Harpers Weekly

Measures 9.75 x 14.5 inches sight 19.25 x 24 inches framed Framed “Harper’s Weekly” ship prints, 1870s. Each matted and framed under glass with custom burl wood veneer moldings

A set of four authentic engravings by Winslow Homer for Harper's Weekly. These engravings are part of Homer's "Children's Series: works completed during the mid-1870's with a focus o...

The large version of Winslow Homer's engraving "Crack the Whip" created for Harper's Weekly, September 20, 1873. This is one of Homer's most famous engravings, and considered the f...

A 19th C Agricultural Print. re produced from Harper's Weekly, Signed and Numbered by ECA. Framed.

Limited edition print c. 1975-77 after wood engraving of Frederic Remington's (1861-1909) illustration published in Harper's Weekly, October 1889. Frederic Remington (1861-1909) is b...

In 1873, Frenzeny, one of the more well-known illustrators of Harper's Weekly, undertook a highly successful year-long sketching tour with fellow artist Jules Tavernier for Harper’s ...

Geary's division of Hooker's 12th Corps. during the Battle of Lookout Mountain, November 24, 1863; he added that during the Chattanooga campaign he served as an "auxiliary"...

Born in New York City, Day studied in Paris and worked for Vanity Fair, Harper's Weekly, Leslie's and other American publications of the era.

He was reportedly the only artist present at the surrender of Lee’s forces at Appomattox, and his sketches of the event were later published as lithographs in Harper’s Weekly. He con...

The next year, he took the same type of job for the New York World and covered the Boer War for Harper's Weekly.

The next year, he took the same type of job for the New York World and covered the Boer War for Harper's Weekly.

The three Zouave soldiers in this painting were taken from a print published in Harper’s Weekly July 28, 1860. The artist, John Graff added the landscape of Battery Park in New York ...

It seems some time in the late sixties he arrived in New York City, for between 1868 and 1873 he worked for "Harpers Weekly". Commissioned by Harpers, with Jules Tavernier, another F...

ARTHUR BURDETT FROST Harper’s Weekly Harper & Brothers New York, 1904 Hand-colored Halftone A.B.

ARTHUR BURDETT FROST Harper’s Weekly Harper & Brothers New York, 1904 Hand-colored Halftone VISIT MY STOREFRONT BY CLICKING ON Danielle Ann Millican, Inc.

Cohner" was published in a supplement of the American newspaper, Harper's Weekly, January 21, 1899. Cohner was a popular photographer with studios in Havana and Paris.

He supported himself as a freelance illustrator, producing drawings which appeared in weekly publications—such as Ballou's and Harper's Weekly.

Cozzens contributed illustrations and yacht portraits to many magazines, most notably Harper's Weekly. Frederic Schiller Cozzens started his career in the 1860's as a maritime artis...

The artist began his career at the age of seventeen as a wood engraver for Harper’s, preparing illustrations for Harper’s Weekly and for an American edition of the works of Charles D...

"Caribou Hunting in the Barren Grounds, New Brunswick" print from Harper's Weekly, New York, January 5, 1884, signed A.B.

In weekly issues Harper’s reported the news, entertained with literature, poetry and art, as well as educating its readers about world affairs and new inventions.

The venture was a great success and in 1857 the company also began publishing a pictorial weekly newspaper, Harper's Weekly. Harper's Weekly was one of the first American newspap...

It appeared in the January 3, 1863 edition of Harper's Weekly. The left image shows a woman on her knees looking out a window at a snowy scene.

Beautifully framed in burled walnut with French matting scored in a thin outline of gold, these handsome sporting prints are by Arthur Burdett Frost and featured in Harper's Weekly m...

Harper and Brothers, "Liberty Enlightening the World" an offset lithographic print on paper created as an insert for Harper's Weekly, six-folded sheet depicting Bartholdi’s colossal ...

Set of four prints; Snipe Shooting- 1898, A Pot Hunter-1884, A Tempting Shot- 1884, Rail Shooting-1898, from Harper's Weekly, New York, by A.B. Frost. Beautifully newly matted and fr...

Signed in the block Published in Harper’s Weekly, Sept. 20, 1873 Reference: Philip C.

Based in New York, Bodfish painted stylish genre scenes of women, children, and animals and created detailed illustrations of whaling, hunting, and fishing scenes for magazines such ...

By 1860 the circulation of Harper's Weekly reached 200,000 and it became the nation’s most influential newspaper.

Thure de Thulstrup, born Bror Thure Thulstrup in Sweden, was a leading American illustrator with contributions for numerous magazines, including three decades of work for Harper's We...

By 1895, after his return to the United States, Grant became a staff artist for newspapers, such as the San Francisco Examiner, and his images also appeared in Harper’s Weekly. In 19...

Following his return to the United States in 1895, Grant became a staff artist for newspapers, such as the San Francisco Examiner, New York World and Harper’s Weekly. In 1906, Grant’...

Following his return to the United States in 1895, Grant became a staff artist for newspapers, such as the San Francisco Examiner, New York World and Harper’s Weekly. In 1906, Grant’...

His career took off in the mid-1880s when he began making western illustrations for Harper's Weekly and many other widely read New York magazines.

He was known for his landscape and marine paintings, book illustrations, and contributions to Harper’s Weekly, Leslie’s, St. Nicholas and other periodicals.

His career took off in the mid-1880s when he began making western illustrations for Harper's Weekly and many other widely read New York magazines.

Among the many magazines and periodicals which eventually took up his works were the various Harper's publications (Harper's Bazaar, Harper's Weekly, and Harper's Young People), as w...

This original wood engraving published by Harper's Weekly is hand colored. There is a small tear in upper margin/center fold other wise in very good condition.

His work appeared in major publications such as Harper’s Weekly, Collier’s, and The Saturday Evening Post.

Forty wood engravings from magazines such as “Harper’s Weekly,” “Every Saturday” and “Appleton’s Journal of Literature, Science and Art” show Homer’s photographic eye.

Among the many magazines and periodicals which eventually took up his works were the various Harper's publications (Harper's Bazaar, Harper's Weekly, and Harper's Young People), as w...

Among the many magazines and periodicals which eventually took up his works were the various Harper's publications (Harper's Bazaar, Harper's Weekly, and Harper's Young People), as w...

His career took off in the mid-1880s when he began making western illustrations for Harper's Weekly and many other widely-read New York magazines.

His career took off in the mid-1880s when he began making western illustrations for Harper's Weekly and many other widely-read New York magazines.

His career took off in the mid-1880s when he began making western illustrations for Harper's Weekly and many other widely-read New York magazines.

An 1887 illustration by Graham of Yellowstone National Park appeared in Harper's Weekly, but it was a work created from his Chicago studio and not on site.

The race and the rivalry with Britain captured the attention of the country, with Harper’s Weekly stating "There has been nothing in the history of yachting in this country more impo...

Returning to the United States, Fischer sold his first picture to Harper's Weekly in 1908, around the time he moves to Wilmington to receive critiques from Pyle.

Returning to the United States, Fischer sold his first picture to Harper's Weekly in 1908, around the time he moves to Wilmington to receive critiques from Pyle.

Returning to the United States, Fischer sold his first picture to Harper's Weekly in 1908, around the time he moves to Wilmington to receive critiques from Pyle.

His career took off in the mid-1880s when he began making western illustrations for Harper's Weekly and many other widely-read New York magazines.

His career took off in the mid-1880s when he began making western illustrations for Harper's Weekly and many other widely-read New York magazines.

An ad for tea and dinner services advertised from the firm's early premises, at 479 Broadway, just below Broome Street, appeared in Harper's Weekly, 25 April 1863. Retail shops were ...

Perkins’s studies proved a success as he was soon employed by both Harper’s Weekly and Frank Leslie’s Illustrated Newspaper as an illustrator.

His career took off in the mid-1880s when he began making western illustrations for Harper's Weekly and many other widely-read New York magazines.

His career took off in the mid-1880s when he began making western illustrations for Harper's Weekly and many other widely-read New York magazines.

His career took off in the mid-1880s when he began making western illustrations for Harper's Weekly and many other widely-read New York magazines.

Perkins’s studies proved a success as he was soon employed by both Harper’s Weekly and Frank Leslie’s Illustrated Newspaper as an illustrator.

He began working as a freelance illustrator for Harper's Weekly and Ballou's Pictorial in 1857.

His career took off in the mid-1880s when he began making western illustrations for Harper's Weekly and many other widely read New York magazines.