Kwan Yin Bust

Like a Fellini movie, the ceramics of the famed Italian company Bitossi Ceramiche embody a creative spectrum that ranges from the playful and earthy to the high-minded and provocative. Based in Florence, Bitossi draws on craft traditions that date back to the 1500s. These find expression in Bitossi pottery that includes artisanal vintage vases and animal figures by the firm’s longtime art director Aldo Londi, as well as the colorful, totemic vessels designed by the high priest of postmodernism, Ettore Sottsass.

Bitossi was incorporated by Guido Bitossi in 1921, though the family began making art pottery in the mid-19th century. In the 1930s, Londi came aboard, bringing with him a mindset that respected time-honored craft, yet looked also to the future. On the one hand, Londi’s perspective fostered the making of Bitossi’s popular whimsical cats, owls, horses and other animal figures, hand-shaped and -carved and finished in a rich azure glaze known as “Rimini Blue.”

But with his other hand, Londi reached out to thoughtful, experimental designers such as Sottsass. After hiring Sottsass to design ceramics for his New York imports company, Raymor, American entrepreneur Irving Richards connected the Milanese design polymath to Londi, who introduced Sottsass to ceramics in the 1950s.

During that decade, some 20 years before he founded the Memphis postmodern design collective in Milan, Sottsass used the Bitossi kilns to create timeless works that manifest both primitive forms and modern geometries. In later decades, Bitossi would welcome new generations of designers, which have included such names as Ginevra Bocini and Karim Rashid.

While always looking forward, Bitossi is firm in their belief that mastery of craft is the first step towards beautiful design. As you will see from the works offered on these pages, that is a winning philosophy.

Find a collection of vintage Bitossi decorative objects, lighting and serveware on 1stDibs.

The presence of vintage and antique bust sculptures can add a necessary decorative layer to any interior. And just because a statue looks classical doesn't mean it has to be conventional.

A touch of whimsy, a dose of drama — a single bust can alter a room. And when placed in just the right spot, these statues can almost feel alive.

“They give humanity in a way that a more abstract sculpture can’t give,” says Los Angeles designer Timothy Corrigan, who loves pieces that beg to be touched. For a welcoming entry hall project in California, Corrigan selected an antique Persian rug and a bust that invites you to touch it. A collection of sculptures in wood, marble and brass complement the star of the show.

For Consort cofounder and creative director Mat Sanders, a bust doesn’t have to be pretty. “I most enjoy busts that are a little busted,” Sanders jokes — but choose something with a soul you can live with, as “sculpture representative of the human form carries with it an energy you will add to the space.”

The antique and vintage bust sculptures for sale on 1stDibs include Art Deco busts, mid-century modern busts and more.