Face Art

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

'Providenza' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inche...

Itzchak Tarkay, “Jessica and Linda Sharing Secrets” - Signed, Ltd Ed Serigraph. in good condition measures 23x21

A beautifully executed and deeply evocative late 19th-century painting of the Virgin of Guadalupe, signed “Y. Gons. Cervantes pinxit / Abril 1887.” Rich in symbolism and devotional i...

Oil on canvas mounted to Masonite Signed in red, u.r. $7000.00 + $350.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure ...

Original. YMCA for Your Boy. Acid-free original vintage poster in excellent condition with archival linen backing, ready to frame. Certificate o...

La obra no va firmada El estado de conservación es bueno Se presenta enmarcada la obra con un marco posterior a la obra Medidas de la obra: 40 cm. de altura x 33 cm. de ancho. Me...

Original title: Il Ciclista Cyclist is an original etching realized by Giuseppe Viviani in 1955. Hand signed and dated in pencil on lower right margin "G. Viviani 955", edition of 200 prints. It represents a cyclist who is riding along a tree-lined road. Very good conditions except for foxings and faded paper. - Published on “Giuseppe Viviani Catalogo Generale” cured by Silvio Guarasci Pisa, Editore Saletta d’Arte Viviani s.a.s. Pisa, p.216. Giuseppe Viviani (1898-1965) is a popular Italian artist and engraver. His figures are characterized by stylized silhouettes, big and sad eyes...

Three beings merge in a silent embrace -a white animal, a blue woman with flowers in her hair, and another blue figure resting against her. Their bodies glow with orange and yellow w...

THE DOORWAY by the American painter and printmaker Will Barnet (born May 25, 1911 - died Nov. 13, 2012) is an original, hand drawn lithograph, printed in 12 colors using hand lithogr...

Neptune on the Waves of the Ocean Workshop of Giovanni Francesco Barbieri, known as Il Guercino (Cento, 1591 – Bologna, 1666) Attributed to Ercole Gennari (Cento, 1597 – Bologna...

Artist/ School: The work is signed and dates to the 1970's period. Title: Portrait of an Africa Woman, believed to be from Tanzania (according to previous owner). Medium: oil paint...

Yoshitomo Nara Midnight Truth, 2017 Offset lithographic poster Stamped with title, artist's name, copyright and year Unnumbered 20 1/2 × 14 1/4 inches Unframed published by N's Yard,...

What binds us together isn't just blood; Love binds us, Nature binds us, and Time binds us together. The beauty of this all is that the Bond that binds us together is the inseparabl...

A Finely Drawn, Modern 1940s Figure Study Drawing (Seated Young Female Model) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, Mid-Century M...

Anthony Bourdain drinks a beer in a New York bar during a photoshoot with photographer Jake Chessum in 2008. The photo is printed on Fuji crystal archive paper Available in the foll...

Bust of Antinous as Bacchus/Dionysus with Gilt Floral Wreath, 19th Century F. Barbedienne foundry, A. Collas Reduction Mechanique stamp on back Gilt bronze 12.5 x 7 x 6 inches Antin...

La obra va firmada por el autor en la parte inferior y fechada del año 1969 En la parte trasera, va nuevamente firmada y fechada Se presenta enmarcada la pintura El estado de cons...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

Series: Mouths Chromogenic Print on Kodak Endura Luster Paper All available sizes & editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist ...

Auguste RODIN (1840–1917) (after) The Victors, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (1...

Antique Horse Bronze  "Horse  in the Stable Playing with a Dog (The Good Companions)" Jument à l'écurie jouant avec un chien Pierre-Jules Mene (French, 1810-1879) Bronze 19 x 10 inc...

Andy Warhol Carly Simon, 1980 Stamped by The Estate of Andy Warhol on the reverse Gelatin silver print 10 x 8 inches Provenance The artist Estate of the artist Long-Sharp Gallery, I...

Possibility is a china ink Drawing realized by Mino Maccari in 1970. Hand-signed on the lower margin. Good condition on a white paper. Mino Maccari (Siena, 1924-Rome, June 16, 198...

Medium: original lithograph. Catalogue reference: M 366. Executed by Chagall for the Jerusalem Windows portfolio and printed in Paris in 1962 at the atelier Mourlot. Size: 12 3/4 x 9...

The Favourite Pet English Country House Portrait, lady with Spaniel Dog English, 19th century circle of Alfred Edward Chalon (19th century) oil on canvas, framed framed: 23.5 x 20 i...

An impressive 19th-century copy of "The Little Fruit-Seller", after Bartolome Esteban Murillo (Spanish, 1617 - 1682), by an unknown artist (1...

C. 20th Century - Beautiful " 5 Wise Men " Done by Amado Maurillo Pena Jr. ( Native American Serigraph )

A Very Finely Drawn 1930s Modern Portrait Figure Study of a Handsome Young Male Model by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). An early charcoal drawing by ...

18th Century Gentleman In Burgundy Coat English School, mid 18th century, unsigned Circle of Arthur Pond (British, circa 1705-1758) Portrait of a gentleman, three-quarter-length, in...

Double sided portrait Josine Vignon (French 1922-2022) ...

* No US duty or taxes to pay on works of art * A beautiful mid 20th century French oil on board portrait of a black woman. The work is presented in a very good quality wooden frame....

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

John, Augustus (British, 1878-1961) IDA WITH CHILD. Pencil on paper, not dated, but after 1901 and before 1907. Signed lower right. 7 3/4 x 13 1/4 inches (sheet), framed to 16 1/2 x ...

The Couple is a China Ink Drawing realized by Mino Maccari (1924-1989) in the 1960s. Monogrammed on the lower. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was ...

* No US duty or taxes to pay on this item * A beautiful mid 20th century Swedish oil on canvas self portrait of an artist wearing a beret. Very decorative work in the cubist style w...

Image size: 14.88 x 18.75 in Paper size: 17.94 x 23.63 in Frame size: 28 x 31.88 in Color lithograph after the 1950 oil on canvas by René Magritte, plate-signed by Magritte and num...

Listing includes free shipping, and a 14 day return policy. The artwork will ship from London. Immaculate Conception, Villa De'este (2015) 24 ...

Walter Sinz (American, 1881-1966) Mother and Child, 1949 Plaster Signed and dated on base 23.5 x 6 x 9 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on Jul...

Still-life in Studio 85 x 100 cm (framed in a black wooden frame 95 x 110 cm) Oil on canvas Ksenya Istomina graduated in 2018 at the 'Imperial Academy of Arts in St Petersburg'. S...

Giusto (or Justus) Sustermans (Antwerp, 1597 – Florence, 1681) Workshop of Portrait of Ferdinando II de' Medici (1610–1670), Grand Duke of Tuscany Oil on canvas 133 x 97 cm Fram...

The Grape Harvest Flemish/ Dutch School, 17th century oil on wood panel panel: 13 x 16 inches provenance: private collection, Belgium condition: very good and sound condition

Signed limited edition print of John Lennon and Yoko Ono during the filming of a video to promote their new album, "Double Fantasy", New York City, November 26, 1980, taken by Allen Tannenbaum. Filming began in Central Park, then moved to a gallery on SoHo for scenes where they would arrive in a white bedroom, first in street clothes and later in kimonos, strip, and make love. Allan Tannenbaum is an esteemed photojournalist and fine art photographer. His documentation of New York art, music, and nightlife has become iconic, particularly his definitive coverage of the burgeoning 1970s punk...

Couple within Interior Dutch artist, late 19th century oil on canvas unframed canvas: 16 x 13 inches provenance: private collection, France condition: good and sound condition

Flemish, mid-16th century Circle of Jacob Cornelisz van Oostsanen (1470-1533) Saint Jerome, translating at his writing desk, with a landscape beyond, and his lion drinking from a s...

Canadian artist Roch Smith's distinctive visual language ignites our collective imaginations. Smith is known for his playful approach to important themes. He often uses humour to en...

Signed and dated figurative oil on panel circa 1920 by French post impressionist painter Henri Lebasque. The piece depicts a woman in a red dress sewing while a young girl in a pink ...

Pope John XXIII - Vintage b/w Photo realized in 1963. In the photo: Pope John XXIII, records Easter Message to the world in his private library in the Vatic...

A finely executed 19th-century Italian School miniature portraying a rosy-cheeked, bearded gentleman wearing a fur hat and collar. The artist has rendered the textures and details of...

1964 Offset lithograph in colors, on wove paper Sheet: 23 x 23 in. (58.4 x 58.4 cm) Edition of 300 Signed and dated in black ink, lower right

Hendrick Corneliszoon van Vliet (Delft, 1612 – Delft, 1675) Interior of a Flemish Church Oil on canvas 75 x 89 cm. - In frame 103 x 89 cm. This gem of Flemish painting immer...

A large scale, expressive study depicting a scantily dressed woman in an interior. The artist captures the scene entirely in hues of pink, using expressive brushwork to create a text...

This piece begins a new body of work that asks a simple question: What if becoming never required us to leave ourselves behind? For me, growth should never come at the cost of ident...

The Weight of Thoughts from the series The Daily In this work, the figure is depicted with a jug placed on her head — simply, without dramatic gesture. The image can be seen as a vi...

Female nude figure at the beach by listed artist Jon Blanchette (American, 1908-1987). Presented in a wooden frame. Signed "Jon Blanchette" verso. Image size, 24"H x 18"W. Jon Blan...

Itzchak Tarkay "Woman at Cafe" Serigraph Signed Framed Limited Edition Artwork. In good condition measures 45x39

William Gropper Unemployment WPA American Scene Realism Mid 20th Century Modern William Gropper (1898 - 1977) "Unemployment" 7 1/2 x 5 1/4 inches Ink on paper, c. 1930s Signed lower...

French artist, circa 1800 Study of a male nude Oil on canvas Size 24 x 49 cm Frame 34 x 59 cm

Victor Arimondi (1942-2001). Portrait of Grace Jones, 1975. Period print measures 8.5 x 11.25 inches; 10 x 13 inches framed. Artist studio stamp on ver...