Face Art

Paper Size: 33.5 x 26.5 inches ( 85.09 x 67.31 cm ) Image Size: 27 x 22.5 inches ( 68.58 x 57.15 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Add...

In the style of Johannes Evert Hendrik Akkeringa Oil on Panel Beach Scene C.1920 Original oil on panel Dimensions 23" wide x 20" high The painting is in good condition - Signed in...

Title: Mid-20th Century Post-Impressionist Beach Scene with Women and Parasol by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: 10.5 ...

A fine mid-19th century portrait depicting Mayor John Neve (1796-1856) of Wolverhampton, whose tenure spanned 1853 to 1854. The artist has portrayed the figure in a sweeping Romantic...

Sku: R065 Artist: Fernand Leger Title: Le Cirque Year: 1986 Signed: No Medium: Offset Lithograph Paper Size: 19.75 x 25.5 inches ( 50.165 x 64.77 cm ) Image Size: 13.75 x 17.75 inche...

Seductive Woman is a China ink Drawing realized by Mino Maccari (1924-1989) in the 1970s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16...

In German, the meaning of the word "niemand" ranges from nobody, none, and no one to anybody. Apply that to Viktor's unique sculptures and a dose of humorous social commentary meets...

Charming mid-century naive painting of small figures and chickens in a rural landscape by an unknown artist (American, 20th Century). Signed with the monogram "I. M. H." on lower lef...

Corpus Christi around 1150/70 Southern France or Catalonia carved oak wood

 height 109 cm, width 96 cm Remains of polychromy

"Don't Look Back" This painting was inspired by ancient masks and statues and it's part of my Neo-Mythology series. Painted with acrylic on round canvas (20cm / 8in) Unique work, no...

Unleashed (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 81 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect reminds...

The Virgin and Child with two music-making angels, after Van Dyck; in clouds, the Virgin shown half-length supporting the infant Jesus on an orb, looking to right at an angel playing...

Soul in bloom, A vibrant expressionist portrait that masterfully weaves human emotion with the vivid beauty of nature. Painted with bold, textured brushstrokes and dynamic palette ch...

La obra va firmada a mano por el artista en la parte media y fechada del año 1879 Se presenta bien enmarcada la pintura El estado de la obra es aceptable Medidas de la obra: 61 cm...

Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleas a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

Sight and Sound is an original portfolio by Balthus including three coloured xilograph. Hand signed lower right. Edition of 51 numbered copies plus 5 a...

Woodblock print (nishiki-e), c. mid-19th century. A powerful kabuki actor portrait from the Utagawa school, depicting a male actor shown half-length against a deep blue ground. The ...

Joseph Hirsch, American (1901 - 1981) - Resting Girl, Year: circa 1960, Medium: Pastel on Paper, signed in pencil top left, Size: 12.25 x 19.75 in. (31.12 x 50.17 cm), Frame Siz...

George Andreas Böckler, 'SunBurst Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly inked...

This splendid early 17th-century Dutch School portrait depicts a stout gentleman wearing a tall starched ruff and a sober black doublet. It originated in the Low Countries before ent...

Series: Suspense Chromogenic Print on Kodak Endura Luster Paper All available sizes & editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

French School, 17th Century, Circle of Philippe de Champaigne (1602 - 1674) A Turquerie portrait of a Lady dressed in the Oriental Style of Sumptuous Silk Brocade and a Turban, a ten...

Balance from the series The Daily The image of this woman can be perceived as a metaphor for everyday life. It reflects the balance we try to maintain each day — between what pressu...

Medium: offset lithograph (after Leger). Printed on Velin bouffant paper from the Papeteries de Hauteville and published by Edito-Service Geneve in 1980. This reproduces one of the o...

ean-Emile Laboureur (1877-1943), La Fille au Litre (Grande Planche), engraving, 1921, signed in pencil lower left and inscribed “ep d’art”. Reference: Sylvain Laboureur 217, third st...

Francesco de Mura (Naples 1696 - Naples 1782) workshop Rebecca at the Well Oil on canvas 26 x 87 cm. - Framed 38 x 99 cm. NB: The darker strip at the top of the painting is t...

Early 20th century oil on board society portrait by French artist Rose Teitgen-Obeurer. Signed top left. A charming and characterful portrait of a fine lady...

Jan-Frederic Frey Death Paradise (Street Art, Satire, Pop Surrealism, Skeleton, Palm Angels) Giclée / Iris Print on Hahnemuehle Velvet 2020 Size: 23.25 x 23.25 inches (59 cm x 59 cm)...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

An intimate early 20th-century interior scene depicting a Dutch woman absorbed in the time-consuming task of traditional lace making. The artist's muted palette and loose brushwork c...

Artist Comments
A contemporary portrait depicts an honorable man wearing a colorful feathered headdress against a starry night sky. His calm expression grounds the vibrant and ...

Artist: Henri de Toulouse-Lautrec Medium: Lithographic Poster, 1966 Dimensions: 27.5" x 19.75", 70 cm x 50 cm Heavy Poster Paper - Perfect Condition A This lithographic reproduction was created in 1966 after the lithograph Le Divan Japonais...

A Striking 1930s American Modern Figure Study of a Seated Female Bather by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A wonderful, early Art Deco-era example of Ada...

A captivating early 19th century portrait of a young gentleman in exquisite attire, holding his poetry close to his heart. The subject is illuminated by dramatic light that casts a r...

Edition of 25. Olympiad by Benson Landes. A bronze sculpture of a ballerina, crouched in a moment of rest, captures both poise and introspection. The sculptor portrays the dancer wi...

Watercolor, mixed media, using resists and metalic paints and old pastels. For Octopus and cephalopod fans. Janet Morgan’s explosive art captures the exu...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Brigitte Bardot with cigarette in hand by photographer Michael Ochs, originally taken in 1962. (Michael Ochs Archives/Getty Images) As an authorized Getty Images Gallery partner, we...

America Martin "The Orange Picker Study", 2006 Oil & Acrylic on Camel Cotten Paper 30.5 x 22 in (77.47 x 55.88 cm) America Martin is an internationally represented Colombian-Ame...

Raoul Pene Du Bois Baroque Figure 1968 Signed and dated lower left Oil and mixed media on board 73 x 30 1/2 inches Raoul Pène Du Bois (1914–1985) was an acclaimed American costume ...

Artist: Jack Graves III (American, 1988-) Title: "Venus de Milo Sculpture (Alexandros of Antioch)" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Medium...

Portrait of Cud Colley - the Whitby Fisherman by Henry Borrows (British, painted 1878-1891) signed oil on canvas, framed dated 1891 framed: 27 x 21 inches canvas : 22 x 16 inches Pro...

"Unbroken Spirit" by Natalya Mougenot is a striking contemporary painting capturing the resilience and inner radiance of women. A stylized female figure rises from a luminous turquoi...

Patrick Terenchin (b.1970). Face Pic 34 (Angelo), 2025 Oil, acrylic, color pencil on wood panel. Image measuring 12 x 12 inches; measuring 13 x 13 inches framed. Signed, titled...

Kate Moss is photographed during a night out at the Donmar Warehouse in Covent Garden in London on the 16th of January in 2007. The British supermodel and businesswoman rose to fame ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

6197 Antique Victrorian oversized English woman with roses Set in a carved frame Image size 15x29.5"

Mejor es holgar from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and a...

The Thinker After the iconic model by Auguste Rodin Nelson Rockefeller Collection Renaissance Bronze Company, New York Dated 1979 Edition 15 of 150 Bronze 28 inches high Approx. 120 ...

A beautiful three-quarter length portrait of a young lady, painted in the Romantic style typical of the early Victorian period. The subject adopts a slightly averted gaze with an ele...

Title: Woman in Garden with Fruit Bowl French Figurative Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 11 x 15 inches Condition...

Studio portrait from the 1940s of Ingrid Bergman rendered in Warhol's signature style published by Galerie Borjeson. Known for his bold, repetitive portrait style, Warhol transformed...

This painting is in excellent condition and has only been shown in a gallery. Federico López Córcoles was born in the Alicante region of Spain in 1970. This area is well-known for ...

Two women converse beside a shrine, where they are filling up ceramic vessels. Signed to the lower right. Well presented in an ornate gilt frame. On panel. Image size: 26 x 20.5cm.

"Soft Presence" is an original 29.7 × 42 cm (11.7 × 16.5 in) contemporary portrait painting of a woman by French artist Natalya Mougenot, celebrating feminine presence through a vibr...

"Side Show," is an oil on canvas figurative painting by Zoa Ace. The composition features a ballerina in a pastel pink tutu with a colorful diamond-patterned bodice, standing between...

A charming contemporary portrait to add joy to your home. The painting is framed in a traditional wood frame in black. Additional information: Acrylic, Acrylic paint on Canvas 29 H ...

6070 Oversized oil painting of a worrior King Set in an elaborate frame Image size 23x35" By Italian artist John Rocco Mastrangelo

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...