Erte Mirror

Born Romain de Tirtoff (1892–1990) in St. Petersburg, Russia, to an aristocratic family, the artist known as Erté — a pseudonym derived from the French pronunciation of his initials — was a Renaissance man of the art and design world. He worked in graphic arts, interior design, fashion, jewelry and set design for the stage and silver screen, becoming a leader of the Art Deco style.

Moving to Paris in 1912, Erté worked as a fashion designer under couturier Paul Poiret before securing a job with Harper’s Bazaar as a cover artist. Over 22 years, Erté created more than 240 magazine covers alongside his ongoing work in fashion design.

Extending his prolific career into theater sets, costumes, prints and lithographs, Erté became one of the most famous artists of the era. His style — a combination of the nature-inspired flourishes of Art Nouveau and bold, geometric linework — directly contributed to the birth of Art Deco, earning him the nickname “the Father of Art Deco.”

After a lull of creative production in the 1940s and 1950s, Erté reentered the public eye in the 1960s, when a renewed interest in Art Deco had taken shape.

Creating colorful lithographs, bold serigraphs (silk-screen prints) and bronze sculptures, he contributed to a resurgence of the style in France and beyond. This late-life acclaim for his art led to exhibitions in museums and galleries all over the world as well as his first published monograph in 1970. That same year he was awarded the title of Chevalier du Mérite Artistique et Cultural and in 1976 was named Officier des Arts et Lettres by the French government.

Today, Erté’s works are in the collections of the Metropolitan Museum of Art and the Cooper Hewitt, Smithsonian Design Museum, in New York, the Victoria and Albert Museum in London and LACMA in Los Angeles.

On 1stDibs, browse a collection of Erté art, including fine art prints, paintings and other works.

The history of sculpture as we know it is believed to have origins in Ancient Greece, while small sculptural carvings are among the most common examples of prehistoric art. In short, sculpture as a fine art has been with us forever. A powerful three-dimensional means of creative expression, sculpture has long been most frequently associated with religion — consider the limestone Great Sphinx in Giza, Egypt — while the tradition of collecting sculpture, which has also been traced back to Greece as well as to China, far precedes the emergence of museums.

Technique and materials in sculpture have changed over time. Stone sculpture, which essentially began as images carved into cave walls, is as old as human civilization itself. The majority of surviving sculpted works from ancient cultures are stone. Traditionally, this material and pottery as well as metal — bronze in particular — were among the most common materials associated with this field of visual art. Artists have long sought new ways and materials in order to make sculptures and express their ideas. Material, after all, is the vehicle through which artists express themselves, or at least work out the problems knocking around in their heads. It also allows them to push the boundaries of form, subverting our expectations and upending convention. As an influential sculptor as much as he was a revolutionary painter and printmaker, Pablo Picasso worked with everything from wire to wood to bicycle seats.

If you are a lover of art and antiques or are thinking of bringing a work of sculpture into your home for the first time, there are several details to keep in mind. As with all other works of art, think about what you like. What speaks to you? Visit local galleries and museums. Take in works of public art and art fairs when you can and find out what kind of sculpture you like. When you’ve come to a decision about a specific work, try to find out all you can about the piece, and if you’re not buying from a sculptor directly, work with an art expert to confirm the work’s authenticity.

And when you bring your sculpture home, remember: No matter how big or small your new addition is, it will make a statement in your space. Large- and even medium-sized sculptures can be heavy, so hire some professional art handlers as necessary and find a good place in your home for your piece. Whether you’re installing a towering new figurative sculpture — a colorful character by KAWS or hyperreal work by Carole A. Feuerman, perhaps — or an abstract work by Won Lee, you’ll want the sculpture to be safe from being knocked over. (You’ll find that most sculptures should be displayed at eye level, while some large busts look best from below.)

On 1stDibs, find a broad range of exceptional sculptures for sale. Browse works by your favorite creator, style, period or other attribute.