Piranesi Rome

A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass.

Costanza), which is plate 25 from Piranesi's "Vedute di Roma" (Views of Rome), part I.

Piranesi was born in Venice in 1720 and died in Rome in 1778.

Painted with various views of Rome after Piranesi, with bronze hardware inscribed "acudi drvso vielle porta di sebastiano in roma".  

He found ancient ornaments during his expeditions through and around Rome. Piranesi recorded these antiquities on copper plates and published them in 1778 as Vasi, candelabri, cippi,...

The print is otherwise in very good condition. Piranesi was born in Venice in 1720 and died in Rome in 1778.

From one of the most important series of etchings by G.B. Piranesi, Views of Rome drawn and etched by Giambattista Piranesi, Venetian Architect (1753), this wonderful specimen with a...

He found ancient ornaments during his expeditions through and around Rome. Piranesi recorded these antiquities on copper plates and published them in 1778 as Vasi, candelabri, cippi,...

The text notes this piece was housed in Piranesi’s own private museum in Rome (Museo dell’autore).

Vintage poster realized in occasion of the exhibition of Piranesi's Etchings at Galleria Marino Rome. The exhibition was held in occasion of Piranesi's bicentenary of the death (177...

Sepolcro Regio, o Consolare , inciso nella rupe del Monte Albano (Royal or Consular Tomb in the Alban Hills) is an original etching realized by Giovan Battista Piranesi in 1764. Ed...

Vintage poster realized in occasion of the exhibition of Piranesi's Etchings at Galleria Marino Rome. The exhibition was held in occasion of Piranesi's bicentenary of the death (177...

Vintage poster realized in occasion of the exhibition of Piranesi's Etchings at Galleria Marino Rome. The exhibition was held in occasion of Piranesi's bicentenary of the death (177...

Vintage poster realized in occasion of the exhibition of Piranesi's Etchings at Galleria Marino Rome. The exhibition was held in occasion of Piranesi's bicentenary of the death (177...

Giovanni Battista Piranesi Venice 1720 – 1778 Rome Ruins of a Gallery of Statues in Hadrian’s Villa at Tivoli, 1770 Etching Signed lower left on the plate Image size: 45.2 x 58.5 c...

Carcere d'Invenzione is an original Modern Artwork realized by Giovan Battista Piranesi (Mogliano Veneto, 1720 - Rome, 1778). Original Etching with Burin details on Laid paper.

This defect does not affect the image, so that we have the opportunity to admire the masterful draftsmanship of Piranesi. Le Antichità Romane, Tomo III The first edition of this se...

The print is otherwise in very good condition. Piranesi was born in Venice in 1720 and died in Rome in 1778.

In an excellent state of conservation so that we have the opportunity to admire the masterful draftsmanship of Piranesi. Le Antichità Romane, Tomo III The first edition of this ser...

The same vase is available in two different views Paper dimension 70 x 100 cm Slab rebate dimensions 53 x 78 cm This is a reproduction of the beautiful illustrations drawn and engra...

The same vase is available in two different views Paper dimension 70 x 100 cm Slab rebate dimensions 53 x 78 cm This is a reproduction of the beautiful illustrations drawn and engra...

This type of colour finish was also used for another Roman vase that goes in pairs Paper dimension 50 x 70 cm Slab rebate dimensions 35 x 51 cm This is a reproduction of the beautif...

This type of colour finish was also used for another Roman vase that goes in pairs Paper dimension 50 x 70 cm Slab rebate dimensions 35 x 51 cm This is a reproduction of the beautif...

Piranesi at Galleria Marino in Rome. The artwork represents the beautiful View of Piazza Navona.

Camera sepolcrale Etching 1743 Signed in the bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s l...

There is a small section of Nolli’s map of Rome, entitled La Topografia di Roma di Gio. Batt.a Nolli, etched in 1743 and attributed to Piranesi."

Image size: 14 1/2 x 9 1/2 inches Reference: Robison 3 iii/VI Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never...

Nevertheless, these views of Rome firmly established Piranesi’s reputation and gave him the initial financial stability that enabled him to tackle grander themes.

Nevertheless, these views of Rome firmly established Piranesi’s reputation and gave him the initial financial stability that enabled him to tackle grander themes.

Nevertheless, these views of Rome firmly established Piranesi’s reputation and gave him the initial financial stability that enabled him to tackle grander themes.

Nevertheless, these views of Rome firmly established Piranesi’s reputation and gave him the initial financial stability that enabled him to tackle grander themes.

From one of the most important series of etchings by G.B. Piranesi, ”Views of Rome drawn and etched by Gianbattista Piranesi, Venetian Architect” (1753) this wonderful specimen with ...

Background: In 1740 Giovanni Battista Piranesi arrived in Rome for the first time and he was astonished by the Eternal City’s beauty.

A typical example of this phenomenon for Rome are Piranesi's engravings marked by a dramatic intonation, marked by an idea of ??

View of the interior of St Peter's Basilica in the Vatican, Rome. Published after Piranesi, circa 1820.

Sassoli, Apparati architettonici per fuochi d'artificio, 1994, p. 137, n. 69 Master of Giovan Battista Piranesi, Giuseppe Vasi (Corleone, 1710 - Rome, 1782) was an Italian engraver ...

Master of Giovan Battista Piranesi, Giuseppe Vasi (Corleone, 1710 - Rome, 1782) was an Italian engraver best known for his Roman vedute, i.e.

Master of Giovan Battista Piranesi, Giuseppe Vasi (Corleone, 1710 - Rome, 1782) was an Italian engraver best known for his Roman vedute, i.e.

Master of Giovan Battista Piranesi, Giuseppe Vasi (Corleone, 1710 - Rome, 1782) was an Italian engraver best known for his Roman vedute, i.e.

Master of Giovan Battista Piranesi, Giuseppe Vasi (Corleone, 1710 - Rome, 1782) was an Italian engraver best known for his Roman vedute, i.e.

Master of Giovan Battista Piranesi, Giuseppe Vasi (Corleone, 1710 - Rome, 1782) was an Italian engraver best known for his Roman vedute, i.e.

Master of Giovan Battista Piranesi, Giuseppe Vasi (Corleone, 1710 - Rome, 1782) was an Italian engraver best known for his Roman vedute, i.e.

He created a large number of sketches and drawings depicting settlements, manors, and fortifications, with the expressed purpose of enhancing the glory of Sweden, much as Giovanni Pi...

He created a large number of sketches and drawings depicting settlements, manors, and fortifications, with the expressed purpose of enhancing the glory of Sweden, much as Giovanni Pi...

He created a large number of sketches and drawings depicting settlements, manors, and fortifications, with the expressed purpose of enhancing the glory of Sweden, much as Giovanni Pi...

He created a large number of sketches and drawings depicting settlements, manors, and fortifications, with the expressed purpose of enhancing the glory of Sweden, much as Giovanni Pi...