Gene Kloss “ Hunters in the snow”
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, where she did a lot of her work. This fabulous etching is titled hunters in the snow and is number 28
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Hunters In The Snow
Homage to Wilson A. Bentley #19
By Yuji Obata
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scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's
Category
Early 2000s Black and White Photography
Materials
Photographic Paper, Digital, Pigment, Archival Pigment, Digital Pigment
Homage to Wilson A. Bentley #4
By Yuji Obata
Located in New York, NY
stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History
Category
Early 2000s Black and White Photography
Materials
Photographic Paper, Digital, Pigment, Archival Pigment, Digital Pigment
Recent Sales
Homage to Wilson A Bentley #11
By Yuji Obata
Located in New York, NY
scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's
Category
2010s Contemporary Black and White Photography
Materials
ABS, Archival Pigment
Homage to Wilson A Bentley #7
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scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's
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2010s Contemporary Black and White Photography
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Homage to Wilson A Bentley #12
By Yuji Obata
Located in New York, NY
scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Homage to Wilson A Bentley #10
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scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Homage to Wilson A Bentley #8
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scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's
Category
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Archival Pigment
Homage to Wilson A Bentley #5
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scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's
Category
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Homage to Wilson A Bentley #19
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scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's
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2010s Contemporary Black and White Photography
Materials
Archival Pigment
Homage to Wilson A Bentley #2
By Yuji Obata
Located in New York, NY
scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Homage to Wilson A Bentley #1
By Yuji Obata
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scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's
Category
2010s Contemporary Black and White Photography
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Archival Pigment
Hermes L'Hiver Silk Twill Scarf Designed by Philippe Ledoux C. 1968 90cm.
By Hermès, Philippe Ledoux
Located in West Palm Beach, FL
hunters on horseback with dogs in the snow. In very good vintage condition with no issues, the hems are
Category
20th Century French Scarves
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Hunters In The Snow For Sale on 1stDibs
On 1stDibs, you can find the most appropriate hunters in the snow for your needs in our varied inventory. If you’re looking for a hunters in the snow from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 20th Century while another version may have been produced as recently as the 21st Century. If you’re looking to add a hunters in the snow to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of gray, black and more. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in archival pigment print, pigment print and digital pigment print can add an especially memorable touch.
How Much is a Hunters In The Snow?
The average selling price for a hunters in the snow we offer is $4,500, while they’re typically $235 on the low end and $63,000 for the highest priced.
Yuji Obata for sale on 1stDibs
Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami.
In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes.
Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today.
Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow.
His most recent book "Wintertale" gathers his photographs of winter, and has garnered interest around the world for its poetic depiction of a fleeting season. While Obata is reverent to those who inspired him in this project, his photographs stand alone as fresh and original works.
Finding the Right Black-white-photography for You
There’s a lot to love about black and white photography.
The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.
When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.
Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.
Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.
Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.
Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.
On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.