Landscape Art

Paysage is an original tempera by Emile Deschler. Unsigned. Good conditions, except for a rip along the left margin. Emile Deschler (France, 1910 - 1991) was a French painter. In 19...

Antonia Pozzi is an original artwork realized by the Italian artist and photographer Angelo Cricchi in 2009. Original Digital Photograph on paper. Hand-signed by the artist, dated...

Claude Le Sauteur, Canadian, 1926-2007 Oil on canvas, 1978 12 x 16 in Signed and dated lower right; titled on verso framed

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2025 Style: Impressionism, Title: Golden Hour, Size: 30" x 29" x 1'' ...

Artist: (after) George Fennell Robson (English, 1788-1833) Title: "Ben Lawers" (Plate XVIII - 18) Portfolio: Scenery of the Grampian Mountains Year: 1819 (Second edition) Medium: Ori...

This painting was inspired by my recent trip to Yosemite National Park. This view of Yosemite Valley highlights the warmth of a sunny afternoon and the beautiful colors of fall seaso...

John Duffin Blackheath Original Cityscape Painting Oil Paint on Canvas Canvas Size: H 76cm x W 102cm x D 3cm Framed Size: H 80cm x W 106cm x D 4cm Sold Framed in a Black Float Frame ...

A charming watercolour study depicting a herd of deer grazing by a highland lake before a dramatic mountain skyline. Signed and dated to the lower right. On paper.

Hawaiian landscape, ocean, sunset, impressionism, marine art, interior painting, American artist, American art, American landscape This painting was created at sunset among the coas...

This original 1890s watercolor by celebrated American Western landscape artist Charles Partridge Adams captures the serene beauty of the Platte River in Colorado during springtime. T...

Archival pigment print Signed and numbered, verso 30 x 36 inches (Edition of 3) 20 x 24 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Ad...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This early-1990s photograph, taken by society photographer Slim Aarons, features holidaymakers on the mile-long crescent beach at the Hotel Cap Jaluca resort, Anguilla, Leeward Islan...

The painting is being offered with a work and authenticity certificate

Onishi Tree Shadow and Clouds, Study 1, Hokkaido, Japan by Michael Kenna is a 8 x 8 inch* silver gelatin print, available in an edition of 25. *Please note: the measurements of this ...

Edition of 12 more sizes on request A Portrait of big majestic male lion lying on a rock and waits for the sun. Born in Germany in 1958, Joachim Schmeisser is best known for his ma...

Magnificent gorgeous hand printed photograph by artist. Framed beautifully in black wood with plexi glass. Editioned out of 40.

Title: Fountain Valley Medium: Oil on canvas Size: 27.75 x 27.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

Anuk Naumann. Spring fields- mixed media acrylic and silkscreen painting.

"Fire and Ice: Tabular II" Antarctica - 2024 Archival Pigment Print Available Sizes: Edition of 20: 24” x 49.9” (61 x 126.7 cm) $6,500 Edition of 15: 31” x 64.4” (78.7 x 163.6 cm...

Hotel 6 2019 Archival Print on Ilford Smooth Cotton Rag M10 11.5x17.25 Edition of 10 Joan Haseltine is a visual artist whose practice revolves around complex ideas of perception and...

"Oregon Coastline" Color Nature Photography by Allen Singer Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by...

"Watercolour Beach Scene" by Maurice Mazeilie (French) watercolour painting on paper, unframed stamped verso painting: 11 x 15 inches A delightful original oil painting by the 20th...

Green and blue meadows. English school, early 1900's. Original watercolor painting on artists paper, unframed. Overall paper size: 7.5 x 11 inches. From a large private collectio...

"Blue Skies" by Maurice Mazeilie (French). Watercolour painting on card, unframed. Stamped verso. Painting: 5 x 7 inches A delightful original painting by the 20th century French I...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1991, signed to the front and inscribed verso Title - "Woodland Felicity" A pastoral scene of English parkland w...

The collagraph technique was used to make the matrix for this intaglio print. This piece was created during the 1970's when the artist and his family visited the Southwest over many...

Title: Mountain Village with Grassy Foreground and Blue Sky Black Rock Sands Wales By Tony Herbert (1927-2024) Medium: Watercolor on board, unframed Size: 10.5 inches (height) x 14.7...

Title: Stormy Skies Over Marsh and Hills Laugharne South Wales 1967 Watercolour By Tony Herbert (1927-2024) Medium: Watercolor on board, unframed Size: 10.25 inches (height) x 15.25 ...

Title: Estuary View with Boats and Hills Distant View of Cardigan from St Dogmaels By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 10.25 inches (height) x 15....

Title: Charmouth Dorset River Scene with Wooden Footbridge and Rolling Hills Landscape By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 10.75 inches (height) x...

A Scottish landscape depicting a Safeway freight train crossing an old bridge and travelling past water and mountains. Heather and a stag can be seen in the foreground. Signed and da...

Such oval colored shapes The wonder of these lovely grapes The skin when punctured, slowly bleeds Uncolored juice with tiny seeds To taste the nectar so fresh and sweet As tongu...

GEORGE PRICE BOYCE, RWS (1826-1897) A Surrey Common in November Signed, inscribed and dated 1866.7; indistinctly signed and inscribed with title and the...

Dina Brodsky is a contemporary realist painter. Known for her miniaturist style, her highly detailed depictions of urban interiors, natural environments, and unsuspecting human and animal subjects are evocative of renaissance portraiture and landscape. Brodsky often paints on small circular surfaces, forcing viewers to move closer to the work. She was drawn to miniature painting from her study of Islamic miniature art and medieval illuminated manuscripts...

Noel Daggett, American (1925 - 2005) - A Long Rifle Awaits, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, ...

Les Corbières - Limited edition pigment print - Limited Editions of 5 Mountain in France. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 23 x 70,4 cm / 9,05 x 27,56 in - Edition of 5 31 x 95 cm / 12,2 x 37,40 in - Edition of 5 45 x 137.7 cm / 17,71 x 53,93 in - Edition of 5 A custom size is possible, it will be included in the nearest edition of 15 This print that is being offered is a high-quality Archival Pigment print, which has been printed on fiber-based paper. The paper used is Hahnemühle Photo Rag® Baryta 315 gsm, which is a premium quality paper that is acid-free and lignin-free. This ensures that the print will remain in pristine condition for years to come. The Hahnemühle Photo Rag® Baryta paper is a museum-quality paper that is highly resistant to aging. It is a popular alternative to analogue baryta paper, which is known for its ability to produce rich, deep blacks and vibrant colors. The Hahnemühle Photo Rag® Baryta paper is no different, as it produces stunningly vivid and lifelike prints. Overall, this Archival Pigment print is a stunning piece of art that is sure to impress. The combination of high-quality paper and inks ensures that the print will remain in pristine condition for many years, making it a great investment for any art collector or enthusiast. Sam Thomas...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), At the pond, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 148’, 23....

Title: Walberswick Marshes and Black Sheds Suffolk Landscape Watercolor 1995 By Tony Herbert (1927-2024) Inscribed verso in pencil “Walberswick Sept ...

Rusanu Monastery, or St. Barbara's Monastery, is one of the six surviving Meteora monasteries. This artwork portrays a mesmerizing landscape featuring the awe-inspiring Meteora rock ...

Artist: Gillie Cawthorne (English, 1963-) Title: "River Tyne Between Hexham and Corbridge, England" *Signed and dated by Cawthorne lower center Year: 1998 Medium: Original Watercolor...

This oil painting, created with expressive palette knife strokes, draws you into the quiet breath of a mountain lake. The turquoise water melts into the horizon, while the wildflower...

Mesmerizing large format photograph of ethereal water surface and horizon , a body of works capturing the tactile surfaces and monochromatic nature of oc...

Title printed on front of mount.

Jack's Place (Sidewinder) - 2005 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by Snap Collective, 2024. 20x20cm, ...

The Field (Musica Poetica) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #186 N...

Untitled (Oilfields) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1197 Not mo...

Dressed in Yellow, oil on panel, 11 x 17 inches (Framed size: 18 x 24 inches), $1,500 Raised in the Bear River Valley, Tom Howard has an attachment to the la...

Jane Peart Pudi Rice Terraces Original Painting Acrylic on Canvas Size: H 50cm x W 76cm Sold unframed Free shipping Please note that in situ images are purely an indication of how th...

Cotswold View, Foxcote by Georgie Dowling [2021] original oil paint on canvas Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:2cm Sold Unframe...

North Shore Mirage (California Badlands) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #18078 Not mo...

Thank you for your interest in my work. This painting was created using professional quality oil paints on a 100% cotton stretched canvas. It is singed on the front and back and come...

A glorious landscape study by the English artist Peter Deakin. Here the artist has captured an idyllic sunset over rolling countryside. Signed and dated to the lower right. On waterc...

Hudson (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1575. Not mounted. Stefanie Schne...

"Dark Clouds" Northwest Passage, 2017 Available sizes: 20 x 30 in / Edition of 6 - $4,500 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Editi...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Train Crosses Plain (Wastelands) - 2003 20x25cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 544. Signature labe...

The Valley - (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1233. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Published in: WASTELANDS, published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph) Exhibited: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007), Stranger Than Paradise, Scott White Contemporary, San Diego, (S) (2012) Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids...

An accomplished watercolour painting with gouache details by the artist William Edward Croxford. Known for his marine landscapes, this work was painted in the artist's usual style, d...

Artist Comments
A lone figure stands at the threshold of a rugged mountain pass. Bold, impasto brushwork creates a tactile landscape of weathered earth and skeletal trees fra...