Antique Bronze Bear

controlled folds. The figure stands on a circular base with a smooth edge. The bronze surface bears a dark

Beautiful bronze pig figurine as a Pen Wipe, early 20th century – patinated This finely crafted

bronze. The surface bears a deep, time-earned patina with mineral accretions and areas of oxidation

Mène's oeuvre. It is mounted on a tiered circular bronze base, which bears the artist's signature, "P.J

, adorned with ebonized slats and exquisite bronze mounts that bear neoclassical motifs. These intricate

engraved with the “L.C.T.” signature, while the bronze base bears the impressed mark “TIFFANY STUDIOS NEW

. All the bronzes in this set bear the marks of the illustrious Susse Freres foundry who cast them

is slightly chipped in one small area. The bronze is unsigned and bears no foundry mark but is of

JEAN-BAPTISTE CLESINGER French, 1814-1883 "Sapho" Sand-cast bronze in medium-brown patination

the bronze itself bears the sculptor’s signature. Created in France circa 1920, the work relates to

Ages, a period until then totally set aside in favor of Antiquity. This bronze piece bears witness to

Pair of vases cobalt blue sevres porcelain with ormolu bronze, on each cover top bear a mark

profusely detailed example in superb condition. Five sides bear intricate bronze plaques detailing romantic

with wreath handles. The bronze mounts bear the casting stamp "L. KAHN" to the reverse. The lockplate

representing mythological and allegorical subjects. His works were produced in bronze and bear his name cast or

enhance the depth and naturalistic quality of the bronze. This example bears the foundry mark of A.G

Exquisite mid 19th century French bronze study of an anthropomorphic bear sitting on a barrel

for the foundry of 'Pinedo / Bronzes / Paris,' and bear title plaques: the first, 'Arabe en Marche

bear gilt bronze branches shaped as stylized oil lamps with floral ornament and four nozzles each. The

rosettes. An acanthus medallion covers the underside of the light. A solid bronze corona bears the five rod

and richly colored crystal wares since the 18th century. The gilt bronze bases bear a stamped Baccarat

pieces, the bronze castings bear the intials "PS" on the reverse. He exhibited at many Universal

rounded sides each fitted with a cupboard door. The bronze mounts bear the casting stamp "L. Kahn" to the

bronze and bears a wonderful view of an early competitive sailing yacht racing on an open sea with a

beige solid marble pedestal with gilt bronze mounts. Signed: Vito Pardo, Roma, circa 1900-1920

This rare Japanese-style pool table in gilt bronze and carved wood bears the plaque of the Parisian

. French work, 19th century. The marble is signed by the artist and the bronze base bears the Collet

centre of the base platform. Several of the gilt and patinated bronze mounts bear the stamp 'ZJ'.

, some of his earlier bronze castings bear the initials "SP" or "PS" on the reverse. He exhibited at

centered by a foliate wreath, on toupie feet. The bronze mounts bear the casting stamp "L. KAHN". The works

spreading stiff leaf bands. The faun bears at his hip a gilt-bronze tambourine; at his feet is a thyrsus. A

beige solid marble pedestal with gilt bronze mounts. Signed: Vito Pardo, Roma, circa 1900-1920

crafted wood, accented with brass and bronze, which give it a timeless shine. Its dimensions are 48cm in

Beautiful bed in patinated steel, decorated with volutes, Greek frieze and ending with bronze

, supported by finely cast gilt bronze mounts. The porcelain bears multiple marks: the interlaced L’s for

with gilt bronze mounts. This piece bears comparison with a bonheur-du-jour attributed to T.H. Filmer

painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a

ful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears

decoration, hand-painted vignettes and floral sprays, and a gilt bronze mount. Base bears a blue

enamel Bacchanalian scene on the lid, neoclassical devices on the side panels, and a fine gilt bronze

, accession number N01756). This bronze plaque bears several stylistic similarities to the marble relief panel

Lamp said to Carcel system mounted on China vase in Canton XIXth century. Bronze frame. This Carcel

marquetry cabinet and commode. Inlaid in ebony and mother-of-pearl marquetry and applied with gilt bronze

gilt bronze panels after Clodion. The bronze mounts bear the casting stamp "L. Kahn" to the reverse

bronze founder of furniture mounts and more commonly, bronze sculpture including figures, animals, urns