Cassina Maralunga Fabric Armchair

As one of the founding fathers of modern Italian design, prolific architect and industrial designer Ludovico Magistretti (known by his nickname Vico) was guided by his philosophy, “There is no excuse for bad design.” His architectural projects are widely revered, and an ingenious meld of form and function can be found in his stylish and deceptively simple table lamps, sofas, armchairs and other mid-century furnishings.

Born in Milan, Magistretti followed in the footsteps of his father and grandfather (both architects) to study architecture at the Polytechnic University of Milan. At the outbreak of World War II, he fled to Switzerland, and it was there he met his role model and mentor, renowned humanist architect Ernesto Nathan Rogers. Magistretti was inspired by Rogers’s vision to revive postwar Italy, and they collaborated on several reconstruction projects. Among Magistretti’s first architectural designs is a “poetic” round church, which he created for the QT8, an experimental Milanese neighborhood.

When Magistretti returned to Milan in 1945, he worked at his father’s architectural firm. It wasn’t until the early 1950s that he expanded his talents into design while working with furniture artisans.

In the 1960s, Magistretti began his 30-year working relationship with famed entrepreneur Cesare Cassina of the Cassina furniture manufacturing company. In their design approach, the two men shared a vision of the relationship between modernity and tradition and enjoyed a close bond (Magistretti designed Cassina’s luxurious villa in 1965). However, their friendship was not without contention.

Legend has it that upon seeing the prototype for Magistretti’s Maralunga sofa, Cassina hated it so much that he punched it, breaking the back of the sofa, which crumpled into itself.

“Right, great, it looks perfect to me like that,” an unfazed Magistretti allegedly responded, and the Maralunga’s slumped, adjustable-height backrest was born. Incidentally, the Maralunga sofa won Italy’s Compasso d’Oro award as did his Eclisse lamp for Artemide and his Atollo lamp for Oluce.

Magistretti died in 2006, but his designs live on in galleries, museums and private residences and offices around the world.

Find a range of vintage Vico Magistretti furniture and lighting on 1stDibs.

Armchairs have run the gamut from prestige to ease and everything in between, and everyone has an antique or vintage armchair that they love.

Long before industrial mass production democratized seating, armchairs conveyed status and power.

In ancient Egypt, the commoners took stools, while in early Greece, ceremonial chairs of carved marble were designated for nobility. But the high-backed early thrones of yore, elevated and ornate, were merely grandiose iterations of today’s armchairs.

Modern-day armchairs, built with functionality and comfort in mind, are now central to tasks throughout your home. Formal dining armchairs support your guests at a table for a cheery feast, a good drafting chair with a deep seat is parked in front of an easel where you create art and, elsewhere, an ergonomic wonder of sorts positions you at the desk for your 9 to 5.

When placed under just the right lamp where you can lounge comfortably, both elbows resting on the padded supports on each side of you, an upholstered armchair — or a rattan armchair for your light-suffused sunroom — can be the sanctuary where you’ll read for hours.

If you’re in the mood for company, your velvet chesterfield armchair is a place to relax and be part of the conversation that swirls around you. Maybe the dialogue is about the beloved Papa Bear chair, a mid-century modern masterpiece from Danish carpenter and furniture maker Hans Wegner, and the wingback’s strong association with the concept of cozying up by the fireplace, which we can trace back to its origins in 1600s-era England, when the seat’s distinctive arm protrusions protected the sitter from the heat of the period’s large fireplaces.

If the fireside armchair chat involves spirited comparisons, your companions will likely probe the merits of antique and vintage armchairs such as Queen Anne armchairs, Victorian armchairs or even Louis XVI armchairs, as well as the pros and cons of restoration versus conservation.

Everyone seems to have a favorite armchair and most people will be all too willing to talk about their beloved design. Whether that’s the unique Favela chair by Brazilian sibling furniture designers Fernando and Humberto Campana, who repurposed everyday objects to provocative effect; or Marcel Breuer’s futuristic tubular metal Wassily lounge chair; the functionality-first LC series from Charlotte Perriand, Le Corbusier and Pierre Jeanneret; or the Eames lounge chair of the mid-1950s created by Charles and Ray Eames, there is an iconic armchair for everyone and every purpose. Find yours on 1stDibs right now.