Head Art

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Wonderful autumnal still life with pumpkin, apples and violets by an unknown artist (American, 20th Century). Signed illegibly ("Barbara ...") and dated "Spring 1990" lower edge. Pre...

Henri GUINIER Art Nouveau : Beauty of the Sea, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lith...

Artist: William Harnden, American (1920 - 1983) Title: Conductor with Singer Medium: Oil on Masonite, signed Image Size: 11.5 x 23.5 inches Frame Size: 17.5 x 30 inches

Antonio Mondino (information from c. 1610 to c. 1626) Title: Mystic Marriage of St Catherine of Alexandria Medium: Oil on canvas Dimensions:...

A light-hearted interpretation of the story of Adam and Eve, who find themselves in a vast landscape. The artist has attached a humorous inscription to the reverse reading: 'Less of ...

A dynamic and forceful semi abstract landscape in impasto oil. The artist has created an unrelentingly engaging piece with dramatic colour and atmosphere. The painting is signed to t...

A beautiful African cast bronze and carved horn sculpture with a patina. Horns were used by the Bamileke tribe of Cameroon as status symbols for ...

George Weissbort (Belgian / British, 1928 – 2013) A glass of wine in a classical study Signed ‘G Weissbort 62’ (lower right) Oil on board 13 x 21 in. (33 x 53.4 cm.) George Weissbort painted in a figurative classical style going against the grain of the modern abstract living and painting in the Wye...

Art is a form of expression that can take many shapes and forms. One such form is painting, and Esther Obiwuru is an artist who has created a powerful piece of artwork titled "Sittin...

Victor PROUVE Family : Mother and Father Kissing a Baby, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMA...

Artist: Erik Freyman, Russian (1932 - ) Title: A Jeweled Kiss Year: 1992 Medium: Oil on Canvas, signed l.r. Size: 60 x 36 in. (152.4 x 91.44 cm)

"Celebration day" is a painting by the French artist Maestro Danielle Le Bricquir. Through her art, she has a very sharp and unique style of brig...

Chromogenic print (Edition of 7) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City.

Ray Swanson (1937-2004) "Native American" Original Pen & Ink c.1960s Fine portrait of a Native American Indian by listed Western artist Ray Swanson. Dime...

This early 20th-century oil painting by Dutch artist Jelle Troelstra (1891-1979) depicts a seated woman wearing a floral top and dark grey dress. With eyes closed and hands held upo...

Wheeler Williams (American, 1897-1972) Untitled Study, 1944 (Polo Players) Pencil on paper 15 1/2 x 19 1/4 in. Signed lower right: Wheeler Williams, 1944 Artist studio label verso Inscribed on mat: Drawings for Proposed Murals: Polo Room, Hotel Plaza.... A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors from Yale University in 1919 and earned a Master of Architecture degree from Harvard in 1922. He studied at the Art Institute of Chicago with sculptor Albin Polasek...

WILLIAM CROSSBIE RSA (1915-1999) Described by the Royal Scottish Academy as “one of the finest and most singular Scottish painters of the twentieth century”, am Crosby trained at Glasgow School of Art and in Paris under Ferdinand Leger...

Oil Painting by William Oliver "A Spanish Beauty" 1823 -1901 Painter of pretty girls often in Spain or Italy. He exhibited at the Royal Academy and Royal Society of British Artists. ...

Expressionist completely hand carved wood sculpture ca. 1925-1927, unknown artist. Monogrammed with C Sch on the base. Expressively carved base. Small damage on the hand. Measuremen...

Reed, Doel (American, 1894-1985) WEDDING PREPARATIONS.. Etching and Aquatint, 1973. Signed in pencil, lower right, and numbered 26/30. 12 x 17 1/2 inches (plate), 15 x 22 1/4 inches ...

Sudipta Kundu - Ganesha Acrylic on Canvas, 30 x 40 inches , rolled and shipped . For framed delivery contact us for the additional costs From Kolkata, West Bengal, INDIA. Paintings...

Signed and dated lower left: WARREN B. DAVIS 06

Based on Georgia Hinaris' love of the Horror Film genre, all that appears may be so much more in her work. The artist takes inspiration from these types of films with their stark cin...

This piece is an original photograph shot by Milton Greene circa 1950s. It depicts one of the most well known and influential musical artists of the 20th century, Frank Sinatra...

Contemporary in a Traditional style Impressionist Figurative Portrait Oil Painting of Model in White Gown adjusting the suspenders on her silk Stockings...

Taken at the Galleria Borghese, Rome. Archival chromogenic print on Hahnemüle Photo Rag Paper. Edition of 12.

Albert WATSON (*1942, Scotland) Charlotte, New York City, 1988 1988 Silver gelatin print Image 61 x 51 cm (24 x 20 1/8 in.) Edition of 10, plus 2 AP Print only Albert Watson was b...

Untitled . Offset Lithograph by Izumi Kato Printed in 2020 for the Exhibition at Perrotin Gallery Paris Sheet size: 58.5 × 39 cm (Framed 63 x 43 cm)

After a long journey her paramour lover was killed during an intense firefight in the military service, she was shocked when she heard about this cause her dead lover had told her on...

Archival pigment print (Edition of 5 + 2 APs) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Frances F. Denny writes: “During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8​th​ great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10t​h​ great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now? “Major Arcana: Witches in America​ is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people. “Major Arcana​ explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for ​Major Arcana​ (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...

Seated nude women study in a naturalistic style. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Digital C-print Signed, dated, and numbered, verso 20 x 24 inches (Edition of 15) 24 x 30 inches (Edition of 3) 30 x 40 inches (Edition of 5) This photograph is offered by ClampAr...

Martha Elizabeth Moore (American, 1913-1982) Signed: Martha Moore (Lower, Left) " Patricia ",c. 1940 (Titled on Stretcher Verso) Oil on Canvas 30 1/8" x 24" Housed in a Period ...

Portrait of the Artists Mother *see below by Gladys Marguerite Baker (British, 1889-1959) signed, titled verso oil on canvas, framed framed: 29 x 17 inches canvas: 24 x 12 inches Pr...

Henri Honoré Plé (1853 Paris - 1922 Paris), The Victorious David, around 1890. Red-brown and brown patinated bronze with terrain plinth mounted on a round base. 62 cm (total height) ...

This is one of Raeburns best works from his best period that is not in a museum or private collection. Three-quarter length portrait, seated in a white dress with a black scarf over...

Henri Honore Ple (French, 1853-1922) "La Nymphe" Patinated Bronze Sculpture, late 19th century, the draped standing figure with outstretched arms resting on a tree, signed to base "H...

Once The Master - Mid Century Figurative Landscape "Once the Master" a portrait of a Zuni Master Potter in contrast with the emergent modernism around him. He is beneath an adobe an...

Words fall short when art speaks for itself. A language all its own. "Inspiration was never something to seek out but to be awake for." Based in Southern California, Miriam contin...

Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Petti...

Medium: Oil on Canvas Signature: n/a Soldier's Pride was created as a component of Kuppenheimer's six-piece easel-backed World War I advertisement placards for in-store display. These pieces were expertly printed on a coated cardboard substrate so the black background would dramatically display the clothing item. Kuppenheimer & Hart Schaffner Marx...

Circa 19th Century Watercolor portrait of a woman reading a book

A photograph by Andy Warhol. "Self-Portrait with Skull" is a Polaroid, Polacolor by pop artist Andy Warhol. The work is numbered FA01.00123 and AWL095. Andy Warhol — who famously sai...

Medium: Oil on Canvas Signature: Signed Lower Right Featured in The Saturday Evening Post

Studio per la Coperta Study Blanket Oil Painting on Canvas Classic In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, ...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

eon Kroll Original Graphite Portrait of a Young Man c.1940 Outstanding portrait by listed American artist Leon Kroll Graphite on paper Dimensions 12" wide x 18" high The vintage ...

A truly unique and eye catching 19th Century portrait, showing a striking woman in a vibrant red shawl and elaborate lace bonnet. The rich tapestry on the sleeves of her shawl, the d...

David Paul Kay "Alpha" 2024 18x24 inches ink on paper, framed. About the Artist David Paul Kay is an American contemporary artist based in New York City. With a focus on vibrant l...

Original graphite, oil pastel and charcoal drawing on Strathmore toned gray paper 80 lb. Signed front and certificate of authenticity. Spray graphite varnish. 27,9 x 35,6 cm. 1...

Italy,Italian Painter,Women,Red ,1977 Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressiv...

Rare Italian statue in patinated stucco from the first half of the 20th century. The work depicts a vestal with an amphora, probably Hebe, Goddess of youth and handmaiden of the deit...

"Memories and Dreams" Photography 32" x 24" inch Edition 2/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 32” X 24” inch Limited Edi...

Untitled, c. 21st century Mixed media on wood 28 1/2 x 20 1/4 x 1 in. Inscribed in Japanese verso

Statues is a china ink drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, June...

Unsigned. Presented in a distressed, gilt-effect slip and frame, as shown. On board.

Smiling Portrait of Édith Piaf is a vintage photograph by Léonard De Raemy for Parimage agency. Print on single-coated paper, excellent conditions. Agency...