Face Art

Marc Chagall (1887-1985) - Le jardin de pomone (The Garden of Pomona) Lithograph from 1968. The edition of 5/50 on Arches paper. Dimensions of work: 64.1 x 46.4 cm. Hand signed. ...

Monogrammed "TG", Late 19th Century Symbolist / Pre-Raphaelite Oil Painting A captivating late 19th-century oil painting imbued with imaginative symbolism and strong Pre-Raphaelite ...

Matt Talbert's "Remember When" (2024) is an original, handmade oil painting on panel that depicts a portrait of a seated brunette in deep contemplation. Artist bio/statement: Matt ...

FRANCES H. GEARHART and Sisters (THE GEARHARTS) FRUIT FOR SALE c.1928 Color block print. Signed “The Gearharts” and titled. This is an original block print from “Let’s Play”, an...

18th Century Gentleman In Burgundy Coat English School, mid 18th century, unsigned Circle of Arthur Pond (British, circa 1705-1758) Portrait of a gentleman, three-quarter-length, in...

Pablo Picasso (1881-1973) - Nature morte aux poires et au pichet Etching and aquatint from 1960. The edition of 32/300 on Arches paper. Dimensions of work: 50 x 65.5 cm. Hand sig...

Lithograph on paper. Hand signed and numbered in pencil. Edition of 100. Very good condition.

Antique European impressionist portrait oil painting . Oil on canvas. Signed. Framed. Measuring: 26 by 32 inches overall, and 21.5 by 26.5 painting alone. Handsomely framed in a gi...

Painting size without frame: 17 1/4" x21 1/4" Painting size with frame: 23" x 27" Painting is signed lower left corner. An elegant interior figure painting by Charles P. Gruppe dep...

Academic style figurative oil painting of a handsome football player against a country landscape 'Ready to Play', Painted by Mark Beard as Bruce Sargeant (pseudonym in homage to the...

"Summer Vibes" is an original acrylic painting on canvas that combines contemporary figurative painting with geometric abstraction. A young woman, immersed in music, gently holds a c...

VENDEDORA, a limited edition lithograph by the renowned American-born Mexican sculptor and printmaker Elizabeth Catlett(b.1915–2012) depicts a sensitive black and white portrait of a...

La obra no va firmada El estado de conservación es bueno Se presenta enmarcada la obra con un marco posterior a la obra Medidas de la obra: 40 cm. de altura x 33 cm. de ancho. Me...

Hyperrealistic bronze female head sculpture with hollowed skull evokes mystery and organic patina. Soño (24 × 17 × 22 cm) by Aldonza is cast by the artist using the traditional lost-...

Original Beat Back the Hun with Liberty Bonds vintage military poster.. Artist F. Strothmann. Original World War 1 antique vintage poster; archival linen backed and ready to fram...

In "Whisper of the Soul," my newest addition to the "Myths" series, I have crafted an image that delves into the mystical world of self-discovery and introspection. This artwork can...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "The 'Garden Guardian' serves as the keeper of our...

He stands tall—a slender naked figure, arms crossed, head slightly tilted. This is Norbert. He is one of a series of figures sculpted from paper mache and wire by Paul Duval. The Que...

Mystery Artist Tennessee, 9/12/86 Oil on canvas 34 x 43 3/4 x 1 in. Titled and inscribed upper left

11 x 14" vintage silver gelatin photograph of twin brothers Jay and Jed Johnson photographed for 'After Dark' magazine on June 8, 1970. Comes dire...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Tos...

A captivating Belle Époque character study attributed to the French painter Tony Tollet (1857–1953), depicting a young woman seated in quiet contemplation. Rather than presenting hi...

French, Mid Century, pastel and crayon portrait of an elegant young lady by Gourdon. Signed and dated bottom left. Trade label to the back board. Presented in period deep 'tray' frame. This seems to be an early work by the artist and hence it carries his name rather than his later more distinctive signature 'Aslan'. Alain Gordon was one of two brothers, his sibling Michel also went on to achieve notable success with his distinctive 'comic' style. Alain Gourdon...

Mid Century Modern Jazz Quartet Figurative -- "The Band Box" Signed A vivid, mid-century modernist interpretation of a jazz ensemble by Louis M. Centofanti (American, 1921-2018). "B...

Marc Chagall (1887-1985) Carte de Voeux pour Aime Maeght 1960 Lithograph in Arches paper Signed in stone Image: 22.2 x 29.5 cm Frame: 46.5 x 54.5cm Marc Chagall (1887 – 1985) Russi...

Photographic Mosaic Hundreds of tiny, all individual images meticulously placed to create one powerful piece

A wonderful original figure painting for a 1930's illustration by Charles Kinghan (American, 1895-1984). A woman in a plaid green skirt and mustard yel...

This green emoji portrait by Natasha Lelenco is painted with acrylic and Posca marker on a wood panel and presented in a hand-painted pink resin frame. The compact frontal face combi...

Medium: Digital archival print Image Size: 13.5 x 35 inches Year: 2024 Edition: 500 This is a unusual item from Romero, a project completed for a movie. The Pleasantville Color Car...

The photographer Wolfgang Kühn photographed Alberto Giacometti in November 1963 in his studio in Paris in the 14th arrondissement at the address rue Hippolyte-Maindron. The appointment was arranged by the gallery owner Aimé Maeght. 17 photographs were made. In 1990 copies of them were deposited in the Museum of Modern Art in New York. In 2010, the Center of International Sculpture of the Wilhelm...

In this oil painting, I embraced the raw vitality of expressionism to capture the essence of renewal. The figurative approach intertwines with the soft vintage touch, conveying a fin...

Learn from the past, Live in the present, Hope for the future, Do your best today, Never give up, Improve your tomorrows. Shipping Procedure Ships in a well-protected tube from Nige...

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

A Finely Drawn, Modern 1940s Figure Study Drawing (Seated Young Female Model) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, Mid-Century M...

Niño Payaso is an original hand drawn stone lithograph by the Mexican artist Rafael Coronel. Niño Payaso was printed one color at a time on archival printmaking paper using traditional hand lithography techniques in Paris c.1973 from lithographic stones drawn by the artist. Niño Payaso is a sensitive profile portrait depicting a young boy wearing an antique-style clown outfit whose image suggests a deeply dispirited child at a moment of gloom; a very strong impression printed in rust orange, light beige and black ink on buff colored paper. Framed size - 24 x 30 in., dark brown Mexican wood frame...

Paper Size: 38 x 52 inches ( 96.52 x 132.08 cm ) Image Size: 38 x 52 inches ( 96.52 x 132.08 cm ) Framed: No Condition: A: Mint Additional Details: Celebrate the vibrant artistry of...

Bronze Bust of Julius Caesar, 19th Century Patinated bronze mounted to stone base Unsigned 11.25 x 4.5 x 4.5 inches Gaius Julius Caesar was a Roman general and statesman. A member o...

Italian Portrait White Marble Bust in a Heroic Attitude. Carrara statuary Marble. Tuscan school. Circa 1850.  Bust depicting a young man with bare shoulders. This model draws inspira...

Pablo Picasso (1881 - 1973) Au Vieux Sculpteur au Travail I (Old Sculptor at Work I), c. 1933 Medium: Etching on Montval Laid Paper with Vollard Watermark Edition: Edition of 260 Artwork Size: 10.5 x 7.6 in Framed Size: 28.5 x 24.25 x 1.5 in This work is Framed Etching on Montval Paper, from the Vollard Suite, c. 1933 Image Size: 10.5 x 7.6 inches From the small margins edition at 260 proofs, unsigned Published by Vollard, Paris Printed by Lacourière, Paris Pablo Picasso’s Vollard Suite...

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers Bronze with gilt socle base 9 x 3.75 x 2.75 inches Provenance: Removed from a private residence at the Pierre Hotel Di...

Johan Gottfried (19th Century) "Portrait of a Woman in a Red Dress" (1820) This elegant early 19th-century miniature portrait by Johan Gottfried captures a noblewoman in a striking ...

Bohemian Hippie Woman Knitting Realist Figurative Portrait Acrylic Painting Creator: José Luis Fuentetaja (Spanish, b. 1951) Title: Bohemian Woman Knitting Date: Circa 1980 Medium: ...

Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...

Yoshitomo Nara Midnight Truth, 2017 Offset lithographic poster Stamped with title, artist's name, copyright and year Unnumbered 20 1/2 × 14 1/4 inches Unframed published by N's Yard,...

William Gropper Unemployment WPA American Scene Realism Mid 20th Century Modern William Gropper (1898 - 1977) "Unemployment" 7 1/2 x 5 1/4 inches Ink on paper, c. 1930s Signed lower...

Como pueden apreciar, la obra no va firmada Se presenta enmarcada la obra con un marco del siglo xix en madera estucada y policromada (el marco presenta algún leve descolche) El es...

Johnny Depp, Al Pacino, 2022 Silkscreen and archival pigment prints in colours on Deckle Edged Waterford 111 × 111 cm (43 7/10 × 43 7/10 in) Edition of 188 of195 Hand-signed by the...

‘Guinevere’ by Norman Prescott-Davies R.B.A, R.C.A. (1861-1915). The painting – which depicts an English medieval portrait of Queen Guinevere at Amesbury Priory contemplating her l...

The Dance is a vintage lithograph realized after Raoul Dufy in 1920. Good conditions. Edition of 110. The artwork is depicted through confident strokes in a well-balanced composit...

Double sided portrait Josine Vignon (French 1922-2022) ...

Artist: Henri Matisse (1869–1954) (after) Title: Woman in the Red Chair (Femme a la Chaise Rouge) Year: December 20, 1954 Medium: Lithograph on velin paper, archivally hinged on gran...

"This Feels like Deja Vu" Figurative Painting 23" x 19" inch by Isaac Pelayo Painting size: 23" x 19" in Size framed: 31" x 27" in Medium: Oil, oil stick, and aerosol on wood panel ...

After Antonio Canova (Italian, 1757-1822) Psyche Revived by Cupid's Kiss Marble 24 x 19 x 16 inches 135 lb. The love affair between Cupid and Psyche is one of the best known classic...

* No US duty or taxes to pay on this item * A beautiful mid 20th century Swedish oil on canvas self portrait of an artist wearing a beret. Very decorative work in the cubist style w...

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

Figure of a Chanting Warrior Ceramic with bitumen highlights 300-600 CE (Classic Period) Mexico, Veracruz, possibly Nopiloa Veracruz Culture Pre-Columbian, Mexico, Vera Cruz culture...

Auguste RODIN (1840–1917) (after) The Victors, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (1...

Beautiful Khmer head of Buddha. Angkor period, style of the post-Bayon. 14th century. Carved sandstone. Height 12 5/8 inches, width 5 5/8 inches, profile 5 ...

A magnificent 19th-century Italian painting. Oil on canvas, first canvas, painting depicting a young woman absorbed in thought, of extraordinary pictorial quality. The girl with long...

A charming 19th-century study in oil depicting the Madonna and Child, rendered in a charming folk style. Unsigned. Well presented in a thick gilt frame with a gilt slip. On copper.