Portrait Art

A portrait of a man wearing a blue polka-dot bow tie sat against a blue background. Presented in a substantial painted and distressed frame with a linen slip. Signed to the lower-lef...

Introducing "Polvo de Estrellas" by renowned Chilean artist Inti. This exquisite art print is a true masterpiece, limited to only 100 editions. Created with an 18-color lithograph, this print was produced at a historic print...

Etienne-Prosper BERNE-BELLECOUR Boulogne-sur-mer, 1838 - Paris, 1910 Oil on wood panel (acajou) 46 x 33 cm (55 x 43 cm with the frame) Signed lower right "To his friend doctor Daymard / E. Berne-Bellecour / 1903" Painting exhibited at Salon des Artistes Français of 1904 (number 136. “Portrait of Mr. Major Daymard”) Very good condition ( only a few and very small repaints) As an academic painter, Berne-Bellecour worked for illustrated newspapers after failing at the Prix de Rome in 1859. In 1870, he enlisted in the Frankish Corps of Tirailleurs de la Seine and is decorated with the Military Medal. This will decide his career. Companion of Édouard Detaille and Alphonse de Neuville, he painted battle pictures and portraits of soldiers that made him very well known as a specialist military painter. "The Tirailleurs of the Seine in the battle field...

This bold and eccentric acrylic mixed-media portrait of Alexander Hamilton reimagines the Founding Father with expressive, exaggerated features and a striking color palette. The fi...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity What’s a man's i...

Fashion shot of Elizabeth Taylor. Lightning Pink. Acrylic paint. Hand pulled enamel screen print and diamond dust on linen. Stretched on black frame. Signature on the back. 1/...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind. Medium: Oil on Canvas Year: 2024 Style: Impressionism Title: South Bay Size: 31.5" x 39.5" x 0.8...

Greta Garbo "Mata Hari" Film Photograph by Clarence Sinclair Bull, 1931 A black and white photograph, matte finish, double-weight paper, depicting a 1931 shot of the star titled 'Mata Hari,' printed decades later from the original negative, penciled in the lower left corner "A.P.," Estate stamped and blind embossed in the lower right corner "Clarence Sinclair Bull," further blind embossed in same corner "The Kobal / Collection," verso with the photographer's black ink credit stamp, verso further with two "Edward Weston" black ink credit stamps dated "1981" and "1992," originally from the John Kobal Collection. Greta Garbo was a Swedish-American actress. Regarded as one of the greatest screen actresses of all time, she was known for her melancholic, somber persona, her film portrayals of tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. Clarence Sinclair Bull was born in Sun River, Montana, in 1896. His career began when Samuel Goldwyn hired him in 1920 to photograph publicity stills of the Metro-Goldwyn-Mayer film studio's stars. He is most famous for his photographs of Greta Garbo, taken between 1926 and 1941. Bull's first portrait of Garbo was a costume study for the silent romantic drama film Flesh and the Devil in September 1926. Bull was able to study with the great Western...

Hilltop, limited edition, archival pigment ink photograph, signed and numbered When looking at Julie Blackmon’s “Hilltop,” notice the elements that are in motion: the grass on the h...

This piece titled "The Creative Act" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 56”h x 59”w and is shipped in the pict...

Pablo PICASSO (1881-1973) Tribute to Toulouse Lautrec : Lovers, the Kiss Lithograph enhanced with stencil (Jacomet process) after a pastel by the artist Printed signature in the pla...

Man Curve One by Ricky Cohete From Motion series Sepia Archival Pigment print Medium 36" x 24" Ed of 10 + 1AP Unframed Throughout his exploration of the movement of the body, with ...

Outstanding male portrait by 20th-century American artist, Vito Tomasello. Portrait of Young Man, John Alcorn, Eliot House, Cambridge MA. Pencil on pap...

'She Knows' 2016, Edition 1/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-214 Kirsten Th...

Leaving (Sidewinder) - 2005, 128x127cm, Edition 2/3. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original Polaroid. Signature label an...

[Bruce Sargeant (1898-1938)] Michael Moonbeam n.d. Signed in red, u.l. Oil on canvas 12 x 9 inches $3000.00 + framing This work is offered by ClampArt in New York City.

"Sergeant Cribb" is a British television series set in Victorian London, focusing on Detective Sergeant Cribb of Scotland Yard's newly formed Criminal Investigation Department. The s...

The Juncture (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventor...

Como pueden apreciar, la obra no va firmada, es de autor anónimo Se presenta enmarcada la obra con un marco en madera policromada El estado de la obra es bueno, solo comentar que e...

Illustrated in Contact Warhol: Photography Without End, edited by Peggy Phelan and Richard Meyer. An iconic book celebrating Warhol's most famous photogr...

Miles ALDRIDGE (*1964, Great Britain) Dinner Party #1, 2009 Chromogenic print Image 152.5 x 114 cm (60 x 44 7/8 in.) Sheet 164.5 x 126 cm (64 3/4 x 49 5/8 in.) Edition of 6, plus 2 ...

Kehinde Wiley After Pontormo's "Two Men With a Passage" from Cicero's "On Friendship", 2009 Archival inkjet print on Hahnemuhle fine art paper Framed Dimensions: 38 3/8 x 32 7/8 inch...

Michael Carson's (US based) "Portrait of Britt Daniel" is an original, handmade oil painting. About the Artist: Mike Carson is a Minneapolis painter, and graduate of the Minneapolis...

5077 Oversized portrait in rapped canvas

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

Sophie - Signed limited edition archival pigment print, 1995 - Edition of 10 A classical approach, sensual not sexual This image was captured on film. The negative was scanned...

Marianne Faithfull poses for a portrait backstage at Aston Studios during the filming of Thank Your Lucky Stars TV show in May 1965 in Birmingham, United Kingdom. Image is part of David Redfern...

Nebula by Alexandra Manukyan This painting portrays a figure immersed in introspection. Her delicate posture reflects both vulnerability and strength. The swirling pink hues behind ...

Tristan Fabris 1970's French surrealist artist signed oil on canvas, framed framed: 19 x 16 inches canvas: 18 x 15 inches private collection, France The painting is in overall sound ...

William Skilling (American/British, 1862–1964) A Standing Giraffe Drinking Water from his Orientalist Nubian Attendant, Oil on Canvas in original artists frame. A massive and exceptionally striking painting - almost certainly his best work. For a Similar one: Jacques-Laurent Agasse: The Nubian Giraffe, Commissioned by George IV in 1827. (Royal Collection Trust...

Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”. Little crack and fold on lower left margin of the sheet. Some small traces of oxidati...

“On Your Tomb, They Won't Smell Nice” is a cheerful reflection on the importance of self-love and self-acceptance in our fleeting lives. This piece serves as a stark reminder that ou...

160.04.11 is a limited-edition black & white photograph by contemporary artist Klaus Kampert from the series "Tribute to Modigliani". This photograph is a limited edition of 15 copi...

Portrait of a Noble Lady English artist, mid 18th century circle of Thomas Gainsborough (English 1727-1788) oil on canvas, unframed canvas: 30 x 25 inches provenance: private collect...

Stunning black and white promotional portrait of Clara Bow gazing into the camera. Clara Bow was an American actress who rose to stardom during the silent film era of the 1920s and ...

Black and white promo photo of Marilyn Monroe posed in a a gown for her role in "Don't Bother to Knock", circa 1952. -- One-of-a-kind original vintage press print from the Celebrity...

Signed and edition photograph by Paul Fusco titled "Untitled from the RFK Funeral Train". Shot in 1968 and printed in 2008 - 2021 on fujiflex paper. The ...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Like the Maasai, Rendille women and their children keep their hair very short. This mother, however, leaves a tuft of hair remaining on the front of her child which has been bleached...

Oil Painting manner of Richard Cosway "Natalie" 1813 - 1880 Portrait bequeathed to Mrs William from the Duchess of Wellington in 1865 then by her to her...

"Untitled (Censor Painting Pink)" is a nude figurative acrylic on inkjet board painting by Richard Prince in 2009. The artwork is 35 1/2 x 30 inches and 37 1/2 x 32 x 1 1/2 inches wi...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of actor Leonardo di Caprio in young age. From personality portraits and advertising ca...

Mid 20th Century oil on canvas portrait of stylish young woman by the noted Franco Spanish artist Pere Modesto Luis Creixams. The painting is signed bottom left and presented in a ve...

Vlaho Bukovac (Croatian, 1855 - 1922) Portrait of a Lady Oil on canvas 18 1/2 x 15 inches Signed left middle Provenance: Private Collection Toronto Kuns...

This artwork titled "Tristan and Isolde" 1978 is an original color lithograph on Arches wove paper by noted Italian/Argentinian artist Leonor Fini, 1907-1996. It is hand signed and n...

In the time of my mother and the women before her in her generation line, women are not allowed to talk or have a genuine opinion on the crucial and critical matters of emergency in ...

Topers in Deep Conversation Dutch School, mid 17th entury circle of David Teniers (Dutch 1610-1690) oil on canvas canvas: 8 x 7 inches provenance: private collection, France conditio...

'Portrait of Boy' by Luigi Corbellini (circa 1930s). The artist painted this endearing young boy whose name remains unknown. Perhaps the slightly timid expre...

Lafuente - Grape harvester - Oil on canvas Spanish school signed "Lafuente". Oil measures 61x50 cm. Frameless.

An oil painting by Mark Beard of a man wearing an animal fur on his head in a gold gilded frame. Man with Fur Cap, 1872 Signed and dated in red, l.l. $3,450 + $350 framing

Oil pastel on paper realized by Sirio Pellegrini in 1960s. Includes a coeval wooden frame realized by the Artist cm. 59x68.5. Sirio Pellegrini, born in Rome on March 1, 1922, of Ab...

Listed price includes $150 additional cost of framing. This work is offered by ClampArt in New York City.

Audrey Hepburn applying make-up during the filming of the made for TV movie "Mayerling". Audrey Hepburn was a British actress. Recognised as a film and fashion icon, she was ranked ...

Tamara De Lempicka 1898-1980 Polish Le turban orange (The Orange Turban) Oil on canvas Wrapped in a spectacular orange headdress, the alluring woman ...

Composer/Conductor Leonard Bernstein, photographed in 1977. Vintage silver gelatin photograph signed (printed in his own hand) by Jack Mitchell. Phot...

This is a rare, unique original acrylic and oil painting on canvas by contemporary visionary artist Serg Graff, titled "Crash Kennedy." Executed in a naïve primitivism style, this bo...

A fine French academic study sketch on paper of a classical head. The work is unsigned but very much in the style of the period and its early exponents such as Jacques-Louis David. ...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Brooke Shields, Martin Hewittin - Endless Love - Vintage Photo is a vintage black and white photograph realized in the 1981. Good conditions.