Road Art

Dappled Light, Impressionist City Scene, Signed Oil Painting By British artist, Anthony Hedges, 20th Century Signed by the artist on the lower left ...

Almost daily between 1993 and 2004, Alejandro Cartagena would commute on a suburban bus from Monterrey to the suburban city of Juarez and back. Working at his family’s restaurant, he...

Best Blondie By Martyn Goddard Signed Limited Edition Best of Blondie photo shoot on the roof of the Record Plant recording studio New York 1978 All...

Milano is an original photograph realized by Roberto Baccarini. Hand signed and titled in pencil on the lower right margin.

The Old Days - Ducks is a black and white vintage photo, realized in the early 20th century.  It belongs to historical album including historical moment, royal families, and politic...

African American Man on Street is a dramatic Black & White photographic print on Hahnemuhle Paper available in this size in an Edition of 10. States of America is the photographic legacy of one of the UK’s leading photographic talents whose untimely death in 1991 ended prematurely the highly promising career of a distinctive and powerful photographic voice. Michael Ormerod was born in Cheshire in 1947. He lived in Newcastle, but spent many years travelling America. Fascinated by the American image, and following in the footsteps of Robert Frank, Ormerod took to the American West to find a washed out dream of capitalism. His images capture a strange juxtaposition of an American beauty tainted by a hidden sense of menace and corruption. The photographs are understated, but show an unseen America, where the industrial heartland is decaying, highways stand empty and towns are deserted. The subjects of Ormerod’s work are the disenfranchised. A teenager cycles through her neighbourhood wearing a Halloween-style hockey mask, a Native American man stands in a graveyard, their expressions are unreadable. The work subverts traditional American icons. A white picket fence is staved in, a huge billboard for Miss Teen Dakota USA stands next to an empty highway. Inverting the famous Hollywood sign, Ormerod photographs a Texaco sign...

This early 1960s portrait photograph, captured by society photographer Slim Aarons, features children playing 'Ring a Ring o' Roses' on a street marked with graffiti reading 'No Surr...

Reportage from Albania - Tirana - Photograph is a color photograph realized in the Late 1970s. Good conditions. the landscape of Albania through the art of photography is captured ...

The truth is out there - 2019 Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

Paris by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 18 x 26 inches Colors: Green colors, grey, blue, brown and yellow Very good condition, th...

"Central Park West" is one of 36 featured works which make up the series Above & Beyond. This homage to New York City is an evocative ...

Cannon Drive Cars driving along Cannon Drive, Beverly Hills, California. Paper size 16 x 16" inches / 40 x 40 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Artwork sold in perfect condition Fabrizio La Torre’s 100th Anniversary Celebration (1921-2021) Set # 10 - Canada Limited edition of 100 Coffrets for each themes, all artworks printe...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

Bryan Atkinson Truman Road Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard plex Bry...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Oil on canvas. Signed lower right.

Juan Alcalde Alonso (Spain, 1918-2020) 'Notre Damme', 2002 silkscreen on cardboard 26.8 x 32.7 in. (68 x 83 cm.) Edition of 75 ID: ALC1002-027-075 Hand-signed by author Excellent con...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.08 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Reportage from Albania - Tirana - Photograph is a color photograph realized in the Late 1980s. Good conditions. the landscape of Albania through the art of photography is captured ...

Aerial view looking down on sunbathers and parasols on the beach at Positano, Italy, 1979. The view looks north along the coastline. Slim Aarons Estate Edition, Certificate of Auth...

Paris, the River Seine French School, late 20th century signed inscribed verso oil painting on canvas, unframed canvas: 10.5 x 14 inches provenance: private collection, France condit...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

Come With Me 1, 2011 - Fern Plants on Forest Floor in English Woodland Landscape by Ellie Davies Come With Me 1 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availa...

Luxembourg: Place de la Gare (Railway Station) by Leonard Machin Rowe (1880-1968) signed lower right watercolour painting on artist's paper, unframed Image: 9.75 x 13.75 inches, she...

Artist: John Baeder, American (1938 - ) Title: White Castle Year: 1981 Medium: Screenprint on Somerset Paper, signed and numbered in pencil Edition: 250 S...

WŁODZIMIERZ KARCZMARZYK (born in 1930) Painter and an architect. He studied at KUL in Lublin, Academy of Fine Arts and University of Technology in Warsaw. Long-term professor of draw...

Bryan Atkinson Bullock Family Chapel Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.05 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Driving - 2017, Edition of 7 plus 2 Artist Proofs. Archival C-print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory Pl2017-356. Not mo...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

Paris Corner Kids from the Paris In Colour Series 1956-61 By Peter Cornelius large oversize 40 x 30 inches / 101 x 76 cm paper size Printed 2022 Archival pigment print Framing and...

Jim Beckner's (US based) "Intersection" is an original, handmade oil painting depicting an urban scene below the El 1's tracks with patterned shadows. About the Artist: (Born 1970...

Masterful watercolor of a cathedral's spire seen through ancient streets, c.1960. Displayed on a white mat with a gold border and fits a standard-size frame. Archival plastic sleeve ...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Edition of 5 in format 64,5x42,5 cm Photograph on Hahnemuhle Paper ; Digigraphie technology , Limited edition, 64,5x42,5 cm + 5 cm white margin The photo is signed and stamped on t...

Couple In The Street, limited edition photograph, signed, archival pigment ink “Once Upon A Time In Kazimierz is a novella told in staged photographs. It portrays an episode in the...

Trajan's Forum, Rome -  Vintage Photo is a colored photograph of the 1970s. Good conditions.

Work on wood

'Beverly Hills Hotel' by Slim Aarons Limited Edition Slim Aarons Estate Edition Print. Numbered in ink to 150 only on front and emboss stamped on front. Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. Beautiful classic cars parked outside the iconic Hotel, surrounded by giant palm trees, bathed in s soft glow light, this is a true Slim Classic! Typically 'Slim' this photograph epitomises elegant travel and the vintage style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he photographed 'beautiful people in beautiful places, doing beautiful things'. An exquisite LIMITED Edition Slim Aarons Archival Pigment Print. Gorgeous print measuring an Oversize 40 x 40 inches / ca 102 x 102 cm's. Produced utilising the original transparency held at archive source. Archival Pigment Print. Archive stamped & numbered EDGE PRINTS works in close partnership with the Getty Images Archive & Slim Aarons Estate and Collection, in London England. We ship regularly using crating firms (to ensure safe arrival of your artwork) together with Fedex Express and other international services. We ship regularly using Fedex Express services and shipping to all international locations is complimentary. 1950s 1950 cars classic palm trees luxury hotel sun sunshine holiday California Marilyn Monroe vintage...

Untitled #16, New York, from the series New York by Giacomo Brunelli is a Silver Gelatin print in a limited edition of 10 in this size. Brunelli shoots uniquely on black and white f...

Come With Me 6, 2011 - Leafy Path in Natural Environment and Woodland Forest by Ellie Davies Come With Me 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available ...

This astonishing ancient view of a street in Tokyo is an original vintage photo applied on cardboard: 26 x 34 cm. It was realized between the 1880s and the 1890s. Image 21.5 x 27.5 cm. Caption in Italian, in ink hand-written. An incredibly vivid view of Tokyo streets...

Come With Me 8, 2011 - Autumn Leaves on Forest Floor in Natural Woodland by Ellie Davies Come With Me 8 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in t...

Salisbury by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22.25 inches titled and dated 'Oct 1989' *FREE SHIPPING ON THIS PAINT...

Promenade Shadows is an Original Painting by Eleanor Woolley. This painting was started Plein air and finished in the studio. The Artist's inspiration comes from the play of dark and...

Painting of House-  Vintage Photo is a black and white photograph of the mid-20th century. Good conditions and aged.

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Lord Fauntleroy KCMO-240926-09 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 20 x 9.34 inches (60.96 x 60.96cm) Edition: 17 Signed, titled and dated on label COA...

Blackmon's images offer a fantastic and surreal commentary on contemporary American family life while referencing a 19th Century Flemish painting – they are intricate tableaux, combi...

Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...

"Odette, Paris, France" is a framed photograph (archival dye infused print) on aluminum by David Burdeny, depicting a patisserie in Paris called "Odette". The iconic architecture of ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Juan Alcalde Alonso (Spain, 1918-2020) 'Nueva York', 1999 silkscreen on paper 28.8 x 21.3 in. (73 x 54 cm.) Edition of 75 ID: ALC1002-001-075 Hand-...

Paul McMillian Hyde Park Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal b...

David Pugh Pink City II Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age res...