Portrait Art

'Eduard Strauss' Chromolithograph, 1895. Vanity Fair musician portrait of Eduard Strauss (1835 – 1916) the Austrian composer. 400mm by 270mm (sheet)

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Acrylic on Canvas framed to Guild of Framers Specialist in Exeter, to the highest standard. Size is 12"x16" plus frame size - for this simply add approximately 3" all round. Framed b...

Italian painter (18th century) - Portrait of a gentleman with aphorism. 92 x 68 cm. Antique oil painting on canvas, without frame (not signed). - Inscription: "There are more madm...

Greta Garbo in Susan Lenox (Her Fall And Rise) - Photograph by Clarence Sinclair Bull A black and white photograph by Clarence Sinclair Bull (American, 1896-1979), matte finish, double-weight paper, depicting a 1931 shot of Swedish/American actress Greta Garbo (Swedish, 1905-1990) on the set of the film Susan Lenox (Her Fall And Rise) directed by Robert Z. Leonard. Greta Garbo poses in a hat, her hand resting on her face, while gazing into the camera. Printed decades later from the original negative, penciled in the lower left corner "A.P.," Estate stamped and blind embossed in the lower right corner "Clarence Sinclair Bull," further blind embossed in same corner "The Kobal / Collection," on verso with the photographer's black ink credit stamp and with "Edward Weston" black ink credit stamps dated "1981" and "1992," originally from the John Kobal Collection. Greta Garbo was a Swedish-American actress. Regarded as one of the greatest screen actresses of all time, she was known for her melancholic, somber persona, her film portrayals of tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. Clarence Sinclair Bull was born in Sun River, Montana, in 1896. His career began when Samuel Goldwyn hired him in 1920 to photograph publicity stills of the Metro-Goldwyn-Mayer film studio's stars. He is most famous for his photographs of Greta Garbo, taken between 1926 and 1941. Bull's first portrait of Garbo was a costume study for the silent romantic drama film Flesh and the Devil in September 1926. Bull was able to study with the great Western painter...

This painting depicts a whimsical portrait of a young girl. The bright colors and quick brushstrokes are what make this painting so attractive and desirable. The piece is done in a h...

Giuseppe Antonio Petrini, (Carona, Italy, 1677 – 1757 ca.) Title: Portrait of Saint Peter Medium: Oil on canvas Dimensions: without frame 75.5 x 63 cm - with frame 96 x 83 x 5 cm Not signed Expertise by Professor Giancarlo Sestieri Provenance: Luigi Koeliker - Koetser Collection. Collection number 858 on verso. The apostle in half-length portrait, looking upwards. His shoulders are bare from his blue shirt, a brown cloak is draped over his arm. In his hand he holds the ‘keys to paradise’, which make him attributively recognisable. The bearded face shows the pleading remorse for his defamation of Christ described in the biblical account. The painting style immediately reveals Petrini's brushwork. The painter, who was born in Ticino, is one of the northern Italian-Lombard artists of the late Baroque period, who was possibly associated with Bartolomeo Guidobono (1654-1709) in Turin after 1700 and is documented with works in his home city between 1711 and 1753. Works by his hand were mainly found in the Como, Bergamo and Lugano areas. Other depictions of St Peter can be found in the church of Dubino and in a private collection in Montagnola. In 1991, an exhibition of his works was organised at the Villa Malpensata in Lugano, Switzerland. The painter was the son of a sculptor and, according to the sources, a pupil of the Genoese painter Bartolomeo Guidobono (1654-1709). However, he was also inspired by the works of Andrea Pozzo (1642-1709). Works by his hand can be found in several churches in Piedmont, such as San Maurizio in Pinerolo. At the end of the 1730s, a strong development towards the Rococo style can be recognised, as demonstrated by his ‘Allegories of the Seasons’ (Lugano Art...

15-colour silkscreen plus glaze on Somerset Velvet Warm White 400gsm, hot pressed paper 42 x 30cm Edition of 60, signed and numbered by the artist Lisa Brice is a South African-born...

Figurative 1930's illustration of a just married couple in a classic car by Charles Kinghan (American, 1895-1984). Signed "Kinghan" in the lower left c...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 4 3/4 inches (...

Daphne Sweet, artist working and living in Missoula, Mt. Using acrylic, oil, clay, and fabric. Bouncing between classical references and personal allegory, the paintings and found ...

This is an original silver gelatin photograph. Inscribed by Arnold Newman 'For Arthur - All our lives together with love, Arnold 1918, now 2004. Great condition. Loose Print in corn...

Paul McCartney and John Lennon of The Beatles pictured during the recording of their annual Christmas message to the groups’ fan club at the Marquee St...

This superb Dutch Golden Age portrait is attributed to circle of Dutch artist Wybrand Simonsz de Geest. Painted in 1666 it is a full length portrait of a young William Stonestreet. He is holding the paw of a clipped little white dog with drapes and clouds beyond. (It was common practise to dress young boys in dresses up to the age of about 6 or 7 when they were 'britched' or wore britches). An excellent example of Dutch Golden Age art that wouldn't look out of place in a museum. Wm Stonestreet 1666, Prebend of Selsely is inscribed top left. Provenance. Berkshire estate. Condition. Oil and canvas, 44 inches by 36 inches and in good condition. Frame. Housed in an ornate gilt frame, 52 inches by 44 inches and in good condition. Wybrand Simonsz. de Geest (16 August 1592 – c. 1661) was a Dutch Golden Age portrait painter from Friesland in the Netherlands. Wybrand de Geest was born and died at Leeuwarden. He learned painting from his father, Simon Juckesz, a stained glass worker. He studied later with Abraham Bloemaert. From 1614 to 1618 he travelled in France and Italy on a Grand Tour. In 1616 he met up with Leonard Bramer in Aix-en-Provence. While in Rome he became a member of the painters' circle known as the Bentvueghels. He earned the nickname 'De Friesche Adelaar', or "the Frisian Eagle". De Geest married Hendrickje Fransdr Uylenburgh in 1622, a niece of Saskia van Uylenburgh...

Little Lies - 2022 20x20cm, Edition of 7 plus 2 artist Proofs. Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2041. No...

What Makes This Piece Unique or Special: Stories Within is a striking contemporary portrait that blends bold aesthetics with introspective storytelling. What makes this painting particularly special is its ability to capture a deeply personal yet universally relatable emotion the quiet power of shared human experiences that often remain unspoken. Bukola Orioye...

Portrait Of Henry Farington, East India Company, 18th Century attributed to Arthur DEVIS (1712-1787) One of a matching pair - the other is believ...

This young shepherd clearly didn't want to pose for the artist, but something caught his attention, and in this expression and look, the artist masterfully depicted the whole range o...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original gouache, watercolor and pencil on paper, signed and dated in the plate by the artist in middle right: ...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

'Venice No.5' Venice, Italy 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand th...

Title: French Watercolour Portrait of a Woman with Intense Gaze by Fanch Lel (French b. 1930) Signed: Yes Size: 8.25 inches (height) x 6.75 inches (width) Watercolor and Gouache pain...

Sleeping with Ghosts (Bombay Beach) - 2023 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory...

New moon rising- 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1021. No...

Artist: Man Ray (American born, 1890 - 1976) Title: SIDE PORTRAIT Date Of Negative: 1926 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogra...

We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...

Elizabeth Taylor with Sunglasses for "Giant" 1955 by Frank Worth This iconic and elegant portrait captured by celebrity photographer Frank Worth features actress Elizabeth Taylor o...

Rare 1940s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of model BOB GIBE. Photograph is an excellent example of Juleff's masterful ...

Joshua II 1990 Signed, titled, dated, and numbered in ink, recto Gelatin silver print (Edition of 5) 9 x 13 inches (22.9 x 33 cm), image 11 x 14 inches (27.9 x 35.6 cm), sheet Th...

1 Stefanie Schneider Mini 'Male Nude' - 1999 - signed in front, not mounted. 1 Digital Color Photographs based on a Polaroid. Polaroid sized open Editions 1999-2016 10.7 x 8.8cm...

Kate #15, 2002 by American photographer Leonard Freed is an 8" x 10" (small format) black and white photograph, stamped "vintage" on verso (back of photo) by the Freed estate. Shot In San Francisco with the Golden Gate Bridge backdrop Leonard Freed photographs Kate, a woman photographer and yogini who revels in dolce vita poses during a shoot on a cliff drive in California. The self-assigned photo series on Kate became a welcome reprieve for Leonard Freed who during a long photo...

Modern figurative silkscreen and lithograph by renowned artist Alex Katz. The work features a portrait of Ada, Katz's wife and muse, turned to face the left. The work is part of a se...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

Circle of Giambattista Piazzetta (Venice 1683 - Venice 1754) - San Tommaso. 62.5 x 52.5 cm without frame, 72.5 x 62.5 cm with frame. Antique oil painting on canvas, in a contempora...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Al Pacino is smoking a cigar, a s...

Keith Richards, 1971

Elvis Adoration (1956) (Photo By Phillip Harrington) Tennessee, May 29, 1956. Elvis Presley with his 1956 Harley KH, in the garage at 1034 Audubon Drive, Memphis. Vernon Presley is crouching beside the Harley. Additional Information: Unframed Paper Size: 16x20'' Printed Later About the Image: Elvis Aaron Presley, also known simply as Elvis, was an American singer, musician and actor. He is regarded as one of the most significant cultural icons of the 20th century and is often referred to as the "King of Rock and Roll" or simply "the King". NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' 30 x 40'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin, and Ralph Steiner. Harrington studied under Clarence White, Jr., who described Harrington as being among the school’s best students. Elvis, Elvis Presley, Elvis Presley2, LEADING MEN, Phillip Harrington Retro Vintage Black and...

Rudolf Nureyev - Copenhagen Royal Theater, Vintage Photograph is a black and white photograph realized in the 1960s. Good conditions.

"In the Wheatfield (Girl Standing in a Wheat Field)" is a painting by Winslow Homer. The painting is signed, lower left, "Homer 1873". The framed piece measures 29 3/4 x 21 5/8 x 2 7/8 in. During the early 1870s, Winslow Homer frequently painted scenes of country living near a small farm hamlet renowned for generations for its remarkable stands of wheat, situated between the Hudson River and the Catskills in New York state. Today Hurley is far more famous for inspiring one of Homer’s greatest works, Snap the Whip...

30X26 with Mat. (20X24 inch polaroid) From The New York Times: Dennis Farber abducts children from photographic illustrations in children's books of the 30's. He paints Ku Klux Klan costumes on some toddlers at a birthday party, as if he could see their character and future by the light of the birthday candles...

This male nude portrait by Curtice Taylor is offered by CLAMP in New York City.

This watercolour portrait by Finnish artist Hugo Backmansson depicts an Arab man from the Rif region of Morocco. Created during Backmansson’s journey to Morocco in 1939, the work cap...

Created in 1984, Grace Kelly is a color screenprint on Lenox Museum Board hand-signed by Andy Warhol (Pennsylvania, 1928 - New York, 1987) in pencil in lower right. This work is numbered from the edition of 225 in pencil in lower right apart from the edition of: 30 Artist's Proofs, 8 Printer's Proofs, 2 Hors Commerce, 50 numbered in Roman numerals, 20 Trial Proofs; printed by Rupert Jasen Smith, New York; and published by Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, with the consent of the Princess Grace Foundation. Andy Warhol Grace Kelly...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of Singer and Songwriter Michael Jackson with lace in front of his face. From personali...

Portrait of Berthe Thorwaldsen with Bust of Horace Vernet is an original modern artwork realized by the Circle of Horace Vernet (30 June 1789 – 17 Januar...

Chandra Bhattacharya - Untitled Acrylic on Canvas 20 x 30 inches (unframed size) ( Framed & Delivered ) Style : In the last three to four years, he has engaged with the concept of a...

Konstantin Razumov (Born 1974) Russian Elegant Young Lady seated on the Terrace at a Parisian Café, wearing a Lilac and blacvk dress Oil on canvas: 16 x 13inches. Frame: 23 x 20 i...

17th century Italian School The Virgin and Child with Saint John the Baptist Oil on canvas Dimensions: h. 106 cm, l. 77 cm Important 17th century Italian carved giltwood frame Fram...

Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene Antonio Petruccelli (1907 – 1994) Perplexed Gentleman New Yorker cover proposal, c. 1939 13 1/4 X 8 ...

Jean-Michel Basquiat by Nicholas Taylor 1979/2014: The complete set of 9 works, shot in 1979 and recently exhibited at the The Philharmonie de Paris, as part of the heralded 2023 ‘B...

Diane Arbus (1923-1971) is one of the most influential and daring photographers of the 20th century. Arbus is best known for her unique form of documentary portraiture. She explored the uncanny, the marginalized, and the idiosyncratic characters who defied mid-century conformity. Her work has influenced some of the most renowned photographers of our time including Nan Goldin. While her career launched in the fashion world, it was years after quitting commercial photography (circa 1956) that she found her voice as an artist. With camera in hand, she followed her fascination with the eccentric individuals and oddities of New York City. Ultimately rejecting her affluent, sheltered upbringing and the mainstream fashion industry to create her own definitions of beauty. Arbus’ portraits were considered incredibly provocative for their bold representations of sexuality, chaos, and grit. She fully immersed herself within the queer and alternative communities she documented, engaged with a curious balance of mystery and homage. Shot in 1966, "Groom Kissing His Bride" is a prime example of her uncanny ability to capture even the most traditional moments (a wedding) through a lens of surrealism. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York. Today, Arbus' work is celebrated in many major museum collections including the Art Gallery of Ontario, Art Institute of Chicago, National Museum of Modern Art (Tokyo), and Centre Pompidou (Paris). "Groom Kissing his Bride, NYC" USA, 1966 Gelatin-silver print Printed by Neil Selkirk Stamped 'A Diane Arbus photograph...

Studio of Sir Peter Lely Dutch, (1618-1680) Portrait of a Lady Oil on canvas Image size: 29.25 inches x 24.25 inches Size including frame: 37...

A charming portrait of the artist's son, Johnnie. Signed in the upper left corner. Inscribed on the verso with the artist's name and title. Presented in a gilt frame. On canvas.

Museum quality fine art print of David Bowie smoking a cigarette in the Scary Monsters Clown costume from the official Duffy Archive. Taken from the original negatives, these offici...

In her art, Yvonne Michiels (1966) depicts personal stories about beauty, emotions and mortality. In order to heighten the emotional charge, Yvonne often uses young models. Their h...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner Image : 12.5 x 9.5 inches Superbly decorative 1960's French portrait pa...

E. Salazar Texas Artist Image Size: 40 x 30 Frame Size: 47 x 37 Medium: Oil on Canvas "Quanah Parker"

Oil on canvas realized by Sirio Pellegrini in 1960s. Hand signed lower right. Includes a wooden frame 37.5x27 cm. Very good condition. Sirio Pellegrini, born in Rome on March 1, ...

A portrait of a man wearing a blue polka-dot bow tie sat against a blue background. Presented in a substantial painted and distressed frame with a linen slip. Signed to the lower-lef...

Introducing "Polvo de Estrellas" by renowned Chilean artist Inti. This exquisite art print is a true masterpiece, limited to only 100 editions. Created with an 18-color lithograph, this print was produced at a historic print...