Minimalist Books

English Style by Suzanne Slesin and Stafford Cliff. NY: Clarkson N. Potter, 1984. Stated first edition hardcover with dust jacket. 288 pp. An intimate l...

This model engraved with the name ; ''Dobbie McInnes & Clyde Ltd. Glasgow'' measured the pressure of the cylinder inside and gives it a diagram on paper. The Copper plate 1968 moto...

Price/sample. Pick your colors from the color chart or contact us if you're looking for a specific color. All samples are coated with the standard matte indoor protective coating...

AUTHOR: KIPLING, Rudyard. TITLE: Many Inventions. PUBLISHER: London: Macmillan & Co., 1893. DESCRIPTION: FIRST EDITION SIGNED. 1 vol., signed by Kipling on the title-page under h...

Presenting an extremely rare first edition hardback copy of The Seven Seas by Rudyard Kipling from 1897. This rare book is in fair to good condition for ...

The marblelous book end small is a minimalist style book end made of treated Carrara marble. The product consists of a solid marble prismatic block. Josep Vila Capdevila, head desig...

A clear smoke-colored ashtray by Marc Newson with facsimile of the artist's signature on underside.

Braun SK 61 Phonosuper Radiogram by Dieter Rams & Hans Gugelot, Germany, c. 1962 A rare and iconic Braun SK 61 Phonosuper Radiogram, designed by Diete...

London: Printed by William Stansby for Walter Burre, 1614. FIRST EDITION, first issue Folio; 12 1/2 x 8 3/8 inches (317 x 212 mm). Collation: 40, ode, title page, Preface; 40, Conten...

19th-Century Russian Orthodox Crucifixion Icon with Extensive Church Slavonic Inscriptions A deeply atmospheric and finely detailed 19th-century Russian Orthodox icon depicting the Crucifixion of Christ, executed in the traditional Byzantine manner with extensive Church Slavonic inscriptions and an unusually decorative turquoise and gilt border evocative of cloisonné enamelwork. The icon presents Christ crucified upon a dark wooden cross, flanked by the mourning figures of the Virgin Mary and Saint John the Theologian, all rendered with elongated proportions and solemn devotional expression characteristic of Russian icon painting of the period. The arched upper register bears the title “Распятие Господне” Translated: “The Crucifixion of the Lord.” The cross plaque is inscribed with “І.Н. Ц.І.” The Church Slavonic equivalent of INRI, translating to the following: “Jesus of Nazareth, King of the Jews.” Above Christ appears the sacred Christogram. “ІС ХС” Translated: “Jesus Christ.” Additional inscriptions include: “ЦРЬ СЛВЫ” Translated: “King of Glory.” and likely: “СЫН БОЖИЙ” Translated: “Son of God.” The Virgin is identified by the traditional Greek abbreviation "MR. ΘΥ.” Meaning: “Mother of God.” while Saint John is inscribed. “СТЫ ИОАНН БОГОСЛОВ” Translated: “Saint John the Theologian.” The richly ornamented border with geometric floral motifs provides exceptional decorative presence, uncommon among more austere provincial examples. The reverse retains an old typed collection or import label reading, “Russian Icon of the Crucifixion, 14 in. by 12 in., 19th Century," along with an apparent 1971 import or inventory date stamp, suggesting the work entered the United States through an early dealer, estate, or ecclesiastical collection. Presented on traditional joined wood panel construction with horizontal butons. Surface wear, craquelure, scattered paint losses, edge wear, and age-related abrasions are present throughout and should be viewed as consistent with the devotional use, age, and authenticity of the icon rather than defects. These surfaces contribute to the deeply timeworn spiritual character prized in antique Orthodox icons...

A highly collectible original pressing of Wish You Were Here, the ninth studio album by Pink Floyd, released in 1975 on Columbia Records (PC 33453). This landmark concept album, them...

A First Edition 'Goodbye Picasso' coffee table or library book, by author David Douglas Duncan, 1974, New York. An amazing book covering an intimate look at the relationship between ...