Drawing Art

New York Graphic Society, Ltd. Printed by U.S.A. Measures 15 x 20 inches and is unframed. The piece is in Good Condition.

Outstanding male portrait by 20th-century American artist, Vito Tomasello. Portrait of Young Man, John Alcorn, Eliot House, Cambridge MA. Pencil on pap...

466 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2025 Style: Classic Art Title: Cat Size: 12 x 16 inch, (30...

Jean Jansem (1920-2013) Le tambour, 1984 Lithographie sur papier Arches, justifiée EA Signée en bas à droite 67,5 x 47 cm / 76 x 54 cm Bibliographie: CR Jansem, 1993, n°1 "Ma pre...

Artist: Mkrtich Sarkisyan (Mcho) Work: Original Drawing, Handmade Artwork, One of a Kind Medium: Ink on Paper Year: 2023 Style: Abstract Figurative Subject: Night Dance, Size: 12"...

Alice In Wonderland:Hookah Smoking Caterpillar is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmaking paper, 100% acid free. Erotic fantastical interpretation of “Alice’s Adventures in Wonderland”, where Alice first meets the Catepillar while he is sitting on a mushroom smoking a hookah. He helps her by advising her to eat from the mushroom if she wants to change her size. Print size- 18" x 15", Image size - 8.25" x 6.75" Edition size - 50 About the artist- Knox Martin (1923-2022) was an esteemed New York School painter. Knox Martin was born in 1923 in Barranquilla, Colombia. He was the son of the aviator, painter, and poet William Knox Martin, the first man to fly over the Andes mountains. After serving in World War II, Knox Martin attended the Art Students League of New York on the G.I. Bill from 1946-1950, where he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet, and Morris Kantor. In 1954, Knox Martin's friend Franz Kline placed a painting of his in the Stable Gallery Annual. Charles Egan of the renowned Charles Egan Gallery saw Knox Martin's painting at the Stable Gallery and asked Martin to show his work in a one-man show for the tenth anniversary of the Egan Gallery. Since then, Knox Martin was a celebrated painter, sculptor and muralist. Knox Martin had an extensive exhibition record and his work is in museum, corporate and private collections worldwide. His two best-known murals in NYC are Venus and Woman with Bicycle...

"Le dragon des mers" is an illustrated book realized by Tsuguharu Foujita and Jean Cocteau in 1955 and published by Georges Guillot Editions, Paris. The sheets are engraved with ill...

This piece, titled "Wanderer Study 3" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and g...

Savo Radulović, Serbian American (1911 - 1991) - Dubrovnik, Medium: Hand colored Lithograph, signed, titled and numbered in pencil, Edition: 3/20, Image Size: 13 x 18 inches, Siz...

Drypoint etching with stencil on Rives paper, edited in 1971. Limited edition in 150 copies. Numbered as EA (épreuve d'artiste) (artist's proof) in lower left corner. Hand-signed in ...

Mary Tyler Moore Show Hollywood Emmy Award TV Legends Ed Asner Valerie Harper Al Hirschfeld (1903 – 2003) Mary Tyler Moore Show Sight Size: 17 1/2 x 13...

Medium: original lithograph. Printed in 1897 for the rare portfolio "Art et Nature" by Leon Roger-Miles and published in Paris by Boudet in an edition of 525. Printed in blue-gray in...

Botanical print. Plate-signed. Measures 22.25 x 16.375 in. Unframed. Printed in Italy. Good Condition.

Doris Lee Lithograph 1964 Edition Size: 250 Image Size: 12 x 9.5 inches Sheet Size: 16.75 x 13 inches Reference: AAA 1532 Signed lower left Condition: Good Provenance: ASA Doris Emrick Lee...

This exquisite lithograph after Marc Chagall (1887–1985), titled Hommage a Garnier (Homage to Garnier), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil, double sided The sketch is original, v...

Contemporary male nude done with artists quality charcoal chalks on acid free drawing paper. :: Drawing :: Contemporary :: This piece comes wi...

Title: Mid Century French Portrait Artist: Josine Vignon (French 1922-2022) Medium: signed black charcoal and watercolour on artists paper stuck on board, glass covered Size: 9.75...

A Fine 1930s, Modern Academic Anatomical Figure Study Drawing of a Nude Male Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 193...

Portrait is an original pencil drawing on ivory-colored paper, realized by Anonymous French Artist of the late 19th Century. In very good conditions. Not signed. Image Dimensions:...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Ted Davies, American (1928 - ) - Wall Street, Year: circa 1973, Medium: Woodcut on Japon, Image Size: 29 x 22 inches, Size: 37 x 25 in. (93.98 x 63.5 cm)

Artist: Warhol, Andy Title: Mao (Wallpaper) Date: 1974 Medium: Screenprint on wallpaper Unframed Dimensions: 40.125" x 29.5" Framed Dimensions: 45.25" x 34.5" Signature: Unsig...

Menashe Kadishman, Sheep head, Symbolist painting, colored painting, Israeli art, Israeli art

Lithograph realized in 1990s. Hand signed and numbered in pencil. Edition of 120. Very good condition.

This is a rare New York image by Levon West. Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakota....

Title: Historic Miniature Watercolor of St Peters Hospital in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 4 inches ...

Artist: Alex Katz Title: Gloria 11 Medium: Etching on Zerkall Ingress paper Date: 2005 Portfolio: 2005 Gloria Edition: 25/100 Frame Size: 15" x 15" Sheet Size: 12" x 9" Image Size: ...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Trees is an original drawing in pencil and charcoal, realized by an Anonymous artist of the XX century. The state of preservation of the artwork is very good and aged with some fold...

Title: Double Sided Standing and Seated Figure Studies Graphite Drawing French School Artist: French School (20th century) Medium: Graphite pencil drawing on artists paper, double-si...

“Male Nude Study” is a sketch by renowned figure artist Steven Assael. The drawing was produced entirely in ink with every stroke of pen executed in complete confidence. The drawing ...

Title: Double Sided Seated Female Figure Study Graphite Pencil Drawing French Paper Artist: French School (20th century) Medium: Graphite pencil drawing on artists paper, double-side...

The Kitten is a Drawing in pencil realized by Augusto Monari in the Early-20th Century. Hand-signed on the lower. Good conditions, including a creamy-colored Passepartout. The art...

M.C. ESCHER (1898-1972) The Impossible Castle, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be different...

R.C Gorman original lithograph “ ” signed and numbered In good condition Measures 47x38

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

Hunt Slonem New York Diamond District , 2021 Signed and dated on verso Oil with Acrylic 184.2 x 213.4 cm Artist and collector Hunt Slonem is best known for huge Neo-Expressionist oi...

Pen drawing realized by Maccari in 1960s. Hand signed lower right. Good condition.

Hard Margins - Hell Plate 19, is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. G...

Artist: Camille Pissarro Title: Les Faneuses Portfolio: l'Histoire des Peintres Impressionistes Medium: Etching on cream laid paper Date: 1906 Edition: 1000 Frame Size: 19 1/2" x 17"...

Blanche Grambs, whose career started with the WPA, was an extremely skilled draftsperson. Her birds are masterful. Although we use the word 'pencil' fo...

A charismatic, 1920s charcoal on paper drawing of a dapper young man seated beside a pint glass by famed Chicago artist Francis Chapin. Image size: 12 x 9 inches. Matted size: 18 x 14 inches Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...

Title: Mid Century French Portrait Artist: Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper Size: 25 (height) x 19 (width) Stamped: Verso Condition: Go...

A French Impressionist Fauvist Color-Field pastel on fine quality 'Canson' paper landscape by G Ricard. The painting is signed bottom right. A charming and characteristic south of ...

Woodcut on hand made laid paper with the publisher's watermark designed by the artist, full margins. From the special suite of 53 woodcut illustrations which were laid in loose to t...

Medium: etching. Etched by Jules de Goncourt after Paul Gavarni. This impression on cream laid paper was printed in 1875 by Francois Lienard and published in Paris by L'Art. Plate si...

Nude in the Afternoon Sun, pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube. This particular piece is in my studio in Bucharest, Romania. Other works are in my other studios in New York and Florida. Please check location for each piece. I ship anywhere in the world, using DHL from Europe to the United States, and EMS from Europe to the rest of the world. In mat and framed as they were in the February exhibition, for display purposes. "In the Afternoon Sun" is an evocative and skillful piece that captures the interplay between light, shadow, and the human form with remarkable sensitivity. The artist’s use of ultramarine tempera on ochre paper transforms a simple moment—sunlight filtering through a window—into an artwork filled with vitality, sensuality, and rhythm. The subject's upward-reaching gesture, with one arm stretched behind her head, creates an elegant, sinuous line that imbues the piece with energy and a sense of motion. Her relaxed expression contrasts with the dynamism of her pose, creating a balance between activity and repose. The figure’s directness, combined with the slight tilt of her head and the open nature of the pose, draws the viewer in, making her seem both vulnerable and self-assured. The intimacy of the moment is heightened by the interplay of light and shadow. The striped patterns of light and shadow play a leading role, emphasizing the contours and textures of the body. These light effects are not only realistic but also deeply expressive, almost creating an abstract overlay that adds rhythm to the composition. The stripes of sunlight create a sense of dimensionality, as if the viewer is peering into a real scene. The interplay of warm ochre and vibrant ultramarine enhances this layered effect, making the shadows feel alive. The artist’s loose, fluid lines lend the piece a sense of immediacy and spontaneity, suggesting that this is a fleeting, captured moment. The gestural strokes used to delineate the figure and the shadows allow the piece to feel natural and unrestrained. The figure is the undeniable focal point, with the bold ultramarine providing sharp contrast against the warm ochre. The background elements, though faintly suggested, remain unobtrusive, allowing the shadows on the body to take center stage. The work’s focus on sunlight playing across the nude figure evokes a sense of warmth, intimacy, and sensuality. There is a tactile quality to the shadows, as if the viewer can feel the heat of the afternoon sun. The relaxed pose, combined with the tranquil mood of the sunlight, suggests a private moment of reflection or contentment. The piece feels deeply personal yet universally relatable. The emphasis on light and its interaction with the human form recalls the Impressionist movement, particularly the works of artists like Degas and Renoir. However, the gestural modernity of the brushwork gives this piece a contemporary flair. Throughout art history, the relationship between light and the human body has fascinated artists, from Caravaggio's dramatic chiaroscuro to Matisse’s lyrical nudes. This piece situates itself within that rich tradition while bringing a fresh and immediate perspective. "In the Afternoon Sun" is a masterful exploration of the interaction between light, shadow, and the human form, capturing both the physical and emotional warmth of a sunlit afternoon. The artist's ability to balance naturalistic detail with expressive abstraction makes this piece both visually stunning and deeply resonant. It’s a celebration of the human figure in its purest, most natural state—bathed in sunlight and alive with the rhythms of nature. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

Claude WEISBUCH Zungaro : Horse and acrobats at the circus Original lithograph Handsigned in pencil Limited /200copies On vellum 76 x 58 cm (c. 30 x 23 in) Excellent condition

This exquisite silkscreen after Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Nous croyons en lEurope, Etudes pour un projet de timbre (We Believe in Europe,...

Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 V. Inscribed 'J. F. note paper', in pencil, in the artist’s hand; with the Feininger estate stamp and catalog no. 'W 859' in pencil. Annotated 'W.290 V state 3609' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/4 inches; sheet size 10 x 7 5/16 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; NY, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

Medium: original etching. Published in 1912 by Gazette des Beaux Arts. Plate size: 5 x 9 1/4 inches (128 x 232 mm) on cream laid paper. Signed in the plate, not by hand. The Gazett...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

A Striking 1950s Mid-Century Modern Ink Drawing of a Standing Female Nude by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Exhibiting a spare and exceptional use of brushwork...

This original pencil sketch, titled "Sleeping Cat," is a work by the renowned American artist William Zorach (1887-1966). Dated March 14, 1959, and inscribed "To Susan with Love" den...

Title: French Watercolor of L'Hippocampe Beachfront Restaurant with Coastal Views by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, mou...

Anton Schutz, 'Venice, Maria della Salute', etching, c. 1930. Signed and titled in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on cream wove paper, ...