Framed 18th Century British Prints

A bird's eye view of Devonshire Square, engraved by British master Sutton Nicholls. Published

Adriaen van Ostade, a 17th century Dutch artist. This wonderful etching shows a group of five men playing

of the 18th century, renowned for his precision and his ability to capture the painterly subtleties

, Georgian natural history, 18th century print, British insects, moth engraving, caterpillar illustration

An 18th Century Hand Colored Engraving of a Camel from Thomas Pennant's famous publication on

Collection of nine 18th Century butterflies by Eleazer Albin. Each is dedicated to a prominent

stippling. These pieces were created the later part of the 18th century and distributed into the early 19th

This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto

by British illustrator Thomas Badeslade. The engraving shows a detailed view of the house, gardens

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno

benchmarks of 18th-century British engraving. George Stubbs (1724–1806) George Stubbs is regarded as one of

of the 18th century, renowned for his precision and his ability to capture the painterly subtleties

George Townley Stubbs (British, 1756-1815) Published by: S W Fores The Inconvenience of Dress

double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame

original hand watercolored etching on paper realized by Carlo Nolli artist in the 18th century. Signed on

original hand watercolored etching on paper realized by Carlo Nolli artist in the 18th century. Signed on

roles in shaping the visual record of Britain's intellectual elite in the 18th century. This print

appears to be in the Gothic style. Art size: 8 3/4" x 7 1/4" Frame size: 26 1/2" x 22 3/8" Alexander

finely engraved 18th-century copperplate print depicts a diplomatic encounter between Captain James Cook

origin, dating back to late 18th century. Philip James de Loutherbourg was a French-born British painter

To see more of our period engravings, scroll down to "More from this Seller" and below it click on "See all from this Seller." Chapel Interior (circa 1800) Engraving 49 x 40 cm An...

Basan in the 18th century. This engraving is also in the British Museum. Sold with the frame: W

A fine late18th century coloured copper mezzotint engraving printed on original handmade wove paper

Walpoole’s *The New and Complete British Traveller*, one of the late 18th century’s most popular illustrated

This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court

This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di

, pastoral scenes, and animals, which captured the imagination of the late 18th-century British public. A

Raphael Smith. 1752-1812. Print: 20.75" x 26" - With Frame: 28" x 33.5" Published: May 1, 1799, by I. R

Expertly hand-colored, preserving the vivid tones typical of 18th-century botanical illustration Printed

Custom framed art engraving that features a shield with heraldic symbols, supported by two dragons

2 Colonnes, ca. 1776. It belongs to the popular 18th-century genre known as “vues d’optique

This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del

eye of Tom Tower. John Donowell was an eighteenth-century British architect and engraver, considered

This evocative 18th-century engraving titled "Sir Walter Raleigh Beheaded in Old Palace Yard

This striking 18th-century engraving, titled 'The Glorious Defeat of the Invincible Spanish Armada

of 16 separate views, considered the greatest of all of the 17th and 18th century whaling prints

during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and

"Cormar Attacking a Spirit on the Waters" is an etching by eighteenth-century Scottish artist

Artist: William Augustus Osbaldiston (English, Active: Late 18th Century) Title: "Wild Fowl

early 18th centuries, and was court painter to English and British monarchs from Charles II to George I

. The print originates from a late 18th-century British natural history publication documenting newly

,” reflecting the aristocratic patronage that supported natural history publishing in early 18th-century England

half of the 18th century are a valuable source for the period.

engraving, in an ebonized and giltwood frame. 18 inches wide 12.5 high 1 deep Provenance: Collection of

subscribers and private patrons who supported the publication of natural history works in early 18th-century

A fine late18th century coloured copper mezzotint engraving printed on original handmade wove paper

British Royal Collection Trust. This large framed mezzotint engraving is presented in a brown wood frame

print are otherwise in excellent condition. The frame measures 23.25" x 18.5" x 1.63".

the 18th century are a valuable source for the period.

Title: "The Economic Balancing Act: A Satirical View of 1780 Britain" This original etching and

by by Thomas Bowles, 1754. Hand colored engraving, in original ebonized frame with carved gilt wood

the right edge of the picture, a storm rolling in. Art size: 2 1/4" x 3 1/2" Frame size: 15 3/8" x 16

around the inner courtyard of their 18th-century farmhouse. A new range requested by Wedgwood was not in

the three voyages of discovery by Captain James Cook later in the 18th century. The map is printed on

achievements in 18th-century natural history illustration. The text was authored by Cornelis Nozeman and later