Post-Impressionist Art

Chocolat Dancing in the Achille Bar is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. Original title: Chocolat dansant da...

Paul-Emile Lecomte (1877-1950) La Route de Naudy (The Road to Naudy) Signed lower left (titled on the verso of the sheet, but now hidden by the back of the frame) watercolor on paper...

'Woman by the Window with Embroidery Frame', oil on canvas, by Franz Ludwig Kiederich (circa 1930s). A delightful depiction of a woman, comfortable...

Floral Still Life French School, mid 20th century indistinctly signed oil on board, framed in original mid 20th century Montparnasse frame framed: 29 x 33.5 inches board: 21 x 26 in...

Title: Mid-20th Century Pastel of Castel Sant'Angelo and St. Peter’s Dome in Rome by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 11.75 inches ...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A loose study of a woman seated in a dress, resting her chin on her hand and recli...

Artist/ School: Suzanne Crochet (French c. 1930), female French Impressionist artist Title: The old Provencal village lane, with red roofs and pale gr...

“Magnolia Blossom” is a painting full of the gentle trembling of the petals of a beautiful tree, the light of a spring day and the blue of the sky! In spring, nature awakens from sle...

Rafael Duran Benet (1931-2015) - Amsterdam - Oil on canvas on board Oil measurements 33x41 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter,...

Paloma Ripollés Sunset Contemporary Landscape Painting Oil Paint on Canvas Canvas Size: H 89cm x W 116cm Sold Unframed Please note that insitu images are purely an indication of how ...

Title: Mid-20th Century Pastel of Hilltop Ruins and Forest Path in France by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 11 inches (height) x ...

Lady at the bar by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thick paper, unframed paper: 13 x 9.5 inches stamped verso very good condition provenance: fro...

Signed landscape oil on canvas circa 1910 by French post impressionist painter Leon Detroy. This work is painted in a divisionist style and depicts a view of gondolas on the canal in...

Signed figure in landscape oil on board circa 1910 by French Post-Impressionist painter Victor Charreton. The piece depicts a lone figure taking a walk beside a stream in a wooded ar...

Signed, titled and dated figures in landscape oil on canvas by Spanish post impressionist painter Emilio Grau Sala. The work depicts a large group of jockeys and horse owners talking...

Title: Seated figure Artist: Josine Vignon (French 1922-2022) Medium: signed black pen on artists paper stuck on board, glass covered Size: 12 (height) x 8.5 (width) Condition: G...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 4 (double)...

Signed and dated oil on board landscape by French Post-Impressionist painter Victor Charreton. The piece depicts a view of Lake Chambon, near Mont-Dore - with a view of the blue moun...

Windy Day in Provence by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 23 x 32 inches Colors: Green colors, beige, blue and grey Very good condi...

When the world thinks about the famous Group of Seven, this is likely the kind of image they recall—the quiet majesty of the Canadian wilderness. This lithograph by one of its youngest members, Alfred Joseph Casson is one of many classic landscapes he painted of the north—mountains, lakes, bare trees in the foreground rendered in his favoured bright palette of autumn colours—red, yellow, orange, a touch of green, and deep blue lakes against a cloudy white sky. Casson was an avid canoeist and spent many hours camping and drawing in northern Ontario often alongside fellow members of the Group. “I had to develop my own style. I began to dig out places of my own...” A. J. Casson He moved on to two commercial art firms in Toronto where he worked as an assistant to the artist Franklin Carmichael, one of the founding members of the renowned Group of Seven, (A group of Canadian landscape painters that included Tom Thomson, Lawren Harris and A. Y. Jackson.). Carmichael encouraged him to sketch and paint on his own. Casson was invited to join the Group of Seven in the 1920’s with whom he painted for years. Following their demise, he formed the Canadian Society of Painters in Water Colour...

Here for your consideration is a beautiful oil on wood panel painting of perfect summer beach day by the well known artist, Niek van der Plas. Signed lower right. Condition is exce...

"I painted this landscape en plein air, in the vicinity of the village of Sevelen, in the Rhine Valley." said Anna about this landscape painting. "A refreshing coolness blows from th...

A strong Post-Impressionist oil on canvas painting by André Roubaud depicting the Sainte-Victoire Mountain in France, executed in wonderful colors and ge...

This vibrant artwork showcases an abundant bouquet of flowers, expertly arranged in a rustic, earth-toned vase. The composition bursts with a rich pal...

Title: Mid 20th Century Post Impressionist Pastel Landscape of the Vosges Mountains by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size:...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...

Title: Mid-20th Century Pastel of Luxembourg City with Fortification Wall and River by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size:...

Church of San Pietro In Banchi, Italy - 1908 Original Etching Original 1908 etching of the church of San Pietro Banchi in Genoa, Italy by George Walter Chandler (American, 1866-1928...

Betsy Podlach (American, born 1964) "Hudson River" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Betsy Podlach’s "Hudson River" is an expressive...

"Still Life with a Blue Bottle" is a bright and warm work, filled with rich colors and textures. Every detail of the still life reminds us of the warmth of a bygone summer somewhere ...

This painting depicts a whimsical portrait of a woman wearing a blue scarf around her head against a green background. The bright colors used and quick brush strokes are what makes t...

Boris Buchet (French, 1917 – 1999) Apples and a decorated jug Oil on board Signed and dated ‘B. Buchet.70’ (upper right) 18 x 21.1/2 in. (45.5 x 54.8 cm.)

We are pleased to present a rare and remarkable work by Swedish artist Ture Ander (1881–1959), often referred to as "The Flower Painter." What makes this painting especially unique i...

A 1926 watercolor of ships at a dock by artist Harold Haydon. Image size: 9" x 12". Framed size: 14" x 18". Provenance: Estate of the artist. Harold Emerson Haydon was born in...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Still Life French Modernist, 1960's indistinctly signed and dated oil on canvas, framed Framed: 28 x 33 inches Canvas : 21.5 x 25 inches Provenance: private collection, France Condit...

"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary I...

Oil measures 33x41 cm. Frame 50x58 cm. Catalan painter trained in Olot and the Llotja in Barcelona, ​​where he was a disciple of Lluis Muntané. Through his travels he completes his training. He was in Paris for a year studying Van Gogh, Cezanne and Gaugin. The following year in Holland he studied Franz...

Signed oil on board interior by French Les Nabis painter Edouard Vuillard. The work depicts a room with a large window, outside of which are bare trees. Inside the room are three chairs and a patterned rug on the floor. Signature: Signed lower left Dimensions: Framed: 20"x13" Unframed: 13"x6" Provenance: Prince Antoine Bibesco (1878-1951) - Special Envoy of Romania to the United States Piasa Encheres - Paris Lot no. 88 - 8th April 2005 - Sold EUR 118,000 hammer price Acquired at the above by Thomas Gibson Fine Art - London Acquired by the previous owner from Thomas Gibson Fine Art - TEFAF Maastricht November 2005 Literature: This work is included in the catalogue rasionne of the work of Edouard Vuillard under Ref Volume II No. 172 - illustrated and described Access to the raisonne online can be found at the Wildenstein Plattner Institute website. The work is described as being executed in the period 1899 to 1904 by Antoine Salomon and Guy Cogeval Édouard Vuillard attended the Lycée Condorcet in Paris, where he made friends with Maurice Denis, Lugné-Poe, and Ker-Xavier Roussel, later his brother-in-law. He studied in Maillart’s studio; for six weeks came under the tutelage of Jean-Léon Gérôme at the École des Beaux-Arts in Paris; and later under William Bouguereau and Robert at the Académie Julian, where he became closely linked with the Nabis group (from the Hebrew word for ‘prophet’). He met Marcel Proust in 1902. From 1908, he taught at the Académie Ranson. In 1937, he was elected member of the Institute. At first, Édouard Vuillard painted small subjects, disciplined and proficient, qualities for which the prestigious École Française was famous. His earliest still-lifes (1888) are astonishing in their decisiveness and subtlety. His empathy for the object had already compelled him to soften its appearance; the object, which, by virtue of its bright or glossy presence, remained the nonego and the ‘thing represented’ for so many others. ‘Intimacy’ developed immediately between the painter and this modest environment; inhabiting it every day enabled him to celebrate its splendour, and it was to remain his favourite environment. But he was already alternating between small portraits and still-lifes, which gained recognition because of their natural qualities and dignity of tone: a rare combination in a beginner. About 1890, influenced indirectly by Paul Gauguin, all the certainties which the self-styled Nabis painters had contented themselves with suddenly collapsed. Everything was called into question again: both the linear layout of the picture and its colour scheme; the choice of subject and its material aspect; its manufacture and its purpose. Vuillard’s paintings at that time show surprising, bold innovations and an arbitrary power, which one would expect 15 or 20 years later at the height of the Fauvist period. The preoccupation with an internal geometry set them apart from earlier studies. From then on, the paintings were based on forms, lines, and colours. Vuillard made concessions. He produced a portrait or interior with its furniture and its wallpapers, in which the family inhabiting it, evolves. Treated with flat areas of colour and solid shades of ochres, reds, blues, and saffron yellow, without modulation, they seem to prefigure certain paintings by Henri Matisse and Roger de La Fresnaye. In 1891, Édouard Vuillard painted an Elegant Lady, a silhouette seen from the back; a long vertical shape starting from the hair decorated with brown feathers; there is a kind of pink cloak, the tight and never-ending black skirt, erect in front of a half-open, bright orange door in a green wall, from where the light of another vertical shape emerges, which is bright yellow, and is reflected in red on the parquet at the feet of the elegant lady. This painting meets his concerns about the actual moment of creating ‘harmonies corresponding to our feeling’, and by virtue of its almost geometric structure, its drawing entirely free of detail, its light effects and colour harmonies, very much prefigures aspects of the future Abstraction movement and is oddly reminiscent of the final period of Nicolas de Staël. All too often, Édouard Vuillard is only admired in his role as the harmonist, the serene contemplator who combines an exquisite sense of nuance, rhythms, and values with the most acute observation. These singular investigations, these three-dimensional meditations including a table, a folding metal cot...

Original oil on canvas landscape painting by the well known British artist, John Clymer. Signed lower right. Circa 1975. Condition is excellent. Painted in a Post impressionist st...

"In the painting "Spring Joy 2" I depicted a bush that blooms every year in May in the place where my route runs when I walk with my dog." said Anna about this landscape painting. "T...

"Autumn Harvest IV" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mil...

Title: Original Oil Painting of Mediterranean Landscape with Cypress Trees Artist: Roland Pichard Signed: Bottom right Medium: Oil on oil paper, mounted on card Size: 9.5 (height...

Ladies Dancing by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on card, unframed paper: 13 x 10 inches stamped verso very good condition provenance: from the artists estate, France Josine Vignon (1922-2022) was a French artist living on the Rue Beautreillis in the Marais district of Paris. She painted with a beautiful style, largely influenced by the Impressionist and Post...

ARTIST: Jacqueline Williams NEAC (1962-) British TITLE: "Still Life Interior Composition" SIGNED: lower right MEDIUM: oil on board SIZE: 55cm x 70cm CONDITION: excellent DETAIL: Pa...

Up for sale is a wonderful Post Impressionist French Painting by the famous Paul Emile Pissarro Painting comes With original $1500 purchase receipt from 1971, and accompanied by an ...

Signed oil on panel landscape circa 1930 by French post impressionist painter Victor Charreton. This stunning work depicts a view of a French hamlet in summer - the buildings in the ...

“Seine Under the Morning Snow (Seine Sous la Neige du Matin)” Raymond Thibesart (1874-1968) Oil on canvas 70 x 31 ½ (36 ½ x 74 ½ frame size) inches Signed lower left The morning mis...

Jaume Mariné - Coastal view - Oil on canvas board Oil measurements 27x22 cm. Without frame. Born in Poblenou in 1935. died in 2012. He was the son of a wall painter, in whose smal...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

"Snowy Landscape, Italian Alps Village, 1944" Giuseppe Sobrile (Italy 1879-1956) Oil on board Signed lower right and dated "1944" in Roman numerals Dedication on back to Lina Sobrile...

Signed post impressionist landscape oil on panel by French painter Henri le Sidaner. The work depicts a nighttime view of the bay at Saint Servan, Brittany in the north of France. Th...

Stargazer Lilies Annie Faure (French 1940-2021) signed oil on canvas canvas: 24 x 19.5 inches Provenance: private collection Condition: very good condition For more any more informa...

Title: Mid-20th Century Post-Impressionist Pastel Still Life of Wildflowers in Vase by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size:...

Attributed to Hortense Mattice Gordon (Canadian, 1886-1961) and painted circa 1925. Attribution based on similar style, composition and subject matter of McGill University's 'Old Country Store, Ontario' (1925) by the artist (see last image). An exceptionally fine, early twentieth-century, Post-Impressionist oil showing a view of a rustic village with cottages dramatically dappled by the shade of large trees. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...

Paul Elie Gernez. French ( b.1888 - d.1948 ). Danseuse De Cabaret. (Cabaret Dancer) Oil On Canvas. Signed Lower Left. Image size 15.6 inches x 12.2 inches ( 39.5cm x 31cm ). Frame si...

**Technical Sheet** **Title:** Cadaqués **Artist:** Rafael Durán Benet **Technique:** Oil on canvas board **Dimensions:** 13 x 16.1 inches **Support:** Canvas board **Fram...

"In my oil painting, I was inspired by the vibrant splendor and calming beauty of the Rhine Valley." said Anna Shesterikova about this landscape painting. "My goal was to capture the...

TitelL'Eglise de Montigny, Effet D'Automne TechnikOil on canvas Jahr1908 Grösse65.1cm × 81cm (25.6" × 31.9") stamped with the artist's signature Literature W. A. Camfield, B. Calté...

Title: Mid-20th Century Post-Impressionist Watercolour of Red Tulips and Mimosa in Vase by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolour on unframed paper Size: 18...