Portrait Art

Work on paper to frame

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of American actor and mu...

An exquisite Georgian portrait miniature in watercolour, depicting a lady in a blue dress and elaborate ribbon and lace bonnet. Her gold jewellery and finely detailed lace denotes her affluence and status. Unsigned. Well presented in a period black papier mache frame with upper acorn hanging...

Suzy Smith's "Scarlet" is an original, handmade oil painting that depicts a portrait of a feminine figure, in a red gown with a red background. About the Artist: Suzy Smith is a Wy...

A distinctive Mid-Century Modern portrait of a man with red necktie by noted Chicago painter, Francis Chapin (Am. 1899-1965). Chapin's estate records list the sitter as named Joe Mu...

"Melc-Melc-Codobelc" is an acrylic painting from the "Fetishes" series that Natasha Lelenco developed in 2022. With rich green tones, the piece present...

John Steuart Curry "Sketching Wisconsin," 1946 oil on canvas 31.13 x 28 inches, canvas 39.75 x 36.75 x 2.5 inches, frame Signed and dated lower right Overall excellent condition Presented in a 24-karat gold leaf hand-carved wood frame John Steuart Curry (1897-1946) was an American regionalist painter active during the Great Depression and into World War II. He was born in Kansas on his family’s farm but went on to study art in Chicago, Paris and New York as young man. In Paris, he was exposed to the work of masters such as Peter Paul Rubens, Eugène Delacroix and Jacques-Louis David. As he matured, his work showed the influence of these masters, especially in his compositional decisions. Like the two other Midwestern regionalist artists that are most often grouped with him, Grant Wood (American, 1891-1942) and Thomas Hart Benton (American, 1889-1975), Curry was interested in representational works containing distinctly American subject matter. This was contrary to the popular art at the time, which was moving closer and closer to abstraction and individual expression. Sketching Wisconsin is an oil painting completed in 1946, the last year of John Steuart Curry’s life, during which time he was the artist-in-residence at the University of Wisconsin in Madison. The painting is significant in Curry’s body of work both as a very revealing self-portrait, and as a landscape that clearly and sensitively depicts the scenery of southern Wisconsin near Madison. It is also a portrait of the artist’s second wife, Kathleen Gould Curry, and is unique in that it contains a ‘picture within a picture,’ a compositional element that many early painting masters used to draw the eye of the viewer. This particular artwork adds a new twist to this theme: Curry’s wife is creating essentially the same painting the viewer is looking at when viewing Sketching Wisconsin. The triangular composition of the figures in the foreground immediately brings focus to a younger Curry, whose head penetrates the horizon line and whose gaze looks out towards the viewer. The eye then moves down to Mrs. Curry, who, seated on a folding stool and with her hand raised to paint the canvas on the easel before her, anchors the triangular composition. The shape is repeated in the legs of the stool and the easel. Behind the two figures, stripes of furrowed fields fall away gently down the hillside to a farmstead and small lake below. Beyond the lake, patches of field and forest rise and fall into the distance, and eventually give way to blue hills. Here, Curry has subverted the traditional artist’s self-portrait by portraying himself as a farmer first and an artist second. He rejects what he sees as an elitist art world of the East Coast and Europe. In this self-portrait he depicts himself without any pretense or the instruments of his profession and with a red tractor standing in the field behind him as if he was taking a break from the field work. Here, Curry’s wife symbolizes John Steuart Curry’s identity as an artist. Compared with a self-portrait of the artist completed a decade earlier, this work shows a marked departure from how the artist previously presented and viewed himself. In the earlier portrait, Curry depicted himself in the studio with brushes in hand, and with some of his more recognizable and successful canvases behind him. But in Sketching Wisconsin, Curry has taken himself out of the studio and into the field, indicating a shift in the artist’s self-conception. Sketching Wisconsin’s rural subject also expresses Curry’s populist ideals, that art could be relevant to anyone. This followed the broad educational objectives of UW’s artist-in-residence program. Curry was appointed to his position at the University of Wisconsin in 1937 and was the first person to hold any such position in the country, the purpose of which was to serve as an educational resource to the people of the state. He embraced his role at the University with zeal and not only opened the doors of his campus studio in the School of Agriculture to the community, but also spent a great deal of time traveling around the state of Wisconsin to visit rural artists who could benefit from his expertise. It was during his ten years in the program that Curry was able to put into practice his belief that art should be meaningful to the rural populace. However, during this time he also struggled with public criticism, as the dominant forces of the art market were moving away from representation. Perhaps it was Curry’s desire for public acceptance during the latter part of his career that caused him to portray himself as an Everyman in Sketching Wisconsin. Beyond its importance as a portrait of the artist, Sketching Wisconsin is also a detailed and sensitive landscape that shows us Curry’s deep personal connection to his environment. The landscape here can be compared to Wisconsin Landscape of 1938-39 (the Metropolitan Museum of Art), which presents a similar tableau of rolling hills with a patchwork of fields. Like Wisconsin Landscape, this is an incredibly detailed and expressive depiction of a place close to the artist’s heart. This expressive landscape is certainly the result of many hours spent sketching people, animals, weather conditions and topography of Wisconsin as Curry traveled around the state. The backdrop of undulating hills and the sweeping horizon, and the emotions evoked by it, are emphatically recognizable as the ‘driftless’ area of south-central Wisconsin. But while the Metropolitan’s Wisconsin Landscape conveys a sense of uncertainty or foreboding with its dramatic spring cloudscape and alternating bands of light and dark, Sketching Wisconsin has a warm and reflective mood. The colors of the foliage indicate that it is late summer and Curry seems to look out at the viewer approvingly, as if satisfied with the fertile ground surrounding him. The landscape in Sketching Wisconsin is also revealing of what became one of Curry’s passions while artist-in-residence at UW’s School of Agriculture – soil conservation. When Curry was a child in Kansas, he saw his father almost lose his farm and its soil to the erosion of The Dust Bowl. Therefore, he was very enthusiastic about ideas from UW’s School of Agriculture on soil conservation methods being used on Wisconsin farms. In Sketching Wisconsin, we see evidence of crop rotation methods in the terraced stripes of fields leading down the hillside away from the Curry’s and in how they alternate between cultivated and fallow fields. Overall, Sketching Wisconsin has a warm, reflective, and comfortably pastoral atmosphere, and the perceived shift in Curry’s self-image that is evident in the portrait is a positive one. After his rise to favor in the art world in the 1930’s, and then rejection from it due to the strong beliefs presented in his art, Curry is satisfied and proud to be farmer in this self-portrait. Curry suffered from high blood...

Suchitra Bhosle's "Dappled Light" is an original, hand made oil painting that depicts a man napping in the sun while leaning against a tree with sun stre...

"Kate (#16)" is an archival pigment print by Chuck Close in 2011. The artwork is 32 x 24 inches with the frame being 36 3/4 x 28 5/8 x 2 inches and it weighs less than 50 lbs. The ar...

Date: 1950 Medium: Oil on Canvas Dimensions: 36.00" x 28.00" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post...

‘ Lisa ' By Ian Sanderson, Silver Gelatin print, Fiber based Photography : 1989 A beautiful silver gelatin fibre based print produced in the darkroom directly from the negative. The ...

"Self-Portrait" (2015) by Michael DeVore is an original handmade oil portrait painting of the artist that measures at 12 x 10 inches framed and is ready...

Accompanied by a lantern, an elderly man sits alone, engrossed in a newspaper. Benton used a lithographic process to draw and produce this image. He renders the face and paper well-l...

Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued. Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.45 x 7.48 inches Inscription: Signed in the...

John George Hookham (1899-1972) Portrait of the artist’s cousin, Gladys Coombs (1899-1963), c. 1920-25 With a figure study verso Oil on canvas In an attractive, stylised ‘Lely’ type ...

"Message," is an original oil painting by Karen Offutt. It is unframed, but ready-to-hang.

This surrealist figurative portrait on canvas merges traditional painting techniques with symbolic elements of contemporary art. Executed in acrylic on board, the piece measures 60 x...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of famous singer and songwriter Michael Jackson. From personality portraits and adverti...

Oil on Canvas Unique Available for display at Taylor Fine Art

Artist: Man Ray (American born, 1890 - 1976) Title: VISAGES OF WOMAN, UNDATED Date Of Negative: 1920 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Pri...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Photo of Salvador Dali in Venice holding cane and looking up. Salvador Dali was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking...

24 x 16 inches - Edition 1 of 5 with 2 APs framing is an additional $420. Shot in 2011 in New Orleans Inspired by Marie-Guillemine Benoist’s Portrait of a Black Woman, 1800 Ph...

Fun Loving Criminals III by B A T I K signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print Limited to 15 only Featuring police arrest mugshot photos of Tupac, Eminem , Vanilla Ice, Michael Jackson, Justin Bieber...

Paper Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Image Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplement...

Unsigned. Provenance: Studio Sale, George Weissbort, 2 June 2024. On board.

Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck...

Portrait by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas, unframed measures: 16 high by 13 inches wide condition: overall ver...

Artist Sandra Batoni was born in Florence, Italy in 1953. Intrigued by art, she began painting at the age of fourteen. In 1973 she began to attend the ...

Tell me what I am to do (Till Death do us Part) - 2005 20x20cm, Edition 2/10. Digital C-Print print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 932...

Nude portrait study of Paris Opera Ballet dancer Patrick DuPond for 'After Dark' magazine, 1983. This is a vintage silver gelatin photograph made by...

High Hopes - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2020-895. No...

Christopher Ganz Driver's License Self Portrait 2005 lithograph 13.50h x 10w in 34.29h x 25.40w cm CG0041 -ARTIST STATEMENT- I depict my person in multipli...

"3/3" by Conrado López is a delicate yet expressive 2024 artwork, utilizing acrylic, gold leaf and oil on a canvas sized at 15.75 x 15.75 in (40 x 40cm). This piece is a prime exa...

Edition 5 of 7 with 2 APs framing is an additional $265. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld ...

Historical  Photo - Queen Elizabeth is a rare black and white vintage photo, realized in the mid-20th century.  It belongs to a historical album including historical moments, royal ...

The Cornish Fisherman signed D.W Haddon (British, active 1884-1914 in Cornwall) oil on canvas on board, unframed board: 11 x 9 inches provenance: pri...

Frank Sinatra, 1965 - Bob Willoughby (Portrait Photography) Archival pigment print Printed on 20 x 24 inch paper From an edition of 25 Also available in alternative sizes Bob Wi...

Samburu warrior sitting on a ledge overlooking his tribe's homeland A Samburu warrior surveys his ancestral land at this popular lookout In this print series titled Warrior Studies...

The Drugs Don't Work I - Oversize limited edition - Pop Art - Twiggy by the London based contemporary pop art image creator and artist, BATIK. Measures 60 x 40" inches / 152 x 101...

Stunning image of Marilyn Monroe posed pinup style in a high-slit dress. This listing is for a limited edition archival print. What's included: - Limited Edition Archival Print - N...

Portrait of a Lady by Jacob Markiel (Polish 1911-2008) *See notes oil on canvas, unframed canvas: 26 x 20 inches provenance: the artists estate, south o...

Embodied within this piece is a dance of textures and hues, a fusion of realism's clarity with surrealism's dreaminess, expressionistic emotion, and the delicate play of light charac...

Mauricio Bodegón Feb 1, 2000 by Celso Castro-Daza From The series Frutas Color Unique photo collage Sheet size: 27.5 in. H x 19.5 in. W Unframed Signed, titled and dated by the arti...

Kate #3, 2002 by American photographer Leonard Freed is in the photographer's series "Kate." This is an 11" x 14" gelatin silver photograph signed verso (back of photo) by the Freed ...

Antoine VESTIER, attributed to (Avallon, 1740 - Paris, 1824) Portrait of a man under the Revolution Oil on canvas H. 46 cm; L. 37 cm Circa 1793-95 This beautiful unsigned portrait i...

'Learning to fly', 2020 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - P...

David Bailey Marie Helvin, 1976-2021 Archival Inkjet Signed by the artist, on verso Accompanied by a COA 132 x 91.4 cm - Sheet size 135.5 x 94 x 4 cm - Framed Edition of 5 Marie Hel...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

Portrait of a Lady in Purple Dress against a Pink and Blue Wallpaper background French School, circa 1930's signed lower front corner oil on canvas, unframed canvas: 22 x 18 inches p...

Sophie - Signed limited edition archival pigment print, 1995 - Edition of 10 A classical approach, sensual not sexual Large scale photograph. This image was captured on film in...

Presented in a distressed dark green frame. Unsigned. On panel.

Queen Elizabeth II- Vintage Photo is a black-and-white photograph, realized in1968, Garden Party in Marlborough House Good condition.

Mane-Katz (1894-1962) composes an ink and watercolor portrait of a Hasidic young lad. Signed upper right Mané-Katz, circa 1929. Mane-Katz was a Litvak painter born in Ukraine best known for his depictions of the Jewish shtetl in Eastern Europe. Emmanuel Mané-Katz (Hebrew:מאנה כץ), born Mane Leyzerovich Kats (1894–1962), was a Litvak painter born in Kremenchuk, Ukraine, best known for his depictions of the Jewish shtetl in Eastern Europe. Mane-Katz moved to Paris at the age of 19 to study art, although his father wanted him to be a rabbi. During the First World War he returned to Russia, at first working and exhibiting in Petrograd; following the October revolution, he traveled back to Kremenchuk, where he taught art. In 1921, due to the ongoing fighting in his hometown during the civil war, he moved once again to Paris. There he became friends with Pablo Picasso and other important artists, and was affiliated with the art movement known as the School of Paris; together with other outstanding Jewish artists of that milieu, he is sometimes considered to be part of a group referred to specifically as the Jewish School of Paris. Includes painters Jankel Adler, Arbit Blatas, Marc Chagall, Jacques Chapiro, Michel Kikoine...

Sara Scribner's (US based) "Their Song Welcomed the Night" is an original, handmade oil painting that depicts a realistic portrait of a feminine form in ...

Portrait Of Gilbert Talbot 7th Earl of Shrewsbury (1552-1616), 16th Century Circle of George Gower (c.1540–1596) Huge 16th Century Portrait Of Gil...

In excellent condition measures 62x62x4 Oil on canvas In my opinion one of the artist best pieces

Black and white pinup portrait of star actress Marilyn Monroe in a black sequin gown. -- One-of-a-kind original vintage press print from the Celebrity Vault archives. Own a piece of history and kick-start your collection with our one-of-a-kind pieces of your favorite celebrities. -- "The Marilyn Monroe community was shocked and stunned at the untimely passing of truly one of the greatest Monroe sculptors of all time, Kim Goodwin...

Fred Astaire was an American dancer, singer, actor, choreographer, and television presenter. He is widely regarded as one of the most influential dancers in the history of film and t...

Oil on wooden panel realized by Francesco Settimj in 1930s. Good condition.