Figurine Art

Horse With Two Riders Large Outdoor Bronze Sculpture 1974 Artist signed, edition 2/6. Light blue green patina. Deaccessioned from the Boca Raton Museum of Art. This is a stunning ...

grandfather sitting with grandchildren

Bull V (Taureau V, 2014) is a bronze sculpture by French contemporary artist Pierre Yermia 57 cm × 70 cm × 20 cm. Limited-edition of 8 copies and 4 artist's proofs. Each copy is sign...

A classic relic from the American West, Spampinato's exquisite solid bronze sculpture is beauty, grace and action-packed. Signature inscribed on sculpture and plate stamped on base. ...

Sculpture of a boy riding a toy pony.

Impressive 19th century Italian gondolier hand carved in hardwood with realistic detail, dressed in the typical hat, vest and sash, holding a torch and standing on a gondola set on a...

You too my son is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 32 × 21 × 19 cm (12.6 × 8.3 × 7.5 in). The sculpture is signed and numbered, it is ...

ANTONIO PIAZZA Italian, (Late 19th/Early 20th Century) signed 'A. Piazza Carrara' 33 1/2 x 14 in. x 13 in. Notes: A Fine Italian Carrara Marble Figure of a Boy Holding a Hat

This sculpture is made out of bronze, by Dutch artist Martijn Soontiens. He made a series of sculptures for the latest exposition at Galerie Bonnard. Y...

Antique Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali; Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rath...

A beautiful street art, abstract Mannequin Bust decorated by artist Angel Ortiz. Here we find this stylish bust figure with the artist signature tag...

Resin, steel, string and acrylic paint with hand-drawn canvas Edition of 250 Figure 36 × 19 × 22 cm (14.2 × 7.5 × 8.7 in); Canvas 20.5 x 16.3 cm (8 x 6.5 in) Signed and numbered on t...

Follower of Bacchus is an original bronze sculpture realized by an Italian Sculptor in the end of the XIX century. Bronze casting. Made in Italy. H: 100 cm. Excellent conditions. ...

I am a storyteller. As an actor, director, and writer, storytelling has been the heart of my life’s work. Whether on stage, in front of a camera, or on the page, I’ve spent years cra...

"Jean-Paul Gaultier" is a Pop Art and Post War unique Polacolor ER Print photograph by Andy Warhol in c. 1970s. The artwork is 4 1/4 x 3 3/8 inches and, with the frame, is 9 x 9 x 1 ...

Her-Untitled 7 & 5 Diptych, 2018 by Ying Chen From the Her series Archival pigment print Overall size: 14 in. H x 22 in. W Individual size: 14 in. H x 11 in. W Edition of 10 + 2AP...

EMILE PINÉDO French, 1840-1916 Guerrier Arabe Sur un Dromadaire - Warrior On a Camel Signed Pinédo with the bronze Garanti au Titre seal, titled Patinated bronze, brown patin...

Freedom is probably what characterizes the most "Kiki" or Christophe Stouvenel: collage, acrylic, aerosol can, on signs, old posters recovered or even a fo...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* The "Lucky Baby Elephants" series is exclusive of Artist Mauro Ol...

This is a one of a kind original sculpture by San Diego artist, Cheryl Tall. Its dimensions are 30" x 66" x 30". A Certificate of Authenticity will follow the delivery of this piece...

The Skipper (Le Pacha) is a smoke sandstone, steel and cotton sculpture by French contemporary artist Cécile Raynal, dimensions are 50 × 31 × 25 cm (19.7 × 12.2 × 9.8 in). The sculpt...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

"Union" by Frederick Hart is a figurative female and male figure bronze sculpture with the edition number 299/350. Inspired by The Creation Sculptures of the Washington National Cathedral...

The narrative of love takes many forms in this bronze Gillie and Marc sculpture. Sculpture weighs approx. 12.5 lbs. The artists' names and edition number, 12/30, are stamped into the...

Nothing is more delightful than depictions of people from the turn of the century that convey a distinguished sort of elegance, composure and dignity. Gone today is the concept of "...

Original bronze sculpture by artist Andrea Wilkinson. Edition 11/30. Artist signature inscribed on sculpture.

This figurative sculpture by Lutfi Romhein depicts a female nude bust in Belgian black marble mounted on a grey marble base. It has a very fine grain which provides a really soft tou...

Frances Semple’s beautiful and elegant sculptures often appear in motion. Defying gravity, a horizontal figure appears to float on its back above its shadow. This table top piece is ...

"I create this sculpture at the very beginning of my career. I sculpted it from a real model. The girl was very lost in her thoughts or dreamed of something. Her body was relaxed an...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

Edition TP. 2025 ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists ...

Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday ...

German artist Philipp Liehr first discovered his extraordinary dexterity as a dental technician. He soon perfected this artistically as a cartoonist and during his training as a scul...

Signature of the Artist engraved in the bronze base of the piece with an edition number. 323/1800

Contemporary bronze figurative sculpture of standing woman by Italian artist, professor Giuseppe del Debbio. Sculpture is signed on the base. GIUSEPPE DEL DEBBIO ( 1950-2019) Profe...

Volodymyr Mykytenko - The Wheel of Time (2003) Wheel of Time- this is a story about the reincarnation of the human soul from the lower, which sank to th...

Prendoni Attilio Sculpture of Girl Child in Carrara Marble Biaco signed on the molded plinth, depicts a young girl with her hair gathered by a bow, a maiden with a shy attitude as in...

Lucy Kinsella exclusive to Hancocks Length 14cm x height 10cm 520 grams The limited edition finely modelled pig sitting down with his curly tail poking out behind him, nose up in the air and mouth open, as if we’ve caught him mid oink! He has been sculpted in Kinsella’s instantly recognisable dynamic style and demonstrates her skill at conveying personality in the animals she creates. He would make a delightfully light...

Volodymyr Mykytenko - female torso (2001) Female torso - my work is a symbol of female beauty and ideal forms of love Additional information: Med...

Ceramic vase, crystal green eyes Edition of 500 Signed, numbered, dated and embossed on the bottom New, as issued. Minor imperfections may appear due to the nature of the materials. ...

Bust Of A Young Woman Bronze sculpture signed by the artist inside the cast and dated 1988, 1st cast in London. Kevin Berlin is an international arti...

Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston. Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts, Born in Waterloo, New York, Randolph John Rogers became an expatriate* sculptor of idealized figures, portraits, and commemorative works in Neo-Classical* and Realist* styles. He worked in clay, plaster, marble and bronze, and lived both in Italy and the United States. He made 167 examples of Nydia in two sizes (varies depending on base height) 36" and 54'. Rogers was raised in Ann Arbor, Michigan, and as a young man did woodcuts* for the local newspaper, The Michigan Argus, and also worked as a baker's assistant and a dry goods clerk. In 1847, he moved to New York City, where he hoped to find work as an engraver*, but failing to do so, worked in a dry goods store owned by John Steward...

Serie Olimpo Vulcano bronze, 2/8 30h x 14w x 8.75d in 76.20h x 35.56w x 22.23d cm ed. 2 JCP072 Jesús Curiá's sculptures arouse something more than purely aesthetic pleasure. We can ...

Larry Moss has created his amazing air-filled art called “airigami” in 12 countries on four continents. Moss's work with latex balloons makes great art accessible to kids in a fun e...

This Sculpture is made by Jos de Wit. It is made of pear wood. The wood, and al other material he uses for his sculptures he also uses for building instrume...

Artist/Designer; Manufacturer: Maxx Hermann (b. 1955) Marking(s); notes: signed; ed. 1/ 5; 2007 Country of origin; materials: German; C-print Dimensions...

Molly Schulps is an artist and educator living in both California and Oregon. She grew up in Southern California and was deeply influenced by her father who was a successful educator...

Magda Watts (Israeli, b. 1928) Handmade Folk Art Sculpture Old Folks with a newspaper Hand signed to underside, Dimensions: 12"h x 14.5" l x 7.5"d. Mag...

This Sculpture is made by Jos de Wit. It is made of mahogany wood. The pedestal is made of mahogany and maple wood. In the not of the fish there is a piece ...

In this thoughtful sculpture by Canadian artist Richard Tosczak, the gestures of a female figure, head bent, arms wrapped, are captured in bronze. Known for his beautiful figurative work, this piece retains the artist’s signature highly textured appearance and green-black patina. Tosczak’s pieces are first conceived on paper in quick pen and ink drawings. The spontaneity of this approach is evident in the almost abstract appearance of the sculpture. This piece is number three in an edition of eight. “The ineffable, vital qualities of the human spirit (is what I’m trying to communicate.)” - Richard Tosczak Born in Belgium, Richard Tosczak studied philosophy and sculpture at the University of Alberta. At that time, Tosczak began working in steel and was influenced by a number of his professors who appreciated the work of a British abstract sculptor, Sir Anthony Caro considered one of the greatest sculptors of his generation. Further studies were pursued in France with another internationally acclaimed classic sculptor, Martine Vaugel...

This delightful bronze sculpture of a walking baby elephant is highly textured and finished with an elegant sepia patina. Canadian sculptor Richard Tosczak begins his pieces with rapid pen and ink studies that evolve into dynamic three-dimensional figurative works cast in bronze. This is number 3 in an edition of 8. “I have always liked sculptures of Ganesh (elephant-headed Hindu god of beginnings) and have thought about making images of baby elephants for years. The baby elephant, for me, symbolizes creativity and the importance of pursuing one’s truest life.” Richard Tosczak Born in Belgium, Richard Tosczak studied philosophy and sculpture at the University of Alberta. At that time, Tosczak began working in steel and was influenced by a number of his professors who appreciated the work of a British abstract sculptor, Sir Anthony Caro considered one of the greatest sculptors of his generation. Further studies were pursued in France with another internationally acclaimed classic sculptor, Martine Vaugel...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* Meet Fren and Chie: The BadAss Gangsta Couple of south of France....

Horse XIV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 60 × 55 × 16 cm (23.6 × 21.7 × 6.3 in). The sculpture is signed and numbered, it is part ...

A very elegant antique Art Deco bronze sculpture, statue by Josef Lorenzl, Austria, 1925. This beautiful bronze sculpture portrays a beautiful young woman, she is modeled as a nude t...

The elegant form of a nude female figure is captured in this sculpture by Canadian artist Richard Tosczak. This table-top piece is named after ‘Taygete’ one of the Pleiades--seven sister nature deities (nymphs) found in Greek mythology. She stands, head bowed, arms clasped around her neck as if in deep thought. Known for his beautiful figurative work, this piece retains the artist’s signature highly textured appearance and rich earthy patina. Tosczak’s pieces are first conceived on paper in quick pen and ink drawings. The spontaneity of this approach is evident in the almost abstract appearance of the sculpture. Edition one of eight. “What inspires/informs my work? In a word, observation. I notice things…a gesture…an accident.” Richard Tosczak Born in Belgium, Richard Tosczak studied philosophy and sculpture at the University of Alberta. At that time, Tosczak began working in steel and was influenced by a number of his professors who appreciated the work of a British abstract sculptor, Sir Anthony Caro considered one of the greatest sculptors of his generation. Further studies were pursued in France with another internationally acclaimed classic sculptor, Martine Vaugel...

3 standing figures IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 61 × 22 × 17 cm (24 × 8.7 × 6.7 in).   The sculpture is signed and numbered, i...

Artist: Jack Graves III (American, 1988-) Title: "Diana Sculpture II" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Medium: Original Acrylic Painted Cast Marble Sculpture Dimensions: 17" tall x 6.88" wide x 6" deep Weight: 3 pounds Condition: In mint condition Notes: This is a unique work, not from an edition. The raw white cast marble sculpture itself was not created by the artist; it is a found object which Graves has hand-painted and transformed with his own design. The sculpture is cast marble: over 90% natural crushed Greek Marble stone with a small amount of resin poured into a mold, made in Heraklion, Greece. Diana is a goddess in Roman and Hellenistic religion, primarily considered a patroness of the countryside, hunters, crossroads, and the Moon. She is equated with the Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter and Latona, and a twin brother, Apollo, though she had an independent origin in Italy...

Edwin Willard Deming (American, 1860-1942) Man with Flute and Cougar Cast bronze sculpture with golden brown patina Signed, numbered 9/100, with Fenn F...