseli National Park Zebras run across a grassy plain in a balanced formation in this black and white image Excep...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Christopher Wool The Show is Over, 2000 Offset Lithograph poster 36 × 24 inches Limited Edition of approx 100 (unnumbered) Unframed This collectible offset lithograph poster was pu...

Blanco 5 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. In this print by Rosa Basurto a wintry and misty landscape is enhan...

abstract 7/7 7 x 7 x 3 inches. 1.5 lbs each Encaustic Paint Hand signed. by the artist Artist's Commentary: "The “abstract 7/7’s” are smaller encaustic...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

Created by the artist in 2024, Yellow Mimosa with Green is a screenprint in colors with enamel inks and sand on museum board. Measuring 22 x 22 in. (56 x 56 cm), unframed, the artwor...

Marker on paper Shipped well protected, unframed I can do commissioned work of any technique, style and size, contact us without obligation i can ship several drawings together if ...

Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...

"A cowboy on his horse rounding up the herd in an ethereal, smoky scene A herd being rounded up by a cowboy amidst rising dust This powerful global series explores horses in divers...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

This is an exclusive handprinted limited edition cyanotype. "Lake Tahoe Panorama" shows a sequence of abstracted ripples of the calm Tahoe waters. Details: + Title: Lake Tahoe Panor...

Printer’s ink from rubber stamp on Cambersand paper, mounted on vélin paper, as issued. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by Parasol Press, Ltd., New York; distributed by Museum of Modern Art (MoMA), New York; rubber stamp engraved by Unity Engraving Company Inc, Englewood; printed by Parasol Press, Ltd., New York, under the direction of Aaron Arnow, New York, from an edition of M, 1977. ROBERT MANGOLD (1937) is an American minimalist artist. His son is the film director, producer and screenwriter James Mangold. “Robert Mangold’s paintings...

Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...

Ed Ruscha (b. 1937) Grey Suds, 1971 (from the series 'Suds Suite') Screenprint in colors on Arches paper Edition 34/100 (there were also 15 artist's proofs) Signed, numbered, and dat...

'Black blooms’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemüh...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Interior design paintings. The diptych were done with acrylic, ink and watercolor in bronze and deep blue color on watercolor paper 300g. The works are 11 by 14 inches in size, frame...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Artist: Omar Rayo, Colombian (1928 - ) Title: Untitled I Year: circa 1970 Medium: Intaglio Etching with Collage on handmade paper, signed in pencil Edition: 50, AP Paper Size: 30 x ...

DONALD JUDD (1928-1994) Bookshelf 60 2017 Traffic black, RAL 9017 100 x 100 x 50 cm 39.37 x 39.37 x 19.69 inches Inscribed "Donald Judd TM

"""Two wild and free horses nuzzling on Sable Island"" A black and white image of two wild horses photographed in an affectionate moment of tenderness. The print series Discovering...

"Black and white profile portrait of a Friesian horse against a white background Profile portrait of a Friesian horse against a white backdrop This powerful global series explores ...

"""Profile in Dress I"" Fashion-inspired portrait of a dark horse against a dark backdrop with a bridle Composition of a dark horse with bridle photographed against a black backdro...

'White Bloom' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back ...