House Art

René Zwahlen comes from a family of artists and is a 20th century artist from Geneva (Switzerland). His work is neat and realistic, the work is in perfect condition. The work is sold...

Meadow Landscape signed by Y. Blanchon, French 1950's Impressionist artist oil on artist paper, unframed painting: 16.5 x 13 inches provenance: from a large private collection of th...

Contemporary ink drawing by Polish artist Elżbieta Siegoczyńska. ELŻBIETA SIEGOCZYŃSKA is a Polish painter who studied painting at the Academy of Fine Arts in Warsaw (from 1964 to 1...

"A house in the woods. Cherry blossom" landscape of the Volsky Lily. The landscape with the forest house was painted in spring. How I want to escape there from the city. It will sett...

Artist/ School: French School, circa 1930's, inscribed verso. Title: Rooftops over Provence, inscribed "Nice" verso. Medium: oil painting on canvas, unframed, canvas: 15 x 18 in...

Beautiful double sided watercolor painting of an adobe archway with a tree in the center and desert hills overtaking the background, and a painting of the colorful "Catarina" boat on verso by Lillie. E. Heebner, a Watsonville, Monterey Bay area, California watercolor artist. Signed "L.E. Heebner" bottom right. Unframed. Image: 15"H x 22"W. Lillie (Lil) E. Heebner was guided through life by her creativity. Even at 92, she never felt old, and often said so. She met every situation in life—including death—with ingenuity. Although born in Richmond, Lillie lived in Watsonville all her life. Her father, Frederick H. Hillman, grew up on a strawberry ranch in Pajaro, graduated from Watsonville High School in 1916, and served in France during World War I. He later worked for Martinelli's Apple Cider plant and became foreman. Lillie's mother, Esther C. Hobson, moved as an infant from Bakersfield to Santa Cruz with her family in 1901, when they founded Hobson's Bath House at the Santa Cruz Boardwalk...

Raymond Bonilla's (US based) "Study for 'Last Light on Bidwell'" is an original, handmade mixed media painting that depicts a dark surreal still life of a gazebo surrounded by nature...

Serene figurative landscape of a sculpture garden full of plants and architectural elements by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in...

"Big Ben From The South Bank" by Nat Norman A woman looking across the Thames towards the Palace of Westminster, London, circa 1955. Unframed Paper Size: 16"x 12'' (inches) Printe...

A bucolic sunrise scene from the Netherlands or German by Johann Jungblut. Oil on board signed in the lower left. Measures 23.25" x 17.25" including the frame. While this work is a w...

Artist/ School: Norman A.Olley (British, 20th Century) dated 1990 and inscribed verso Title - Chapel In The Flinders Ranges Medium: gouache/watercolour/ ink/ pencil on artist paper...

French Countryside Landscape by Edmond Quinton (French 1892-1969) *see notes below oil painting on canvas stuck on board/ panel, unframed size: 7.5 x 9.5 inches condition: overall go...

Came to America some time before 1844, when he was first listed in the Philadelphia directory. He may have been in NYC before this, since his wife, Eliza C. Bourquin, was born there ...

Very nicely painted American school Trompe L'oeil still life painting. Finely executed with great detail. Signed. Framed. Ready to hang!

Almost daily between 1993 and 2004, Alejandro Cartagena would commute on a suburban bus from Monterrey to the suburban city of Juarez and back. Working at his family’s restaurant, he...

Offset poster realized after Franco Fontana in occasion of the exhibition held at Galleria Rondanini, Rome, in 1979. Publisher’s credit printed lower right. Excellent condition. A...

"Steps", a highly realistic late 20th century watercolor landscape of a staircase in front of a wooden barn by Verne R. Horton (American, 1941-2020), 1986. Horton's background as a technical artist and draftsman is apparent in the fine details of this piece, such as the crisply rendered planks of wood that comprise the barn, the individual pieces of metal that form the railing, and each block of cement that make up the staircase. Horton's meticulous rendering of shadows enhances the sense of realism. Signed and dated "Verne R. Horton '86" lower right. Signed and titled "Steps" on verso. Displayed in a new off-white mat and rustic wood frame with plexiglass. Image size: 13.75"H x 9.75"W. Born February 1, 1941 in Los Angeles, CA, Verne R. Horton went to Los Angeles State College where he earned a degree in pre-architecture. As a young man Verne joined the US Navy, in 1960 and served as a draftsman until 1965. After leaving the Navy, he ended up as a technical artist for North American Aviation. His charge: illustrating publicity pictures for the Apollo space program. After working on the Apollo program for three and a half years, he was lured into the corporate world as a regional manager for New York Life Insurance. Horton said he did virtually no artwork in the 17 years he worked for the insurance company. He ended up earning another degree in insurance and finance from American College in Bryn Mawr, Penn., in 1978. He moved within the company 14 times in 17 years, living in Los Angeles, Hawaii, Arizona and San Francisco. "Then I had an awareness that I had always wanted to be an artist," he said. "It seemed that if I were going to do it, I needed to just do it." He quit his job and became a fine artist. Horton's paintings and sculptures are truly those of a professional. He specializes in 1800s to 1930s Western Americana, but his love is steam era railroad art. "You must have historical accuracy. The worst thing is to have somebody come by and say, 'That's not right," Horton said. "You can't get involved in the history of the railroad without getting to know a community." It was his insistence on historical accuracy and love of railroads that brought him to Carson City...

Contemporary still life photograph of faint orange wall with white plaster patches archival pigment print, ed 2 of 10 22.25 x 40 inches unframed 28.75 x 46 inches in dark wood frame with non-glare glass In this series, Halliday captures the interiors of his home and studio. The photograph depicts a light orange painted wall with white plaster patches over a mantelpiece. The artist likens the patches to clouds hovering over a horizon. Light blue styrofoam resting in the foreground provides an elegant detail of color. This still life photograph is complimented with a dark wood frame with non-glare glass. About the artist: American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior...

French Chateau by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on artist paper, unframed size: 13 x 15 inches condition: very good and ready ...

Palm Beach Habituees Mr and Mrs Guillermo Aguilera at Palm Beach, 1970. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons Pr...

Painted windows in turquoise and yellow. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past glories are suffused with...

Boy Baron (1957) Limited Estate Stamped (Photo By Slim Aarons) The youngest peer in England, seven-year-old Thomas Alexander Fermor-Hesketh, 3rd B...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Secret Lives of Buildings" This ...

Lunch At Bali-li (1960) Limited Estate Stamped - Giant (Photo by Slim Aarons) Mr and Mrs Amos Morrill and Mrs Ogden P. Starr having lunch at ‘Bali-li’ at the Mill Reef Club, Antig...

McMartin Villa 1977 - Slim Aarons Estate Stamped Guests around the pool at Elephant Walk, Duncan McMartin’s villa in Bermuda, September 1977. 20 x 24" inches / 51 x 61 cm paper si...

Skaal House In Stowe (1962) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) The glass-fronted triangular Skaal House, lit up at night, in the ...

"Old Store, Copperopolis California", a 1950s landscape by Cecil F. Chamberlin (American, 1899 -1963). Signed "C. F. Chamberlin" lower left. Unframed. Image, 24"H x 30"W. Cecil F. Chamberlin was born in Santa Rosa, CA on May 5, 1899. Chamberlin was educated at Stanford University and then studied art at the CSFA. He then taught art in San Francisco for many years. During the later part of his life he lived down the coast in Santa Cruz where he operated an art gallery, lectured, and had many students. He was a nephew of artist Winnie Chamberlin...

'A Cottage in a Cornfield' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...

Lovely French oil painting on canvas depicting rows of lavender growing in a Provencal field. The farm house stands to the right and with distant hill...

Artist/ School: F. E. Jamieson British 1895-1950 Title: The Highland Cottage Medium: Oil on canvas, unframed Size: canvas : 20 x 30 inches Provenance: from a collection in Engl...

Palace Hotel (1961) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) The Palace Hotel in Gstaad, 1961. Additional Information: Unframed Pap...

Engraving with etching by Marco Antonio Corsi after a drawing by Giuseppe Zocchi (Italian, 1711/17–1767). From 'Vedute delle ville, e d'altri luoghi d...

Introduction to Eric Schutte A publication in the art magazine 'Atelier', made us aware of his work. Very special we found his paintings, square-air paintings where the influences of the weather, the light to a special touch and a very colorful whole. Versatile What we do, when we see an artist's work that appeals to us, is to search for other work. This also applies to Eric. His website taught us that he is very versatile. In addition to paintings, Eric has found a special way of design. With waste plastic, iron and other material he makes the most special installations, commissioned, but also free work. An appointment was made quickly! Eric Schutte lives and works in Ommen, his studio is next to a beautiful mill. At the time of visit it is cold, there is some frozen snow and it is almost dark when I arrive. In the studio it is immediately clear that Eric is busy with everything. Mountains with tubes of oil paint, different donkeys with semi-manufactured paintings, a particularly large pile of waste plastic. Eric is an enthusiastic narrator, besides being an artist, he is a drawing teacher for a few days a week. I can imagine how he knows how to enthuse his students! Eric talks about special assignments that constantly lead to new ideas and new 'free works'. (The free work Eric likes to call 'research'.) For example, a cow, at De Brink in Ommen, produced Eric on behalf of the municipality. He made the cow out of iron. Old iron from all farmers in the immediate vicinity of Ommen. With this old iron he constructed a cow, the iron is particularly visible, but also the cow. Very clever! Environments Eric takes me enthusiastically to his work. The paintings, classical in origin, made with elegant imagination, and the images, beautiful and simple at the same time, and therefore also stimulating to look better. With these paintings Eric is always looking for the edge, during the opening exhibition we have a special work from him. Is it a 6-part, or are it 6 separate paintings of a railway crossing where a train is passing by? Anyway, you keep looking at it. Eric tells about this when I pick up the work: "I see something then, and then I want something with it, and this is it. Yes, otherwise I can not explain it ". Another and special piece during the opening exhibition is also by Eric Schutte. A calf made from almost 2000 yellow ear tags of slaughtered calves and iron. Particularly plastic and very lifelike. Eric Schutte is an artist who makes both conceptual and classical work. Eric himself about this: "The conceptual work consists of a figurative design in which the non-obvious use of materials is part of the imagination. The concept also plays a major role in classical work, but the material (use) is more traditional. I consider making images as a continuous game and research in which the idea and the design are equal and influence each other ". The opening exhibition and the work of Eric that we have kept in stock has been sold for a large part. Particularly enthusiastic and enthusiastic are people who see his work. During the exhibition 'Naar buiten!' We show new work by this special artist. Acrylic paintings made in the snow, outside in the cold. Also a number of works of waste plastic. The artist tells about his painting of a forest made from waste plastic: We make a waste mountain from nature, I make nature from waste again. The work is called biotope, our living environment. Nature, but at the same time, our environment is plastic. If later excavations are made to this time, the main thing that is found will be plastic. We live in the plastic age.

Richard Haas Great Western Staircase, New York State Capitol Building, Albany (View II), 1980 Pastel drawing on paper Hand-signed by artist, Signed and dated 1980; bears RDA (Readers Digest...

The work was painted en plein air in the Carpathian Mountains, near the small village of Vyshkov. The painting depicts a courtyard in Vyshkov. A traditional rural house with a verand...

Reliant Robin in blue – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmode...

Work on paper without frame

Lithograph on paper. Hand Signed and numbered. Edition of 125 pieces of which 25 in Roman Numbers. Very good condition.

Artist Comments
A road carves through vividly-colored farmland, leading the eye past clustered buildings and telephone poles. The sharp lines, flat colors, and overhead perspec...

Contemporary figurative floral still life oil on canvas painting by Polish artist Katarzyna Zwolinska. Painting is textured. Katarzyna Zwolinska is a Polish painter, she graduated ...

Kansas City Cityscape, Mid Century Modern Primary Colors Urban Landscape Mid-century modern urban landscape by California artist Eleanor Perry (American, 20th century). This 1969 mo...

Artist Comments
A country house stands solitary in an overgrown field, with traces of time passing evident in its exterior. The grass dances with the wind as the summer sky g...

"Tudor House in Winter Landscape" by Roy Merrington (British, contemporary) Signed, Oil painting on canvas, unframed painting size: 16 x 21.75inches Lovely depiction of this traditional English landscape and a fine view of a Tudor period...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card, mounted on card size: 15.5 x 20.5 inches condition: very good and ready to be enjoyed provenanc...

60 x 45 inches ed. of 5 $6,000 80 x 60 inches ed. of 5 $9,000 93.2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Notes on the Old National Gallery...

"The Old Barn" by Geneviève Zondervan (French 1922-2013) oil painting on board, stamped verso board: 10 x 14.25 inches 20th century oil painting on board by the French artist, Gene...

San Francisco victorian architecture. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. Pri...

Richard Bankes Harraden Queen's College, Cambridge Engraving 40 x 54 cm Inscribed to the bottom: 'Published June 16th 1798 by R. Harraden.' A late eighteenth-century view of Queens'...

Pleasant Ridge, 1966-7, oil on board, signed, dated and titled verso, 16 x 24 inches, exhibited: Robert Herrmann, Cincinnati Art Galleries, Cincinnati, OH, March 4 to 28, 2000, no. 1...

Antony Zega (1962-2019). Winter Interior, ca. 1985. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp on verso.

WAITING FOR THE BOYS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on arch...

Brown ink and wash drawing with touches of watercolor and gouache by the French artist, Francois-Marius Granet. Signed lower left. Condition: Good. Pr...

Artist/ School: Barbara Doyle, British b. 1917 Barbara Doyle (British b.1917, born in Halifax Yorkshire, lived most of her life on the South Coast of England. She was an extremely a...

Signed titled, and dated, in pencil, and annotated in lower margin "My great-great grandfather's house, built in Bentleyville, Ohio in 1831; torn down in 1956." The wood engraving i...

Artist Comments
Even though this little turquoise apartment house is in Miami's Deco Town, it looks like it was either built or remodeled somewhere in the 1950s and luckily, ...

ARLINGTON HOUSE is an original hand drawn limited edition lithograph by Merv Corning printed using traditional hand lithography techniques on archival Arc...

"Light House Eagle Bluff Peninsula State Park" is an original pastel drawing by Michael DeFrancesco. The artist signed and dated the piece in the lower right. This drawing depicts a red-roofed house next to a light house in an expansive green field. 22" x 30" art 29 1/2" x 37 1/2" frame "As I progress in my painting, I hope to say more with less ... to leave the obvious vague ... and to paint only that which is essential ... this is my goal as an artist." Michael Defrancesco received his Fine Arts degree from the American Academy of Art in Chicago. While at the Academy, he was fortunate to have studied under some wonderful instructors such as Bill Parks, Vern Stake, Eugene Hall, Fred Berger, and the renowned watercolorist Irving Shapiro...

Etching realized by Antonio Saliola in 1990s. Titled and signed in pencil. Very good condition.

This coastal seascape limited edition print captures a scene from the porch of a beachfront property along the coast. A setting sun casts sharp light and cool blue-grey shadows across the porch, where two sets of shoes and two boat paddles...

Oil on canvas, Luka Manjgaladze is a Georgian artist born in 1995 who lives and works in Tbilisi, Georgia. Largely self-formed, Manjgaladze has painted since early childhood and was...