Chicken Art

Title: French Watercolor Painting of a Traditional Ferme Landaise by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Size: 10.2...

Duane Bryers, American (1911 - 2012) - Miguel, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 16.5 x 22 in., Size: 21 in. x 28.5 in...

This dramatic painting, attributed to Paul de Vos, captures a nocturnal assault on a chicken coop. At the center of the composition, an owl has already seized a hen in its powerful t...

Conrado López's "Rooster," a 2023 artwork, is a striking representation of the vibrant and spirited nature of its subject. Crafted with acrylic, gold leaf, and oil on a canvas measur...

Contemporary realistic portrait painting by Texas-based artist Makenna Hatter-Paxton. The work features a central woman seated in a lawn chair surrounded by a flock of colorful chick...

Title: Impressionist Watercolor of French Countryside Farmhouse with Chickens and Geese by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions...

Oil on canvas sold with frame Total size with frame 50x57 cm Maurice BLANCHET is an artist born in Switzerland in 1916 and died in 1978. Artprice lists 7 works by the artist presen...

OIL ON CANVAS Ready to hang. Shipping from Belarus, Minsk. Natalia Ivanova is a well-known Belarusian painter working in the style of symbolic figurative art. Her paintings were exh...

A beautiful mid 20th century English naive oil on board depicting a tranquil river landscape, by Bernard Carter. The artist is featured in Anatole Jakovsky's ''Peintres Naïfs'' which...

Original " Are You 100% American? Prove it! Buy US government bonds. Third Liberty Loan" vintage poster. This poster from World War I questions whether the viewer is genuinely A...

Medium: Oil on Canvas Laid on Board Sight Size 28.50" x 25.50;" Framed 31.00" x 28.00" Signature: Signed Lower Left

Summers Courtyard signed by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 15 x 11.5 inches condition: very good...

Claude WEISBUCH Horse at the Circus Original Oil on canvas Signed in lower right corner On canvas 33 x 41 cm at view (c. 13 x 16 in) Presented in golden wood frame 54 x 66 cm (c. 22...

The Argument French School, 19th century oil on board, framed framed: 20 x 16.5 inches board: 18 x 14 inches provenance: private collection, France condition: very good and sound con...

Offering Vesta from "Antiquities of Herculaneum" is a Hand-colored etching on paper realized by Nicola Vanni in the 18th Century. Signed on the plate. Good conditions. The etching...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Impressionism Title: Farm Size: 16" x 20" x 0.8'' inch, ...

Original oil painting on canvas by artist Mian Situ. Framed.

In this vibrant work, I've mingled the vividness of acrylics, the depth of oil pastels, and the delicacy of colored pencils to capture the essence of vitality and joy. Drawing from e...

Art Sz: 14"H x 11"W

This captivating painting by Axel Axelson (1854-1892), titled "A Day in Venice, 1892" illustrates a moment from Venice in the year of 1892. Within the compact dimensions of 24 x 14 c...

Vintage American modernist chicken oil painting. Oil on canvas.

After Gustav Klimt, Max Eisler #26, Bauerngarten mit Hühnern; multi-color collotype after 1916 painting in oil on canvas. The original was destroyed by fire in May 1945 at Immendorf Castle, Lower Austria. Landscapes, for Klimt, are vehicles to convey universal themes such as procreation and the mysteries of life. Using a highly personal language of symbols, Klimt creates a voluptuous scene of fertility, fecundity and domesticity. Klimt uses a similarly lustrous palette of pearly iridescence for the path as he had for many of his female nudes. This feminine quality is intensified by the tunnel-effect produced by the walls of colorful floral blooms whose leafy stalks are redolent with wild abundance at the height of summer.The passage leads to a green covered arbor, womb-like, which contains a simple wooden table and a bench. Human presence is unmistakeable.The two chickens shown in the path provide the link to engage with this scene cerebrally and emotionally. Protective and maternal, the mother hens do somewhat bar one’s path, but by no means in a menacing way. The experiential aspect of walking forward and ignoring those chickens, certain that they will dodge out of the way, heightens the rational with the intuitive senses creating the illusion and feeling that the flanking floral walls are parting to provide clear passage to within. Seen in this context, the age old conundrum to divine what came first, the chicken or the egg, begs the question of the greatest mystery of all. One’s relationship to procreation itself, Klimt shows us, is interwoven all around us. Far from banal, this universal quality of the natural world is fraught with thrilling wonder. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...

Farmyard Chickens signed by Y. Blanchon, French 1950's Impressionist watercolour on artist paper, unframed painting: 16.5 x 13 inches provenance: from a large private collection of ...

5012 Modern Primitive acrylic on canvas Unframed Signed

Herbert William Weekes 1841 - 1919. Animal painter from Pimlico in London, the son of the sculptor and Royal Academician Henry Weekes. He exhibited at the Royal Academy, Royal Societ...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

"The Unknown," (2022) by wildlife artist Alexis Kandra is an oil painting gilded with metal foil on wood panel, measuring 36" X 36". Her newest piece, the painting features an earthy landscape appointed with beautiful wildlife -- a rooster, a bull frog, a pidgeon / dove, white horses, red robin...

SOLD UNFRAMED Etude de Poules by Paulémile Pissarro (1884 - 1972) Ink on paper 23 x 31 cm (9" x 12 ¹/₄ inches) Signed with estate stamp lower left This work is accompanied by a ce...

Photographed on Richard's journey in India, a pilgrimage from Kerala in the South, to his Grandfather's birthplace Meerut in the North. This beautiful picture was perfectly captures ...

Listening (Chicks and Chicks and sometimes Cocks) - 2017 - 20x20cm, Edition of 10. Digital C-Print, based on a Polaroid. Artist inventory 20248. Signature label and Certificate. No...

Amidst a pastoral setting, a resplendent peacock, a stately duck, and a lively gathering of roosters and hens perch along a rustic wooden fence. The artist’s skillful brushwork captu...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

Lullaby (The Girl behind the White Picket Fence) - 2013 - 48x58cm, Edition of 10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory # 15585. Not mounted. Stefanie Schneider's THE GIRL BEHIND THE WHITE PICKET FENCE

 Stefanie Schneider’s taken her artwork to film. With over 10 years in the international art world to support her, ‘The Girl behind the White Picket Fence’ is Schneider’s first feature film. A dedicated Polaroid fan since the mid 1990’s who mastered the analog medium to it’s final dying breath. Since Polaroid stopped making the best film in the world, it’s been Schneider’s goal to buy as much as she could find. Knowing that there will never be another chance to fulfill her lifelong dream to make a movie, using her own original artwork style. Schneider scoured the Internet for Polaroid film. Trucks deliver boxes upon boxes of expired Polaroid film. Testing the randomly working film takes days, turning to years. Years of buying film, script writing, prop production, actor contracts, all done in little bits. Shooting film in California and compiling in Berlin, Germany, back and forth with each season. This film is the result of a dream that started with friends she loved such a long time ago. It’s dedicated to them. They know who they are. 
An artists world of movie stills, ‘The Girl Behind the White Picket Fence’ is a succession of Polaroid film stills. One after another, this film takes this to the limit and still delivers. Sometimes quickly, sometimes slowly, flowing with the rhythm of the music or in the energy the film portrays. The gaps keeps the viewer paying close attention but after a little time, you no longer notice. All photographs are real analog Polaroid film so this is a one off, never to be replicated, a complete window into an artists mind as she sees the world. Sunny, hot, in love, open spaces evoking freedom but also banishment. This project was that each actor would write their own story about love and Schneider would piece them together to make some sense of fate. Ultimately, this work is the vision of Stefanie Schneider. As with any dream, the finished result came about not as originally planned but it happened and will never happen again. This film is about old fashioned analog beauty, combining love, choices of life. It’s a film about searching, about truth and sometimes where that truth takes us. 
This film started out with a vision of grand collectiveness with all participants coming from Schneider’s time in Hollywood ranging from directors to actors, producers to agents and writers to weirdos. The American dream was alive and well in this motley group who fell in love with Schneider’s idea to capture a story about love on Polaroid film. Funding started with Schneider procuring film from all over the world, creating a interactive website for the artists to collaborate on together and collecting material for the script. Shooting locations were scouted and life size props built. Caroline Haertel from ‘micafilm’ based in Berlin Germany joined Schneider who then brought in Kirsten Niehaus from ‘Medienboard Berlin-Brandenburg’ and Barbara Haebe from Arte TV in Germany. Both of whom have been very supportive. 
The concept began to take shape. The realization of how to actually make the film became apparent with each tested Polaroid first taken, scanned, and then finally sequenced to about 4000 frames from over 5,000 actual Polaroid photographs. Each requiring about 30 minutes of work. 
The center of this story is the ‘Lonely Hearts Radio Station’ DJ, played by Steve Marshall who talks to the searching broken hearted in the southern Californian desert. A sad young girl calls in to better understand what is going on which results in an unexpected chain of events. Through dreams, memories and even mystics, Heather finds that you never know with whom, love finds you. There are signs if you only listen. If only, you’re aware. 
Main characters: Hans, the mystic played by the veteran actor Udo Kier. Heather’s a young girl who’s lost her parents played by Heather Megan Christie...

Sentience (Chicks and Chicks and sometimes Cocks) - 2016 50x50cm, Edition of 10, digital C-Print, based on an expired Polaroid. Artist inventory 19531. Not mounted. The 'Chicks a...

Juan Carlos Alom (Cuba, 1964) 'Esta obra no tiene título es sólo el silencio de mi veneración', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

A wonderful English watercolor painting depicting A Donkey, Lambs and a Robin in a stable the night before Christmas.. This piece was drawn ...

A Chicken Family is an original print realized by William French (1815 ca.-1898) in the late 19th century. Black and white lithograph. Original Title: ...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by English artist Tim Platt titled ‘ Macaw #4 ‘ Limited edition of 3 Signed by Tim Platt lower right and numbered lower left, delivered with certificates of authenticity, unframed Green-Winged Macaws are monogamous and pair for life. They mate once in a lifetime, remaining and travelling together even out of the breeding season. Their beaks are powerful, allowing them to easily crack hard shelled nuts like the Brazil nut. The beak of the Green-Winged macaw can generate a pressure of 2000 pounds per square inch. Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex. This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Please note that prices increase as editions sell. Archival pigment print available sizes ( Image size , the white margin is not counted) : 106 x 69 cm / 41.5 x 27” - Edition of 10 152.4 cm x 101.63 cm / 60 x 39,76 in - Edition of 3 Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed. Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth. Styles: Color photography, 21st century, Archival pigment print, Animal, Portrait, Beauty, Fine Art , Parrot, Colourful, Red, animal photographer, animal photography, bird, bird photography...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

Yvonne Heemskerk is in addition to being a 'free' visual artist, commissioned portrait painter. Moreover, she is very active and successful as a teacher of her own "painting school".

Title: Protecting the Home Medium: Oil on canvas Size: 20.5 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

Archival pigment print (Edition of 15) Signed in pencil, verso 9 x 9 inches, image From the series, "Allowed to Grow Old" This artwork is offered by ClampArt, located in New York C...

'Saint-Tropez Boucherie' 1971 Slim Aarons Limited Estate Edition A boucherie or butcher’s shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. Produced...

Recall is a print realized by the Italian artist Gianni Testa in the 20th century. Mixed colored screen print. Hand-signed by the artist on the lower left. Numbered on the lower ...

A comical work.....A definite conversation piece This comes in a heavy wooden gilded frame The painting is 8x10. Framed 19"x21" x1.75" Karyn Mannix, born in New York, has been in ...

20 x 24 (canvas size) 25.5 x 29.5 (w/ frame) Signed and Dated Lower Left Paul Harney (1850-1915) Born in New Orleans on October 21, 1850, he was a landscape, portrait and still-li...

Original oil painting 'Good, bad and ugly'. On canvas 60x50 cm, 2023 Excellent condition.

Signed to the lower right. Presented in a part-gilt frame. On board.

The Watch is painted plein aire in the Chilean countryside. It is oil on canvas and has a Italian handmade frame. The frame adds about 3 inches to the size. Viviana Ovando Cid Visual Artist and Painter. She studied Visual Arts at the University of Chile and specialized as a Painter at the Martín Soria Academy of Fine Arts. Awarded by the Chilean-Japanese Cultural Institute and the National Society of Fine Arts. Viviana has participated constantly in group and individual exhibitions nationwide, Thanks to her constant concern she handles different painting techniques, from those coined by the Classic Academy to digital techniques, participating in 2D and 3D animation projects, exploring new representation techniques. Who are your biggest influences? Are you inspired by the work of your colleagues or someone else in particular? Antonio López, Goya, Rembrandt, Velásquez, Sorolla, Caravaggio, Franz Marc, Muñoz Vera, Sergio Castillo...

Nick Vedros Chicken and Egg Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 12x11in Edition: 12 Signed, dated and numbered by hand on label Stamped COA pro...

Gustave Poetzsch (1870-1950) Study for a Celebration Menu Original watercolor and pencil drawing Signed in pencil Stamp of the Estate auction sale on the back on vellum 31 x 21 cm ...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...