Book Art

Edition of 15 Other Editions: 15 x 15" Edition of 15- $3,200 22 x 22" Edition of 10- $5,000 36 x 36" Edition of 9- $9,000 After completing her prodigious series of illustrations fo...

Watercolor on cold press paper Tongue in cheek text reading "Drug Dealer Parking Only" and "Unauthorized Vehicles Will Be Towed Away" on street sign in deep red - burgundy and white and off white to give impression of aging and weathering, with image of tow truck...

Paper Size: 15 x 22.25 inches ( 38.1 x 56.515 cm ) Image Size: 15 x 22.25 inches ( 38.1 x 56.515 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

This Spain poster was created circa 1960 by the gifted American artist David Klein (1918 -2005) for TWA. The image shows a couple of women dressed with the traditional attire from th...

Print with schematics and text from Richard Hamilton's Five Tyres Remoulded portfolio, featuring imagery from the portfolio. 5 color collotype sheet printed on card from Five Tyres ...

Vintage offset poster realized in occasion of exhibition of graphic works by Giovanni Fattori at Galleria Marino Rome, in the late 1970s. Limited edition of 1000. Very good condition.

Pablo PICASSO (1881-1973) (after) Harlequin with a Mirror, 1971 Color lithograph (atelier Mourlot) Signature printed in the plate 76 x 50 cm (c. 30 x 20...

Lithograph on paper. Hand and numbered in pencil. Edition of 99. Excellent condition. This striking colour lithograph by Mario Bardi, dated 1979, blends the language of still lif...

This artwork titled "Frontpiece to a Bestiary" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham...

Original Harper's July vintage poster; The German Struggle for Liberty. Original turn of the century lithograph by Edward Penfield. Size: 14 1/8" x 21 18" Penfield created this poster to publicize Bigelow’s lengthy history of the Germanic people, serialized in the Monthly as “the first popular interpretation ever given to the rehabilitation of Germany through the uprising of the German people against the Napoleanic invasion.” July’s number began the series, which was published by Harper and Brothers as a two-volume set in 1896. Harper's June 1895 HARPER’S The German Struggle for Liberty JULY [Poster for Harper’s New Monthly Magazine, Jul 1895]. German soldier at the guardhouse. Four-color lithograph: grey, blue, yellow, and red. New York: Harper & Brothers, published Jun 1895. The magazine Harper's, issue of July, confronts the problems of The German Struggle for Liberty. Shown a German soldier in a helmet and armed with a rifle stands tall, and yet an uneasiness appears on his face. At a closer look, one will notice that not only does the soldier grasp his rifle in support, but in despair. This Harper's July is an Original Vintage Poster; it is not a reproduction. This poster is conservation mounted, linen backed. An restored fold mark across the middle of the image keeps this image from being rated higher (for an original 1895 poster).

Medium: original lithograph. This lithograph was printed for the inside back cover of the 1957 "Improvisations" portfolio, published by the Artists Equity Association of New York on ...

This Soviet poster was made in the context of the Cold War to support the independence of Angola. The world climate was then very tense. There were many conflicts that opposed Portu...

Poster made in 1953 to promote Dufy's exhibition at the Louis Carré Gallery in Paris to support the preservation of the Palace of Versailles. Raoul Dufy 🇫🇷 (1877-1953) was a Frenc...

Paper Size: 45 x 29.5 inches ( 114.3 x 74.93 cm ) Image Size: 41.75 x 26.75 inches ( 106.045 x 67.945 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

This elegant 1956 Italian film poster by E. Brini captures the poignant beauty and emotional depth of Madama Butterfly, a cinematic adaptation of Giacomo Puccini’s beloved opera. Pai...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.5 x 5.75 inches ( 21.59 x 14.605 cm ) Framed: No Condition: A: Mint Additional Details: First printing Litho...

Neil Welliver at O'Farrel Gallery poster, 1998 Offset lithograph 24 × 18 inches Unframed This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986. Publisher O'Farrell Gallery, Brunswick, Maine About Neil Welliver: Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning. Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships. By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005. Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others. - Courtesy of Alexandre Gallery

Le Rire is a Comic Magazine stamped on December 1896, Illustrations by Lucien Métivet. Good condition on a yellowed paper, except for some torn paper on the l...

Fred Sandback Untitled, 1976 Aquatint 21 1/2 x 25 3/4 ed. 35

Ricordo di Firenze by Giacomo Brogi is a photographic album composed of 50 albumen prints, realized with chromatic reinforcement treatment. Excellent conditions, each black and whit...

Tina Barney Players (Signed and dated by Tina Barney), 2010 Hardback monograph with dust jacket (Hand signed and dated by Tina Barney) Signed and dated 3/9/2011 by Tina Barney 9 × 12...

This is an early 19th century engraved portrait of the industrialist and philanthropist Richard Reynolds by William Sharp after William Hobday. It was published in London by Rudolph Ackerman in 1817. The print is entitled "Richard Reynolds of the Society of Friends, Late of Bristol". This three-quarter length portrait of Reynolds depicts him seated, directed to right, looking towards the viewer. He is holding an open book, wearing a plain suit. A curtain in the background is pulled to the left, revealing bookshelves. Some of the books are labelled 'Addison & Watts' 'Kempis & Fenelon' 'Milton & Cowley' etc. The inscription above the portrait reads: "When the eye saw him it blessed him". The lettering below the image reads: "Richard Reynolds of the Society of Friends, Late of Bristol; Whose Life and Fortune were devoted to the Glory of God by relieving the humble in Distress.', This plate is dedicated by Permission to his Royal Highness, the Prince Regent by his most devoted very humble servant William Hobday." This engraving is printed on thick paper. The sheet measures 16" high and 12" wide. It is adhered to an archival backing in the upper left corner. There is mild discoloration and toning in the margins, but it does not involve the image. Richard Reynolds (1735-1816) was a prominent member of the Society of Friends, also known as Quakers, in the 18th and 19th centuries. He was born into a wealthy family in Bristol, England, and inherited a successful copper smelting, iron manufacturing business from his father. Despite his privileged upbringing, Reynolds was known for his deep concern for the poor and his commitment to social justice. He used his wealth and influence to support a range of philanthropic causes, including the abolition of slavery, the improvement of working conditions for miners and factory workers, and the provision of education for the poor. Reynolds was also a prominent supporter of the Quaker...

Exposition de l’Affiche en Couleurs de Chéret à Nos Jours (July-August 1939), published by the Conservatoire National des Arts et Métiers, is a catalog from the renowned exhibition t...

With a few bold lines and saturated blocks of color, Bernard Villemot distills the essence of sensuality and serenity in this iconic 1973 poster for SNCF’s sleeping car service. Titl...

Renée Aspe's original poster for Arts Ménagers et Enfance in Toulouse is a work that reflects the harmony between functionality and aesthetics. This poster highlights the artist's ar...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8 x 6 inches ( 20.32 x 15.24 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithograph ...

This striking circa 1970 original travel poster by French artist Georges Mathieu captures the unique energy and elegance of the Rhône-Alpes region through an abstract, painterly lens...

Alex Katz Looking at Art With Alex Katz (hand signed by Alex Katz), 2018 Hardback monograph with dust jacket (hand signed in black pen on the title page) hand signed by Alex Katz in ...

Richard Smith 1931-2016 Horizon V (Peach, Yellow & Green), 1970 lithograph 33 x 71 cm 13 x 28 in signed and numbered from the edition of 75 in pencil Charles Richard "Dick" Smith wa...

This 2019 original exhibition poster, produced by the Ville de Boulogne-Billancourt for the Musée des Années 30, celebrates the timeless elegance of Art Deco through the lens of ocea...

Original poster Superman CCCP - USA Created by the editor Georges Fall, Opus International is a French contemporary art magazine founded in 1967 and disappeared in 1995. From the be...

Donald Baechler ArT RANDOM Donald Baechler Japanese catalog (hand signed and inscribed to writer and art critic Anthony Haden-Guest), 1989 Hardback monograph Hand signed and inscribed to writer and art critic Anthony Haden-Guest 12 × 9 1/4 × 1/2 inches Unframed This uncommon 1989 Japanese hardback monograph with no dust jacket as issued, is hand signed and inscribed by artist Donald Baechler to the art critic Anthony Haden-Guest. Inscription reads: For Anthony 4.April. 91 Donald Baechler Book information: First edition. Published by Kyoto: Kyoto Shoin International Co., Ltd., 1989. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Paintings and drawings by Donald Baechler. Text (in English and Japanese) by Lisa Liebmann. Unpaginated (48 pp.), with 36 four-color plates. About Donald Baechler: Donald Baechler was one of the most promising artists of the 1980s. He was associated with a group of painters in New York that included Julian Schnabel, David Salle, Jean-Michel Basquiat and Philip Taaffe...

Printed by Mourlot for "Art in Posters" by Sauret in 1959, Tragedie, Comedie by Raoul Dufy is a lithograph reflecting the artist's vibrant Fauvist style. Raoul Dufy (1877-1953), a Fr...

Each Cabinet Card is unique, and the image above details the front and back of the card. A handmade display stand made by the artist is also available for $100 – please inquire if in...

Painting and embossing on cement panel realized in the mid-20th Century. Good condition, with minor losses.

Step into a vivid dream of Iberian flair with this striking circa 1960 original travel poster by David Klein, created for Trans World Airlines (TWA). Designed at the height of the Jet Age, this artwork invites viewers to fly across the Atlantic and immerse themselves in the timeless traditions and spectacle of Spain. Rendered in Klein’s unmistakable style—bold, graphic, and saturated with color—the poster is anchored by the imposing figure of a matador, resplendent in an elaborately embroidered traje de luces (suit of lights). His stoic expression, the gleaming detail of his costume, and the dramatic composition place the viewer right on the threshold of the bullring. In the background, another matador stands poised beneath the arches of a sunlit plaza de toros, while a stylized jetliner leaves a clean, modern contrail in the crimson sky above—signaling the future soaring above the heritage of the past. With its juxtaposition of tradition and modernity, this poster captures both the romance of Old Spain and the excitement of international travel in the mid-20th century. The golden Gothic script of “Spain” contrasts with the jet-age boldness of the “Fly TWA” lettering, creating a visual rhythm that reflects the era’s enthusiasm for cultural discovery through air travel. David Klein’s TWA...

In 1895, N. Harazine's poster invited Parisians to the Champs de Mars for the Exposition Russe Hippique & Ethnographique. This vintage masterpiece transports us to a bygone era when ...

Parrish, Maxfield. THE KNAVE OF HEARTS. 1925. 14 full page and many smaller color plates. A Fine copy of Parrish's most elaborate book. A highlight among American children's books, b...

Leonetto Cappiello's 1912 original poster, "Agua de Vilajuiga," is a timeless gem in the world of vintage advertising. This iconic artwork not only promotes a ...

Lucien Métivet Eugénie Buffet (Ambassadeurs) Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION ...

La Tribuna is a colored lithographed original manifesto on cardboard, realized around 1897 by the Italian artist Giovanni Mataloni. Printed by Officine Ricordi, Milan, this advertisi...

This London tourism poster by Carole Barker is a reproduction of her original design for London Transport, showcasing her distinctive artistic style. Barker masterfully combines a va...

Landscape is an original etching print on paper realized in 1930 ca. by an Anonymous artist of the early 20th Century. Hand-signed on the lower right, illegible, titled on the lowe...

This striking 1961 original exhibition poster was created for the retrospective of Théophile Alexandre Steinlen at the Maison de la Pensée Française in Paris. A master of social real...

Hervé Baille, a distinguished artist celebrated for his captivating travel posters, crafted a masterpiece in 1950 with his original creation for SNCF Côte basque. Born on January 21,...

Paper Size: 36.5 x 19.5 inches ( 92.71 x 49.53 cm ) Image Size: 20 x 19.5 inches ( 50.8 x 49.53 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shippin...

Paper Size: 34 x 22.5 inches ( 86.36 x 57.15 cm ) Image Size: 26 x 19 inches ( 66.04 x 48.26 cm ) Framed: No Condition: A: Mint Additional Details: This original lithograph, So...

Alechinsky/Reinhoud: Alechinsky & Reinhoud Dos Artistas Belgas, published in 1964 by Imprenta Anzilotti in Buenos Aires, is a softcover edition with a protective dust jacket. Thi...

Title: Collection Version IV Medium: Oil on canvas Size: 18 x 21 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

For Tolliver Shaw, the cherry became a primary motif. Growing up, a regular family destination was Door County, Wisconsin, famous for their rich cherry harvests. The fruit fused with...

Original American Lobby Card of Walt Disney’s Movie „ALICE in WONDERLAND“, USA 1951. Alice with the running White Rabbit. Keywords: Animation, Adventure, Family, Fantasy, Musical, C...

Original Exhibition Poster for Leo Castelli Gallery, New York (April 5 – May 3, 1986) Original first edition exhibition poster created for David Salle’s solo show at Leo Castelli Ga...

This circa 1930 original poster, created d'après Firmin Bouisset, promotes the famous LU Biscuits Lefèvre-Utile, one of France's most iconic biscuit brands. Bouisset, known for his c...

The 1930 original poster for the "Exposición de Barcelona" by the artist Rojas is a striking piece of early 20th-century design, reflecting the cultural vibrancy and artistic innovat...

Lucien LEFEVRE Cacao lacté (Milky cocoa), 1895 Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate...

This limited edition print, titled Passion, was created by Phyllis Lucas in 1970. The artwork is signed and numbered out of 100, highlighting its exclusivity and collectible value. T...

Paper Size: 28 x 42 inches ( 71.12 x 106.68 cm ) Image Size: 28 x 42 inches ( 71.12 x 106.68 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Paper Size: 30.75 x 22.5 inches ( 78.105 x 57.15 cm ) Image Size: 25.5 x 20 inches ( 64.77 x 50.8 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

An icon of American graphic design, Milton Glaser lent his visionary aesthetic to this 1979 poster celebrating the Morris A. Mechanic Theatre in Baltimore, known here as “The New Mec...

Paper Size: 26 x 20.5 inches ( 66.04 x 52.07 cm ) Image Size: 25.5 x 19.25 inches ( 64.77 x 48.895 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...